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Books on the topic 'VISIBLE IMAGE'

Author: Grafiati

Published: 11 September 2023

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1

Jones, Philippe. Image verbale, image visible. Châtelineau, Belgique: Le Taillis pré, 2013.

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2

Partager le visible: Repenser Foucault. Paris: L'Harmattan, 2013.

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3

La brûlure du visible: Photographie et écriture. Paris: L'Harmattan, 2012.

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4

Ahijado, Jorge Quijano. Autour du visible, l'image et la fuite. Paris: Editions L'Harmattan, 2014.

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5

The image and the region: Making mega-city regions visible! Baden: Lars Müller Publishers, 2008.

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6

H, Roosen-Runge Peter, Roosen-Runge Anna P, and Canadian Heritage Information Network, eds. The virtual display case: Making museum image assets safety visible. 3rd ed. Ottawa, Ont: Canadian Heritage Information Network, 2003.

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7

Olins, Wally. Corporate identity: Making business strategy visible through design. Boston, Mass: Harvard Business School Press, 1990.

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8

Olins, Wally. Corporate identity: Making business strategy visible through design. London: Thames and Hudson, 1989.

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9

L'invention du visible: L'image à la lumière des arts. Paris: Hermann éditeurs, 2008.

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10

Vauday, Patrick. L'invention du visible: L'image à la lumière des arts. Paris: Hermann éditeurs, 2008.

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11

Dire et voir: La parole visible du sophiste. Paris: J. Vrin, 2008.

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12

Le regard échangé: Une histoire culturelle du visible : essai. Paris: Mare & Martin, 2007.

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13

Anne, Kerlan-Stephens, and Sakai Cécile, eds. Du visible au lisible: Texte et image en Chine et au Japon. Arles: Picquier, 2006.

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14

Bernd-Rüdiger, Hüppauf, and Wulf Christoph 1944-, eds. Dynamics and performativity of imagination: The image between the visible and the invisible. New York: Routledge, 2009.

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15

Visible words and chromatic pulse: Virginia Woolf's writing, impressionist painting, Maurice Blanchot's image. Wien: Verlag Turia + Kant, 2014.

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16

Francis M. Naumann Fine Art. The visible vagina: January 28 - March 20, 2010. New York: Francis M. Naumann Fine Art ; David Nolan Gallery, 2010.

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17

Perception et réalité: Essai sur la nature du visible. Paris: CNRS, 2004.

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18

The word made visible in the painted image: Perspective, proportion, witness and threshold in Italian Renaissance painting. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2016.

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19

Center, Langley Research, ed. Modes of visual recognition and perceptually relevant sketch-based coding of images. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1991.

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20

Roosen-Runge, P. H. The virtual display case: Making museum image assets safely visible : a report prepared for the Canadian Heritage Information Network. 2nd ed. [Ottawa]: Canadian Heritage Information Network, 1998.

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21

Alexander, Tsiaras, and Dowling Claudia Glenn, eds. A fantastic voyage through the human body: A 21st century look at how doctors will see us and heal us. New York: Time Inc., 1997.

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22

1924-, Whitlock David G., and National Library of Medicine (U.S.), eds. Atlas of the visible human male: Reverse engineering of the human body. Sudbury, Mass: Jones and Bartlett, 1998.

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23

Li, Wu, ed. Ke shi de wen hua: Ying xiang wen hua chuan bo lun = A visible culture : transmission theory of the image culture. Kunming Shi: Yunnan da xue chu ban she, 2009.

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24

P, Cracknell Arthur, ed. Visible infrared imager radiometer suite. Boca Raton: Taylor & Francis, 2005.

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25

Robison, Michael J. Prototype Design for NPSAT Visible Imager. Monterey, Calif: Naval Postgraduate School, 2000.

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26

Dibazar, Pedram, and Judith Naeff, eds. Visualizing the Street. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462984356.

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From user-generated images of streets to professional architectural renderings, and from digital maps and drone footages to representations of invisible digital ecologies, this collection of essays analyses the emergent practices of visualizing the street. Today, advancements in digital technologies of the image have given rise to the production and dissemination of imagery of streets and urban realities in multiple forms. The ubiquitous presence of digital visualizations has in turn created new forms of urban practice and modes of spatial encounter. Everyone who carries a smartphone not only plays an increasingly significant role in the production, editing and circulation of images of the street, but also relies on those images to experience urban worlds and to navigate in them. Such entangled forms of image-making and image-sharing have constructed new imaginaries of the street and have had a significant impact on the ways in which contemporary and future streets are understood, imagined, documented, navigated, mediated and visualized. Visualizing the Street investigates the social and cultural significance of these new developments at the intersection of visual culture and urban space. The interdisciplinary essays provide new concepts, theories and research methods that combine close analyses of street images and imaginaries with the study of the practices of their production and circulation. The book covers a wide range of visible and invisible geographies — From Hong Kong’s streets to Rio’s favelas, from Sydney’s suburbs to London’s street markets, and from Damascus’ war-torn streets to Istanbul’s sidewalks — and engages with multiple ways in which visualizations of the street function to document street protests and urban change, to build imaginaries of urban communities and alternate worlds, and to help navigate streetscapes.

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27

I sensi del visibile: Immagine, testo, opera. Milano: Mimesis, 2018.

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28

Richard, Lansdown, ed. Visibly different: Coping with disfigurement. Oxford: Butterworth-Heinemann, 1997.

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29

Mons, Alain. La traversée du visible: Images et lieux du contemporain. Paris: Passion, 2002.

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30

L'immaginazione intermediale: Perlustrare, rifigurare, testimoniare il mondo visibile. Roma: Laterza, 2010.

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31

Estradère, Hélène. Le Togo: Du visible à l'invisible : ou, à quoi rêvent les images? Paris: Complicités, 2010.

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32

Sánchez, Pedro A. Cruz. La muerte (in)visible: Verdad, ficción y posficción en la imagen contemporánea. Murcia: Tabvlarivm, 2005.

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33

Cavallini, Giuliana. Things visible and invisible: Images in the spirituality of St. Catherine of Siena. New York: Alba House, 1996.

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34

NDiaye, Marie, and Verónica Gerber Bicecci. Visible: Text + Image. Two Lines Press, 2022.

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35

Morrell, Elizabeth. Visible Minority: Image and Existence Amongst the Sa'Dan Toraja. Monash Asia Inst, 2001.

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36

Favero, Paolo S. H. The Present Image: Visible Stories in a Digital Habitat. Palgrave Macmillan, 2018.

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37

Favero, Paolo S. H. The Present Image: Visible Stories in a Digital Habitat. Palgrave Macmillan, 2017.

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38

Vauday, B. L. Y. Invention of the Visible: The Ipb. Rowman & Littlefield Publishers, Incorporated, 2019.

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39

Corporate Identity: Making Business Strategy Visible Through Design. Harvard Business School Press, 1992.

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40

Invention of the Visible: The Image in Light of the Arts. Rowman & Littlefield Publishers, Incorporated, 2017.

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41

Vauday, Patrick, and Jared Bly. Invention of the Visible: The Image in Light of the Arts. Rowman & Littlefield Publishers, Incorporated, 2017.

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42

Hughes, Jim. Image receptors. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780198813170.003.0003.

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The receptor head is the system that converts the X-ray beam into a visible image and allows it to be displayed. Modern systems accomplish this by using either an image intensifier (II) or a flat-panel detector (FPD). Both allow real-time fluoroscopy, as well as last-image hold, image storage and retrieval, and other features to assist in procedures or reduce radiation dose. This chapter covers the design and functions of image receptor heads used on C-arm systems that produce images from the incident X-ray beam. This includes the process of intensification and amplification of the image within an II system, as well as the function and the use of newer FPD systems.

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43

(Editor), Hazel A. Witte, ed. The Image of Writing (Visible Religion Annual for Religious Iconography Vol VI). Brill Academic Pub, 1988.

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44

Wulf, Christoph, and Bernd Huppauf. Dynamics and Performativity of Imagination: The Image Between the Visible and the Invisible. Taylor & Francis Group, 2013.

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45

Dynamics and Performativity of Imagination: The Image Between the Visible and the Invisible. Routledge, 2013.

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46

Wulf, Christoph, and Bernd Huppauf. Dynamics and Performativity of Imagination: The Image Between the Visible and the Invisible. Taylor & Francis Group, 2013.

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47

Wulf, Christoph, and Bernd Huppauf. Dynamics and Performativity of Imagination: The Image Between the Visible and the Invisible. Taylor & Francis Group, 2013.

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48

Sardella, Dennis J. Visible Image of the Invisible God: A Guide to Russian and Byzantine Icons. Paraclete Press, Incorporated, 2022.

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49

Wulf, Christoph, and Bernd Huppauf. Dynamics and Performativity of Imagination: The Image Between the Visible and the Invisible. Taylor & Francis Group, 2013.

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50

Wulf, Christoph, and Bernd Huppauf. Dynamics and Performativity of Imagination: The Image Between the Visible and the Invisible. Taylor & Francis Group, 2013.

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