Academic literature on the topic 'Victorian women's'

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Journal articles on the topic "Victorian women's"

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Auerbach, Nina. ":Women's Theatre Writing in Victorian Britain." Journal of Victorian Culture 12, no. 1 (April 2007): 151–54. http://dx.doi.org/10.3366/jvc.2006.12.1.151.

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Beaumont, Marilyn. "Development of the 2000-2005 Victorian Women's Health Plan: A Case Study." Australian Journal of Primary Health 6, no. 4 (2000): 248. http://dx.doi.org/10.1071/py00059.

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The paper describes and assesses the development of the 2000 to 2005 Victorian Women's Health Plan; a policy overtaken by a range of political processes. It provides a working example of health promotion policy development including mapping the history and context behind the development of the policy. The paper is written from the author's view that good health policy behind funding arrangements is critical for good health practice. It is also important for health service providers to have an understanding of the politics and processes surrounding health policy development and implementation surrounding their practice and to work with this understanding to improve health outcomes. This is particularly the case with health promotion policy because outcomes are generally only identifiable in the longer term. Within Victoria, during the period 1995-1998, a number of things occurred to provide an environment for renewal of interest and potential for progress in women's health policy development. This included an increasing understanding of the relationship between gender and health outcomes. The complex economic, political and environmental elements, understanding of opportunities available, actions developed and taken, and the results are all expanded upon in the paper. The activity resulted in the launch, in August 1999, of the five-year Victorian Women's Health Plan. It was hailed by the then Victorian Premier on the launch occasion as the 'first comprehensive women's health plan to be developed by any Australian state, which leads the way for other States to follow'. The launch coincided with the calling of a State government election. Four weeks later there was a change of government and the process to develop policy has began again.
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Cheryl Wilson. "Politicizing Dance in Late-Victorian Women's Poetry." Victorian Poetry 46, no. 2 (2008): 191–205. http://dx.doi.org/10.1353/vp.0.0013.

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Auerbach, Nina. "Women's Theatre Writing in Victorian Britain (review)." Journal of Victorian Culture 12, no. 1 (2007): 151–54. http://dx.doi.org/10.1353/jvc.2007.0000.

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Still, Leonie V. "Women Managers in Advertising: An Exploratory Study." Media Information Australia 40, no. 1 (May 1986): 24–30. http://dx.doi.org/10.1177/1329878x8604000105.

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The growing interest in the status of women in the Australian workforce has prompted a related interest in the position of women in certain industries, occupations and professions. Several studies have begun to emerge which have explored women's employment position and status in law (Mathews, 1982; Bretos, 1984); chartered accountancy (Equal Opportunity Board, Victoria, 1983); retailing (Turner & Glare, 1982); and social work (Brown & Turner, 1985). The position of women managers in business has also been examined by the Victorian Office of Women's Affairs (1981) and Still (1985), while Sampson (1985) is currently investigating the status of women in the primary, secondary and technical areas of the teaching profession.
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Schaffer, Talia. "Introduction." Victorian Literature and Culture 47, no. 1 (December 7, 2018): 3–4. http://dx.doi.org/10.1017/s1060150318001316.

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In May 2017, the annual City University of New York (CUNY) Victorian Conference addressed the history of Victorian feminist criticism. Our conference coincided with the fortieth anniversary of A Literature of Their Own and the thirtieth anniversary of Desire and Domestic Fiction, affording us a chance to think about the legacy of these groundbreaking texts. Elaine Showalter, Martha Vicinus, and Nancy Armstrong spoke about their struggles to establish and maintain Victorian feminist work in the twentieth century, often against outright hostility. We also heard about issues in twenty-first-century Victorian feminist practice: Alison Booth spoke about digital-humanities codification of Victorian women's lives, Jill Ehnenn discussed queer revisions, and Maia McAleavey explored new theories of relationality, while I gave a response to Armstrong's talk. Meanwhile, Carolyn Oulton's discussion of the ongoing struggle to canonize Victorian women writers spoke to the continuous work required to make Victorian women's writing familiar to the field. It was an emotional day, for we all recognized that this might be one of the last times that the founding generation could be together to share these stories.
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Copelman, Dina M., Martha Vicinus, and Deborah Epstein Nord. "Masculine Faculty, Women's Temperament: Victorian Women's Quest for Work and Personal Fulfillment." Feminist Studies 13, no. 1 (1987): 185. http://dx.doi.org/10.2307/3177842.

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Samantrai, Ranu, and Susan Meyer. "Imperialism at Home: Race and Victorian Women's Fiction." Modern Language Review 93, no. 2 (April 1998): 482. http://dx.doi.org/10.2307/3735381.

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Gray, Alexandra, and Jennifer Diann Jones. "Introduction: The Female Orphan in Victorian Women's Writing." Victoriographies 9, no. 2 (July 2019): 101–11. http://dx.doi.org/10.3366/vic.2019.0336.

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Alexander, Lynn M., and Susan Meyer. "Imperialism at Home: Race and Victorian Women's Fiction." Tulsa Studies in Women's Literature 16, no. 2 (1997): 393. http://dx.doi.org/10.2307/464377.

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Dissertations / Theses on the topic "Victorian women's"

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Rodriguez, Mia U. "Medea in Victorian Women's Poetry." University of Toledo Honors Theses / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1355934808.

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Stewart, Clare. "Fighting spirit : Victorian women's ghost stories." Thesis, University of Glasgow, 2000. http://theses.gla.ac.uk/1610/.

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Brand, Prudence. "Emily Pfeiffer and Victorian women's religious poetry." Thesis, Royal Holloway, University of London, 2012. http://repository.royalholloway.ac.uk/items/6766393a-e1ab-a987-0223-0460c5622c28/8/.

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As a Christian, Emily Pfeiffer (1827-1890) saw women's fight for emancipation as a crusade that transcends the earthly state. Yet, although her poetry was well-received during her life-time, Pfeiffer remains obscure. In order to challenge values that may have helped to perpetuate Pfeiffer's non-canonical status, I examine Pfeiffer's poetry against a broader definition of religious practice and worship than was traditionally applied to Victorian women's poetry. Responding to a recent re-evaluation of the criteria for what constitutes nineteenth-century religious literature, I demonstrate that Pfeiffer's poetry occupies a unique position in the canon of Victorian women's religious poetry. To determine what made Pfeiffer such an original thinker, my research considers childhood experiences from which the psychological imprint nev~r faded. In order to compensate for losses and disappointments, Pfeiffer learned to channel her frustrations into her poetry early in life. A Central Anglican, Pfeiffer belonged to a declining strand of the Established Church during a period when other branches of Christianity were expanding.
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McGowran, Katharine Margaret. "House and home in late Victorian women's poetry." Thesis, University of Hull, 1999. http://hydra.hull.ac.uk/resources/hull:3954.

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Any consideration of the theme of ‘house and home’ leads into discussion on three different levels of discourse. First of all, houses have biographical and historical significance; they are, after all, real places in which real lives are lived. Secondly, home is an ideologically loaded noun, a bastion of value which is inextricably entwined with the notion of the pure woman. Thirdly, in literature, houses are metaphorical places. This thesis is primarily a study of those metaphorical places. It explores representations of ‘house’ and ‘home’ in late Victorian women's poetry. However, it also takes account of the biographical, historical and ideological significance of the house, looking at factors which may have helped to shape each poet's representations of ‘house and home’. The house occupies an ambiguous position in the poetry of the later Victorian period. It is variously imagined as a haunted house, a ruin, an empty house of echoes, and a prison of isolation and despair. At times, the house is a recognisable domestic place (the private house), at others, it is turned into a place of art or poetry, a new aesthetic ‘home’ for the female imagination. In some poems the house is a focus for nostalgia and homesickness. Yet it is also often a place which must be left behind. What unites the poets I have studied is the fact that the houses they inhabit in their work are never entirely their own and they are rarely entirely at home in them. Home is less roomy as a concept. It tends to carry religious or ideological connotations and is usually represented as a place of duty and responsibility. It also comes to mean the final resting place: the grave. Thus house and home, which are not identical terms, are freighted with different meanings. It is the mismatch of these two terms, the tension between them, which I explore in this thesis.
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Bianchi, Petra. "'Hidden strength' : the poetry and plays of Augusta Webster." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313138.

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Dredge, Sarah. "Accommodating feminism : Victorian fiction and the nineteenth-century women's movement." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36917.

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The research field of this thesis is framed by the major political and legal women's movement campaigns from the 1840s to the 1870s: the debates over the Married Women's Property Act; over philanthropy and methods of addressing social ills; the campaign for professional opportunities for women, and the arguments surrounding women's suffrage. I address how these issues are considered and contextualised in major works of Victorian fiction: Anne Bronte's The Tenant of Wildfell Hall (1848), Elizabeth Gaskell's North and South (1855), Charlotte Bronte's Villette (1853), and George Eliot's Middlemarch (1871--2).
In works of fiction by women, concepts of social justice were not constrained by layers of legal abstraction and the obligatory political vocabulary of "disinterest." Contemporary fiction by women could thus offer some of the most developed articulations of women's changing expectations. This thesis demonstrates that the Victorian novel provides a distinct synthesis of, and contribution to, arguments grouped under the rubric of the "woman question." The novel offers a perspective on feminist politics in which conflicting social interests and demands can be played out, where ethical questions meet everyday life, and human relations have philosophical weight. Given women's traditional exclusion from the domain of legitimate (authoritative) speech, the novels of Gaskell, the Bronte's, and Eliot, traditionally admired for their portrayal of moral character, play a special role in giving voice to the key political issues of women's rights, entitlements, and interests. Evidence for the political content and efficacy of these novels is drawn from archival sources which have been little used in literary studies (including unpublished materials), as well as contemporary periodicals. Central among these is the English Woman's Journal. Conceived as the mouthpiece of the early women's movement, the journal offers a valuable record of the feminist activity of the period. Though it has not been widely exploited, particularly in literary studies, detailed study of the journal reveals close parallels between the ideological commitments and concerns of the women's movement and novels by mid-Victorian women.
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Parish, Christina M. "Gender dissonance and the bourgeois woman in the Victorian novel." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2006. http://proquest.umi.com/login?COPT=REJTPTU0NWQmSU5UPTAmVkVSPTI=&clientId=3739.

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Dyer, Anton. "John Stuart Mill and male support for the Victorian women's movement." Thesis, University of Sussex, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294416.

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In examining male support for the Victorian women's movement, I decided to focus upon a number of men who gave active support across the wide range of causes championed by feminists. John Stuart Mill, Henry Fawcett, James Stansfeld, Jacob Bright, Richard Pankhurst and Francis Newman were selected as my main protagonists and their support for the Married Women's Property campaign, the higher education of women, the opening up of the professions to women, women's suffrage and the campaign to repeal the Contagious Diseases Acts was explored. I also examine the views of John Russell, Viscount Amberley, whose early death robbed the women's suffrage movement of his enthusiastic support, and also those of William Johnson Fox, a proponent of women's emancipation who gave his support to the Married Women's Property campaign, but who died when the women's movement had existed for only a decade. The ideas of an important male feminist of an earlier generation, William Thompson, are also explored. I discuss the views of my protagonists on sexual equality and sexual difference, marriage, sexuality, female education, the employment of women and women's suffrage. In seeking to account for the feminism of my protagonists I note the personal characteristics which they broadly shared: moral courage, a tendency to self-sacrifice, sensitivity and a strong sense of justice. Male feminists, especially Mill, were sometimes branded as effeminate, but it seems fairer to suggest that they generally combined the best of both 'masculine' and 'feminine' qualities; they possessed a sufficient degree of 'womanly' sensitivity to empathise with the wrongs of woman and a great deal of 'manly' courage which enabled them to endure the ridicule and abuse which standing up for women's rights frequently entailed. Most of my protagonists were advanced Liberals, and a belief in the need to cultivate altruism was a significant component of their creed; support for women's emancipation was an important aspect of their concern for the welfare of others. The fact that men and women worked closely together in the fight for women's emancipation is explored and especially their intellectual collaboration, notable in the cases of William Thompson and Anna Wheeler, John Mill and Harriet Taylor, and Henry and Millicent Fawcett.
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Kumojima, Tomoe. "Of friendship and hospitality : Victorian women's travel writing on Meiji Japan." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:545e605a-9361-485a-878c-dabb76da9822.

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This thesis explores the possibility and challenges of international/interracial female friendship and anti-communitarian hospitality through writings of Victorian female travellers to Meiji Japan between 1854 and 1918. It features three travellers, viz. Isabella Bird, Mary Crawford Fraser, and Marie Stopes. The introduction delineates the context of key events in the Anglo-Japanese relationship and explores the representation of Japan in Victorian travelogues and literary works. Chapter I considers the philosophical dialogue between Jean-Luc Nancy, Maurice Blanchot, and Jacques Derrida on community, friendship, and hospitality. It demonstrates the potential of applying their thinking, notwithstanding its occasional complicity, to an analysis of the place of hitherto marginalised groups, women and foreigners, in Western philosophical models. Chapter II examines relationships between Bird and Japanese natives, especially her interpreter, Ito in Unbeaten Tracks in Japan (1880) in terms of questions of stable identity and translation. It further undertakes a comparative study between the travelogue and Itō no koi (2005) by Nakajima Kyōko. I explore the afterlife of Bird in Japanese literature. Chapter III investigates friendships in Fraser’s A Diplomatist’s Wife in Japan (1898). It uncovers her connection with Japanese female writers in oblivion, Yei Theodra Ozaki and Wakamatsu Shizuko. I discuss the influence her friendships had on Fraser’s fictional works such as The Stolen Emperor (1903), especially on the fair portrayals of Japanese women. Chapter IV explores friendships between the sexes in Stopes’ A Journal from Japan (1910) and articulates its relationship with Love-Letters of a Japanese (1911) and Plays of Old Japan (1913). I examine Stopes’ romantic relationship with Fujī Kenjirō and its influence on her career in sexology. It also investigates Stopes’ collaboration with Sakurai Jōji on Nō translation and exposes complex gender, racial, and linguistic politics. The conclusion explores three Japanese female travellers to Victorian Britain, focusing on their contact with local women. It considers Tsuda Umeko’s Journal in London, Yasui Tetsu’s Wakakihi no ato, and Yosano Akiko’s Pari yori (1914).
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Bissell, Sarah Jane. "Haunted matters : objects, bodies, and epistemology in Victorian women's ghost stories." Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/6402/.

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Haunted Matters interrogates objects, bodies, and epistemology in a selection of Victorian women’s ghost stories, arguing that these things provided a means through which the chosen writers could critique women’s troubled cultural position in mid- to late-nineteenth-century Britain. The four authors considered – Charlotte Riddell, Margaret Oliphant, Vernon Lee, and Edith Nesbit – were all fundamental figures in the development of the ghost story genre, using this popular fiction form to investigate social arenas in which women were subjugated, professional venues from which they were excluded, and the cultural construction of femininity. Each chapter is thus keyed into a specific aspect of women’s material lives: money and the financial market (Riddell); visual science and the male gaze (Oliphant); object culture and ‘feminine’ mysteriousness (Lee); and fin de siècle marriage and the female corpse (Nesbit). This study argues that these writers – in making things, bodies, and forms of perception central to their ghost stories – implicitly condemned the patriarchal society which perpetuated a range of contradictory assumptions about women, as being both bodily and spiritual, overly invested in the material world or too prone to flights of fancy. Their diverse literary endeavours in this popular fiction form enabled the selected writers to earn money, engage in public discourse, and critique the dominant culture which sanctioned women’s subjugation. Haunted Matters thus questions the ghost story’s designation as an anti-materialist genre through a focus on gender, instead foregrounding the form’s explicit connections to the material world.
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Books on the topic "Victorian women's"

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Ledbetter, Kathryn. British Victorian Women's Periodicals. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230620186.

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Women's theatre writing in Victorian Britain. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2005.

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René, Millicent. Victorian hats. Desert Hot Springs, CA: Ageless Patterns, 2006.

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S, Stone James. Emily Faithfull, Victorian champion of women's rights. Toronto: P.D. Meany Publishers, 1994.

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Victoria. Department of Planning and Community Development. Office of Women's Policy. Victorian women's policy framework 2008-11: In pursuit of women's equal participation in all aspects of Victorian life. Melbourne, Victoria: Office of Women's Policy, Department of Planning and Community Development, 2008.

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Christian and lyric tradition in Victorian women's poetry. New York: Routledge, 2010.

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British Victorian women's periodicals: Beauty, civilization, and poetry. New York: Palgrave Macmillan, 2009.

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Victorian women's fiction: Marriage, freedom, and the individual. London: Croom Helm, 1985.

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Ehnenn, Jill R. Women's literary collaboration, queerness, and late-Victorian culture. Aldershot, Hants, England: Ashgate, 2007.

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Victoria. Department of Human Services. Victorian women's health and wellbeing strategy: Discussion paper. Melbourne, Australia: Victorian Government Department of Human Services, 2001.

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Book chapters on the topic "Victorian women's"

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Ledbetter, Kathryn. "Introduction." In British Victorian Women's Periodicals, 1–17. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230620186_1.

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Ledbetter, Kathryn. "Representing Feminine Power and Work." In British Victorian Women's Periodicals, 19–67. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230620186_2.

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Ledbetter, Kathryn. "Reluctant Prophets: Moral Themes and Exhortations." In British Victorian Women's Periodicals, 69–116. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230620186_3.

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Ledbetter, Kathryn. "Encoding Beauty." In British Victorian Women's Periodicals, 117–56. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230620186_4.

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Ledbetter, Kathryn. "Editors and Magazine Poets." In British Victorian Women's Periodicals, 157–201. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230620186_5.

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Ledbetter, Kathryn. "Conclusion." In British Victorian Women's Periodicals, 203–7. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230620186_6.

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Schor, Hilary M. "Gender Politics and Women's Rights." In A Companion to the Victorian Novel, 172–88. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996324.ch11.

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Gagné, Ann. "Cross, Victoria." In The Palgrave Encyclopedia of Victorian Women's Writing, 1–3. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02721-6_119-1.

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Murphy, Sara. "Victorian Women’s Writing and the Law." In The Palgrave Encyclopedia of Victorian Women's Writing, 1–6. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-02721-6_360-1.

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Magyarody, Katherine. "Children’s Fantasy by Victorian Women Writers." In The Palgrave Encyclopedia of Victorian Women's Writing, 1–8. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-02721-6_248-1.

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Conference papers on the topic "Victorian women's"

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Miliszewska, Iwona, Gayle Barker, Fiona Henderson, and Ewa Sztendur. "The Issue of Gender Equity in Computer Science - What Students Say." In InSITE 2006: Informing Science + IT Education Conference. Informing Science Institute, 2006. http://dx.doi.org/10.28945/2986.

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The under-representation and poor retention of women in computing courses at Victoria University is a concern that has continued to defy all attempts to resolve it. Despite a range of initiatives created to encourage participation and improve retention of females in the courses, the percentage of female enrolments has declined significantly in recent years, from 32% in 1994 to 18% in 2004, while attrition rates soared to 40% in 2003. A recent research study investigated these negative trends with respect to gender equity in computing courses: of interest was the possibility of gender bias in the learning environment and its impact on female attrition rates. Focus groups and surveys involving computing students of both genders were used as data collection tools in the study. The overall findings from the focus groups were rather surprising, as they yielded no strong indication of gender bias in the learning environment of the computing course; this applied to the logistical arrangements, academic staff, pedagogical methods, and course content. The thesis that the existence of gender bias in the learning environment contributes to high attrition rates of females in computing courses was not sufficiently supported. While the fact that students, both male and female, found their learning environment gender neutral was comforting, the realization that reasons other than gender bias drove females away from the computing course was not. High attrition rate of females remains the reality. Possible explanations of this phenomenon were suggested by the focus groups, and the search for confirmation of these indications and discovery of other contributing factors continued.
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