Academic literature on the topic 'Virginia City (Mont.) – History'

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Journal articles on the topic "Virginia City (Mont.) – History"

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Warner, Mark. "Boomtown Saloons: Archaeology and History in Virginia City." Historical Archaeology 41, no. 2 (June 2007): 177–78. http://dx.doi.org/10.1007/bf03377019.

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Witters, George R. "History of the Comstock Lode Virginia City, Storey County, Nevada." Rocks & Minerals 74, no. 6 (November 1999): 380–90. http://dx.doi.org/10.1080/00357529909605175.

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NOEL, THOMAS J. "Review of Dixon, Boomtown Saloons: Archaeology and History in Virginia City." Pacific Historical Review 76, no. 1 (February 1, 2007): 119–20. http://dx.doi.org/10.1525/phr.2007.76.1.119.

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Urish, Ben. "Boomtown Saloons: Archaeology and History in Virginia City by Kelly J. Dixon." Journal of American Culture 29, no. 3 (September 2006): 369–70. http://dx.doi.org/10.1111/j.1542-734x.2006.00379.x.

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Rosenthal, Gregory. "Make Roanoke Queer Again." Public Historian 39, no. 1 (February 1, 2017): 35–60. http://dx.doi.org/10.1525/tph.2017.39.1.35.

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This essay explores intersections among urban history, queer history, and public history in a gentrifying southern city. I show how queer cultures flourished in Roanoke, Virginia, in the 1960s and 1970s only to be displaced by a combination of police repression, urban planning, and gentrification starting in the late 1970s and 1980s. Seeking to “Make Roanoke Queer Again,” the Southwest Virginia LGBTQ+ History Project is a community-based history initiative committed to researching and interpreting the region’s LGBTQ history. This essay argues that queer community history projects can be a form of resistance to gentrification and a means to preserve our history from “queer erasure.”
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Spude, Robert L., and Ronald M. James. "The Roar and the Silence: A History of Virginia City and the Comstock Lode." Western Historical Quarterly 30, no. 3 (1999): 385. http://dx.doi.org/10.2307/971394.

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Kiem, Paul. "Righting History." Public History Review 28 (June 23, 2021): 131–38. http://dx.doi.org/10.5130/phrj.v28i0.7786.

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Abstract In recent years there has been ongoing controversy in the United States regarding monuments and place names commemorating the Confederate cause in the American Civil War. The following discussion focuses on Monument Avenue in the former Confederate capital of Richmond, Virginia. This was one of the most prominent locations of Confederate commemoration until statues along the avenue began to be removed during 2020. While also needing to be seen in the immediate context of events in mid-2020, these removals followed a process of investigation and consultation carried out by Richmond City Council. This produced a report which is now a useful resource for a case study investigating Monument Avenue and the broader issues its history helps to illustrate.
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Moss, George. "Silver Frolic: Popular Entertainment in Virginia City, Nevada, 1859-1863." Journal of Popular Culture 22, no. 2 (September 1988): 1–31. http://dx.doi.org/10.1111/j.0022-3840.1988.2202_1.x.

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Green, Michael S. "Review: A Short History of Virginia City by Ronald M. James and Susan A. James." Pacific Historical Review 85, no. 1 (February 1, 2016): 152–53. http://dx.doi.org/10.1525/phr.2016.85.1.152.

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Johnson, Susan Lee, and Ronald M. James. "The Roar and the Silence: A History of Virginia City and the Comstock Lode." Journal of American History 87, no. 2 (September 2000): 702. http://dx.doi.org/10.2307/2568858.

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Dissertations / Theses on the topic "Virginia City (Mont.) – History"

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Arata, Laura Joanne. "Embers of the social city business, consumption, and material culture in Virginia City, Montana, 1863 - 1945 /." Pullman, Wash. : Washington State University, 2009. http://www.dissertations.wsu.edu/Thesis/Spring2009/l_arata_052909.pdf.

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Cook, Elizabeth. "The City at The Falls: Building Culture in Richmond, Virginia, 1730-1860." W&M ScholarWorks, 2016. https://scholarworks.wm.edu/etd/1499449853.

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Whether made of stone, brick, or wood, the built environment is a bricolage of materials, skills, aesthetics, and practical needs. This dissertation disassembles the colonial and antebellum cityscape of Richmond, Virginia, into its component parts in order to better understand the relationships between builders, materials, and occupational knowledge as elements of the built environment, as well as the building culture that united them. This approach challenges the historically exalted place of architects and urban planners as the primary producers of a city, and instead focuses on the contributions of previously unknown carpenters, sawyers, joiners, bricklayers, and masons. These craftsmen labored together in occupational communities governed by generally accepted, though rarely written, rules that guided not only their daily practices, but also Richmond's evolution from a small port town to the industrial center of the antebellum South.
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Geraghty, Kathryn. "Colors of the Western Mining Frontier| Painted Finishes in Virginia City, Montana." Thesis, University of Oregon, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10599315.

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Virginia City once exemplified the cutting edge of culture and taste in the Rocky Mountain mining frontier. Weathering economic downturns, mining booms and busts, and the loss of the territorial capital to Helena, Virginia City survives today as a heritage tourism site with a substantial building stock from its period of significance, 1863-1875. However, the poor physical condition and interpretation of the town offers tourists an inauthentic experience. Without paint analysis, the Montana Heritage Commission, state-appointed caretakers of Virginia City cannot engage in rehabilitation. As of 2017, no published architectural finishes research exists that provides comparative case studies for the Anglo-American settlement of the American West between 1840-1880, for American industrial landscapes, or for vernacular architecture in Montana. This thesis offers a case study of five buildings to add to the body of scholarly architectural finishes research, provide rehabilitation recommendations, and provide a published, baseline study for future research.

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Pezzoni, J. Daniel. "Town form." Thesis, Virginia Tech, 1987. http://hdl.handle.net/10919/45902.

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American town form consists of primary form - the layout of streets, lots and other features determined for a town at its inception - and secondary form - the fabric of building and usage that a town acquires over time. This thesis explores the primary and secondary form of ante-bellum Western Virginia Towns, and offers several interpretations of the cultural meaning recorded in town form.
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Ping, Laura Jane. "Life in an Occupied City: Women in Winchester, Virginia During the Civil War." VCU Scholars Compass, 2007. http://hdl.handle.net/10156/2164.

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White, Esther Celeste. "The Ceramics from 44JC298: A n Undocumented Late-Eighteenth Century Domestic Site, James City County, Virginia." W&M ScholarWorks, 1991. https://scholarworks.wm.edu/etd/1539625653.

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Chapman, Ellen Luisa. "Buried Beneath The River City: Investigating An Archaeological Landscape and its Community Value in Richmond, Virginia." W&M ScholarWorks, 2018. https://scholarworks.wm.edu/etd/1530192695.

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Richmond, Virginia, located along the fall line of the James River, was an important political boundary during prehistory; was established as an English colonial town in 1737; and was a center of the interstate slave trade and the capitol of the Confederacy during the nineteenth century. Although Richmond holds a prominent place in the narrative of American and Virginia history, the city’s archaeological resources have received incredibly little attention or preservation advocacy. However, in the wake of a 2013 proposal to construct a baseball stadium in the heart of the city’s slave trading district, archaeological sensitivity and vulnerability became a political force that shaped conversations around the economic development proposal and contributed to its defeat. This dissertation employs archival research and archaeological ethnography to study the variable development of Richmond’s archaeological value as the outcome of significant racial politics, historic and present inequities, trends in academic and commercial archaeology, and an imperfect system of archaeological stewardship. This work also employs spatial sensitivity analysis and studies of archaeological policy to examine how the city’s newly emerging awareness of archaeology might improve investigation and interpretation of this significant urban archaeological resource. This research builds upon several bodies of scholarship: the study of urban heritage management and municipal archaeology; the concept of archaeological ethnography; and anthropological studies into how value should be defined and identified. It concludes that Richmond’s archaeological remains attract attention and perceived importance in part through their proximity and relation to other political and moral debates within the city, but that in some cases political interests ensnare archaeological meaning or inhibit interest in certain archaeological subjects. This analysis illuminates how archaeological materiality and the history of Richmond’s preservation movements has created an interest in using archaeological investigations as a tool for restorative justice to create a more equitable historic record. Additionally, it studies the complexity of improving American urban archaeological stewardship within a municipal system closely connected with city power structures.
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Harwood, Jameson Michael. "An historical archaeological examination of a battlefield landscape: An Example from the American Civil War Battle of Wilson's Wharf, Charles City County, Virginia." W&M ScholarWorks, 2003. https://scholarworks.wm.edu/etd/1539626393.

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Gallimore, Rapsody Dawn. "Relationship between growth patterns and planning practices : a case study of the city of Roanoke /." Thesis, This resource online, 1992. http://scholar.lib.vt.edu/theses/available/etd-10062009-020204/.

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Ross, Susan M. "Pure water in the city covering the reservoirs on Mount Royal." Thèse, 2002. http://hdl.handle.net/1866/20363.

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Books on the topic "Virginia City (Mont.) – History"

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George, Williams. Mark Twain: His adventures at Aurora and Mono Lake. Dayton, Nev: Tree by the River Pub., 1992.

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Grant, Marilyn. A guide to historic Virginia City. Helena: Montana Historical Society Press, 1998.

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A, James Susan, ed. Virginia City and the big bonanza. Charleston, SC: Arcadia Pub., 2009.

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James, Ronald M. Virginia City and the big bonanza. Charleston, SC: Arcadia Pub., 2009.

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Zauner, Phyllis. Virginia City: Its history-- its ghosts : a mini-history. Sonoma, CA: Zanel Publications, 1989.

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Nan, Netherton, and City of Fairfax Round Table (Fairfax, Va.), eds. Fairfax, Virginia: A city traveling through time. Fairfax, Va: History of the City of Fairfax Round Table, 1997.

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Caknipe, John. Chase City. Charleston, SC: Arcadia Pub., 2008.

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Caknipe, John. Chase City. Charleston, SC: Arcadia Pub., 2008.

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Hegne, Barbara. The Nevada vigilante hangings: Virginia City, Carson City, Dayton, Aurora, "601". Sparks, Nev: B. Hegne, 2000.

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P, Maccubbin Robert, Hamilton-Phillips Martha, and Williamsburg (Va.). 300th Anniversary Commission., eds. Williamsburg, Virginia: A city before the state, 1699-1999. Williamsburg, Va: City of Williamsburg, 2000.

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Book chapters on the topic "Virginia City (Mont.) – History"

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Nagel, Paul C. "Prologue: At Mrs.Shippen’s." In The Lees of Virginia, 3–6. Oxford University PressNew York, NY, 2006. http://dx.doi.org/10.1093/oso/9780195305609.003.0001.

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Abstract Late in August 1774, strangers began rolling into Philadelphia. They arrived from all along the Atlantic coast for an extraordinary meeting. History knows it as the Continental Congress, called because citizens of the American colonies objected to their treatment by England. While most of these newcomers had to learn their way around the city, one of them knew exactly where to go.
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Nagel, Paul C. "Prologue : At Mrs. Shippen’s." In The Lees of Virginia, 3–6. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195074789.003.0001.

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Abstract Late in August 1774, strangers began rolling into Philadelphia. They arrived from all along the Atlantic coast for an extraordinary meeting. History knows it as the Continental Congress, called because citizens of the American colonies objected to their treatment by England. While most of these newcomers had to learn their way around the city, one of them knew exactly where to go. Richard Henry Lee of Virginia went directly to the residence of his sister, Alice Lee Shippen. Her husband, Dr. William Shippen, was one of Pennsylvania’s leading physicians and medical educators. He and Alice relished the arrival of her brother. Since Richard Henry had been important in summoning the Congress, there was sure to be good talk where he stayed.
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Lounsberry, Barbara. "Crisis Calls for a New Diary Audience and Purpose." In Virginia Woolf's Modernist Path. University Press of Florida, 2016. http://dx.doi.org/10.5744/florida/9780813062952.003.0002.

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This chapter explores the first three diaries in Woolf’s second stage and the key acts they disclose. Inordinate diary-writing begins in the fall of 1917, the most intensive in Woolf’s 44-year diary history. She keeps now two diaries, a city diary and a country diary, and writes in both diaries on seventeen days. In July 1918, she brings her city diary to the country and begins to fuse her two diaries. Nature and culture, the unconscious and conscious, female and male join. In August 1918, Woolf recognizes in the open-ended cantos of Byron’s Don Juan, the “elastic shape” and the “random haphazard galloping” style she has been using in her diary as a form and a “method” with artistic benefits. However, in early November 1918 a crisis occurs: withdrawal of female support. Woolf responds with an extraordinary salvaging move. She creates a new audience and purpose for her diary, replacing her aging female now-detractors with “Elderly Virginia.” She now will parent herself. With this move, she offers her diary credo in her 1919 diary and enters her mature second diary stage. She reads Wilfrid Scawen Blunt’s anti-war, anti-imperialist diaries and finds there ammunition for Three Guineas.
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Zimring, Franklin E. "The Peculiar Present of American Capital Punishment." In The Contradictions of American Capital Punishment, 3–15. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195152364.003.0001.

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Abstract The United States Government was about to make history in the spring of 2001, and it looked like a public relations bonanza for capital punishment. The pending execution of Timothy McVeigh seemed like an ideal case to launch a program of lethal injections as criminal punishment by the national government of the United States. The McVeigh case combined a terrible crime with a defiantly guilty defendant and none of the problems of discrimination and uncertainty that bedevil most executions. McVeigh had detonated the bomb that killed 168 occupants of the Oklahoma City Federal Building in 1995. The defendant had planned to kill hundreds of people he did not know to express his anger at the U.S. government’s behavior two years before in Waco, Texas. He was adequately defended at trial by a team of competent lawyers, at a cost to government that exceeded 100 times what states such as Texas and Virginia pay for defense services in death cases. McVeigh had publicly acknowledged his guilt and moved up the date of his execution by abandoning legal appeals, thus providing a grateful federal government with a mass murderer of women and children for the first federal execution since 1963. Even better, this defendant was not retarded and was not a member of a disadvantaged minority.
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Rosenthal, Gregory Samantha. "Magic Tricks." In Living Queer History, 18–58. University of North Carolina Press, 2021. http://dx.doi.org/10.5149/northcarolina/9781469665801.003.0002.

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This chapter introduces the history of Roanoke, Virginia as a “sexual city,” an urban hub on the edge of Appalachia that has fostered queer spaces and queer community for over a century. The narrative traces the history of Roanoke from a late 19th-century railroad boom through mid-20th-century urban decline to early 21st-century urban renaissance including contemporary struggles over gentrification and policing. All along the author demonstrates the persistence of queer and trans behaviors and spaces which existed in opposition to the efforts of city leaders, urban planners, and the police who all sought to erase any signs of visible queerness. The chapter draws upon both archival evidence as well as oral histories with LGBTQ elders to reconstruct this history. The narrative pays attention to histories of racism and racial segregation within and between LGBTQ communities, as well as gender and class divisions between gay men and lesbians and transgender people, including sex workers. This chapter demonstrates that there is no universal LGBTQ history of Roanoke, Virginia, but rather multiple, diverse strands that form the foundations of today’s communities.
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Varon, Elizabeth R. "Sacred Soil." In Armies of Deliverance: A New History of the Civil War, 78–118. Oxford University PressNew York, 2019. http://dx.doi.org/10.1093/oso/9780190860608.003.0004.

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Abstract As McClellan’s army bore down on the rebel capital in May 1862, the Richmond Daily Dispatch conjured images of the “pollution” of her soil by the “hireling hoards of the North.” The city must be defended at all costs, it warned, for “to lose Richmond is to lose Virginia.” “To die in her streets would be bliss,” the paper intoned, and “would consecrate the spot anew, and wash it of every stain.” In Confederate eyes, McClellan’s grand campaign in Virginia epitomized the dark dreams of invasion and conquest that secessionists had long imputed to the abolitionist North. But Federal soldiers who moved up the Peninsula imagined themselves to be an army of liberation: they claimed Southern soil and Southern history as American, and imagined that Union victory would both regenerate the land and perpetuate the true legacy of the Revolution and of the Virginia Founders. On the Northern home front, defenders of an expanded confiscation policy aimed to punish treason and reward loyalty in the name of military necessity, while Lincoln, whose offer of compensated emancipation was rebuffed again by the border states, laid the groundwork for emancipation by presidential fiat in the insurgent states. In the face of renewed calls for colonization, African Americans staked their own claim, based on centuries of sacrifice and labor, to American soil and citizenship.
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Emsley, Clive. "Beyond Europe." In A Short History of Police and Policing, 133–54. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198844600.003.0007.

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This chapter looks at other parts of the world that were mainly absorbed into European empires and what this meant for their experience of policing. Sixteenth- and seventeenth-century colonists tended to see native peoples as primitive and without any of their own ‘civilized’ ideas and institutions like police. As a result, and where possible, they increasingly re-created versions of the police in their homelands when they arrived in the virgin lands which they intended either to exploit or to make their new homes. A re-creation of the police deployed in the metropole was claimed to be something towards which the empires were moving, especially during the nineteenth century. It was assumed to be another aspect of the white Europeans’ civilizing process. Yet a police similar to that at home was most often to be found in the colonial towns and cities where white men made the city their own and were seen as requiring the same kind of police protection and order maintenance. The indigenous peoples, especially those living nomadic lifestyles, were thought to require something different, and, while some of the white men deployed to deal with them might be called ‘police’, their organization and behaviour were often far away from Europeans’ behaviour in their lands of origin.
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"Jo Carson." In Writing Appalachia, edited by Katherine Ledford and Theresa Lloyd, 476–86. University Press of Kentucky, 2020. http://dx.doi.org/10.5810/kentucky/9780813178790.003.0069.

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Playwright, fiction writer, poet, and horsewoman Jo Carson was born in Johnson City, Tennessee, where she lived almost all her life. She became interested in theater while studying at East Tennessee State University, where she earned degrees in theater and communications. Early in her career, Carson worked for Broadside Television, a Johnson City cable series featuring locally made documentaries about the history and folklife of northeastern Tennessee, southwestern Virginia, and western North Carolina. From 1972 to 1992, she worked for the Johnson City–based Road Company, a professional touring theater company for which she wrote two plays and performed in many. Carson frequently took her immediate surroundings and their history as her subject....
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"The Americas." In Amazons, Savages, and Machiavels, edited by Matthew Dimmock and Andrew Hadfield, 294–346. 2nd ed. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780198871552.003.0008.

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Abstract The chapter outlines the history of interest in settlement in the Americas, demonstrating that there was only limited enthusiasm until the first two decades of the seventeenth century, a marked contrast to the activities of the Spanish and Portuguese who occupied large parts of South America. The first English colonies were established in Virginia but these had limited success, even though they generated considerable interest. The chapter contains extracts from Richard Eden’s translations of Spanish accounts of voyages to the New World and encounters with the people there; a translation of Bartolomé de Las Casas’s account of the brutal treatment of indigenous Americans under Spanish rule; Thomas Harriot’s account of the land and people in Virginia; Walter Raleigh’s description of the fabled city of gold, El Dorado, in Guiana; Montaigne’s celebrated essay ‘Of the Cannibals’; William Strachey’s account of the Virginia colony in the early seventeenth century; and John Smith’s account of his encounter with Pocahontas.
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Morozova, Yulia G. "Bethlehem and Its Symbolism in the Works of Ivan Bunin." In I.A. Bunin and his time: Context of Life — History of Work, 900–923. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/ab-978-5-9208-0675-8-900-923.

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The paper deals with the essays from the Bunin’s book “Shadow of the Bird” (“Judea” and “Gennesaret”), poems of 1906–1907 (“Abraham”, “Star Worshippers”, “The Source of the Star. From the Syrian Apocrypha”, “Rachel’s Tomb”, “Jerusalem”, “Temple of the Sun”) and Vera Muromtseva-Bunina’s memoirs about the pilgrimage to the Holy Land in 1903–1909. The image of Bethlehem with its symbolic and toponymic signs can be drawn from those sources. The author indicates the genre, artistic, and compositional originality of works dedicated to Palestine and its main city. A special place in the paper is given to the temple of Bethlehem and the image of the Magi, whose origin (in the historical and cultural context) is associated with the most ancient peoples of the Sabaean culture. The author attempts a reconstruction of the semantics of the main biblical phrases and word forms associated with the ancient sites of Judea and Bethlehem. It is pointed out that the artistic descriptions of the nature and history of the Holy Land in Bunin’s texts reveal the writer’s historiosophical views, important conceptual positions, such as the theme of memory, the cyclicity of life and world development, and the idea of the world circle. The color symbolism and semiotics of the landscape of Bethlehem and its surroundings are considered. Biblical characters associated with the history of the city, its artifacts, and concepts that recreate the appearance of an ancient syncretic culture are considered — Ruth, David, Rachel, Virgin Mary, and Christ. It is concluded that the image of Bethlehem is a collective “mosaic”, generating different readings and expanding the already complex hermeneutical field of Bunin texts and their versions.
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