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Books on the topic 'Video transformation'

Author: Grafiati
Published: 30 March 2023

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1

Hollywood catwalk: Exploring costume and transformation in American film. London: I.B. Tauris, 2010.

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2

La transformation filmique: Du Contesto à Cadaveri eccellenti. Berne: P. Lang, 1990.

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3

Milne, Mike. Transformation of television sport: New methods, new rules. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2016.

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4

Distributing silent film serials: Local practices, changing forms, cultural transformation. New York: Routledge, 2011.

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5

Lois, Bianchi, and Independent Curators Incorporated, eds. Video transformations. New York: Independent Curators Inc., 1985.

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6

Christina, Spiesel, ed. Law on display: The digital transformation of legal persuasion and judgment. New York: New York University Press, 2009.

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7

Jairazbhoy, Nazir Ali. The Bake restudy in India, 1938-1984: The preservation and transformation of performance in Tamilnadu, Kerala, and Karnataka : an ethnographic video monograph. Van Nuys, Calif. (13659 Victory Blvd., Suite 577, Van Nuys 91491): Apsara Media for Intercultural Education, 1991.

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8

Gomula, Jessica. Jessica Gomula: Infinite transformations of desire. Turlock, CA: California State University, Stanislaus, 2008.

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9

East Asian cinemas: Regional flows and global transformations. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2011.

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10

Eric, Rentschler, ed. German film & literature: Adaptations and transformations. New York: Methuen, 1986.

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11

Transformational philanthropy: Entrepreneurs and nonprofits. Sudbury, Mass: Jones and Bartlett Publishers, 2009.

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12

Eric, Rentschler, ed. German film and literature: Adaptations and transformations. London: Methuen, 1986.

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13

Pellow, C. Kenneth. Films as critiquesof novels: Transformational criticism. Lewiston, N.Y: Edwin Mellen, 1994.

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14

Films as critiques of novels: Transformational criticism. Lewiston: E. Mellen Press, 1994.

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15

Mylonas, Eric. Dragon Ball GT: Transformation (Prima Official Game Guide). Prima Games, 2005.

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16

Fox, Dr Zeni. Discipleship for the Transformation of the World Today: Catholic Video Lecture #6 (Catholic Video Lecture Series). Ave Maria Press, 2003.

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17

Law On Display The Digital Transformation Of Legal Persuasion And Judgment. New York University Press, 2011.

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18

Feigenson, Neal, and Christina Spiesel. Law on Display: The Digital Transformation of Legal Persuasion and Judgment. New York University Press, 2009.

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19

Lammenett, Erwin. Online-Marketing-Konzeption - 2018: Der Weg zum optimalen Online-Marketing-Konzept. Digitale Transformation, wichtige Trends und Entwicklungen. Alle ... und Video-Marketing. CreateSpace Independent Publishing Platform, 2018.

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20

Hip Hop On Film Performance Culture Urban Space And Genre Transformation In The 1980s. University Press of Mississippi, 2013.

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21

Reich, Elizabeth. Militant Visions: Black Soldiers, Internationalism, and the Transformation of American Cinema. Rutgers University Press, 2016.

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22

Militant Visions: Black Soldiers, Internationalism, and the Transformation of American Cinema. Rutgers University Press, 2016.

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23

Reich, Elizabeth. Militant Visions: Black Soldiers, Internationalism, and the Transformation of American Cinema. Rutgers University Press, 2016.

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24

Sandvig, Christian. The Internet as the Anti-Television. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039362.003.0010.

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This chapter examines the architecture used to distribute video over the Internet. The unprecedented volume of online video that now circulates suggests that this distribution had “enabled a radical approach” by generating forms of labor and content that traditional media industries have never seen before. Embedded in this transformation were competing ideas about what content and which audiences are valuable, and indeed how culture itself ought to work. The chapter then explores how computer pioneers thought about television in the 1960s and charts a path to more recent practices of caching, streaming, and multicasting. Ultimately, the case of Internet video distribution reveals how crucial the study of infrastructure is to understanding the shape, form, and function of media technologies.
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25

Snodgrass, Jeffrey G. Avatar Faculty: Ecstatic Transformations in Religion and Video Games. University of California Press, 2022.

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26

Snodgrass, Jeffrey G. Avatar Faculty: Ecstatic Transformations in Religion and Video Games. University of California Press, 2022.

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27

Avatar Faculty: Ecstatic Transformations in Religion and Video Games. University of California Press, 2023.

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28

Poplin, Dwight. Distributed arithmetic architecture for the discrete cosine transform. 1997.

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29

Gallagher, Owen. Reclaiming Critical Remix Video: The Role of Sampling in Transformative Works. Taylor & Francis Group, 2017.

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30

Gallagher, Owen. Reclaiming Critical Remix Video: The Role of Sampling in Transformative Works. Taylor & Francis Group, 2017.

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31

Gallagher, Owen. Reclaiming Critical Remix Video: The Role of Sampling in Transformative Works. Taylor & Francis Group, 2019.

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32

Reclaiming Critical Remix Video: The Role of Sampling in Transformative Works. Taylor & Francis Group, 2017.

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33

Radner, Hilary, and Alistair Fox. Arrested Images and “the Between-Images”. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422888.003.0009.

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Raymond Bellour explains his concept of “the between-images,” and comments on the status of the arrested image in relation to the time-image, suggesting how video was an instrument of transformation at a brief historical moment that is already in the past because of the advent of the digital. In the contemporary world, he suggests, the computer now enables a continuous, ideal passage between all the domains of words, images, painting, and photography, obliterating the boundaries that formerly distinguished them. He concludes this section by speculating on the nature of images, ways of forming them, and how they only make sense when related to psychic and physiological factors.
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34

Halle, Randall. Interzone Xperimental. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038457.003.0007.

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This chapter examines the rapid and accelerating technological transformations to film that have been happening in the last decade. These transformations make it anachronistic to speak solely of film and require the analysis of a more inclusive moving image. Moreover, these transformations have occurred simultaneously with the developments of globalization and transnationalism. Broadband, streaming video, and networked social relationships have been central to the formation of new communities and new forms of engagement with existing social conditions. The chapter seeks to highlight the interconnection between technology politics and economy by focusing on the question of moving-image experiments and migration. It focuses on the works of filmmakers who have worked in an experimental mode.
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35

Rainer On Film Thirty Years Of Film Writing In A Turbulent And Transformative Era. Santa Monica Press, 2013.

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36

Delffs, Dudley, and Chris Hodges. Pray First Study Guide Plus Streaming Video: The Transformative Power of a Life Built on Prayer. HarperChristian Resources, 2023.

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37

Delffs, Dudley J., and Chris Hodges. Pray First Study Guide Plus Streaming Video: The Transformative Power of a Life Built on Prayer. HarperChristian Resources, 2023.

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38

Lichtblau, Albert. Case Study: Opening Up Memory Space: The Challenges of Audiovisual History. Edited by Donald A. Ritchie. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780195339550.013.0020.

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The emergence of oral history was connected with a technical development—namely the possibility of recording human voices. The recording techniques developed rapidly. This article discusses the challenges faced while recording audiovisual history. In the 1980s expensive filmmaking began to be replaced by more affordable video formats, which took the technical development of oral history to a new audiovisual level. The paradigm shift generated by oral history in which historians began to generate their own primary sources announced another transformation of the way historians worked: taking leave of the written form and communicating scholarly results in audiovisual form. This article seeks to describe what the integration of the visual aspect means for oral historians in generating documents of remembrance. It elaborates on a few concrete examples of how integrating the camera's eye has shaped audiovisual history. A discussion on negotiation of remembrance followed by new methods and issues of videohistory concludes this article.
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39

Violent Femmes: Women as Spies (Transformations: Thinking Through Feminism). Routledge, 2007.

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40

Blair, Sara, Joseph B. Entin, and Franny Nudelman, eds. Remaking Reality. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469638690.001.0001.

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After World War II, U.S. documentarians engaged in a rigorous rethinking of established documentary practices and histories. Responding to the tumultuous transformations of the postwar era--the atomic age, the civil rights movement, the Vietnam War, the emergence of the environmental movement, immigration and refugee crises, student activism, the globalization of labor, and the financial collapse of 2008--documentary makers increasingly reconceived reality as the site of social conflict and saw their work as instrumental to struggles for justice. Examining a wide range of forms and media, including sound recording, narrative journalism, drawing, photography, film, and video, this book is a daring interdisciplinary study of documentary culture and practice from 1945 to the present. Essays by leading scholars across disciplines collectively explore the practices of documentarians who not only record reality but also challenge their audiences to take part in reality's remaking.
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41

Everson, Jane E., Andrew Hiscock, and Stefano Jossa, eds. Ariosto, the Orlando Furioso and English Culture. British Academy, 2019. http://dx.doi.org/10.5871/bacad/9780197266502.001.0001.

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The volume assesses the changing impact on English culture over 500 years of Ariosto’s poem, the Orlando Furioso, first published in Italy in 1516, and subsequently in an expanded version in 1532. Individual chapters address the recurring presence of Ariosto’s poem in English literature, but also the multimedial nature of the transmission of the Furioso into English culture: through the visual arts, theatre, music and spectacle to video games and the internet, as well as through often heated critical debates. The introduction provides an overview of the history of criticism and interpretation of the Furioso in England. Within the four main sections – entitled: Before reading – the image; From the Elizabethans to the Enlightenment; Gothic and Romantic Ariosto; Text and translation in the modern era – individual studies explore key moments in the reception of the poem into English culture: the adaptation and translation of the poem among the Elizabethans; Milton’s detailed appreciation of the work; and the ambivalent attitudes of eighteenth-century writers and critics; the influence of illustrations to the poem; and its transformation into opera for the English stage. Emphasis is also placed on: the dynamic responses of Romantic writers to Ariosto; the crucial work of editors and translators in the nineteenth and twentieth centuries; and the stimulating adaptations and rewritings by modern authors. The volume concludes with a comprehensive bibliography.
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42

Grieve, Gregory Price, and Daniel Veidlinger. Buddhism and Media Technologies. Edited by Michael Jerryson. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199362387.013.25.

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Buddhism is flourishing on the Internet and digital media. However, the form and usage patterns of Buddhist media technologies have varied considerably from the earliest oral texts to the latest online versions of the Buddhist canon. Do such media transformations merely transmit the old dharma in a new bottle, or do they change Buddhism’s message? Are these changes to be welcomed or shunned? This chapter explores how various media technologies tend to promote particular aspects of Buddhism, and also how different Buddhist worldviews shape how these media are used. First, it sketches a short genealogy of Buddhist media technologies. Second, it concentrates on contemporary digital media, briefly describing Buddhist bulletin boards, email lists, websites, computer apps, virtual worlds, and video games. Third, the chapter explains digital media’s procedural, participatory, encyclopedic, and spatial affordances. Finally, it illuminates how digital media affordances are shaped by the technological worldview of convert Buddhism.
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43

Scholz, Susanne, ed. The Oxford Handbook of Feminist Approaches to the Hebrew Bible. Oxford University Press, 2020. http://dx.doi.org/10.1093/oxfordhb/9780190462673.001.0001.

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The Oxford Handbook of Feminist Approaches to the Hebrew Bible brings together thirty-seven essential essays written by leading international scholars, examining crucial points of analysis within the field of feminist Hebrew Bible studies. Organized into four major areas — globalization, neoliberalism, media, and intersectionality, the essays provide vibrant, relevant, and innovative contributions to the field. The topics of analysis focus heavily on gender and queer identity, with essays touching on African, Korean, and European feminist hermeneutics, womanist and interreligious readings, ecofeminist and animal biblical studies, migration biblical studies, the role of gender binary voices in evangelical-egalitarian approaches, oand the examination of scripture in light of trans women’s voices. The volume includes essays examining the Old Testament as recited in music, literature, film, and video games. In short, the book offers a vision for feminist biblical scholarship beyond the hegemonic status quo prevalent in the field of biblical studies, in many religious organizations and institutions that claim the Bible as a sacred text, and among the public that often mentions the Bible to establish religious, political, and socio-cultural restrictions for gendered practices. The exegetically and hermeneutically diverse essays demonstrate that feminist biblical scholarship forges ahead with the task of engaging the many issues and practices that keep the gender caste system in place even in the early part of the twenty-first century. The essays of this volume thus offer conceptual and exegetical ways forward at a historic moment of global transformation and emerging possibilities.
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44

Matusiewicz, David, ed. Smarte Medizin. Hogrefe AG, 2022. http://dx.doi.org/10.1024/86172-000.

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Für alle Felder der Medizinberufe hat sich das Arbeitsleben gravierend verändert: Für Ärzt*innen bedeutet dies eine Versorgung zwischen den beiden Extremen: Tradition und Innovation. Dazu zählen Themen wie digitale Infrastruktur, elektronische Patientenakten, digitale Gesundheitsanwendungen, genbasierte Therapien, digitale Therapeutika, digitale Diagnostik-Methoden bis hin zur Telemedizin und einer neuen Art der Arzt-Patienten-Kommunikation. In Form von strukturierten Interviews geben ausgewählte Experten aus Klinik und Praxis aber auch Gesundheitswirtschaft einen praxisnahen Einblick in die digitale Transformation der jeweiligen Teilbereiche der Medizin (A wie Arbeitsmedizin bis Z wie Zahnmedizin) und einen spannenden Ausblick auf zukünftige Handlungsfelder. Welche Chancen und Grenzen bietet die Digitalisierung der jeweiligen Disziplin, wie entwickeln sich benachbarte medizinische Disziplinen? Beispiele aus der Praxis, wie hat sich das Berufsbild konkret geändert? Besteht die notwendige Infrastruktur, gibt es Innovationspotenzial, etc. Als digitales Zusatzmaterial werden Glossarbegriffe, Studien und Videos bereitgestellt. Die einheitlich und übersichtlich Gliederung unterschiedlicher Themen sowie eine dem Kapitel individuelle, vorangestellte Grafik wertet das Werk inhaltlich und optisch attraktiv auf.
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45

Schonig, Jordan. The Shape of Motion. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190093884.001.0001.

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Cinematic motion has long been celebrated as an emblem of change and fluidity or claimed as the source of cinema’s impression of reality. But such general claims undermine the sheer variety of forms that motion can take onscreen—the sweep of a gesture, the rush of a camera movement, the slow transformations of a natural landscape. What might one learn about the moving image when one begins to account for the many ways that movements move? In The Shape of Motion: Cinema and the Aesthetics of Movement, Jordan Schonig provides a new way of theorizing cinematic motion by examining cinema’s “motion forms”: structures, patterns, or shapes of movement unique to the moving image. From the wild and unpredictable motion of flickering leaves and swirling dust that captivated early spectators, to the pulsing abstractions that emerge from rapid lateral tracking shots, to the bleeding pixel-formations caused by the glitches of digital video compression, each motion form opens up the aesthetics of movement to film theoretical inquiry. By pairing close analyses of onscreen movement in narrative and experimental films with concepts from Maurice Merleau-Ponty, Henri Bergson, and Immanuel Kant, Schonig rethinks long-standing assumptions within film studies, such as indexical accounts of photographic images and analogies between the camera and the human eye. Arguing against the intuition that cinema reproduces the natural perception of motion, The Shape of Motion shows how cinema’s motion forms do not merely transpose the movements of the world in front of the camera; they transform them.
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