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Academic literature on the topic 'Vie intellectuelle – Florence (Italie) – 16e siècle'
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Dissertations / Theses on the topic "Vie intellectuelle – Florence (Italie) – 16e siècle"
Beuzelin, Cécile. "Des décors éphémères de fête à la fondation de l'Accademia Fiorentina : Jacopo Pontormo ou la culture des peintres florentins dans la première moitié du XVIe siècle." Tours, 2007. http://www.theses.fr/2007TOUR2040.
Full textThe first part of the thesis shows the contribution of certain aspects of Florentine culture in the formation and works of painters like Pontormo. First of all, it shows the place of literature and natural philosophy in the education and works of these painters. Secondly, it stresses the importance of social networks for the diffusion of culture, which, in Florence at the beginning of the XVIth century, were essentially made up of companies ("compagnie") and workshops. Finally, it pays particular attention to the study of ephemeral arts and the world of "feste" in Florence and their influence in the permanent works of the painters. The second part of the thesis consists of an analysis of the reception of certain aspects of the culture of the "oltrape" and northern Italy in Florentine painting. Thus, its presents a detailed study of the cycle of paintings of the "anticamera Benintendi" and, furthermore, attempts to define the double portrait of friendship in Renaissance
Mouren, Raphaële. "Piero Vettori et les auteurs classiques (1499 - 1585) : édition et enseignement à Florence au temps du second humanisme." Paris, EPHE, 2002. http://www.theses.fr/2002EPHE4001.
Full textGarane, Abdullahi Garane. "Gli intellettuali fiorentini (1250-1350) : Dante, Petrarca, Boccaccio." Grenoble 3, 1986. http://www.theses.fr/1986GRE39018.
Full textChapron, Emmanuelle. "Des bibliothèques "A Publica Utilita" : publicité, politique culturelle et pratiques du livre à Florence au XVIIIe siècle." Paris, EHESS, 2004. http://www.theses.fr/2004EHES0047.
Full textBaggioni, Laurent. "La « forteresse de la raison ». Lectures de l’humanisme politique florentin d’après l’Epistolario de Coluccio Salutati (1331-1406)." Thesis, Lyon, École normale supérieure, 2011. http://www.theses.fr/2011ENSL0677.
Full textStarting from a critical historicization of the methodological and ideological foundations of categories such as civic humanism and republicanism, this thesis investigates the works of the Florentine humanists not only from the point of view of political theory but also in relation to their historical significance. The aim is to redefine the structural lines of a republican tradition characteristic of Florentine history, a tradition which the thinkers of the Italian Wars (Savonarola, Guicciardini, Machiavelli) inherited and criticized. An extensive reading of the private letters by Coluccio Salutati (1331-1406) constitutes the central part of this work and reveals the juridical character of the Chancellor’s thought : on the one hand, the juridical vocabulary is omnipresent in the letters and provides the core of the hermeneutic tools necessary to political analysis ; on the other hand, it helps defining an « office of exhortation » which discloses Salutati’s urge for reform rather than his role of propagandist. New light is then shed on Leonardo Bruni’s contribution to political thought as Bruni is seen following the path of Salutati’s political humanism. Leonardo Bruni (1370-1444), in comparison with his master, stresses the superiority of history, but finds himself equally involved in the formulation of a language and a science of political life
Rabiot, Jérémie. "Ecrire, comprendre et expliquer l'histoire de son temps au XIVe siècle : étude et traduction des livres XI à XIII de la nuova cronica de Giovanni Villani." Thesis, Lyon 2, 2015. http://www.theses.fr/2015LYO20152.
Full textAs a major work of communal historiography, Giovanni Villani's Nuova cronica is a milestone for whoever intends to immerse themselves into the history of medieval Florence. Merchant, statesman and writer, the author embodies the figure of the Florentine popolano grasso. Narrating in thirteen books the history of both his city and the world, from its origins to 1348, the chronicle has left more than one hundred manuscripts, contributed to making Tuscan the language of Italians, and has inspired an abundant bibliography. This thesis focuses on a largely ignored aspect of this book, namely the relationship the author has to the history of his time, focusing on the last three books covering the years 1326-1348. Those years were a period of important political and economic change, as of deep cultural liveliness, and marked a turning point in the communal history: the Nuova cronica reveals the prosperity of this early Florentine Trecento. The chronology of the writings shows a particularly small time span between the events and their transcription: this has its consequences on both the tools and methods of the historian, who is therefore required to re-study his information channels, renew his sources and reinterpret the explicative frameworks. In addition to relying on merchant networks, the study of the sources reveals an extensive use of archive documents, which create a memory of communal institutions. The analysis of the interpretive frameworks of history attests of the importance of the author's religious mindset; this paints his historical narrative with a strong moralistic and uplifting dimension, sometimes giving it the appearance of a sum of secular exempla or a manual of civic virtues. However, the remarkable aspect of the last books lies in the way they open new perspectives into the culture of the great Florentine merchants of this time. Through the study of two aspects of this culture, theological and scientific, the capacity of a moderately literate secular man to capture a large part of scholar culture is revealed. This makes the chronicle a true work of vulgarization which builds a link between different levels of culture
La, Brasca Frank. "Cristoforo landino et la culture florentine de la renaissance." Paris 3, 1989. http://www.theses.fr/1990PA030033.
Full textThe objective of this study is to examine the life, career and main works of the florentine humanist, cristoforo landino (1424-1498), and to bring them into relation with the evolution of culture, civilisation and thought in 15th century florence during the decisive period between the oligarchical government and the death of lorenzo the magnificent and the fall of the medicean regime. Poet, teacher, philosopher, through his position in the circle around lorenzo and as his preceptor, c. Landino is exemplarily representative of the complex history, still to be written, of relations between intellectuals and ruling powers at the time of the italian renaissance. His intellectual itinerary leads him from civic and rhetorical humanism marked by the influence of leon battista alberti to the refined, aesthetic elaborations of ficinian neo-platonism. Having started as a latin poet, he became established after a long career as a university professor and a diversion through philosophical vulgarisation, as a commentator of major poets, and raised this activity to the status of artistic creation in its own right, inaugurating thus the history of criticism of vernacular literature which was to be marked for nearly a century by the enduring influence and the immense editorial success of his commentary on the divine comedy
Lesage, Claire. "La culture et la condition féminines chez les femmes lettrées à Venise (fin de la Renaissance, début de l'époque baroque)." Paris 3, 1995. http://www.theses.fr/1995PA030102.
Full textOur research is dedicated to the study of the feminine literature in venice at the end of the renaissance and at the beginning of the baroque period. We selected four writers' works whose names are : isabella cortese, moderata fonte, lucrezia marinella and arcangela tarabotti. We studied their writings with an historical porspect in order to witness the feminine condition within the italian ociety of thius time. In a stylistic prospect, our second purpose was to evaluate the influence of the litarary models and these writers' capacity to put their own touch, as women, into their writings. We could realize the existence of a thought about their status as women of letters and about the feminine condition in general. It results in a claiming message which is particularly modern
Digirolamo, Anna-Maria. "La lecture de dante a l'academie florentine : une hypothese sur le mythe dantesque a florence (1540-1589)." Paris 4, 1997. http://www.theses.fr/1996PA040225.
Full textIn the middle of the sixteenth century, florence, through the florentine academy, gives birth to one of the most riches periods of its exegesis of dante. A global and diachronic study of a certain number of not very well-known readers of the divine comedy, enabled us to perceive the reasons of this assiduity in reading dante, and of its strong doctrinary orientation. Living a crucial moment of loss of its traditional political and cultural importance, florence is obliged to refute the accusations coming from the circle of padua against the divine comedy, henceforward the symbol of florence's linguistic and literary primate. Showing up the doctrinary subjects of the divine comedy, the florentine culture stands against the theory of formal art, dominating everywhere else in italy at that period. At the same time, florence refers to the neo-platonic interpretation praised during the age of lorenzo the magnificent, and, in that way, reaffirms implicitly its ancient prestige. To the end of the sixties, the political stabilization of the town, the relative reduction of its linguistics ambitions, and the new climate of the counter-reformation, opposed to the neo-platonism, reduce the importance of the public exegesis of the divine comedy, and cause its disappearing
Manzano, González Raquel. "Présence et influence de l'Espagne dans la culture napolitaine du XVIè siècle." Paris 7, 2003. http://www.theses.fr/2003PA070043.
Full textIn the 16th century, Naples was a part of the Spanish Kingdom ; the Spanish influence is obvious in the institutions, but also in a 'melting-pot' society where Spaniards and Neapolitans were in contact. The first part of this work attempts a general description of Naples (historical background, main public figures, social and cultural life) before the arrival of the viceroy Toledo. The second part analyses the changes due to the reinforcement of the Spanish presence under Toledo. The Spanish presence is reflected in the topography of the town, but also in the traditions of theatre and festivals. Music and the fine arts show many examples of mutual influence between Spaniards and Neapolitans. The importance of the academies in the Neapolitan culture raises a double question - about the presence of Spaniards in those social circles, and about the suspicion of the authorities towards them. Literary and linguistic influences were prominent, and also mutual. An inquiry on the books printed in Naples from 1470 to 1600 has provided an inventory list which is analysed in the third part, allowing a better understanding of the Spanish presence in Neapolitan publishing