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Books on the topic 'Virtual analog'

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Author: Grafiati

Published: 25 May 2024

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1

Antonova, O. A. Teorii︠a︡ i praktika virtualʹnoĭ relʹnosti: Ligiko-filosofskiĭ analiz. Sankt-Peterburg: Izdatelʹstvo Sankt-Peterburgskogo universiteta, 2008.

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2

Jasink, Anna Margherita, and Giulia Dionisio, eds. MUSINT 2. Florence: Firenze University Press, 2017. http://dx.doi.org/10.36253/978-88-6453-396-4.

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Musint 2 si propone come un testo da ‘leggere’ che accompagna il nuovo sito-web MUSINT II, seguendo e innovando le linee generali del precedente MUSINT. Ma, come i due progetti on-line differiscono sia negli aspetti tecnici che nei contenuti, pur mantenendo principi e finalità analoghi, così anche il nuovo volume assume un ruolo che lo rende una novità più consona ai progressi che caratterizzano le discipline archeologiche sia sotto l’aspetto scientifico che quello didattico. Viene mantenuta la suddivisione in tre sezioni. La prima contiene una serie di lavori direttamente legati al sito MUSINT II. Si nota un aumento delle presentazioni relative agli aspetti tecnici e didattici, ritenuti una innovazione del nuovo sito, rispetto ai contributi scientifici intesi in senso più tradizionale. La seconda sezione presenta una esemplificazione di lavori significativi di musealizzazione virtuale, volutamente scelta negli ambiti più vari, sottolineandone il taglio didattico. La terza sezione si presenta sullo stesso piano di quella del volume precedente, anche se sono riscontrabili delle novità proprio nella scelta delle ricerche: vengono infatti presentate tematiche già proposte in fase sperimentale e nuove ricerche che si sono venute individuando nel corso di questi anni attraverso le conoscenze più ampie sulle possibilità di una museologia digitale e interattiva.

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3

Bernstein, Herbert. Messtechnik: Analog, Digital und Virtuell. de Gruyter GmbH, Walter, 2017.

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4

Bernstein, Herbert. Messtechnik: Analog, Digital und Virtuell. de Gruyter GmbH, Walter, 2017.

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5

Bernstein, Herbert. Messtechnik: Analog, Digital und Virtuell. de Gruyter GmbH, Walter, 2017.

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6

Cohan, Steven. Virtual Hollywood. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190865788.003.0008.

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This chapter looks at two rather recent ways that backstudios have moved the virtual world of moviemaking off the screen. “Immersive Hollywood” occurs when fictional characters interact with real-life actors or spectators. As this occurs in the story, they cross the boundary separating the reel from the real as epitomized by the screen, raising questions about the value of Hollywood escapism. By comparison, “appropriated Hollywood” happens when a state apparatus—the police, the Justice Department, the FBI, the CIA, the White House—fabricates a film production as its cover story for a covert sting operation. Here the analogy of Hollywood and the actions of corrupt or unethical (or at least highly secret) state agents draws out the unsettling equivalence of the film industry’s practices of simulation and those of the national security state.

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7

Analogy of Love: St. Maximus the Confessor and the Foundations of Ethics. Saint Vladimir's Seminary Press, 2018.

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8

Butler, Joseph. Analogy of Religion. 3rd ed. Lincoln-Rembrandt Pub., 1986.

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9

Butler, Joseph. The Analogy of Religion. Richard West, 1989.

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10

The Analogy of Religion. Ravenbrook Publishers, 2007.

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11

Butler, Joseph. The Analogy of Religion. Cosimo Classics, 2005.

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12

Butler, Joseph. The Analogy of Religion. Adamant Media Corporation, 2000.

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13

The Analogy of Religion. 3rd ed. Classworks, 1986.

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14

Milanes, Janelle. Analee, in Real Life. Simon Pulse, 2018.

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15

Analee, in real life. 2018.

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16

Analee, in Real Life. Simon Pulse, 2019.

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17

Anderson, James A. An Engineer’s Introduction to Neuroscience. Oxford University Press, 2018. http://dx.doi.org/10.1093/acprof:oso/9780199357789.003.0006.

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When building something, it is essential to know the hardware. This chapter contains key things to know about the active components of the brain: nerve cells (aka neurons). Neurons have severe performance limitations. Problems include high energy consumption, mechanical and physiological sensitivity, unreliability, limited connectivity, and difficulty in wiring neurons together. Neurons are at least a million times slower to “compute” than a modern electronic device. This slow speed cannot be avoided because the neuron has to deal with high electrical capacity and resistance and slow conduction times to move information from neuron to neuron. A specialization called the action potential serves as a long-distance communications mechanism. However, the neuron also has major virtues including the ability to integrate, communicate, and process information from multiple sources, and it acts like a tiny electrochemical analog computer.

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18

Rowett, Catherine. Discovering What Justice Is in Plato’s Republic. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199693658.003.0007.

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The chapter argues that Plato makes Socrates abandon the search for a definition of justice after Republic 1. He then adopts a different approach that neither requires nor expects a definition, but instead investigates an iconic instance of justice—here, an exemplary city. In Republic 4, we find Socrates discovering not justice itself (the form, the concept), or a definition of justice (as many have supposed), but merely the city’s justice (a token case), complementing its other virtues. Consequently it transpires that one should not read the so-called analogy between soul and state as others often read it, nor is it vulnerable to their classic objections. Instead, by taking seriously Plato’s metaphor of rubbing sticks to make a spark, we discover what the author calls Plato’s iconic method, whereby we refine our grasp of the concept by attention to just one or two rather different iconic examples in different domains.

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19

Marin, Mara. Modeling Commitment for Structural Relations. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190498627.003.0003.

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Chapter 2 extends the concept of commitment from personal to social structural relations and begins the argument that our implication in social structures puts us in relations analogous to those of personal commitments. This analogy has a descriptive and a normative element. Descriptively, this book’s notion of commitment captures the idea that social structures are the accumulated effects of our actions. Normatively, it captures the claim that we owe obligations to each other in virtue of our structural relationships to each other, that is, because our actions, accumulated over time, are responsible for reproducing the structure. It illustrates these claims with the example of a woman who attempts to change the gendered nature of parenting. This view of social structures as commitments is an antidote to the powerlessness we otherwise experience in our relation to unjust structures.

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20

Sliwa, Paulina. Know-How and Acts of Faith. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198798705.003.0013.

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The topic of this chapter is the nature of faith. When we have faith, we perform acts of faith: we share our secrets, rely on other’s judgment, refrain from going through our partner’s emails, and so on. Religious faith is also manifested in acts of faith: attending worship, singing the liturgy, fasting, embarking on a pilgrimage. Drawing on an analogy in moral philosophy between morally admirable actions and the nature of virtue, the chapter argues that examining what makes a given action an act of faith can tell us about the nature of faith: faith is a complex mental state whose elements go beyond doxastic states towards particular propositions. It also involves conative states and, perhaps more surprisingly, know-how. This has consequences for the epistemology of faith: the role of testimony and experts, the importance of practices, and what we should make of Pascal’s advice for how to acquire faith.

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21

Weinel, Jonathan. Inner Sound. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190671181.001.0001.

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Inner Sound explores how altered states of consciousness have shaped the design of electronic music and audio-visual media. The book begins by discussing consciousness, and how this may change during states such as dreaming, psychedelic experience, meditation, and trance. Next, a variety of shamanic traditions are reviewed, in order to explore how indigenous societies have reflected visionary experiences through visual art and music. This provides the necessary background from which to consider how analogue and digital audio technologies enable specific capabilities for representing or inducing altered states of consciousness in psychedelic rock, electronic dance music, and electroacoustic music. Developing the discussion to consider sound in the context of audio-visual media, the role of altered states of consciousness in films, visual music, VJ performances, interactive video games, and virtual reality applications is also discussed. Through the analysis of these examples, the author uncovers common mechanisms, and ultimately proposes a conceptual model for ‘Altered States of Consciousness Simulations’. This theoretical model describes how sound can be used to simulate various subjective states of consciousness from a first-person perspective, in an interactive context. Throughout the book, the ethical issues regarding altered states of consciousness in electronic music and audio-visual media are also explored, ultimately allowing the reader to consider not only the design of Altered States of Consciousness Simulations, but also the implications of their use for digital society. In this way, Inner Sound explores the limits of technology for representing and manipulating consciousness, at the frontiers of electronic music and art.

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