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Books on the topic 'Video art Australia'

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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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Consult the top 36 books for your research on the topic 'Video art Australia.'

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1

Figuring landscapes: Artists' moving image from Australia and the UK. [London, England]: Catherine Elwes, 2008.

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2

Cooke, Grayson. Live A/V in Australia. Broadway: UTS ePRESS, 2013.

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3

Mandelbaum, Howard. Screen deco. Bromley: Columbus, 1985.

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4

Eric, Myers, ed. Screen deco. New York: St. Martin's Press, 1985.

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5

Screen deco. New York: St. Martin's Press, 1987.

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6

Mandelbaum, Howard. Screen deco. Santa Monica, CA: Hennessey+Ingalls, 2000.

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7

Graham, Dan. Dan Graham. Perth, W.A: Art Gallery of Western Australia, 1985.

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8

Graham, Dan. Dan Graham: Public/private. Philadelphia: The Gallery, 1993.

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9

Graham, Dan. Dan Graham: Œuvres, 1965-2000. Paris: Paris-musées, 2001.

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10

Graham, Dan. Dan Graham: 20 février-19 avril 1987, ARC (Animation, recherche, confrontation), Musée d'art moderne de la ville de aris. Paris: Musée d'art moderne de la ville de Paris, 1987.

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11

Graham, Dan. Dan Graham. Barcelona: Ediciones Polígrafa, 1998.

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12

Graham, Dan. Dan Graham: Public/private. Philadelphia, Pa: Goldie Paley Gallery, Levy Gallery for the Arts in Philadelphia, Moore College of Art and Design, 1993.

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13

Bennett, Simpson, Iles Chrissie, Anastas Rhea, Gordon Kim 1953-, Graham Rodney 1949-, Museum of Contemporary Art (Los Angeles, Calif.), and Whitney Museum of American Art., eds. Dan Graham: Beyond. Los Angeles: Museum of Contemporary Art, 2009.

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14

Graham, Dan. Dan Graham: Contemporary Art Gallery, September 24-November 15, 2003. [Vancouver]: The Gallery, 2003.

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15

Graham, Dan. Dan Graham. Perth, W.A: Art Gallery of Western Australia, 1985.

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16

Lynn, Victoria. Double take: Anne Landa Award for video & new media arts 2009. Edited by Art Gallery of New South Wales. Sydney: Art Gallery of New South Wales, 2009.

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17

Geoff, Mayer, and Beattie Keith 1954-, eds. The cinema of Australia and New Zealand. London: Wallflower Press, 2007.

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18

Moran, Albert. The A to Z of Australian and New Zealand cinema. Lanham: Scarecrow Press, 2009.

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19

Michael, Bodey, ed. Aussiewood: Australia's leading actors and directors tell how they conquered Hollywood. Crows Nest, NSW: Allen & Unwin, 2004.

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20

Interzone: Media Arts in Australia. Not Avail, 2005.

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21

Callas, Peter. An eccentric orbit: Video art in Australia : An exhibition organised by the American Federation of Arts. American Federation of Arts, 1994.

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22

McDonald, Barbara, Ross J. Anderson, and Jane Swanton. Cases on Torts. Gaunt Inc., 1992.

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23

Graham, Dan. Dan Graham: Interviews. Cantz, 1997.

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24

Zevi, Adachiara, Dan Graham, Alexander Alberro, Brian Hatton, Christine van Assche, Gloria Moure, and Friedrich Wolfram Heubach. Dan Graham. Poligrafa, 2001.

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25

Dan Graham : Exposition, Paris, Musée d'art moderne de la Ville de Paris, 21 juin-15 oct.2001. Paris musées, 2001.

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26

Goddard, Angela, and Matthew Perkins. Red Green Blue: A History of Australian Video Art. Griffith University, 2017.

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27

Vieth, Errol, and Albert Moran. Film in Australia: An Introduction. Cambridge University Press, 2006.

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28

Sun, Changming, Hugues Talbot, Sebastien Ourselin, and Tony Adriaansen, eds. Digital Image Computing: Techniques and Applications. CSIRO Publishing, 2003. http://dx.doi.org/10.1071/9780643090989.

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Digital Image Computing: Techniques and Applications is the premier biennial conference in Australia on the topics of image processing and image analysis. This seventh edition of the proceedings has seen an unprecedented level of submission, on such diverse areas as: Image processing; Face recognition; Segmentation; Registration; Motion analysis; Medical imaging; Object recognition; Virtual environments; Graphics; Stereo-vision; and Video analysis. These two volumes contain all the 108 accepted papers and five invited talks that were presented at the conference. These two volumes provide the Australian and international imaging research community with a snapshot of current theoretical and practical developments in these areas. They are of value to any engineer, computer scientist, mathematician, statistician or student interested in these matters.

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29

Mayer, Geoff, and Keith Beattie. Cinema of Australia and New Zealand. Columbia University Press, 2007.

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30

Geoff, Mayer, and Beattie Keith, eds. The cinema of Australia and New Zealand. London: Wallflower Press, 2007.

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31

(Editor), Geoff Mayer, and Keith Beattie (Editor), eds. The Cinema of Australia & New Zealand (24 Frames). Wallflower Press, 2006.

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32

Mayer, Geoff, and Keith Beattie. The Cinema of Australia & New Zealand (24 Frames). Wallflower Press, 2006.

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33

Boland, Michaela, and Michael Bodey. Aussiewood: Australia's Leading Actors and Directors Tell How They Conquered Hollywood. Allen & Unwin, 2005.

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34

Nuberg, Ian, Brendan George, and Rowan Reid, eds. Agroforestry for Natural Resource Management. CSIRO Publishing, 2009. http://dx.doi.org/10.1071/9780643097100.

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In its early days, agroforestry may have been viewed as the domain of the 'landcare enthusiast'. Today, integrating trees and shrubs into productive farming systems is seen as a core principle of sustainable agriculture. Agroforestry for Natural Resource Management provides the foundation for an understanding of agroforestry practice in both high and low rainfall zones across Australia. Three major areas are discussed: environmental functions of trees in the landscape (ecosystem mimicry, hydrology, protection of crops, animals and soil, biodiversity, aesthetics); productive functions of trees (timber, firewood, pulp, fodder, integrated multi-products); and the implementation of agroforestry (design, evaluation, establishment, adoption, policy support). The book also includes a DVD that features videos on forest measurement and harvesting, a Farm Forestry Toolbox and many regionally specific agroforestry resources. Written by leading researchers and practitioners from around Australia, Agroforestry for Natural Resource Management will be an essential resource for students in agroforestry courses, as well as a valuable introduction to the field for professionals in related areas.

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35

Jousmäki, Henna. Christian Metal and the Translocal North. Edited by Fabian Holt and Antti-Ville Kärjä. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190603908.013.7.

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This chapter offers insight into one of the region’s vibrant metal cultures. The analysis begins by addressing the unique place of the Nordic region in the global networks of the metal genre since the early 1990s. Conceptually, the chapter explores how notions of locality are changing with the global circulation of Christian metal in social media services, most notably YouTube. The argument is that the geography of this religious youth pop culture is expanded by the media evolution, while a distinct sense of origin remains. The analysis highlights affordances of YouTube’s search engine–based global video platform, especially user production, sharing, and interaction. The case studies are YouTube publics of the Finnish band Scandinavian Metal Praise from Finland and the Australian band Horde, illustrating how youth participation in the music’s transnational social media space redefines not only the music’s geography but also its national and religious youth identities.

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36

Aussiewood. Sydney: Allen & Unwin Pty Ltd, 2010.

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