Dissertations / Theses on the topic 'Visual arts and media arts, n.e.c'
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Graham, Deborah Jane. "The manifestation of national identities in late eighteenth-century Scottish art, c.1750-1800." Thesis, University of Warwick, 2000. http://wrap.warwick.ac.uk/110988/.
Full textDunlop, Anne Elizabeth. "Advocata nostra : central Italian paintings of Mary as the Second Eve, c.1335-c.1445." Thesis, University of Warwick, 1997. http://wrap.warwick.ac.uk/2889/.
Full textEaton, Natasha Jane. "Imaging Empire : the trafficking of art and aesthetics in British India c.1772 to c.1795." Thesis, University of Warwick, 2000. http://wrap.warwick.ac.uk/34755/.
Full textMurrieta, Flores David Alejandro Jerzy. "Situationist margins : The Situationist Times, King Mob, Black Mask, and S.NOB magazines." Thesis, University of Essex, 2017. http://repository.essex.ac.uk/20919/.
Full textRozier, Emily Jane. "The galaunt tradition in England, c.1380–c.1550 : the form and function of a satirical youth figure." Thesis, University of Birmingham, 2016. http://etheses.bham.ac.uk//id/eprint/6656/.
Full textRye, Caroline. "Living cameras : a study of live bodies and mediatized images in multi-media performance and installation art practice." Thesis, Edinburgh Napier University, 2000. http://researchrepository.napier.ac.uk/Output/5886.
Full textMacLeod, Anne Margaret. "The idea of antiquity in visual images of the Highlands and Islands c.1700-1880." Thesis, University of Glasgow, 2006. http://theses.gla.ac.uk/1085/.
Full textSpooner, Rosemary Gall. "Close encounters : international exhibitions and the material culture of the British Empire, c.1880-1940." Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7386/.
Full textVan, Zyl Christa Engela. "‘Swartsmeer’ : ’n studie oor die stereotipering van Afrika en Afrikane in die populere media." Thesis, Stellenbosch : University of Stellenbosch, 2008. http://hdl.handle.net/10019.1/1886.
Full textThis thesis consists of a study that identifies and analyses the origins, nature, and spectrum of different stereotypes of Africans in popular texts. The past can only be explored through texts, which are unavoidably mediated, re-interpreted, fictional and temporary. No text can be read in isolation – it is imperative to gain knowledge about the social and ideological context in the analysis of any historical text. History shows that racism is a constructed concept, and the roots of stereotypical perceptions of the ‘Other’ can be found in antiquity – in Ancient Egypt, Classical Greece and the Jewish Torah, as well as during the Middle Ages. A historical synopsis is given of the conception and development of racial stereotyping through the ages until the present. The study demonstrates how stereotypes gradually adapt with history, politics, and ideology. Stereotypes are in my opinion not necessarily constructed on purpose. Stereotypes are developed and based on historical events, but are transformed in time to fulfil new purposes. My conclusion is that racist stereotypes of Africans are created in the West, by the West, for the West. In many ways, the adaptation of the stereotypes of Africans act as a timeline for Western involvement on the continent. The stereotypical portrayal of Africa as the Dark Continent, “White Man’s Burden” and Godforsaken Continent will firstly be studied. Secondly, the depiction of African-Americans, especially in American popular culture, is discussed through stereotypes like Mammy, Uncle Tom, Jezebel, and Buck. The theme of my practical component, a two part series about the Cape Carnival, discusses the stereotype of the “Jolly Hotnot” or “Coon” and examines the portrayal of Africans as comical. The study shows the important role popular media plays in spreading and reaffirming stereotypes. Stereotypes are often used as a survival method to make the multiplicity of reality manageable, recognisable, and understandable. Stereotyping becomes problematic if the stereotypes are used as generalisations to marginalise a group in terms of features such as skin colour. A type of “cultural decolonisation” would be necessary to counteract this marginalisation, through popular culture created by in Africa, by Africans, for Africans and international popular culture.
Behrendt, Frauke. "Mobile sound : media art in hybrid spaces." Thesis, University of Sussex, 2010. http://sro.sussex.ac.uk/id/eprint/6336/.
Full textIrvine, Victoria. "The development of the use of models in Scottish art, c.1800-1900, with special reference to painting and the Trustees' Academy, Edinburgh." Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/6179/.
Full textMichael, Georgia. "Imaging divinity : the 'invisible' Godhead in early Christian art c.300-c.730." Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7318/.
Full textProphet, Jane. "Taste, teaching and the Utah teapot : creative, gender, aesthetic and pedagogical issues surrounding the use of electronic media in art and design education : with particular reference to hypertext applications." Thesis, University of Warwick, 1994. http://wrap.warwick.ac.uk/39005/.
Full textShaw, Michael. "The fin-de-siècle Scots Renascence : the roles of decadence in the development of Scottish cultural nationalism, c.1880-1914." Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/6395/.
Full textBellinetti, Maria Caterina. "Building a nation : the construction of modern China through CCP's propaganda images." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30913/.
Full textGeorgiou, Andriani. "The cult of Flavia Iulia Helena in Byzantium : an analysis of authority and perception through the study of textual and visual sources from the fourth to the fifteenth century." Thesis, University of Birmingham, 2013. http://etheses.bham.ac.uk//id/eprint/4175/.
Full textBrod, Undine. "“C” is for Ceramics – It Also Stands for: Collecting, Community, Content, Confusion, and Clarity." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1309449467.
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