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Journal articles on the topic 'Vietnamese aesthetics'
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1
Trang, Dr Pham Thi Huyen. "Using picture channel in textbooks to teach Vietnamese history." International Journal of Multidisciplinary Research and Growth Evaluation 5, no. 4 (2024): 158–61. http://dx.doi.org/10.54660/.ijmrge.2024.5.4.158-161.
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The goal of Vietnam's current general education program is to help student’s Comprehensive development of morality, intelligence, physical strength, aesthetics and basic skills, developing personal capacity, dynamism, creativity, forming the personality of socialist Vietnamese people... History as a science subject plays an important role in shaping the personality, ideology and spirit of each person, making an important contribution to realizing the goal of training the young generation. Research article image channel in current Vietnamese history textbooks.
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Shim, Jun, Seung-Wook Park, and Jun-Kyu Shim. "The Effects of Vietnamese Consumers’ Perceived Quality Shoes on Repurchase Intention: A Case of MLB Product." Korea International Trade Research Institute 19, no. 5 (October 31, 2023): 1–21. http://dx.doi.org/10.16980/jitc.19.5.202310.1.
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Purpose - This paper aims to analyze the effect of perceived footwear quality on the satisfaction and repurchase intentions of Vietnamese customers, with a focus on various footwear attributes.
Design/Methodology/Approach - This study employs a comprehensive approach, incorporating various methodologies, namely exploratory factor analysis, confirmatory factor analysis, and structural equation modeling (SPSS 25.0 and AMOS 20.0 Ver). The study involves analyzing 200 verified samples of Vietnamese individuals administered through an online survey. The survey questionnaire includes diverse footwear attributes such as aesthetics, style, color, material, size measure, fit, comfort, perspiration, durability, performance of color fastness, workmanship, ease of care, coordination with the wardrobe, price, brand, and country of origin.
Findings - The analysis identifies six significant shoe quality attributes from the perspective of Vietnamese customers. These are aesthetic beauty, comfort, sweat-wicking, durability, price, and brand origin. Consequently, The study investigate d the relationship between theses six quality attributes and customer satisfaction and between customer satisfaction and repurchase intentions.
Research Implications - The empirical analysis revealed that, the six identified factors are consistent with shoe attributes valued by Vietnamese consumers, which include aesthetics, comfort, sweat-wicking, durability, price, and brand origin. Hence, companies seeking to enter or enhance competitiveness in the Vietnamese shoe market must be particularly sensitive to pricing.
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Nguyen, Qui-Ha Hoang. "Cinema of Care." Feminist Media Histories 9, no. 1 (January 1, 2023): 33–51. http://dx.doi.org/10.1525/fmh.2023.9.1.33.
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Hải Ninh’s The Little Girl of Hà Nội (1974) captures the traumatic war causalities caused by the US B-52 bombing campaign in December 1972 through the memories of a child witness figure. While the US media typically portrayed Vietnamese children as helpless victims, and mainstream North Vietnamese media portrayed them as heroes, the film presents its child protagonist as both a victim and care agent within her community’s care network. The essay shows that Little Girl foregrounds the caring capability of a wounded community by using care as a structural force and a central aesthetic. I argue that Little Girl produces an aesthetics of care, including visual and sonic motifs to inscribe the tender tone that underscores the images of the damaged city. In this way, the film shows that care has the potential to reframe the narrative of war while avoiding the dominant frozen trope of traumatic memories.
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Vu Thi, Hanh. "Conception about human in modern Vietnamese novels by some overseas female writers." Journal of Science Social Science 67, no. 3 (July 2022): 31–38. http://dx.doi.org/10.18173/2354-1067.2022-0038.
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The concept of art is the perception of the world, human and art, which reflects the intellectual levels with the innovations and originality in creative aesthetics of writers. Using poetic method to research artistic conception about human in modern Vietnamese novels by some female writers, the author concentrates on the innovations of female writers about: personalist person, lonely and incredulous person. They are new perceptions about human, reflect the important change in creative aesthetics of writers.
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Minh, Nguyen Hoang, Truong Manh Dung, Vo Truong Nhu Ngoc, Pham Hoang Tuan, Nguyen Hong Ha, Le Van Son, Nguyen Thi Thu Phuong, et al. "Quality of Life and Suitability with Vietnamese Harmonious Face Index in Class III Malocclusion Patients." Open Access Macedonian Journal of Medical Sciences 7, no. 24 (October 15, 2019): 4239–43. http://dx.doi.org/10.3889/oamjms.2019.367.
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BACKGROUND: Maxillary Lefort I osteotomy, mandibular bilateral sagittal split ramus was frequently used in correcting skeletal class III malocclusion. There was a lack of research on class III malocclusion patients’ quality of life (QoL) after bimaxillary osteotomy.
AIM: Class I Intermaxillary relationship was achieved, aesthetic was significantly improved. Significant improvement in Class III skeletal patients’ quality of life was acquired. The achievement of harmonious face would be beneficial to the facial aesthetics of patients, thus improving the quality of life.
METHODS: Harmonious face index is an effective criterion in assessing the surgery’s outcome. In this study was conducted on 30 patients at Hanoi National Hospital of Odontostomatology, Viet Duc Hospital, and Hong Ngoc Hospital from April 2017 to April 2018, and it was a quasi-experimental study with self-comparison, 12 months follow up.
RESULTS: Orthognathic surgery effectively corrected malocclusion crossbite, dental compensation, and helped to improve facial aesthetics. 100% of patients had the quality of life improved, good quality of life consisted of 86.7%. In comparison with a harmonious facial index of Kinh ethnic in Vietnam, 70% of patients achieved skeletal harmony, 63.3% of patients achieved dental harmony, 80% achieved soft tissue harmony.
CONCLUSIONS: Vietnamese harmonious facial index should be used in planning and pre-surgical simulation
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Trang, Nguyen Thien, and Byung-gil Chun. "The Effect of Experiential Value of Korean Food on Korean Food Image, Behavioral Intentions and Korean National Image: Targeted at Vietnamese Locals." Foodservice Management Society of Korea 25, no. 5 (October 31, 2022): 177–98. http://dx.doi.org/10.47584/jfm.2022.25.5.177.
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This study is to explore the structural relationships among experiential value of Korean food, Korean food image, behavioral intentions on Korean food, and Korean national image, for Vietnamese locals. Data were collected from 258 Vietnamese locals, combining online and field survey. The findings are as follows. First, CROI(customer return on investment), playfulness and service excellence dimensions of experiential value positively affect Korean food image. These experiential value dimensions of Korean food can improve Vietnamese locals’ Korean food image. But aesthetics dimension of experiential value does not affect Korean food image. Second, Korean food image influences on both the behavioral intentions on Korean food, and Korean national image. Results suggest that positive experiential value of Korean food does not only increase sales of Korean food in local, but also enhance the Vietnamese locals’ Korean national image. Implications and limitations are also discussed.
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Nguyen, Martina Thucnhi. "Wearing Modernity." Journal of Vietnamese Studies 11, no. 1 (2016): 76–128. http://dx.doi.org/10.1525/jvs.2016.11.1.76.
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This study examines the tunic designed by Lemur Nguyễn Cát Tường—most often cited as the precursor to the modern áo dài—as a physical entity and as a historical and abstract symbol of modernity. My argument is twofold: first, that Lemur was the first modern Vietnamese designer, evidenced by his engagement in two modern fashion practices—the establishment of an institutionalized system and his proposal for a Vietnamese national costume. Second, I argue that despite protestations of its insignificance, dress served as a ground on which weighty social and cultural battles—such as gender, class, national identity, aesthetics, and modernity itself—were fought.
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Brook, Scott. "From Gangs to Shopping Malls: Sentimental Aesthetics in Vietnamese Australian Community Arts." Journal of Intercultural Studies 35, no. 3 (May 4, 2014): 281–94. http://dx.doi.org/10.1080/07256868.2014.899952.
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Lovatt, Philippa. "(Im)material Histories and Aesthetics of Extractivism in Vietnamese Artists' Moving Image." Southeast of Now: Directions in Contemporary and Modern Art in Asia 4, no. 1 (2020): 221–36. http://dx.doi.org/10.1353/sen.2020.0004.
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Quyet, Nguyen Thi, Nguyen Viet Thanh, and Nguyen Thi Phuong. "Ho Chi Minh’s thoughts on the education of the young Vietnamese generation today." Perspectives of Science and Education 62, no. 2 (May 1, 2023): 562–77. http://dx.doi.org/10.32744/pse.2023.2.33.
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Introduction. Educating the young generation is the future of every nation. President Ho Chi Minh was a philosopher of Vietnam who saw the critical role of educating the young generation to build a strong country. The purpose is to find out suitable educational content and methods, thereby applying it to Vietnamese education to build Vietnamese people to develop comprehensively to meet the requirements of industrialization and modernization and international integration in Vietnam. Study participants and methods. The paper is based on Ho Chi Minh's view on educating young people to clarify educational content and methods. The paper uses materialist dialectics to analyze and explain Ho Chi Minh's thoughts on educating the young Vietnamese generation expressed in his works, articles, and speeches. In addition, the paper uses methods of comparison, analysis and synthesis to clarify the contents and methods of education in Ho Chi Minh's viewpoint. Results. Ho Chi Minh's thought on educating the young Vietnamese. That generation is not only mentioned in the narrow sense of knowledge and academic education; Education is not only limited to schools, between teachers and students, but the contents of Ho Chi Minh's educational thought is very broad and cover many fields. That is the idea of humanistic education, the point of view of educating people in general in terms of ideals, knowledge, health, aesthetics and morality in all social relations to build Vietnamese people to develop comprehensively in terms of physical strength, intelligence, ethics, and personality. These contents car out based on the correct educational method, which is a close combination of theory and practice, a combination of education in school with education in the family and society, and at the same time it arouses and promotes self-discipline in learning and training of the young generation. In general, Ho Chi Minh’s contents and methods of educating the young generation contain many positive and progressive points. That thought shows the dialectic, the mutual influence between elements of the teaching process. Practical significance. In the context of Vietnam's current integration and development, besides the positive effects of the market mechanism, its negative side has also had an increasingly profound influence on the young Vietnamese generation. A large part of the younger generation is still showing limitations in terms of education, professional occupation, physical strength, learning ability, and practical capacity; living passively, lacking the will to practice, lacking dreams and ambitions; being afraid of difficulties and hardships; lacking a sense of responsibility to family, society and to themselves. That is a matter of particular concern. To overcome this situation, it is necessary to deeply research, study and apply President Ho Chi Minh's thought on educating the young generation in order to comprehensively develop the Vietnamese people in general and the young Vietnamese generation in particular. Keywords: education, Ho Chi Minh’s thoughts, teaching methods, the young Vietnamese generation
11
Lehman, Mike. "Kinotextuality in Matt Huynh’s The Boat." Crossings: Journal of Migration & Culture 11, no. 2 (October 1, 2020): 169–85. http://dx.doi.org/10.1386/cjmc_00023_1.
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Matt Huynh’s The Boat (2015), an interactive digital adaptation of Nam Le’s short story of the same name (2008), follows the story of a young Vietnamese boat migrant to explore the dilemma of belonging in migrant and refugee flight. While Le’s text details narratives of refugee flight, Huynh’s multimodal rendition translates the narrative of boat migration into an interactive, multisensory aesthetic mode that simulates the experience of boat passage on the ocean as well as the online viewer’s sense of a boat approaching national shores. In this article, I develop the concept of kinotextuality, an aesthetics of movement that renders the border generative and creative. I demonstrate that the literary imagination offers a conception of the border not merely as the limited space of the nation but as a space for reimagining the idea of human rights and protection.
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Van, Thuong Nguyen, Hien Le Thanh, Tan Nguyen Manh, Phuong Pham Thi Minh, Kiem Pham Cao, Sơn Nguyen Hong, Nghi Dinh Huu, et al. "Efficacy of Surgical Excision for Nevus Sebaceous - Vietnamese Experience." Open Access Macedonian Journal of Medical Sciences 7, no. 2 (January 23, 2019): 211–13. http://dx.doi.org/10.3889/oamjms.2019.001.
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BACKGROUND: Nevus Sebaceous (NS) is hamartoma predominantly composed of sebaceous glands and is classified as a type of epidermal nevus. In most case, clinical manifestation of NS is typical, so histopathology examination is important only in atypical lesions for its risk of malignancy. Clinical symptoms are plaques or papules (100%), appearing in the head area (100%) with smooth surface (65.8%), usually with hair loss (60.7%). The histopathology is mostly characterized by the image of sebaceous gland hyperplasia (100%), no hair follicles (60.7%) or immature follicles (14.3%).
AIM: The aim of our study is describing clinical and histopathological manifestation, make diagnosis and evaluate the best therapy.
METHODS: Our study recruited 38 patients with NS, 3 patients (7.9%) with atypical aspects. All patients were treated by surgical excision.
RESULTS: Complications as hair loss and infections were reported in 36.8% patients. No patients had recurrence after one year of treatment.
CONCLUSION: Based upon our experience, surgery is cheap, simple, associated with high aesthetics effectiveness and low recurrence rate, proposing as the first choice for treatment of NS.
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Tran Thi Hong, Nhung. "The issue of gender equality in Vietnam short stories with female authors in nowadays that writes about love, marriage, family." Journal of Science Social Science 66, no. 2 (May 2021): 44–53. http://dx.doi.org/10.18173/2354-1067.2021-0024.
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With the initiative in creative sense and concept of art consistently that writes about love, marriage, family, Vietnamese short stories for female in nowadays, they forcefully confirmed the point of view is equal between men and women. Through the world of art to be created, the powerfull aspects of this have been opened up. The article focuses on clarifying the manifestations of gender equality issues in vietnam short stories with authors are female in nowadays that is one of the social problems - unique aesthetics.
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Rocha, Luiz Carlos Moreira da. "The Tet Offensive and the Battle of Khe Sahn as a Watershed of the Vietnam War: Michael Herr's Dispatches." Aletria: Revista de Estudos de Literatura 23, no. 2 (August 30, 2013): 65–76. http://dx.doi.org/10.17851/2317-2096.23.2.65-76.
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The literature of war, independently of genre, tends to record the causes of the conflict, which are generally political and economic. But, it also tends to appoint a kind of aesthetics of reception, in other words, how the conflict is felt and registered by the experiences of the individual, whether soldier, writer, journalist or common reader. In Dispatches, the fantasies of the grunts, the allusions to the theory of dominoes, the necessity to win the hearts and minds of the Vietnamese people, and the role of the press are condensed in this remarkable non-fictional narrative.
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Hahn, H. Hazel. "The Rickshaw Trade in Colonial Vietnam, 1883–1940." Journal of Vietnamese Studies 8, no. 4 (2013): 47–85. http://dx.doi.org/10.1525/vs.2014.8.4.47.
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This article examines the role of rickshaws in colonial Hà Nội and Sài Gòn. The rickshaw was the most popular form of transportation between 1910 and 1935. Rickshaw circulation gave rise to issues of hygiene, safety, traffic control, taxation, convenience, comfort, aesthetics, accessibility, uses of public space, and morality. These increasingly contentious issues were debated within municipal councils, and also by the press and the public. Large French companies dominated rickshaw manufacturing while the downtrodden condition of rickshaw pullers sparked a debate among Vietnamese journalists and intellectuals who urged the suppression or reform of the trade.
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Kien, Le Trung. "The Value of Ho Chi Minh's Ideology, Morality and Style to the Vietnamese Nation Today." Journal of Politics and Law 14, no. 4 (September 9, 2021): 126. http://dx.doi.org/10.5539/jpl.v14n4p126.
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This article aims to clarify the basic contents of leader Ho Chi Minh's ideology, morality and style that are valuable to the Vietnamese nation. In fact, Vietnam has been proving the miraculous vitality of Ho Chi Minh's ideology on the path and goals of national development, on the strategy of great national unity and international solidarity, innovative thinking, culture and humanities. His moral example and views on revolutionary ethical standards and ethical practice principles are the red thread throughout the progress of progressive and civilized human development. His style is extremely lively, natural, unique, attractive, magical in daily activities and behavior, which is shown as independent, self-directed and creative thinking style; scientific, democratic and mass working style; modest, polite, sincere, warm, natural and flexible behavior style; simple, clean, moderate, moderate living style. These legacies form a consistent whole in Ho Chi Minh's people, have deep scientific, theoretical and practical values in terms of ethics and aesthetics, consistent with the history of the Vietnamese nation and the development trend of mankind.
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Chung, Nguyễn Quang, and Quách Phan Phương Nhân. "Developing the Capacity in Learning Sino - Nom for Students in Vietnamese Language and Literature Teacher Education at Hung Vuong University through Calliry Writing Activities." Scholars International Journal of Linguistics and Literature 7, no. 04 (April 29, 2024): 109–13. http://dx.doi.org/10.36348/sijll.2024.v07i04.002.
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Practicing calligraphy helps learners master the art of writing Chinese characters. By practicing calligraphy, students will better understand the characteristics of Chinese characters and how to arrange those strokes into messages in text. This will help develop the ability to write Chinese characters more fluently and beautifully. Improving creativity and aesthetics, calligraphy is an art that combines art and technique. When practicing calligraphy, you will have to cultivate your creativity, find balance and aesthetics in each line. This can help improve the ability to organize ideas and express meaning in writing Sino-Nom texts. Originating from the need to study Nom character at Hung Vuong University. In the framework of the article, we focus on: Calligraphy in the practice of writing Nom character texts of students majoring in Literature pedagogy at Hung Vuong University.
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Phan, Thị Thu Hiền, and Ngọc Thơ Nguyễn. "Basic Thoughts of Vietnamese Classic Aesthetics through Vân đài loại ngữ (雲台類語) by Lê Quý Đôn." Synthesis philosophica 36, no. 2 (January 20, 2022): 353–79. http://dx.doi.org/10.21464/sp36206.
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Ovo istraživanje smjera razjasniti neke značajke tradicionalne vijetnamske estetske misli izražene kroz Vân đài loại ngữ, »enciklopedijsko« djelo Lêa Quýa Đôna (1726. – 1784.) – poznatog vijetnamskog filozofa, pisca i znanstvenika predmodernog doba. Naše je prijašnje istraživače (Vijetnam, Kina) jako zanimao poetski aspekt djela Vân đài loại ngữ. Naš je novi doprinos koristiti misao Lêa Quýa Đôna kao studiju slučaja vijetnamske klasične estetike. Ispitujući književnost (poglavlje 5, »Văn nghệ«), glazbu i kaligrafiju (poglavlje 6, »Âm tự«) u odnosu na Li i Qi filozofiju (poglavlje 1, »Lý khí«) u djelu Vân đài loại ngữ, naše istraživanje razjašnjuje Lê Quý Đônovu književnu i umjetničku koncepciju književne i umjetničke ljepote temeljenu na iskrenosti, prirodnoj jednostavnosti i harmoniji Yin-Yanga. Objašnjavamo temeljne Lê Quý Đônove koncepte uspoređujući ih s odgovarajućim konceptima kineske estetike da bismo istaknuli jedinstvene karakteristike vijetnamske klasične estetike te pružamo dodatni povijesni kontekst.
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Do, Liem Huy. "A CRITICAL LOOK AT BUDDHIST RELIGIOUS TEXTS TRANSLATION METHODS THROUGH THE VIETNAMESE VERSION OF THERAVADA MAJJHIMA NIKAYA (MIDDLE-LENGTH DISCOURSES)." SCIENTIFIC JOURNAL OF TRA VINH UNIVERSITY; ISSN: 2815-6072; E-ISSN: 2815-6099 1, no. 45 (December 28, 2021): 48–53. http://dx.doi.org/10.35382/18594816.1.45.2021.783.
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Translation of Buddha’s discourses (suttas) is one of the most challenging yet less researched areas in Translation Studies. The question of ‘a faithful translated version’ gains most importance in the translation process. The main focus of this research is to foreground the Buddhist theory of interpretation and translation and to look into the Vietnamese translated version of Majjhima Nikaya (MN) of Theravada Buddhism’s Pali Sutta Collection semantically and etymologically. The study found out that, just like translated works in any other language, the Vietnamese translations of the suttas are still not satisfactory versions for readers- both monks and laypeople, as the translators determined the meanings of Buddhist texts from their own cultural and religious experience, outlook, and interpretative traditions. Han (Chinese) language influence of the Mahayana tradition suttas was also commonly found on both semantic and etymological features of the translations. Therefore, there is a crucial need to envisage and define proper methods of translation that would help translators of Buddhist religious texts to convey the real meaning of Buddha’s teaching to the learners. This is very crucial in the Asian contexts, especially in Vietnam, because Asian conceptions of language, interpretation, translation, literature, aesthetics are very different from that of the West, and even vary by country. Future translators should have a professional attitude towards the translation of such religious texts, should possess both language proficiency and wide knowledge in religious matters. Most important, they should put their heart into every of their religious translation works.
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Nguyen, Trang, and Luan Nguyen. "Groundwater pollution by longstanding cemetery and solutions for urban cemetery planning in Ho Chi Minh City – from reality to solutions." MATEC Web of Conferences 193 (2018): 02008. http://dx.doi.org/10.1051/matecconf/201819302008.
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The fast speed of urbanization in Vietnamese big city like Ho Chi Minh City (HCMC) has pushed a large number of longstanding cemeteries deep into the inner city. It consequently leads to the gradual loss of urban aesthetics and negative impacts on urban environment. Choosing location for cemetery in modernized city is currently realized as one of serious and difficult issues in terms of urban space planning. Also, it is an urgent concern of environmental problem. The result of traditional inhumation, for example, has led to an uncontrollable wide underground spread of polluted leachates exuding from human body corpses in longstanding cemetery and surrounding areas. In order to improve the effectiveness of urban planning, together with environmental and cemetery management and groundwater conservation responsibilities on site and surroundings of a cemetery, assessment of the groundwater pollution and simulation of the contaminant transport potential are compulsory. This study aims to conduct both tasks into Binh Hung Hoa (Tan Phu district) and Vinh Nghiem (district 12) cemeteries, the two typical longstanding cemeteries in HCMC.
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Ho, Thi Van Anh, and Thanh Nga Le. "Revealing the invisible: A phenomenological reading of N.B. Phuong’s The Absent (1999) and W. Faulkner’s As I Lay Dying (1930)." Ministry of Science and Technology, Vietnam 65, no. 3 (December 20, 2023): 120–26. http://dx.doi.org/10.31276/vmostjossh.65(3).120-126.
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This article conducts a comparative analysis of the concept of invisibility within two literary works: The Absent(Nguoi di vang, in Vietnamese) by N.B. Phuong and As I Lay Dying by W. Faulkner. It employs M. Henry’s phenomenological insights into life and aesthetics as a theoretical framework to delve into the expression and perception of invisibility in these texts. The study demonstrates that invisibility plays a dynamic role in both novels, exploring how it is articulated, revealed, perceived, and comprehended. By immersing characters in states of dying and coma, these narratives facilitate an exploration of the invisible as a perceptual experience. Both authors delve into the realm of invisibility by granting voices to the earth and its inhabitants, simultaneously emphasizing the silences and gaps in human communication. The central objective of this article is to identify common themes and perspectives related to the manifestation of life in these two writers’ works. Both N.B. Phuong and Faulkner conceive life as fundamentally invisible, with art serving as the means to unveil this invisible life.
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Pham, Kien Thi. "Karl Marx's theory of human nature and its significance in educating people nowadays." Perspectives of Science and Education 62, no. 2 (May 1, 2023): 592–609. http://dx.doi.org/10.32744/pse.2023.2.35.
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Introduction. Social development is an objective condition for human development. Social development is a condition for each individual in society to develop. The freedom of each individual in society is the basis and driving force for creating each culture, community, and country. Materials and methods. The article uses a comprehensive and specific historical point of view of the materialist dialectical methodology. At the same time, the paper also uses analytical, synthesis, and interpretation research methods to clarify Marx about human nature and how the social human changed people's living conditions and changed people in both shape and knowledge. Human life activities, which are material production, have made individuals and social people have a dialectical relationship. Individuals and social people can encourage each other to develop together and make society more chaotic and distant. Production relations in society cause inequality and disparity between rich and poor. Research results. Summarizing Marx's theory of human nature, the paper has aspects of clarification analysis of Human Nature. First, human nature is a product of history and the subject of history. Second, human nature is nature and social characteristics; Therefore, it is necessary to educate comprehensive human development. Third, the development of each person is the development of everyone in society. Each country and individual has goals, policies, and orientations for the development of human nature. Therefore, each country and individual has plans, policies, and directions for the development of human nature. Human needs a wonderfully natural and social environment to promote their full potential. Nowadays, individuals in social people must be self-aware of existence and development by working in production to improve the natural and social environment. Today, Vietnam needs to educate the Vietnamese to develop comprehensively. The government needs to implement democracy in education. And it is necessary to inform the worker of the requirements of a globally integrated society with the development of science and technology. Vietnamese workers unite with workers worldwide to promote worker's rights in companies. Conclusion. This study allows arguing that Marx put forward the human mentioned in two aspects, human nature and social human. Marx clarified social humans in practical activities that changed human nature. For a comprehensive human overview, each country and individual needs to focus on health, intelligence, aesthetics, culture, capacity, quality, and morality and fight for freedom and democracy. Today, Marx's ideas about human are the basis for the education human nature. Marx pointed out the role of man as the master of society. Therefore, the future community is educational Vietnamese. The article is the basis for promoting the democratic rights and freedoms of people in a civilized and progressive society. Therefore, clarifying the role of educating Vietnamese people in the current process of national renewal. Keywords: human nature, individual person, social people, product of history, subject of history, Marx
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Davydova, Olga. "Participation of USA in the War in Vietnam in Soviet Press in 1965: the Specifics of the Photo Image of the Enemy." Metamorphoses of history, no. 25 (2022): 0. http://dx.doi.org/10.37490/s230861810023092-1.
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The article is devoted to how the image of enemy is built and how it functions within the Cold War discourse. Ideas presented within the article are based on research of the photographs published in official Soviet press, namely in “Izvestia” and “Pravda” newspapers, illustrating the articles about War in Vietnam. The period under consideration is 1965, when USA increased its military presence in the region mentioned above. The aim of the article is to figure out and describe the key elements of the image of enemy in the context of mass media. The article also suggests a conceptual and methodological frame of how the photographs represented can be read and interpreted. Thus, Walter Benjamin’s conception of the emptiness and meaninglessness of a photograph without a caption allows to show that a photographic image does possess a great potential for inserting an additional sense. Also, Benjamin’s notions of aesthetization of politics and politization of aesthetics are taken into account when dealing with aesthetics of the photographs used in press. As to the contents of the images, one can highlight a number of topics repeated through the visual elements. We face numerous images of protests against the war all over the world; we see the terrors of war (children and women); we see the aggressor itself represented through military equipment and soldiers; finally, we meet brave Vietnamese people resisting the Americans. The detailed analysis of the images representing the aggressor (soldiers and war equipment) allows to reveal key strategies of how the image of enemy is built within the Cold War discourse. It is shown that the enemy is cruel but one does not need to be afraid of him: the enemy is defeated and will be defeated. The enemy’s strength is visible only in comparison with a weaker opponent. The enemy is deceitful and hypocritical, he cannot be trusted. At the same time, America has also another face – the face of people who are against the war and who also suffer from cruelty and injustice.
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Cheng, Julia. "Queering Lists: Culinary and Literary Modernism in The Book of Salt." MELUS 44, no. 3 (2019): 91–111. http://dx.doi.org/10.1093/melus/mlz024.
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Abstract Lists, and the practice of listing, provide avenues of insight into Bình, the protagonist in Monique Truong’s The Book of Salt (2003). Working as a cook in the infamous Stein Salon in Old World Paris, Bình, a narrative footnote extracted from The Alice B. Cook Book (1954), exercises a linguistic and culinary grasp shown to rival the resident darling couple’s own modernist projects. Demonstrating the narrator’s artistry under the radar, the list represents a formal feature that stages the particularities of queer aesthetics against the humanist backdrop represented by Gertrude Stein and Alice Toklas. As the novel spans geographical coordinates and varied temporalities, Bình’s curious expression of choice prompts narratological overlooking even as it tracks the desires of diasporic bodies and the taste of cherished dishes. Exercised with remarkable restraint, the generative accretions of running catalogs and errant recipes represent small acts of creativity in the novel. Simultaneously, the practice of listing foregrounds the enumerations as tactical sites of interruption and deferral, to constitute a critical methodology that reflects the list-maker’s precarity as a queer Vietnamese exile. This essay attends to the achievements of a minoritarian character who casts a shadow in the familiar archives of high modernism, as the “superficial” stylistic feature of the list opens up The Book of Salt to larger reflections on the intimate ties between coloniality and avant-garde experimentation.
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Cottom, Daniel. "To Love to Hate." Representations 80, no. 1 (2002): 119–38. http://dx.doi.org/10.1525/rep.2002.80.1.119.
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FROM THE TIME OF SOCRATES' Phaedo to the present, misanthropy has been thought of as spoilt idealism: the flipside of generosity for Timon of Athens, of sincerity for Molièère's Alceste, of reason for Jonathan Swift's Gulliver, and so on. Misanthropy thus construed places one in a critical position between ''humanity and humans'' (Schiller). In contrast, Chris Burden's work leads us to see the misanthropy fundamental to and constitutive of the very conception of art. For instance, through its erasure of the line commonly drawn between symbolic and real violence and through the uncertainties, equivocations, contradictions, and overdeterminations it evoked, the performance he titled 747 represented art's undoing of humanity, its drive to betray what Samuel Beckett called ''anthropomorphic insolence,'' or whatever may be thought of as properly human desires, intentions, and concerns. Similarly, through The Other Vietnam Memorial (1991) Burden drew out the fierce misanthropy in Maya Lin's beloved wall by reminding us of the names of the millions of Vietnamese that it symbolically and, in effect, violently erases. More recently,and perhaps even more controversially,the artist Dread Scott has followed Burden's example in a work titled (and dramatizing the equivoque in the term) Enduring Freedom (2002), a shrine based on those created in New York City in the aftermath of the September 11th attacks but devoted to the Afghan casualties of the war the United States is conducting in response to them. Using Beckett as one of his favored exemplars, Theodor Adorno directed attention to the aesthetic implications of misanthropy (even as he struggled to give them a utopian spin) when he remarked upon the Baudelarian ''spleen'' of art, without which it cannot be and with which it maintains ''a permanent protest against morality.'' Even though we continue to play it down whenever we try to discipline art into spiritual health by working some sense of responsibility into our theories of what it is, does, and has been, this disorienting protest is arguably the most ancient theme of Western aesthetics. Despite its so-called terrorist aspects, then, Burden's art is thoroughly traditional in emphasizing art's misanthropic appeal. A comparison on this score to literary works by writers such as Franz Kafka and Thomas De Quincey, to historical episodes such as the practice of ascetism among the fourthcentury ''desert fathers,'' to artworks by Caspar David Friedrich and Pieter Bruegel the Elder, to the films of Ingmar Bergman, and to the controversies over aesthetics that arose in the immediate aftermath of the events of 9/11 shows us why politics will be aestheticized, whether we like it or not. In other words, this analysis shows us why we cannot even begin to conceive of human justice without working through art and thus through the subject of misanthropy.
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Pahukan, Sujittra. "New Dimension of Lacquered Work." Asian Journal of Arts and Culture 23, no. 1 (June 22, 2023): 260635. http://dx.doi.org/10.48048/ajac.2023.260635.
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Thai artwork Kammalor patterns (Lacquered Work) are the national art of Thailand that indicate the prosperity of culture that shows Thai identity. Handicrafts in Thai art, therefore, represent a skill that is exquisite, delicate, and tactful. In the midst of the contemporary social trend, social changes in art are diverse in commercial art. There are modifications and developments of works of art. Making the art market, the addiction to commercial art has an alternative channel for people to consume art in a variety of ways and more freely. The result of this creative research, researchers study and collect data. The knowledge from theory and practice in fine arts, surreal art creation, contemporary Thai painting style, analysis of techniques and creative processes from Thai techniques, a black and gold lacquered pattern technique and ancient lacquered patterns, including materials to create works that are even more difficult to find nowadays. The process combines techniques, processes and styles from Vietnamese lacquered works, such as techniques for inlaying materials onto works, using materials from fishbones, crab shells and shells together with mixing techniques on ceramic works from technique Raku firing (The Art of Raku Firing) using the Kintsugi fusion technique in the form of mixed media creations. The result of creating this work will show emotional aesthetics, a feeling that reflects imagination in creating works from inspiration in the fishery profession and the concept that the researcher does not rely on surreal art, which emphasizes the transfer of stories through creativity, symbolic shape display, and artistic visual elements that modified new attitudes through conservative Thai art forms to reflect the image of Thai art in the "New Dimension of Kammalor" series for society in the 21st century to remain sustainable in the future.
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Phan, John Duong. "The Twentieth-Century Secularization of the Sinograph in Vietnam, and its Demotion from the Cosmological to the Aesthetic." Journal of World Literature 1, no. 2 (2016): 275–93. http://dx.doi.org/10.1163/24056480-00102010.
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This article examines David Damrosch’s notion of “scriptworlds”—spheres of cultural and intellectual transfusion, defined by a shared script—as it pertains to early modern Vietnam’s abandonment of sinographic writing in favor of a latinized alphabet. The Vietnamese case demonstrates a surprisingly rapid readjustment of deeply held attitudes concerning the nature of writing, in the wake of the alphabet’s meteoric successes. The fluidity of “language ethics” in early modern Vietnam (a society that had long since developed vernacular writing out of an earlier experience of diglossic literacy) suggests that the durability of a “scriptworld” depends on the nature and history of literacy in the societies under question.
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PURKAYASTHA, PRARTHANA. "Visuality, Sonicity and Corporeality in Installation Art: A Conversation with Jun Nguyen-Hatsushiba." Theatre Research International 46, no. 2 (July 2021): 200–208. http://dx.doi.org/10.1017/s0307883321000109.
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This conversation paper examines the visual, sonic and corporeal entanglements that inform the work of the Vietnamese-American-Japanese artist Jun Nguyen-Hatsushiba. It explores the corporeal and aural qualities that are central to an understanding and sensorial experience of the artist's installations and visual practice. In paying attention to breath, sound and motion in visual art production, Jun Nguyen-Hatsushiba's works reveal how corporeality and sonicity can dismantle the ocular-centrism of visual art. The discussions between Jun and Prarthana map the varied traumatic histories of racial colonialism, war and forced migration that haunt Vietnam's present, and bring to the surface the artist's aesthetic and political concerns around art, performance and cultural memory.
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Đặng Thị Minh, Tuan, Linh, and Luong. "ASSESSING THE AESTHETIC CREATIVE CAPACITY OF STUDENTS IN LEARNING PROJECTS AT HCMC UNIVERSITY OF TECHNOLOGY AND EDUCATION." Tạp chí Nghiên cứu Dân tộc 12, no. 1 (March 20, 2023): 56–60. http://dx.doi.org/10.54163/0866-773x/48.
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The development, expansion of exchange and integration relations in all fields such as economy, culture, science, education... has had a significant impact on the value system of society, in which have aesthetic values. Before that situation, the Document of the 9th Conference of the Central Committee of the 11th term affirmed: Currently, the issue of building, preserving and promoting a good value system of aesthetic tastes in the process of construction Vietnamese people to develop comprehensively and a new advanced culture imbued with national identity becomes urgent. Studying the change of the value system in Vietnamese culture through the study of art, aesthetic tastes and aesthetic education has both theoretical and practical significance. This article evaluates the current situation of students' aesthetic creativity through learning projects at HCM City University of Technology and Education.
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Đặng Thị Minh, Tuan, Linh, and Luong. "ASSESSING THE AESTHETIC CREATIVE CAPACITY OF STUDENTS IN LEARNING PROJECTS AT HCMC UNIVERSITY OF TECHNOLOGY AND EDUCATION." Tạp chí Nghiên cứu Dân tộc 12, no. 1 (March 20, 2023): 56–60. http://dx.doi.org/10.54163/ncdt/48.
Full textAbstract:
The development, expansion of exchange and integration relations in all fields such as economy, culture, science, education... has had a significant impact on the value system of society, in which have aesthetic values. Before that situation, the Document of the 9th Conference of the Central Committee of the 11th term affirmed: Currently, the issue of building, preserving and promoting a good value system of aesthetic tastes in the process of construction Vietnamese people to develop comprehensively and a new advanced culture imbued with national identity becomes urgent. Studying the change of the value system in Vietnamese culture through the study of art, aesthetic tastes and aesthetic education has both theoretical and practical significance. This article evaluates the current situation of students' aesthetic creativity through learning projects at HCM City University of Technology and Education.
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Cuong, Pham Hung. "The Factors of Religious Architecture Influencing Students' Perception of Beauty and Art: Evidence from Hanoi, Vietnam." International Journal of Religion 5, no. 8 (May 17, 2024): 140–52. http://dx.doi.org/10.61707/4g209436.
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This study explores the impact of religious architecture on the aesthetic perceptions of elementary school students in Hanoi, Vietnam, focusing on students majoring in fine arts. Employing regression analysis, the research assesses the influence of six key dimensions: architectural design and details, cultural and historical context, spiritual symbolism, emotional impact, context and setting, and students' perceptions of beauty and art. Data were collected through a structured questionnaire developed from a thorough literature review and expert consultations and administered to a randomly selected sample during Vietnam's Lunar New Year in January 2024. The results revealed that each dimension significantly contributes to students' perceptions of beauty, with context and setting having the most pronounced effect. The reliability of the questionnaire was confirmed via Cronbach's alpha, indicating high internal consistency across all scales. The regression analysis validated the theoretical framework, establishing that religious buildings' architectural and contextual elements significantly shape students' aesthetic judgments. These findings underscore the importance of integrating architectural aesthetics into educational curricula, highlighting how environmental and cultural contexts influence educational outcomes in art and aesthetics. This research contributes to filling a significant gap in understanding the academic impact of cultural heritage, offering significant implications for educational practices and policies in culturally diverse settings.
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Thi Thu Trang, Ngo. "From understanding of national design characters and suggestion of the improvement of Vietnamese urban outdoor furniture toward a sustainable cultural environment." MATEC Web of Conferences 193 (2018): 01023. http://dx.doi.org/10.1051/matecconf/201819301023.
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Recognizing the threat of losing local identity under the pressures of modernization and globalization, the aim of the research is to extract the vital characteristics representing for a national style in order to propose a guideline for the modern industrial products in Vietnam in general, and urban outdoor furniture in particular. From the database of over two thousands Vietnamese traditional daily products, this paper presents the major results of analyses carried out on the use of materials, shapes and forms, colors and decoration, the four basic components of aesthetic appearance. The correlations between those four components are also looked at in this study. Continuously, all important results which show strength and distinction of each appearance’s component are extracted and classified into clusters which recognize the repeat pattern of the overall characteristics of the four main appearance’s components. The name of each cluster is listed as keywords of Vietnamese national identity such as Harmonious, Focused, Orthodox, Dynamic, Feminine, Slightly recessive, and Outward. Finally, the article suggests a sustainable solution for creating aesthetic identity of urban outdoor furniture by integrating those essential characters of tradition into the modern design. In other words, the characters of Vietnamese traditional daily products found out in this study are proposed as the guidelines for aesthetic improvement of Vietnamese urban outdoor furniture which can be an effective medium to introduce the culture of the local area and represents the image of a city.
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Nguyen Thi Hai, Phuong. "GENRE INTERFERENCE IN VIETNAMESE NOVELS AFTER 1986." Journal of Science Social Science 63, no. 7 (July 2018): 37–41. http://dx.doi.org/10.18173/2354-1067.2018-0047.
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Genre interference is a striking feature that contributes to the genre style of Vietnamese novels after 1986. The phenomenon of interference between the genre of novels and other genres in contemporary Vietnamese novels has actually brought new aesthetic effects. By combining multiple genre language channels in contemporary novels, writers have taken over which covers the extremely complex issues of modern life. In addition, the combination, the interference of this genre has contributed to create the inter-text for the current Vietnamese novels, which will bring the positive, active and creative for readers.
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Collins, Rebekah Linh. "Vietnamese Literature After War and Renovation." Journal of Vietnamese Studies 10, no. 4 (2015): 82–124. http://dx.doi.org/10.1525/jvs.2015.10.4.82.
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This article examines the turn to the everyday in contemporary literature from Vietnam by Phan Thị Vàng Anh, Dương Phương Vinh, Nguyễn Ngọc Tư, and other writers born in the 1960s and 1970s. I analyze formal, aesthetic, ethical, and sociopolitical aspects of the literature, distinguishing post-Đổi Mới from Đổi Mới works and suggesting ways to understand the former within local and global comparative literary frameworks.
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Tran, Luong Thi Thu. "Cultural features in the way of clothing of Korean and Vietnamese traditional cultures." Science and Technology Development Journal 18, no. 2 (June 30, 2015): 81–91. http://dx.doi.org/10.32508/stdj.v18i2.1196.
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The demand for clothing belongs to the need to ensure the survival of humans and human society. Clothing is the cultural achievements dealing with the natural environment. Together with social development process, clothes serve as signaling messages about social status, profession, economic conditions, aesthetic taste of the wearer. Therefore, in the basic structure of the culture of physical life organization, clothing – one of the three basic needs (food, shelter, clothing) deeply expresses cultural characteristics of the subject. This paper presents striking cultural features of Vietnamese and Korean civilians’ everyday clothing in Vietnamese and Korean traditional culture periods (before exposure to Western culture).
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Nguyen, Thi-Thu-Sang, and Mee-Ok Choi. "The Effect of Regional Body Satisfaction on Appearance Interest of Female University Students in Vietnam." Journal of the Korean Society of Cosmetology 27, no. 5 (October 31, 2021): 1246–54. http://dx.doi.org/10.52660/jksc.2021.27.5.1246.
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The recent economic affluence in Vietnam is leading to a growing interest in beauty. Especially, beauty-related industries, including cosmetic brands, beauty shops and spas are developing, beauty products are becoming more diversified and the interest in appearance is growing. Therefore, this study aims to examine Vietnamese female university students’ interest in physical appearance and the real state of their appearance management behaviors. As for the conclusion of the effect of regional body satisfaction on appearance interest, it can be seen that the higher the satisfaction with the face, the higher the interest in appearance in the northern region. In the central region, higher satisfaction with skin and face means higher interest in appearance. In the southern region, the higher the satisfaction with height, abdomen, weight, and upper body, the higher the interest in appearance. These results can serve as basic data for understanding of the consumer market and analysis of the consumer class in the beauty industry by showing aesthetic consciousness and appearance management behaviors of Vietnamese female university students, who are central consumers of the beauty industry. It is considered there is a need to analyze consumption behaviors, including consumption patterns of Vietnamese female university students in more detail, and further studies on aesthetic consciousness and appearance management behavior patterns among more various types of subjects should be carried out for application to the present beauty industry.
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Nguyen Thanh, Tung. "LITERARY CHARACTERS’ NAMES AS AESTHETIC SIGNALS: DECODING THE NAMES OF CHARACTERS IN TRUYỀN KÌ MẠN LỤC BY NGUYỄN DỮ." UED Journal of Social Sciences, Humanities and Education 11, no. 2 (December 31, 2021): 53–60. http://dx.doi.org/10.47393/jshe.v11i2.979.
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As a masterpiece of Vietnamese medieval literature, Truyền kì mạn lục (A Casually Recorded Collection of Strange Tales) shows many aspects of Nguyễn Dữ’sartistic inheritance and creation. They are also represented through Nguyễn Dữ’s way of naming his characters in the work and making many names become “aesthetic signals”. He absorbed the tradition of naming characters from East Asian and Vietnamese literature in general and Qu You’s Xian deng xinhua in particular. Likewise, he created new methods of naming characters for different artistic purposes, especially satirical purpose. The paper focuses on classifying and analyzing the characters’ names system of Truyền ki man lục in order to assert that naming characters is a unique writing technique as well as Nguyễn Dữ’s artistic success.
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Vo Thi Quynh, Trang. "Cultural and Historical Differences of Surnames in Chinese, Vietnamese, and English Perspectives." Journal of Knowledge Learning and Science Technology ISSN: 2959-6386 (online) 3, no. 1 (March 29, 2024): 120–42. http://dx.doi.org/10.60087/jklst.vol3.n1.p142.
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Surnames, functioning as indicators of familial ties within societal frameworks, play a pivotal role in differentiating individuals. They encapsulate the most vibrant, unified, and thought-provoking aspects of humanistic and historical intricacies within traditional cultures, serving as foundational elements that contribute to the manifestation of unique national cultures. Every individual globally possesses a distinct surname and given name.The space Chinese, Vietnamese, and English systems of surnames intricately intertwine with their corresponding national histories, religious beliefs, traditional cultures, and social customs. These systems distinctly reflect the images and evolution of their social histories, the origins and progression of ancient civilizations, the amalgamation and enrichment of Chinese, Vietnamese, and English societies, as well as the transformations and reforms in social norms. Furthermore, they provide valuable insights for delving into the histories and cultures of these nations. Chinese, Vietnamese, and English surnames have undergone evolution within two disparate social environments, enduring extensive periods of historical refinement and accrual. They manifest various cultural idiosyncrasies, emanating distinctive historical allure, spotlighting individual national traits, and revealing diverse valuable orientations and aesthetic standards. This thesis delves into the concepts and connotations of Chinese, Vietnamese, and English surnames. On one hand, it scrutinizes and dissects differences in their formation times, historical origins, developmental trajectories, cultural characteristics, national amalgamation, and cultural connotations. On the other hand, it aims to identify primary factors arising from social reforms, religious beliefs, national psychologies, valuable conceptions, and political and economic elements. The study explores the semantic significance of surnames, uncovering variations in Chinese, Vietnamese, and English histories and cultures while nurturing cross-cultural awareness. The examination of historical and cultural differences in Chinese, Vietnamese, and English surnames proves valuable in acknowledging both shared traits and unique distinctions in cultural customs, facilitating a more profound understanding of societal development. The analysis of these differences in cross-cultural communication is essential, serving as a pivotal means for expanding cultural awareness in Chinese, Vietnamese, and English contexts. Moreover, it plays a pragmatic role in enhancing historical knowledge, broadening traditional culture, fostering mutual understanding, and improving cultural communication.
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Kim, Kyeong-Ok, and Wang-Keun Yoo. "Vietnamese Women’s Perception of Semi-permanent Makeup." Korean Society of Beauty and Art 21, no. 3 (September 20, 2020): 143–60. http://dx.doi.org/10.18693/jksba.2020.21.3.143.
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This study was conducted to provide basic data needed to analyze and develop Korean semi-permanent makeup training and treatment methods in consideration of Vietnamese women’s needs after investigating their perception of semi-permanent makeup. For this purpose, a survey was conducted from May 10 to August 10, 2019 (90 days) on 294 women living in Hanoi, who have been interested in semi-permanent makeup and the results found the followings: When asked how much they were aware of semi-permanent makeup, ‘little’ was responded. When asked how they got to know it, ‘spa’ was most responded. More than half of the respondents were aware of semi-permanent makeup, and 59.2% believed that it is close to plastic surgery. When asked how safe the makeup treatment is, they mostly had a positive response. In comparison to with tattoos, nearly 66% of the respondents were aware of the differences. When asked if they were informed of semi-permanent makeup training institutions, about 70% said ‘Yes’. In terms of relations among disinfection, hygiene and infection, 75.5% were aware of the risk of infection. It is anticipated that the study results would be available as useful basic data needed to develop Korean semi-permanent makeup programs and give related training in Vietnamese aesthetic industry which has been rapidly growing.
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Nguyen, Huynh Mai, Huynh Trung Tran, Thi Mung Pham, and Nguyen Phuc Toan Phan. "CLINICAL FEATURES OF GINGIVAL HYPERPIGMENTATION IN VIETNAMESE OUTPATIENTS." Tạp chí Y Dược học Cần Thơ, no. 5 (March 30, 2023): 104–11. http://dx.doi.org/10.58490/ctump.2023i5.648.
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Background: Gingival esthetics was considered one of the most significant aspects of aesthetic smiles, especially in those with gingival hyperpigmentation. Understanding the features, distribution, and causes impacting gingival pigmentation was critical for developing an effective treatment plan. Objectives: The prevalence of gingival hyperpigmentation in outpatients at Can Tho University of Medicine and Pharmacy Hospital; the association between gingival hyperpigmentation and age, gender, smoking status, and skin color. Material and Methods: Descriptive cross-sectional method; convenience sampling. Results: In a total of 100 outpatients, the rate of gingival hyperpigmentation was 53%, of which 40% had mild gingival hyperpigmentation according to DOPI (grade 1), 13% had moderate gingival hyperpigmentation (grade 2), and 13% had heavy gingival hyperpigmentation disease (grade 3). The study collected 3/6 groups of gingival melanin hyperpigmentation according to Ponnaiyan's classification. Of all the hyperpigmentation groups according to Hedin's classification, the hyperpigmentation group forming a long continuous ribbon accounted for a high proportion (45% in the maxilla, 40% in the mandible). The rates of gingival hyperpigmentation in the group of 40-year-old patients and the others were 48.8% and 75%, respectively. Conclusion: There was a statistically significant relationship between gingival melanin pigmentation and skin color. The percentage of melanin pigmentation was higher in those with dark skin. There were no differences in the ratios for age, gender, or smoking status.
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Minh, Nguyễn Thị Quốc. "NHÓM TỪ CHỈ MÙI HƯƠNG TRONG TRUYỆN KIỀU." Dalat University Journal of Science 11, no. 2 (April 25, 2021): 113. http://dx.doi.org/10.37569/dalatuniversity.11.2.816(2021).
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Words for scent and fragrance appear in more abundance in “The Tale of Kieu” than in any other classical Vietnamese literary work. However, scent, aroma, smell, and fragrance are quite different. There are things and people who have a fragrance without a smell and vice versa. The expressive meanings of scent are very different and are expressed according to different aesthetic ideals and artistic principles. This article gives an in-depth exploration and understanding into such matters. This is also a way to discover and assert that Nguyen Du was an artistic genius.
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Thi Viet Ha, Nguyen. "Urban environment factors in advertising poster in Ho Chi Minh City." MATEC Web of Conferences 193 (2018): 01020. http://dx.doi.org/10.1051/matecconf/201819301020.
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Poster design is an important part in graphic design and contributes considerably to the “green industry” – the modern advertising industry. In the era of International Integration of Vietnam, there is a large number of changes in advertising posters, and Urban Environment factors plays a very important role in this process. Advertising poster is integrated with visual languages, creating a totally new outlook on aestheticism. Special attention has given to the Urban Environment factors, and they have even become a trend, spreading to the art of design, particularly in advertising posters. The article analyses how Urban Environment factors have been expressed in advertising posters, especially in graphic elements, from concept to execution. The article focuses on Commercial Advertising Posters which is used for brands available in Vietnamese market from 2010 till now (2017). The area of research is Ho Chi Minh City, where there is a diversity of market trends and also a place which is greatly and quickly influenced by new trends in Art and Design. This is also considered as the place that can quickly absorb new trends of Arts and Culture in creating Advertising campaigns for Vietnamese market. Besides, Ho Chi Minh City is the leader in development of modern society for Vietnamese; there are many construction projects for skyscraper, plazas, living space, security for storage of belongings and for comfortable life and work of urban population.
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Liên, Nguyễn Thị Kim, Lê Bắc Việt, Lê Đình Kỳ, Nguyễn Văn Biển, Nguyễn Văn Bền, and Nguyễn Huy Hoàng. "Identification of PSORS1C3 variants in Vietnamese patients with psoriasis disease." Vietnam Journal of Biotechnology 15, no. 2 (April 20, 2018): 231–36. http://dx.doi.org/10.15625/1811-4989/15/2/12338.
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Psoriasis is an immune disorder disease which has genetic cause. It is benign disease, and usually lies in dormant status in the body until the patient triggered by a variety of factors such as environment, lifestyle and diet. The disease has an effect on the aesthetic, many serious complications and affects a large number of the world population. Until now, there are no specific method of cure only treatment of disease stabilization, avoidance complications and improvement quality of life for patients. Genetic studies of psoriasis have been identified 13 loci associated to susceptibility of disease. Among them, the PSORS1 region on chromosome 6p21.3 was identified as highest relevant to susceptibility of disease. In this study, blood samples of the Vietnamese patients with psoriasis disease were collected and investigated. Exons in PSORS1C3 gene, one gene in locus PSORS1, in psoriasis patients were amplified by using specific primer pairs. The single nucleotide polymorphisms (SNP) of PSORS1C3 gene were determined by sequencing and comparing with the reference sequence in Ensembl. We found out 14 SNPs including of 6 SNPs rs3868542, rs11507945, rs11507946, rs3871247, rs11507947, rs3871246 on exon 1; 2 SNPs rs3099189, rs3132517 on exon 2; 6 SNPs rs887467, rs887468, rs1061503, rs2269711, rs11507948 and rs11507949 on exon 3 of PSORS1C3 gene in Vietnamese patients with psorisis disease. The results showed that there was one SNP rs3871246 have significant association to susceptibility of disease with p
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Tran, Thuy Anh. "USING WEBQUEST IN PROJECT BASED TEACHING “THE BEAUTY AND AMPLITUDE OF VIETNAMESE LANGUAGE THROUGH SOME ADVANCED LINGUISTIC FOLKS FOR 10TH GRADE STUDENTS” FOR THE DEVELOPMENT OF THE AESTHETIC CAPABILITY FOR STUDENTS." UED Journal of Social Sciences, Humanities and Education 10, Special (September 27, 2020): 1–11. http://dx.doi.org/10.47393/jshe.v10ispecial.852.
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On the basis of a teaching project, with the support of the webquest method, studying the richness and beauty of vietnamese language, aiming to develop the capability of the learners for meeting the requirements of renovative education program in high school, this article focuses on analyzing the manifestations of the students' aesthetic capability through teaching folks and folklore. The explanations presented in this article are the method of self-study and creation of students under the guidance, support, and references supporting from teachers; hence conveying the beauty and humanity values to nurture students minds, awake the students' love and responsibility towards their mother tongue.
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Нгуен, Тхи Хоан. "THE INFLUENCE OF F. M. DOSTOEVSKY’S NOVEL “CRIME AND PUNISHMENT” ON THE WORKS OF VIETNAMESE WRITERS." Bulletin of the Chuvash State Pedagogical University named after I Y Yakovlev, no. 3(112) (October 15, 2021): 60–67. http://dx.doi.org/10.37972/chgpu.2021.112.3.009.
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В статье впервые дано общее представление о влиянии «Преступления и наказания» Ф. М. Достоевского на творчество вьетнамских писателей на протяжении целого столетия. Автор обращает внимание, что роман «Преступление и наказание» занимает особое место в культурном пространстве Вьетнама, оказывая влияние на поэтику художественных произведений вьетнамских прозаиков, их мировоззренческие и эстетические ориентиры. В работе наглядно иллюстрируется процесс вхождения «Преступления и наказания» в культуру Вьетнама, который шел через творческую адаптацию романа. Автор отмечает, что сложные философские проблемы, которые поднимались в романе Ф. М. Достоевского, вызывали большой интерес у вьетнамских читателей, а у ряда вьетнамских писателей и стремление к подражанию. Исследование показало, что «Преступление и наказание» оказало заметное влияние не только на сюжет, идею художественных произведений, но и на языковой стиль многих известных вьетнамских романистов в ходе модернизации вьетнамской литературы. Интерес к роману великого русского писателя сохраняется сегодня на высоком уровне, что способствует развитию культурных связей между двумя народами. В статье делается вывод о незаменимой позиции романа «Преступление и наказание» в сердцах вьетнамских читателей. Научная новизна настоящего исследования определяется изучением творческой адаптации романа Ф. М. Достоевского в литературной практике вьетнамских художников слова на протяжении XX-XXI веков, а также обозначением различных линий в рецепции известного русского романа во Вьетнаме. Результаты исследования могут быть использованы на занятиях по истории русской и зарубежной литератур, будут интересны учителям-словесникам, а также всем увлеченным художественной литературой и культурой. The article for the first time gives a general idea of the influence of “Crime and Punishment” by F. M. Dostoevsky on the works of Vietnamese writers for a whole century. The author observes that the novel “Crime and Punishment” occupies a special place in the cultural space of Vietnam, influencing the poetics of the artistic works of Vietnamese prose writers, their ideological and aesthetic guidelines. The work clearly illustrates the process by which “Crime and Punishment” enters into the culture of Vietnam, which went through the creative adaptation of the novel. The author notes that the complex philosophical problems that were raised in the novel by F. M. Dostoevsky aroused great interest among Vietnamese readers, and a number of Vietnamese writers also had a desire to imitate. The study showed that “Crime and Punishment” had a noticeable impact not only on the plot, the idea of literary works, but also on the language style of many famous Vietnamese novelists during the modernization of Vietnamese literature. Interest in the novel of the great Russian writer remains today at a high level, which contributes to the development of cultural ties between the two peoples. The article concludes about the irreplaceable position of the novel “Crime and Punishment” in the hearts of Vietnamese readers. The scientific novelty of this study is determined by the study of the creative adaptation of the novel by F. M. Dostoevsky in the literary practice of Vietnamese authors during the 20th-21st centuries, as well as the designation of various lines in the reception of the famous Russian novel in Vietnam. The results of the research can be used in classes on the history of Russian and foreign literature, and will be of interest to teachers of literature as well as to all those who are interested in fiction and culture.
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Nguyen, Son Minh, Minh Khac Nguyen, Mare Saag, and Triin Jagomagi. "The Need for Orthodontic Treatment among Vietnamese School Children and Young Adults." International Journal of Dentistry 2014 (2014): 1–5. http://dx.doi.org/10.1155/2014/132301.
Full textAbstract:
Objective. The aim of this study was to evaluate the need for orthodontic treatment among 12-year-old school children and 18-year-olds from Da Nang, Vietnam.Basic Research Design. A random representative sample of 200 12-year-old children from primary schools in Da Nang city was gathered. In addition, 200 18-year-old students were randomly selected from among the 4000 students studying at Da Nang University of Medical Technology and Pharmacy, Vietnam. All the subjects were evaluated according to Angle’s molar relationship, the presence of malocclusion, and the components of the Index of Orthodontic Treatment Need (Dental Health Component, DHC, and Aesthetic Component, AC).Results. The DHC of index of orthodontic treatment need (IOTN) for 12-year-olds was in 60% of casesno or little, in 21% of casesmoderate, and in 19% of casesdefinitive, while the prevalence of moderate and definitive need for treatment among the 18-year-olds was 24% and 30.5%, respectively. The prevalence of class III malocclusion, contact point displacement, and crossbite was higher in 18-year-olds than among the 12-year-olds, while the prevalence of increased overjet and increased overbite had decreased in 18-year-olds compared to the group of 12-year-olds.Conclusions. There is a strong need for orthodontic treatment in Vietnam’s population. The need for orthodontic treatment was determined by contact point displacement, crossbite, increased overjet, and increased overbite.
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Chung, Phan Le, and Nguyen Thi Hien Le. "Typical Values of the Nguyen Dynasty’s Decorative Art on Bronze Objects in Hue." Journal La Sociale 3, no. 6 (December 7, 2022): 225–33. http://dx.doi.org/10.37899/journal-la-sociale.v3i6.732.
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In the general relationship of culture and art, the Nguyen lords and kings made many contributions to the shaping and development of Cochinchina, enhanced the country's position and influence with other countries in the region. The decorative art on bronze objects in the Nguyen Dynasty contains many cultural, historical and aesthetic values with multi-dimensional and multi-layered symbol. This has shown the synthesis of values, in which aesthetic value is one of the outstanding points. The decorative art on bronze objects in the Nguyen Dynasty take an important role in preserving and conserving national artistic and cultural values. Besides this, the expressive value on bronze and the emotiveness from the surface of the material also enhance the values of the decorative art. The Nguyen Dynasty’s decorative art on bronze objects in Hue has shown the richness of art and culture. Through the study we can see and feel the great ingenuity and creative spirit of the artisan classes. This is one of the factors affirming the position of the Nguyen dynasty's decorative art on bronze objects in the general of Vietnamese bronze art.
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Phan, Justin Quang Nguyên. "Sonic Infidelities: Performing Time, Space, and Nonalignment in Hương Ngô’s In the Shadow of the Future." Asian Diasporic Visual Cultures and the Americas 8, no. 1-2 (May 22, 2023): 113–34. http://dx.doi.org/10.1163/23523085-08010006.
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Abstract Critics have long pointed out that there was nothing “cold” about the Cold War—its wars extended as hot proxy wars impacting spaces outside of the Eastern and Western Blocs. Treating the Cold War as a metaphor, this article analyzes how interdisciplinary artist Hương Ngô mobilizes “sonic performances of infidelities,” a term I use to draw attention to how diasporic bodies reject the polarizing discourses of the Cold War in spatial, temporal, and epistemological terms. By noting how Ngô employs the visual, sonic, and performative, this article identifies how Ngô’s sonic performances of infidelity ultimately construct an alternative to the Cold War that pulls from her feminist refugee aesthetic repertoire; enunciates from the specificity of Vietnamese diasporic life; and is, moreover, in spirited dialogue with the long historical and internationalist ethos of nonalignment.
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Xuan, Pham Thi, and Tran Anh Dung. "Choosing Folk Song for Children 5-6 Years Old Through Teaching Organization Music Activities in Preschool." European Journal of Theoretical and Applied Sciences 2, no. 3 (May 31, 2024): 74–81. http://dx.doi.org/10.59324/ejtas.2024.2(3).08.
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Folk songs have the ability to have a strong impact on people's thoughts and emotions, helping us develop aesthetic abilities, thinking, intellectual, physical qualities, and good moral feelings. More importantly, it forms national consciousness and love for the homeland. Currently, teachers are aware of the importance of using folk songs for 5-6 year old children in organizing musical activities in preschools. However, preschool teachers do not know how to choose folk songs in organizing and teaching music activities, causing the results of the activities to be low. This article focuses on analyzing the current situation of choosing folk songs for 5-6 year old children through organizing and teaching musical activities, in order to form in children the goodness and beauty in folk songs. From there, children will develop a love and appreciation for Vietnamese folk songs.
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Vu Minh, Tran, Vu Cong Thiet, and Tran Thanh Tung. "Design of an automated plastic bag packaging machine." Acta Tecnología 9, no. 1 (March 31, 2023): 35–38. http://dx.doi.org/10.22306/atec.v9i1.166.
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Thin plastic bags are common in Vietnam's sweets and food stores. Currently, due to the need to preserve dried goods, the majority of these items will be stored in fully sealed plastic bags. In order to improve package efficiency, design, and eliminate packaging errors, a completely automatic packaging machine is required to assure safety and cleanliness, enhance performance, and enhance the aesthetics of packaging designs. The study provided an approach for designing a prototype of plastic bag product packaging. Use the SolidWorks to design, analyse, and select materials based on machine concept. Then, an electrical and pneumatic system was constructed, followed by the fabrication and testing of a prototype to demonstrate the validity of the model.