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Books on the topic 'Visual algebra'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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Consult the top 22 books for your research on the topic 'Visual algebra.'

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1

Dyke, Francis Van. A visual approach to functions. Emeryville, CA: Key Curriculum Press, 2002.

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2

Maier, Eugene. Algebra through visual patterns: A beginning course in algebra : a Math Learning Center publication. Salem, Or: Math Learning Center, 2005.

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3

Vladimir, Nodelman, ed. The shape of algebra in the mirrors of mathematics: A visual, computer-aided exploration of elementary algebra and beyond. Singapore: World Scientific, 2012.

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4

Shi, Tan Kiat. Symbolic C++: An introduction to computer algebra using object-oriented programming. Singapore: Springer, 1998.

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5

Shi, Tan Kiat. SymbolicC [plus plus]: An introduction to computer algebra using object-oriented programming. New York: Springer, 1997.

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6

Shi, Tan Kiat. Symbolic C [plus plus]: An introduction to computer algebra using object-oriented programming. 2nd ed. London: Springer, 2000.

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7

Shi, Tan Kiat. Symbolic C++: An introduction to computer algebra using object-oriented programming / Tan Kiat Shi, Willi-Hans Steeb, and Yorick Hardy. 2nd ed. New York: Springer, 2000.

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8

Herman, Eugene A. Visual Linear Algebra. John Wiley & Sons, 2005.

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9

Visual Linear Algebra. Wiley, 2005.

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10

Visual Approach to Algebra. Dale Seymour Publications, 1998.

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11

Longstreet, David. Algebra: A visual approach. Longstreet Consulting, Inc., 2001.

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12

Herman, Eugene, and Michael Pepe. Visual Linear Algebra, Student Solutions Manual. John Wiley & Sons, 2005.

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13

Kiran R. Desai Ph.D. Visual Mathematics Series: Intermediate Pre-Algebra Problems. CreateSpace Independent Publishing Platform, 2011.

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14

Soares, Paul. Prime Numbers and Factors: A Visual Probe. Dorrance Publishing Co., Inc., 2004.

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15

Herman, Eugene A. Visual Linear Algebra with Tutorial CD and Student Solutions Manual Set. Wiley, 2006.

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16

Visual Linear Algebra with Tutorial CD with Maple Student Edition Release 10 Set. Wiley, 2006.

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17

Steeb, Willi-Hans, Yorick Hardy, and Tan Kiat Shi. SymbolicC++: An Introduction to Computer Algebra using Object-Oriented Programming. 2nd ed. Springer, 2000.

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18

Earl, Richard. Topology: A Very Short Introduction. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780198832683.001.0001.

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Topology, the mathematical study of the properties that are preserved through the deformations, twistings, and stretchings of objects, is an important area of modern mathematics. Topology: A Very Short Introduction provides a sense of the more visual elements of topology (looking at surfaces) as well as covering the formal definition of continuity. Considering some of the eye-opening examples that led mathematicians to recognize a need for studying topology, it pays homage to the historical people, problems, and surprises that have propelled the growth of this field. As broad and fundamental as algebra and geometry, its study has important implications for science more generally, especially physics.

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19

Contesting Views: The Visual Economy of France and Algeria. Liverpool University Press, 2013.

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20

Parallel Coordinates: Visual Multidimensional Geometry and Its Applications. Springer, 2008.

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21

Özpınar, Ceren, and Mary Kelly, eds. Under the Skin. British Academy, 2020. http://dx.doi.org/10.5871/bacad/9780197266748.001.0001.

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Under the Skin: Feminist Art and Art Histories from the Middle East and North Africa Today is set out to show what is beneath the surface, under the appearances of skin, body, colour and provenance, and not the cultural fixities or partial views detached from the realities of communities, cultures and practices from the area. Through 12 chapters, Under the Skin brings together artistic practices and complex histories informed by feminism from diverse cultural and geographical contexts: Algeria, Egypt, Iran, Israel, Lebanon, Palestine, Saudi Arabia, Syria, Tunisia and Turkey. The aim is not to represent all of the countries from the Middle East and North Africa, but to present a cross-section that reflects the variety of nations, cultures, languages and identities across the area—including those of Berber, Mizrahi Jews, Kurdish, Muslim, Christian, Arab, Persian and Armenian peoples. It thus considers art informed by feminism through translocal and transnational lenses of diverse ethnic, linguistic and religious groups not solely as a manifestation of multiple and complex social constructions, but also as a crucial subject of analysis in the project of decolonising art history and contemporary visual culture. The volume offers an understanding on how art responds to and shapes cultural attitudes towards gender and sexuality, ethnicity/race, religion, tradition, modernity and contemporaneity, and local and global politics. And it strives to strike a balance by connecting the studies of scholars based in the European-North American geography with those attached to the institutions in the Middle East and North Africa in order to stimulate different feminist and decolonial perspectives and debates on art and visual culture from the area.

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22

Jarvis, Jill. Decolonizing Memory. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021414.

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The magnitude of the legal violence exercised by the French to colonize and occupy Algeria (1830–1962) is such that only aesthetic works have been able to register its enduring effects. In Decolonizing Memory Jill Jarvis examines the power of literature to provide what demographic data, historical facts, and legal trials have not in terms of attesting to and accounting for this destruction. Taking up the unfinished work of decolonization since 1962, Algerian writers have played a crucial role in forging historical memory and nurturing political resistance—their work helps to make possible what state violence has rendered almost unthinkable. Drawing together readings of multilingual texts by Yamina Mechakra, Waciny Laredj, Zahia Rahmani, Fadhma Aïth Mansour Amrouche, Assia Djebar, and Samira Negrouche alongside theoretical, juridical, visual, and activist texts from both Algeria’s national liberation war (1954–1962) and war on civilians (1988–1999), this book challenges temporal and geographical frameworks that have implicitly organized studies of cultural memory around Euro-American reference points. Jarvis shows how this literature rewrites history, disputes state authority to arbitrate justice, and cultivates a multilingual archive for imagining decolonized futures.

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