Relevant bibliographies by topics / Vincenzo Antonio

Academic literature on the topic 'Vincenzo Antonio'

Author: Grafiati
Published: 11 March 2023

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Journal articles on the topic "Vincenzo Antonio"

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Loukas, Marios, Georgios Spentzouris, R. Shane Tubbs, Theodoros Kapos, and Brain Curry. "Ruggero Ferdinando Antonio Guiseppe Vincenzo Oddi." World Journal of Surgery 31, no. 11 (September 28, 2007): 2260–65. http://dx.doi.org/10.1007/s00268-007-9019-1.

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D’Angelo, Diego. "Antonio Cimino, Vincenzo Costa (Hg.): Storia della fenomenologia." Philosophischer Literaturanzeiger 66, no. 3 (August 26, 2013): 329–34. http://dx.doi.org/10.3196/2194584513663140.

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Bertolini, Simona. "Antonio Cimino and Vincenzo Costa (Eds.): Storia della fenomenologia." Husserl Studies 29, no. 3 (June 22, 2013): 263–66. http://dx.doi.org/10.1007/s10743-013-9130-0.

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LUIGI, PEPE. "PER UN ARCHIVIO DELLA CORRISPONDENZA DEGLI SCIENZIATI ITALIANI." Nuncius 6, no. 1 (1991): 123–34. http://dx.doi.org/10.1163/182539191x00065.

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Abstracttitle SUMMARY /title Two letters of Gianfrancesco Malfatti (1731-1807) are published. The first one is addressed to Cassini de Thury (1784), the second one to Vincenzo Monti (1806). These letters also regard other important figures of the eighteenth century in Ferrara and of the Napoleonic Period, such as the physician Giuseppe Antonio Testa (1756-1814) and Giovanni Battista Costabili Containi (1756-1841).
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Scalercio, Mauro. "“Desde un rinconcito muerto de la historia”. Cuestiones y pensamientos meridionales." Andamios Revista de Investigación Social 16, no. 41 (November 5, 2019): 307. http://dx.doi.org/10.29092/uacm.v16i41.727.

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Este artículo presenta los lineamentos fundamentales de un “pensamiento meridional” originado históricamente en el peculiar contexto del Sur de Italia y filosóficamente en la obra de Giambattista Vico. A partir de una cita de Gramsci, según quien Vico escribía “desde un rinconcito muerto de la historia”, se lee la historia de las cuestiones y de los pensamientos meridionales no como un “atraso”, sino como la posibilidad de trazar un pensamiento anti-hegemónico al canon de la modernidad Occidental y presentando como base para pensarlo a Vincenzo Cuoco, Antonio Gramsci, Ernesto de Martino.
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Marchese-Ragona, R., G. Ottaviano, S. Masiero, C. Staffieri, A. Martini, A. Staffieri, M. Mion, G. Zaninotto, and DA Restivo. "The eminent anatomists who discovered the upper oesophageal sphincter." Journal of Laryngology & Otology 128, no. 10 (October 2014): 909–13. http://dx.doi.org/10.1017/s0022215114002035.

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AbstractObjective:To discover the anatomist who first identified the upper oesophageal sphincter.Method:The authors searched dozens of antique anatomy textbooks kept in the old section of the ‘Vincenzo Pinali’ Medical Library of Padua University, looking for descriptions of the upper oesophageal sphincter.Results:The oesophageal sphincter was drawn correctly only in 1601, by Julius Casserius, in the book De vocis auditusque organis historia anatomica… (which translates as ‘An Anatomical History on the Organs of Voice and Hearing …’), and was properly described by Antonio Maria Valsalva in 1704 in the book De aure humana tractatus… (‘Treatise on the Human Ear …’).Conclusion:Anatomists Casserius and Valsalva can be considered the discoverers of the ‘oesophageal sphincter’.
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Bartolucci, Fabrizio, Enzo De Santis, and Fabio Conti. "Nomenclatural Synopsis, Revised Distribution and Conservation Status of Ranunculus gracilis (Ranunculaceae) in Italy." Plants 11, no. 22 (November 14, 2022): 3094. http://dx.doi.org/10.3390/plants11223094.

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Ranuculus gracilis is endemic to the SE Euro-Mediterranean area and its presence in Italy is controversial. Based on analysis of the relevant literature, field surveys and examination of herbarium specimens, a revised distribution of this species in Italy is presented and its conservation status is assessed. Ranunculus agerii, described by Antonio Bertoloni from Bologna (Emilia-Romagna, Northern Italy), and R. schowii, described by Vincenzo Tineo from Vittoria and Terranova (Sicily), usually regarded as synonyms of R. gracilis, are here lectotypified and their taxonomic status discussed. Thanks to our study, the presence of R. gracilis in Italy is confirmed and, now, it is reported in a national conservation framework.
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Sebregondi, Giulia Ceriani, and Richard Schofield. "First Principles: Gabriele Stornaloco and Milan Cathedral." Architectural History 59 (2016): 63–122. http://dx.doi.org/10.1017/arh.2016.3.

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AbstractThe construction from 1386 of Milan Cathedral, the largest Gothic church ever constructed in Italy, was one of the most important episodes in the history of Italian and European architecture. The documentation of the lateTrecentoand earlyQuattrocentodiscussions over how to build the Cathedral is extraordinarily rich and extensive, and permits a consideration of the project from many points of view including the relationship between medieval architectural theory and an actual project. At the same time, any enquiry has to contend with the copious modern literature and the conclusions that have been reached hitherto – often erroneously in our view – about many of the most salient points. We thus re-examine published and unpublished documentation and the existing literature, analysing especially the format of the building's elevation, the proposals by Gabriele Stornaloco and Jean Mignot, and the drawings attributed to Antonio di Vincenzo. We also reconsider the notions ofarsandscientiawhich have previously been misinterpreted in discussions of the cathedral documentation.
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Prokop, Krzysztof R. "Sukcesja święceń biskupich pasterzy Kościoła warszawskiego (1798-2007)." Prawo Kanoniczne 53, no. 1-2 (January 9, 2010): 315–66. http://dx.doi.org/10.21697/pk.2010.53.1-2.16.

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Nel presente articolo è stata trattata la problematica della successione apostolica (delle ordinazioni episcopali) dei pastori della diocesi (dal 1818 archidiocesi) di Varsavia. Prima sono presentati insieme i dati riguardanti le ordinazioni episcopali dei singoli vescovi ordinari, arcivescovi metropoliti ed ausiliari, nonché degli insigniti di dignità vescovile amministratori apostolici della Chiesa di Varsavia. Poi, questi presuli sono stati aggregati alle distinte, nella letteratura d’argomento, linee della successione delle ordinazioni episcopali. I trattati nel presente lavoro membri dell’episcopato cattolico – enumerando in ordine cronologico secondo la data dell’ordinazione episcopale – sono: Adalberto Giuseppe Skarszewski (1791), Giovanni Battista Albertrandi (1796), Giuseppe Miaskowski (1800), Francesco Malczewski (1815), Giovanni Paolo Woronicz (1816), Daniele Elia Ostrowski (1816), Stefano Hołowczyc (1819), Niccolò Giovanni Manugiewicz (1822), Francesco Pawłowski (1827), Stanislao Choromański (1829), Tomasso Chmielewski (1837), Antonio Melchiore Fijałkowski (1842), Giovanni Dekert (1859), Enrico Lodovico Plater (1859), santo Sigismondo Feliński (1862), Vincenzo Teofilo Popiel (1863), Casimiro Ruszkiewicz (1884), Alessandro Kakowski (1913), Stanislao Gall (1918), Ladislao Szcześniak (1925), Augusto Hlond (1926), Antonio Ladislao Szlagowski (1928), Stefano Wyszyński (1946), Sigismondo Choromański (1946), Venceslao Majewski (1946), Giorgio Modzelewski (1959), Bronislao Dąbrowski (1962), Ladislao Miziołek (1969), Sbigneo Giuseppe Kraszewski (1970), Giuseppe Glemp (1979), Casimiro Romaniuk (1982), Mariano Duś (1986), Stanislao Kędziora (1987), Casimiro Nycz (1988), Giuseppe Zawitkowski (1990), Slavoj L. Głódź (1991), Pietro Jarecki (1994), Stanislao Wielgus (1999) e Taddeo Pikus (1999). Tra essi la maggioranza apparteneva alla linea polacca (famiglia di Lorenzo Gembicki/Claudio Rangoni) e solo tre – G.B. Albertrandi, G. Miaskowski, C. Nycz – rappresentano la linea romana (famiglia di Scipione Rebiba).
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CAMEROTA, FILIPPO. "IL DISEGNO DEL TERRITORIO E LA DIFESA DELLO STATO." Nuncius 14, no. 2 (1999): 455–69. http://dx.doi.org/10.1163/182539199x00030.

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Abstracttitle SUMMARY /title The National Archive of Lucca holds an extensive collection of drawings that document a wide-ranging campaign of topographical surveys carried out between 1580 and 1583 for the purpose of tracing a detailed map of fortifications under the domain of the Republic of Lucca. The surveys lie chronologically between the map drawn by the military engineer Alessandro Resta in 1567 and the accurate chorography of the State of Lucca produced at the end of the same century by the Paduan cosmographer Giovanni Antonio Magini. Historical circumstances suggest that the surveys may be attributed to the military engineer Vincenzo Civitali, who had been hired during that period to superintend the State's fortifications along the border between the Duchy of Modena and the Grand Duchy of Tuscany. Apart from providing information on the Republic's cartographic and defense projects, these drawings provide firsthand documentation of the work of a 16th C. topographer, as well as revealing the strategy applied when locating measuring stations which often coincided with a signaling tower, the choice of measuring instruments most readily associated with the simple theodolite, and the adoption of a surveying methodology that consisted in measuring azimuths and distances according to the codified precepts of 16th C. treatise writers.
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Dissertations / Theses on the topic "Vincenzo Antonio"

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Giurgevich, Luana. "Il viaggiatore "ideale" di Alberto Fortis. Scritture e riscritture adriatiche fra Settecento e Ottocento." Doctoral thesis, Università degli studi di Trieste, 2008. http://hdl.handle.net/10077/2607.

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2006/2007
La grande varietà di scritti usciti dalla penna di Alberto Fortis consente di entrare nell’officina odeporica di un viaggiatore d’eccezione, che dimostra un costante e vivo interesse per la costa orientale dell’Adriatico. Un viaggiatore che, fino alla fine della sua vita, anche quando il sogno raguseo è ormai svanito e può solo «euganeizzarsi», non smette mai di raccogliere materiali e informazioni sulle terre adriatiche. La tesi si propone di analizzare gli interessanti itinerari testuali proposti dal viaggiatore padovano attraverso una serie di confronti che coinvolge, da un lato, gli scritti adriatici dello stesso autore, quelli che precedono e seguono la stesura del Viaggio in Dalmazia (ricordo le istruzioni scientifiche per i viaggiatori in Adriatico, le relazioni sullo stato della pesca stese per il serenissimo governo, il carteggio privato, le lettere odeporiche inviate a John Strange) e, dall’altro, le innumerevoli riscritture e traduzioni che prendono le mosse dal celebre resoconto di viaggio. Fra quest’ultime ricordo, in particolare, la Topografia veneta di Vincenzo Formaleoni e il resoconto odeporico di Ernst Friedrich Germar, due testi che rivelano una storia di intrecci, di travasi, di corrispondenze intertestuali. Il viaggio lungo la frastagliata linea adriatica indica, già nella sua mutevolezza, la ricchezza di spunti che il viaggiatore padovano trarrà dall’osservazione delle coste, delle montagne, dei corsi d’acqua zigzaganti verso l’interno della Dalmazia. Insomma di tutte quelle «piste» della Natura che lo condurranno all’incontro con l’Uomo morale morlacco. In una cornice adriatica, dove regna l’osservazione diretta e si fa strada una proposta di rettifica, che è anche reinterpretazione della nozione di spazio e dei viaggi verso Oriente, il naturalista padovano sviluppa un proprio ideale di viaggiatore e il suo resoconto di viaggio diventa, a sua volta, una vera e propria guida, un testo imprescindibile per i futuri viaggiatori in Adriatico.
XX Ciclo
1981
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De, Maria Antonio [Verfasser], Arnulf [Akademischer Betreuer] Quadt, Vincenzo [Gutachter] Cavasinni, Stan [Gutachter] Lai, Steffen [Gutachter] Schumann, Flavio [Gutachter] Constantini, and Sandra [Gutachter] Leone. "Measurement of the Higgs boson production in the H → ττ → τlepτhad decay channel at √s = 13 TeV with the ATLAS detector at the LHC / Antonio De Maria ; Gutachter: Vincenzo Cavasinni, Stan Lai, Steffen Schumann, Flavio Constantini, Sandra Leone ; Betreuer: Arnulf Quadt." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2019. http://d-nb.info/1188886908/34.

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Kamrani, Mohammad Hamed Verfasser], Christoph [Akademischer Betreuer] [Jungemann, and Vincenzo [Akademischer Betreuer] d'Alessandro. "Semi-classical simulation of state-of-the-art toward-terahertz silicon-germanium heterojunction bipolar transistors / Mohammad Hamed Kamrani ; Christoph Antonius Jungemann, Vincenzo d'Alessandro." Aachen : Universitätsbibliothek der RWTH Aachen, 2017. http://d-nb.info/116245086X/34.

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Kamrani, Hamed [Verfasser], Christoph [Akademischer Betreuer] Jungemann, and Vincenzo [Akademischer Betreuer] d'Alessandro. "Semi-classical simulation of state-of-the-art toward-terahertz silicon-germanium heterojunction bipolar transistors / Mohammad Hamed Kamrani ; Christoph Antonius Jungemann, Vincenzo d'Alessandro." Aachen : Universitätsbibliothek der RWTH Aachen, 2017. http://d-nb.info/116245086X/34.

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Hardy, Meghan C. "A graduate recital in wind band conducting : Serenade in D Minor Op. 44, Antonin Dvor̆ák and Symphony no. 6 (Symphony for band), Vincent Persichetti." Manhattan, Kan. : Kansas State University, 2009. http://hdl.handle.net/2097/1411.

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Tavangaran, Nima [Verfasser], Holger [Akademischer Betreuer] Boche, Holger [Gutachter] Boche, H. Vincent [Gutachter] Poor, Antonia [Gutachter] Wachter-Zeh, and Rafael F. [Gutachter] Schaefer. "Robust Secret-Key Generation under Source Uncertainty and Communication Rate Constraint / Nima Tavangaran ; Gutachter: Holger Boche, H. Vincent Poor, Antonia Wachter-Zeh, Rafael F. Schaefer ; Betreuer: Holger Boche." München : Universitätsbibliothek der TU München, 2018. http://d-nb.info/1161528474/34.

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Walsh, Sylvie. "Antoine Vincent Walsh et autres marchands Nantais d'origine Irlandaise : etude des etapes de l'integration dans le contexte historique, social et economique de la societe Francais du XVIIe siecle." Thesis, University of Ulster, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.444520.

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Hlušičková, Pavla. "Antonio Campi (1523-1587). Mezi manýrou a barokem." Doctoral thesis, 2015. http://www.nusl.cz/ntk/nusl-350059.

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The dissertation evaluated the formal, stylistic and contextual analysis of the painting oeuvre of the Cremonese native Antonio Campi. Monographic elaboration of Campi's oeuvre complement to the existing range of syntheses a number of information that has been in the literature so far omitted. The work assessed Antonio's oeuvre on the revision of archival material preserved in Milanese and Cremonese state and church archives, as well as by the means of thorough study of the secondary literature. Chronology of Campi's production was based on the stylistic and formal analysis and at the same time it has been enriched by a number of comparisons of the Lombardy-Ligurian region. Perspective at Antonio's oeuvre was accompanied by drawings and panel paintings that have emerged in the art market in recent years. With this thorough analysis, it became clear that the simple definition of an older Italian scientific literature that had Antonio Campi understood as a painter, who by his work formed the basis of Caravaggio chiaroscuro approach in the last decades of the 16th century and in the early years of the 17th age, proved to be inaccurate. It became clear that with this view we can not identify ourselves any more. Constant changes in mood, surprise, unpredictability, restlessness and individuality, the...
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Ropková, Barbora. "Vincenc Beneš. Malířské dílo." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-313708.

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Author's name: Barbora Ropková School: Charles University, Prague Faculty of Arts Institut of Art History Celetná 20, 116 42 Prague 1 Program: Art History Title: Vincenc Beneš. Paintings. Supervisor: Prof. PhDr. Petr Wittlich, CSc. Number of pages: 140 + attachment Number of attachments: 158 pages Year: 2011 Key words: monograph, expressionism, cubism, Osma, Skupina výtvarných umělců, Antonín Slavíček's painting heritage, traditon of modern french painting in group Mánes, sensual realism and landscape This thesis intention is to work into monography Vincenc Beneš's work (1883-197). Beneš belongs to important artist of the 1.th generation in the 20.th century. In his initial period, he was concentrated, together with his artist partners, on solution of actual art questions. In the period of group Osma he cooperates especially with Bohumil Kubišta. His significant cuboexpresionistic paintings rise from 1910. Beneš stands in the czech cubist movement by Emil Filla. Beneš's cubist paintings have success in prewar Germany. After World War I. Beneš turns away from cubism and works with Antonín Slavíček's painting reference. Subsequently he detects other fuels, he mainly finds guidance in tradition of modern french painting. As a member of group Mánes he creates especially landscapes, still lifes and big...
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Books on the topic "Vincenzo Antonio"

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Fino, Antonio. Nicola Monterisi in Puglia: Antonio Fino, Salvatore Palese, Vincenzo Robles. Galatina: Coongedo [sic], 1989.

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Pronzato, Alessandro. Prete può bastare: Profilo biografico di p. Antonio Vincenzo Gallo. Torino: Gribaudi, 1989.

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Lotta al fascismo all'ombra di Stalin: La militanza di Vincenzo Antonio Gigante. Lecce: Argo, 2009.

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Klerck, Bram de. Giulio, Antonio & Vincenzo Campi: Schilderkunst en devotie in het zestiende-eeuwse Lombardije, 1565-1591. Nijmegen: Nijmegen University Press, 1997.

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Socially symbolic acts: The historicizing fictions of Umberto Eco, Vincenzo Consolo, and Antonio Tabucchi. Madison, N.J: Fairleigh Dickinson University Press, 2006.

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Lalla, Romano, ed. Il gioco del mondo: Dialoghi sulla vita, i sogni, le memorie con Lalla Romano, Vincenzo Consolo, Luciano De Crescenzo, Giuseppe Pontiggia, Susanna Tamaro, Antonio Tabucchi, Lara Cardella, Gina Lagorio, Alberto Bevilacqua, Luce D'Eramo. Cinisello Balsamo (Milano): San Paolo, 1998.

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Art en marge (Brussels, Belgium) and Kunsthaus Kannen, eds. Écritures imagées = Schreib Bilder = La scrittura come immagine: Robert Burda, Klaus Compagnie, Antonio Dalla Valle Michel Dave, Serge Delaunay, H.J. Fränzer, H.G. Kastilan, F.W. Koch, , Dirk Martens, Godelive Masfrancks, Vincenzo Sciandra, Fritz Tobergte, An Van Hecke. Bruxelles: Art en marge, 2004.

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Antoine-Vincent Arnault, 1766-1834: Un homme de lettres entre classicisme et romantisme. Paris: H. Champion, 2004.

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Trousson, Raymond. Antoine-Vincent Arnault (1766-1834): Un homme de lettres entre classicisme et romantisme. Paris: Champion, 2004.

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Cutajar, Dominic. Malta: Six modern artists : Josef Kalleya, Vincent Apap, Emvin Cremona, Esprit Barthet, Antoine Camilleri, Frank Portelli. Malta: Malta University Services, 1991.

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Book chapters on the topic "Vincenzo Antonio"

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Carroll, Michael. "Antonio Vincenzi." In Lords of the Ice Moons, 47–51. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-98155-0_10.

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Garstang, Roy H. "Ferraro, Vincenzo Consolato Antonino." In Biographical Encyclopedia of Astronomers, 714. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-9917-7_449.

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Boner, Patrick J., Paul Charbonneau, Charlotte Bigg, Stuart Atkinson, Alnoor Dhanani, Gregg DeYoung, Petra G. Schmidl, et al. "Ferraro, Vincenzo Consolato Antonino." In The Biographical Encyclopedia of Astronomers, 365–66. New York, NY: Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30400-7_449.

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Hunsinger, Vincent, Martin Lhuaire, Ibrahim Dagher, and Laurent Lantieri. "Clinical Case Reports: Scar Prevention by Laser Treatment in Mastopexy With Implant." In Textbook on Scar Management, 509–16. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-44766-3_59.

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AbstractIn this chapter, Vincent Hunsinger, MD, former chief of clinic in the department of Professor Lantieri at Georges Pompidou European Hospital in Paris and in post-bariatric silhouette surgery after massive weight loss under the direction of Professor Ibrahim Dagher (Hospital Antoine Beclère, Clamart, France) presents a technique of improvement of postoperative scars by the use of an automated 1210 nm diode laser system (UrgoTouch®). The interest of this technique is to limit/prevent postoperative hypertrophy and scar enlargement.
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Körner, Axel. "Concepts in the Language of Politics." In America in Italy. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691164854.003.0003.

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This chapter examines references to the United States of America in the Risorgimento's political language by focusing on concepts such as constitutional government, political representation, and federalism. It first considers the question of natural rights in a constitutional government before discussing the ways in which Italians assimilated and translated American ideas into the historical context of their experiences in the context of the more general Italian assessment of American political institutions. The chapter focuses on the works of Giuseppe Mazzini and other prominent political thinkers such as Cesare Balbo, Vincenzo Gioberti, and Gian Domenico Romagnosi. It also looks at Luigi Angeloni's 1832 pamphlet entitled Schifezze politiche proposte dal dottor Carlo Botta, in which he condemned Botta's antirepublican attitudes, and Antonio Rosmini's critique of American democracy.
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Ciardi, Marco, and Marco Taddia. "Popular Science, Textbooks, and Scientists: The Periodic Law in Italy." In Early Responses to the Periodic System. Oxford University Press, 2015. http://dx.doi.org/10.1093/oso/9780190200077.003.0023.

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This essay deals with an issue that has never before been the focus of attention in the field of research on the history of chemistry in Italy: the diffusion of Mendeleev’s periodic system in our nation. In the following text we will analyze the situation in the period preceding the arrival of Mendeleev’s theory in Italy with regard to the matter of classifying elements. By doing so, it will be possible to demonstrate that—despite the superficiality and lack of accuracy of certain studies—Italian chemistry was already very willing to consider new proposals relating to the classification of elements. We will then attempt to illustrate how Mendeleev’s work not only attracted the attention of the most renowned Italian chemists, such as Augusto Piccini and Giacomo Ciamician, but also became widely used in university texts and secondary school textbooks. In order to understand the classification criteria for elements adopted by Italian chemists before Mendeleev and therefore the cultural terrain the law of periodicity was to take root in, it would be better to refer to a number of texts used widely for teaching in universities. We will examine four of these, published between 1819 and 1867. In all these texts, the term “simple bodies” appears, with the expression “simple substances” used less frequently, while Antoine-Laurent Lavoisier (1743–94), in his 1789 Traité élémentaire de chimie (Traité thereafter), uses the same term “simple substances” or “simple substances … which may be considered as the elements of bodies.” It is interesting to note that Vincenzo Dandolo’s Italian translation (first edition 1792) uses the expression “sostanze semplici,” interpreting quite literally the Frenchman’s choice of term. Thirty years after publication of the Traité, Antonio Santagata (1774–1858), professor of general chemistry at the Pontificia Università di Bologna, published his Lezioni di chimica elementare [Lessons in elementary chemistry], derived from Lezioni di chimica elementare: applicata alla medicina e alle arti [Lessons in Elementary Chemistry: Applied to Medicine and the Arts] (Bologna, 1804), written by his predecessor in the university chair, Pellegrino Salvigni (1777–1841).
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"The Society of St. Vincent de Paul." In Antoine Frédéric Ozanam, 57–84. University of Notre Dame Press, 2017. http://dx.doi.org/10.2307/j.ctvpg84p6.9.

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Brown, Pamela Allen. "Dark Ambition: The Two Faces of Portia." In The Diva's Gift to the Shakespearean Stage, 194–213. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198867838.003.0007.

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Portia in The Merchant of Venice has all the hallmarks of a great diva, such as Isabella Andreini or Vincenza Armani. She is famous beyond Italy, prodigiously intellectual, versatile, and brilliantly clever at devising plots that show off her acting skills, especially cross-gender disguise. Portia banters, plots, and travels with the confidence of a seasoned professional, while suitors and observers extol her golden virtues in paeans like those lavished on star actresses. Yet the diva of Belmont is too good to be true and too theatrical to be good; audiences might well interpret her artful cunning, sophistication, and duplicity as “dark” Italian qualities. In fact, Portia’s zest for acting, wifely insubordination, casual racism, and notable lack of mercy tend to unsettle her mask of moral perfection, as she relishes her diva-like domination of Morocco, Shylock, Bassanio, and Antonio.
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Moseman, Eleanor. "Skupina výtvarných umělců (The Group of Fine Artists)." In Routledge Encyclopedia of Modernism. London: Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem2050-1.

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Skupina výtvarných umělců (The Group of Fine Artists) was an avant-garde artist group active in Prague in the years 1911–17. Skupina consisted of Czech painters, sculptors, architects, designers, illustrators, art historians, and art critics. Many of Skupina’s members seceded from the Mánes Union, Prague’s dominant association for modern art, to form the new group. The foundational meeting in May 1911 was attended by Emil Filla, Josef Gočár, Otto Gutfreund, Pavel Janák, Vlastislav Hofman, František Kysela, Zdeněk Kratochvíl, Ladislav Šíma, and Václav Špála. These founders were joined by Vratislav Brunner, Josef Chochol, Vilém Dvořák, František Langer, Jan Thon, Vincenc Beneš, Josef Čapek, and his art critic brother Karl Čapek, with the later additions of Antonín Procházka and art historians Vincenc Kramář and V. V. Štech.
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Parkinson, Gavin. "Disenchanted Ground, or Antonin Artaud, Vincent van Gogh and Magic in 1947." In Surrealism, Occultism and Politics, 132–50. Routledge, 2017. http://dx.doi.org/10.4324/9781315146652-10.

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