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1

Sini, Stefania. "Figure vichiane : retorica e topica della "Scienza Nuova" /." Milano : LED, 2005. http://catalogue.bnf.fr/ark:/12148/cb40034570m.

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2

Gonçalves, Celso Eduardo Mendes. "A vertente Vico." Pontifícia Universidade Católica de São Paulo, 2011. https://tede2.pucsp.br/handle/handle/11588.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico
Vico s Scienza nuova introduces a proposal to science the Vico Variable which is clearly different from the prevailing variable, that of Modern Science as we understand it today, based on Newton s Mechanicism and in Descartes Rationalism, anchored in the Enlightenment of the 18th century and established, once and for all, in Comte s Positivism. In Vico, metaphysics no longer busies itself with the contemplation of and speculation about God, to bring its focus down to earth and seek, in History, that which had, until then, sought in the Divine Mind. To him, the knowledge of human affairs is that which can answer the question characteristic of all times concerning what Man is. The civil world of the Scienza nuova develops in the metaphysical realm, to whose study the new art of criticism is developed: a synergy between philosophical criticism and philological investigation, leading to Vico s hermeneutics, which takes advantage both of Reason and of the faculties of the spirit. In this hermeneutics, microcosm and macrocosm, man and society, particular and universal, are synthesized in constant analogies; the theory of the verum ipso factum is originally applied and the common sense of humanity becomes the supreme objective principle of historic evolution (a manifestation of Divine Providence) and as a subjective ground of a historic understanding. So as to situate nations in the development of the eternal ideal history , to evaluate its degrees of civility and the risks it is subject to, the Scienza nuova proposes, also, a diagnostic art, from which one may criticize the way which knowledge (Science and Education) is considered by the moderns in this time. Such criticism is not restricted to observations and considerations, but it sets the groundwork for an action it is, therefore, a Political Science through the proposal of a focus that is able to overcome the empire of the Mathesis Universalis, and thus, to contemplate, equally, the possibility of knowledge of the Ethical, Political and Human universes, interacting in a selfsame science. The Vico Variable is not only a way that has been forsaken on the road of the development of science; something which might have been. It is a philosophical orientation which privileges the practical life, the understanding of human behavior and civil life, which can be extended to thinkers who came after Vico, whose ideas allow the identification with outstanding aspects of his thought; a philosophical orientation which, identified with the emphasis Pico della Mirandola gave upon the Dignity of Man, can represent the emancipation of humanity
A Scienza nuova de Vico apresenta uma proposta para a ciência a Vertente Vico que é notadamente diversa da vertente prevalente, ou da ciência moderna como a entendemos hoje, baseada no mecanicismo de Newton e no racionalismo de Descartes, firmada no iluminismo do século XVIII e sacramentada no positivismo de Comte. Em Vico, a metafísica deixa de ocupar-se com a contemplação e especulação sobre Deus para trazer seu foco para a terra e buscar na história aquilo que buscava até então na mente divina. O conhecimento das coisas humanas é que pode responder à questão característica de todas as épocas sobre o que é o homem. O mundo civil da Scienza nuova, desenvolve-se no âmbito metafísico, para cujo estudo é desenvolvida a nova arte crítica: uma sinergia entre a crítica filosófica e a investigação filológica, constituindo-se na hermenêutica viquiana, que se vale tanto da razão, como, igualmente, das faculdades do espírito. Nessa hermenêutica, microcosmo e macrocosmo, homem e sociedade, particular e universal, são sintetizados em analogias constantes; a teoria do verum ipsum factum é originalmente aplicada e o senso comum da humanidade é alçado como princípio objetivo da evolução histórica (manifestação da providência divina) e como fundação subjetiva de uma compreensão histórica. Para situar as nações no desenvolvimento da historia ideal eterna , avaliar seus graus de civilidade e os riscos a que estão submetidas, a Scienza nuova propõe, também, uma arte diagnóstica, a partir da qual são empreendidas críticas à maneira como o conhecimento (ciência e a educação) é considerado pelos modernos de sua época. Tais críticas não se detém em observações e considerações, mas lançam as bases de uma ação numa ciência também política, portanto através da proposta de um enfoque que supere o império da Mathesis Universalis para contemplar, igualmente, a possibilidade de conhecimento dos universos ético, político e humano, interagindo numa mesma ciência. A Vertente Vico não é apenas uma via preterida no caminho do desenvolvimento da ciência; algo que poderia ter sido. Mas é uma orientação filosófica que privilegia a vida prática, a compreensão do comportamento humano e o viver civil, que pode ser estendida até pensadores posteriores a Vico, cujas ideias permitem a identificação com aspectos destacados do pensamento viquiano; uma orientação filosófica que, identificada com a ênfase de Pico dela Miràndola sobre a dignidade do homem, pode representar a emancipação da humanidade
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3

Gonçalves, Celso Eduardo Mendes. "A via Vico: ética e mitologia na filosofia de Giambattista Vico." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/20764.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
After situating Vico in the Naples of his time and in relation to the questions of modern rationality, as well as carrying out an exercise of philosophical reflection seeking the understanding of the worldview of Vico, this piece of work aims at making explicit the ethic that underlies his work as an ethic of teleological character which privileges the practical life, evidencing a concern for what man can and should do of himself, notwithstanding the guardianship of a divine providence in a cyclical history. However, within the advent of the "age of men," it is verified a process of unfoldment of the human nature in which the development of the individual starts to dictate the development of the community; at the same time, the predominance of abstract rationality dissociated from other human faculties – such as imagination – leads to a preponderant literality in the interpretation of mythology, which pervades the doctrines of religions, moving man away from piety, with the consequent loss of both social cohesion and the human sense of the world. Hence, man decays in the age of the gods, submitting himself to heteronomy in the face of the eternal ideal history. It is identified with the present thesis, therefore, the "master key" indicated by the Napolitan himself with the imagination that underlies poetic wisdom, the application of this interpretative key of the method of his work – the new critical art – is extended to the solution of the pretended paradox between the autonomy and the aimed happiness by a teleological ethic and the cyclical repetition of the eternal ideal history
Após situar Vico na Nápoles de seu tempo e em relação às questões da racionalidade moderna, e realizar um exercício de reflexão filosófica para a compreensão da cosmovisão viquiana, objetiva-se explicitar a ética que subjaz em sua obra como uma ética de caráter teleológico e que privilegia a vida prática, evidenciando uma preocupação para com o que o homem pode e deve fazer de si mesmo, nada obstante a tutela de uma providência divina numa história cíclica. Entretanto, no advento da “idade dos homens”, verifica-se um processo de desdobramento da natureza humana em que o desenvolvimento do indivíduo passa a ditar o desenvolvimento da comunidade; ao mesmo tempo, a predominância da racionalidade abstrata dissociada de outras faculdades humanas, como a imaginação, conduz a uma literalidade preponderante na interpretação da mitologia, que pervade as doutrinas das religiões, afastando o homem da piedade, com a consequente perda da coesão social e perda do sentido humano do mundo. Daí, o homem decai na idade dos deuses, submetendo-se à heteronomia face a história ideal eterna. Identifica-se com a presente tese, então, a “chave mestra” indicada pelo próprio Napolitano com a imaginação que fundamenta a sabedoria poética, estende-se a aplicação dessa chave interpretativa do método de sua obra – a nova arte crítica – para a solução do pretenso paradoxo entre a autonomia e a felicidade objetivada por uma ética teleológica e a repetição cíclica da história ideal eterna
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4

Santos, Vladimir Chaves dos. "O engenho segundo Vico." [s.n.], 2002. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279321.

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Orientador: Roberto Romano da Silva
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Vico criticou a racionalidade de seu tempo e propôs outra como alternativa: a chave para essa questão é o conceito de engenho. Em seu programa pedagógico, Vico aspirava a uma síntese entre ciência, prudência e eloqüência, e sugeriu que isso seria possível aguçando-se o engenho dos jovens. Vico não é um irracionalista. Sua noção de razão tem raízes humanistas. Ele pretendeu superar a razão cartesiana, reafirmando a tópica, a inventio e a fantasia, para coroar o engenho com o estatuto de faculdade certa do conhecer. Isso permitia-lhe aprofundar-se no estudo das humanidades. Vico condenou o caráter monástico e solitário das filosofias da virada da século XVII para o XVIII, e alertou para o mal do "egoísmo racional" que acometia a sociedade de sua época. Vico não é um pensador solitário. Antes de vê-lo como um precursor ou conservador, é melhor situá-Io em seu próprio tempo, respondendo às últimas novas da república das letras de então. O empenho de contribuição que Vico enfatizou em suas preleções foi posto em prática no contexto da célebre Querela entre Antigos e Modernos, mais especificamente acerca da questão do status de Homero - um problema que solicitou, entre outras coisas, o engenho de Vico. Os quatro aspectos do engenho, a agudeza, a inventividade, a prudência cidadã e a presença histórica, lançam luz sobre a racionalidade pensada por Vico
Abstract: Vico has criticized the rationality of his time and he proposed another one as alternative: the key for this question is the concept of wit. Into his pedagogical program, Vico wished a synthesis among science, prudence, and eloquence. He suggested that it would be possible if one sharpen the young men's wit. Vico is not na irrationalist. His notion about the reason has humanist roots. He intended to overcome the Cartesian reason, in reaffirming the science of topical, the inventio, and the phantasy to enthrone the wit with a right faculty status of knowing. That allows him to make a profound study of the humanities. Vico has condemned the monachal and solitarian feature of the philosophies from the turn of the XVII century to XVIII century, and he prevented us against the evil of the "rational selfish" that society from his time was taken with. Vico is not a solitary thinker. Before seeing him as a forerunner or conservator, it is rather situate him in his own time, answering the last news of the republic letters since that time. The interest of the contribution that Vico emphasized in his discourses was put in practice into the context of the famous Quarrel between the Ancients and the Moderns, more specifically about the question of the Homer's status - a problem that demanded from Vico his wit. The four aspects of the wit, the acuity, the inventiveness, the citizeness prudence, and the historical presence, bring under light the rationality that was thought by Vico
Mestrado
Mestre em Filosofia
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5

Tucci, Daniel Eid. "Vico, a imaginação da imaginação." Pontifícia Universidade Católica de São Paulo, 2015. https://tede2.pucsp.br/handle/handle/11686.

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This dissertation aims to examine the role of imagination in the work New Science of the Neapolitan philosopher Giambattista Vico (1668-1744). The focus of the research is to present the imagination as a concept of unity of knowledge and function of knowledge. For this purpose the dissertation begins with the image title page analysis present in the Scienza Nuova of 1744. This analysis will explore the design, trends and influences that led to the drafting of the image on the title page. An explanation of key concepts relevant follows for interpretation of the viquian opus, decoded from the hieroglyphs present on the title page. After showing the inventiveness of Vico to apply his imagination theory in his own work to achieve the reader, the research seeks to deepen the imagination of the theme as sensorial knowledge of the first people, the poetic wisdom, universal fantastic, the operation of the poetic mind and its requirements as a viquian topical and common sense. This intent aims to understand the contemporary attitude of Vico in his time, his conflicts against divergent school of thought and his concern for the future of humanity
A dissertação tem por objetivo analisar o papel da imaginação na obra Ciência Nova do filósofo napolitano Giambattista Vico (1668-1744). O enfoque da pesquisa é apresentar os conceitos da noção de imaginação como unidade e função do conhecimento. Para tal propósito a dissertação inicia com a análise do Frontispício presente na Scienza Nuova, de 1744. Tal análise irá explorar a concepção, tendências e influências que levaram à elaboração do Frontispício. Segue-se uma explicação dos principais conceitos relevantes para uma interpretação do opus viquiano, decodificados a partir dos hieróglifos presentes no Frontispício. Após mostrar a inventividade de Vico na aplicação de sua teoria da imaginação em sua própria estratégia para atingir o leitor de sua obra, a pesquisa busca aprofundar o tema da imaginação como conhecimento sensorial dos primeiros povos; a sabedoria poética, os universais fantásticos, o funcionamento da mente poética e seus requisitos como a tópica viquiana e o senso comum. Tal intento visa a compreender a postura contemporânea de Vico , seus conflitos contra a divergente corrente de pensamento e sua preocupação com o futuro da humanidade
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6

Siwani, Zahra, and Bahar Tunc. "Mängdavtagning i Vico Office : Jämförelse ur tids- och kostnadsperspektiv mellan Vico Office och manuell mängdavtagning." Thesis, KTH, Byggvetenskap, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-174126.

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BIM som står för Building Information Modeling har lett till stora förändringar inom byggbranschen, men trots detta tillämpas inte tekniken fullt ut. Detta beror bland annat på att vissa aktörer känner sig tryggare vid det manuella arbetssättet. Tekniken som är tillgänglig kan bland annat tillämpas vid utförandet av mängdavtagningar. I dagsläget väljer vissa kalkylingenjörer att utföra mängdavtagningar manuellt utifrån PDF-ritningar i utskriftsformat med hjälp av SpeedyCalc, penna och skalstock. Detta kan istället genomföras i mängdavtagningsprogrammet Vico Office med hjälp av en 3D-modell.   Syftet med examensarbete är att jämföra två mängdavtagningsmetoder ur tids- och kostnadsperspektiv. Metoderna som jämfördes i studien var manuell mängdavtagning och mängdavtagning i programmet Vico Office. Studiens syfte var även att jämföra felen som kan uppstå vid utförandet av dessa två metoder.   För studiens ändamål utfördes ett antal intervjuer där viktig information samlades in. Författarna deltog även i två kurser för att få kunskapen som behövdes för att underlätta utförandet av studien. Dessa kurser handlade om modelleringsprogrammet ArchiCAD och mängdavtagningsprogrammet Vico Office. Författarna samlade även in information genom att studera tidigare forskningar inom berörda området.   Mängdavtagningen i studien utfördes på projektet Strandpromenaden, som tilldelades av Peab. Projektet är ett flerbostadshus som består av fem huskroppar med fyra till sex våningar. Studien avgränsades till tre huskroppar och även de större byggnadsdelarna som bland annat väggar, dörrar och fönster. Studien påvisade att implementering av BIM i anbudsskedet medför en kortare tid och lägre kostnad vid mängdavtagning. När de olika mängdavtagningsmetoderna ställdes gentemotvarandra, var differensen av mängden på exempelvis en fläktrumsvägg 100 %, vilket innebar att fläktrumsväggen blev utebliven vid den manuella mängdavtagningen.
BIM stands for Building Information Modeling and has led to major changes in the construction industry, but despite this, the technology is not used fully. This is partly because some players feel more comfortable in the manual methods. The technology that is available can be particularly applied in the performance of amount calculation. In the current situation, some calculus engineers choose to perform amount calculation manually based on PDF drawings in print format using the program SpeedyCalc and also with pen and shell stock. This may instead be implemented in calculation program Vico Office with the help of a 3D model. The aim of the thesis is to compare two methods used for the amount calculation in time and cost perspective. The methods that were compared in this study was manual calculation and calculation program Vico Office. The study's purpose was also to compare the errors that may arise in the performance of these two methods. For study purposes, the authors conducted a number of interviews in which important information was collected. The authors also participated in two courses to gain the knowledge needed to facilitate the study. These courses focused on modeling program ArchiCAD and Vico Office. The authors also collected information by studying previous research in the area concerned. The amount calculation in this study was carried out on the project “Promenade”, which the authors reserved by Peab. The project is a multi-family apparment which consists of five buildings with four to six floors. The study was limited to three buildings and the major structural elements including for instance walls, doors and windows. The study demonstrated that the implementation of BIM in the tender stage results in a shorter time and at lower cost in amount calculation. When the different amount calculation methods prepared against each other, the difference in the amount of, for example a fan room wall was 100%, meaning that the fan room wall was missed during manual amount calculation.
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Cooper, Eva Eleanor. "Vico and the making of heroic civic leaders : political prescription in the work of Giambattista Vico." Thesis, University of Ulster, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.414093.

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Desbrisay, Cecelia Gay Miller. "Giambattista Vico : imagination and historical knowledge." Thesis, University of Oxford, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359696.

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Remaud, Olivier. "Giambattista Vico : La sagesse et l'histoire." Tours, 2001. http://www.theses.fr/2001TOUR2023.

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La philosophie de Giambattista Vico (1668-1744) est structurée par le récit de l'errance. Dans les " orationes" prononcées à l'Université de Naples entre 1699 et 1732, le Stultus est l'insensé" de Sénèque et de Ciceron. Il représente sur le plan individuel le risque de la dissociation. Dans la Scienza nuova, l'état sauvage" des premiers temps offre l'image par excellence du chaos et de la "non-histoire". L'humanité ignore le lien social, le sentiment de "pudeur" et les principes qui organisent les "utilités". L'oeuvre montre que le processus de civilisation claque la manière dont l'individu parvient à résourdre en lui le conflit de la sapientia et la stultitia. Vico ne pense donc pas l'histoire selon une conception millénariste des temps, ni selon une dialectique du savoir absolu. L'histoire n'est pour lui une thèologie de la révélation, ni le système d'une raison universelle. Mais c'est une réflexion sur le soi, un effort que l'homme acomplit pour se réunifier et coi͏̈ncider avec sa propre nature. C'est le "soin de l'âme" qui permet d'évaluer la juste articulation entre le domaine privé et le domaine public. C'est lui qui détermine l'équilibre des mémoires dont les sociètés démocratiques ont besoin pour durer.
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Gualtieri, Gaetano Antonio <1960&gt. "Retorica e mito in Giambattista Vico." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amsdottorato.unibo.it/4065/1/Gualtieri_Gaetano__Antonio_tesi.pdf.

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The purpose of this thesis is to show that Vico had the constant aim, remained unaltered in time, to support the usefulness of Rhetoric. The awareness of the strength acquired by the “anti-rhetorical” movements, particularly by the Cartesians and the Logicians from Port-Royal, obliged Vico to elaborate some strategies and counter-moves that, little by little, became more and more complex and refined, till they inspired his main work, The New Science. By taking into consideration the most significant aspects of Vico’s speculation (topic, tropes, the formation of language, the development of human thought, the new conception of philology ), this work shows that they are part of a strategy worked out by the Neapolitan philosopher, in order to demonstrate the validity, the usefulness and the modernity of Rhetoric. Every aspect of Vico’s thought reaches its peak when Vico formulates his theory about myths, which he interprets as an expression of the primitive man’s necessities and demands. The point of view expressed by this doctorate thesis emphasizes that, despite the inevitable modifications that have taken place through the centuries, Vico’s thought keeps its substantial unity. So those subjects that critical literature tends to separate are, in reality, linked and unified.
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Gualtieri, Gaetano Antonio <1960&gt. "Retorica e mito in Giambattista Vico." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amsdottorato.unibo.it/4065/.

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The purpose of this thesis is to show that Vico had the constant aim, remained unaltered in time, to support the usefulness of Rhetoric. The awareness of the strength acquired by the “anti-rhetorical” movements, particularly by the Cartesians and the Logicians from Port-Royal, obliged Vico to elaborate some strategies and counter-moves that, little by little, became more and more complex and refined, till they inspired his main work, The New Science. By taking into consideration the most significant aspects of Vico’s speculation (topic, tropes, the formation of language, the development of human thought, the new conception of philology ), this work shows that they are part of a strategy worked out by the Neapolitan philosopher, in order to demonstrate the validity, the usefulness and the modernity of Rhetoric. Every aspect of Vico’s thought reaches its peak when Vico formulates his theory about myths, which he interprets as an expression of the primitive man’s necessities and demands. The point of view expressed by this doctorate thesis emphasizes that, despite the inevitable modifications that have taken place through the centuries, Vico’s thought keeps its substantial unity. So those subjects that critical literature tends to separate are, in reality, linked and unified.
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Neto, Sertório de Amorim e. Silva. "As razões da política: humanistas e barbárie em Giambattista Vico." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-01082011-092123/.

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Demonstrou-se o entrecruzamento de teoria social e teoria do conhecimento na filosofia de Giambattista Vico, trama que evidencia a reconciliação humanismo-modernidade, o que foi nomeado na tese humanismo tardio. Esta lógica é o norte do pensamento expresso na Scienza nuova (1744). Não obstante, desejou-se investigar o modo como o tema se desenhou nos textos anteriores, sobremaneira na Oração Inaugural de 1709, De nostri temporis studiorum ratione, e no livro metafísico de 1710, De antiquissima italorum sapientia. No livro de 1710 foram estudados os conceitos de verdade e de ciência, bem como a metafísica do conatus de Vico. Já na Oração, interpelamos os aspectos gerais de uma filosofia que reconhece o risco da corrupção política e o valor dos studia humanitatis para a prudência e a virtude civil das nações. Nesses dois escritos e nessas duas esferas específicas de questões (do conhecimento e da política) foram investigadas as estruturas da filosofia madura celebrizada na última Scienza nuova.
It was showed Giambattista Vico´s intercrossing of the social theory and knowledge theory in a plot that evidences the reconciliation of humanism-modernity, what was called in thesis late humanism. This logic is the north of the expressed thought at Scienza Nuova (1744). Notwithstanding was wished inquired about how this theme was also drew on previous texts, greatly in the inaugural speeches of 1709, De nostri temporis studiorum ratione, and in the metaphysics book of 1710, De antiquissima italorum sapientia. In 1710´s book was studied the concepts of the truth and the science, as well as the Vico´s conatus metaphysics. In the Speech, was apostrophize the general aspects of a philosophy that recognize the risks of political corruption and value of studia humanatis for nation´s civic virtue and prudence. These two papers and two issue specifics spheres (of knowledge and politics) was inquired the philosophy structure made famous on the last Scienza nuova.
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Strassberg, Daniel. "Das poietische Subjekt Giambattista Vicos Wissenschaft vom Singulären." Paderborn München Fink, 2005. http://deposit.d-nb.de/cgi-bin/dokserv?id=2877854&prov=M&dok_var=1&dok_ext=htm.

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de, la Cova Jorge Raul. "Looking for Vico between zero and infinity." Thesis, Georgia Institute of Technology, 1990. http://hdl.handle.net/1853/22356.

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Shelley, Andrew. "Pearl of forlorn solace : Vico. Jung. Beckett." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.317767.

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Nunes, Antonio Sergio da Costa. "A arqueologia da linguagem em Giambattista Vico." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-09122009-170058/.

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Este trabalho é resultado da pesquisa desenvolvida sobre a concepção do certum em Giambattista Vico. O nosso interesse foi encontrar nos diversos escritos filosóficos de G. Vico (1668-1744) um novo modo de apreensão da concepção original do pensador acerca do Conhecimento e de que modo ele apreendeu e trabalhou essa visão de mundo, ao contrário da visão tradicional, que atribuiu valor lógico ao modo de conhecer mediante o verdadeiro e o falso. Vico concebeu o conhecimento tanto como ordem do certum quanto como ordem do verum, realçando o papel originário do certum. Esse novo modo de perceber a ordem do certum confere ao saber viquiano uma lógica própria: a lógica do verossímil. A verossimilhança é trabalhada enquanto elemento que nos leva à certeza mediante a exclusão de toda exatidão matemática conferida ao conhecimento, nos propiciando a possibilidade de alcançá-lo na sua incerta abrangência e/ou nos seus incertos limites.
This work is the result of the research developed about the conception of the certum in Giambattista Vico. Our interest was to found, in the various philosophical writings of G. Vico (1668-1744), a new way of understanding the original conception of the thinker about knowledge and how he worked and seized this vision of the world, unlike the traditional view which gave a logical value to the way of knowing before the true and false. Vico conceived the knowledge both as certum and verum, highlighting the original role of certum. This new way of perceiving the order of certum gives to the Vico´s knowing its own logic: the logic of credible. The credibility is treated like the element which leads us to the certainty before the exclusion of all mathematical accuracy given to knowledge in providing the possibility of reaching it in its uncertain scope and / or its uncertain boundaries.
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17

Barros, Ivan Kowaleski Figueira de. "A concepção de História em Giambattista Vico." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-13102010-145444/.

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Este trabalho investiga a concepção de História do filósofo setentrista italiano Giambattista Vico. Ele baseia-se na leitura da principal obra de Vico, Scienza Nuova (1744), assim como na leitura de três outros livros do autor: Autobiografia, Il Metodo Degli Studi Del Tempo Nostro e Dell Antichissima Sapienza Italica. Nosso objetivo é descobrir e descrever o que Vico chamou de Historia Ideal Eterna, uma concepção renovada da História Humana.
This work investigates the Eighteenth Century Italian philosopher Giambattista Vicos conception of History. It is based on a reading of Vicos main work Scienza Nuova (1744), supported by a reading of three other books from the author: Autobiografia, Il Metodo Degli Studi Del Tempo Nostro and Dell Antichissima Sapienza Italica. Our aim is to discover and also describe what Vico called Ideal Eternal History, a renewed conception of Human History.
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18

Martins, Paulo Sérgio [UNESP]. "A imaginação na elaboração de modelos científicos em Vico." Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/150522.

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No século XVIII, o filósofo napolitano Giambattista Vico faz uma crítica ao racionalismo cartesiano, refutando a tese de que as ciências naturais pudessem alcançar a verdade. Seu pensamento reivindica, para a imaginação, a linguagem e a história – dimensões negligenciadas pela corrente racionalista – um status prioritário para a obtenção de conhecimento verossímil. A atenção exacerbada para atividades puramente racionais, como a matemática e a lógica, para a obtenção de conhecimento, segundo Vico, conduziria o homem a uma espécie de “barbárie”, levando-o à desumanização. De acordo com Vico, fazer é conhecer e vice-versa. Somente se pode conhecer aquilo que se faz. Ao homem, não é possível o conhecimento da natureza em sua essência, pelo fato de não ser o seu criador. No entanto, o homem cria a história e, por isso, pode conhecê-la. Os vestígios históricos trazidos pela filologia, somados à reflexão filosófica, poderão conduzir o homem ao conhecimento. Com a sua máxima verum et factum convertuntur (“conheço porque faço, faço porque conheço”), Vico coloca o homem como um produtor de modelos representativos do mundo, o qual lança mão da imaginação e do engenho (criação), para conceber a realidade. Partindo dessa máxima viquiana, visamos, neste trabalho, analisar a relevância das faculdades da imaginação e do engenho nos processos de elaboração de modelos científicos. No primeiro capítulo, buscamos compreender os principais conceitos do pensamento viquiano; em seguida, no segundo capítulo, definimos os conceitos agregados à faculdade imaginativa, como a memória, o engenho e a fantasia. Vico propõe ampliar a validação do conhecimento para além do crivo do raciocínio lógico. Desse modo, no terceiro capítulo investigamos o exercício da imaginação como um fator preponderante para a elaboração de hipóteses e para a geração de novos modelos na ciência.
In the 17th century, Neapolitan philosopher Giambattista Vico criticizes Cartesianism, refuting the thesis that the Natural Sciences could reach the truth. His thought reclaims, to imagination, language and history - dimensions neglected by rationalist thinking - a priority status for the acquisition of credible knowledge. The exacerbated attention to purely rational activities such as mathematics and logic for knowledge acquisition, according to Vico, would lead mankind to a sort of "barbarism" taking it to dehumanization. For Vico, to do is to know and vice-versa. We can only know what we do. To men, it is not possible to know nature in its essence, for they are not its creator. However, man creates history and, therefore, may know it. The historical traces brought by philology, added to the philosophical reflection, may lead man to knowledge. With his maxim verum et factum convertuntur, (I know because I do, I do because I know), Vico places man as a producer of depictive models of the world, who makes use of imagination and ingeniousness (creation) to conceive the reality. From this Vichian maxim, we aim, in this study, to analyze the relevance of imagination and ingeniousness faculties in the processes of scientific models development. In the first chapter, we try to understand the main concepts of the Vichian thinking; after that, in the second chapter, we define the concepts aggregated with the imaginative faculty, like the memory, the ingeniousness and the fantasy. Vico suggests expand the validation of knowledge beyond the scrutiny of logic reasoning. Thus, in the third chapter, we investigate the exercise of imagination as a preponderant factor for the hypotheses elaboration and for the generation of new models in science.
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Åslund, Anton. "5D-modellering i byggskedet : Med inriktning på anläggningsbranschen." Thesis, Uppsala universitet, Byggteknik, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-230183.

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With those utilities and possibilities we have today, 3D-models should be usted more than they are. The posibilities to work further with these models are enormous. The purpose with this report is to investigate why the BIM technology isn’t used to its fully potential in the construction industry. And also to investige the posibilities to implement the technique further by interconnecting the 3D-model to more information consisting of 4D-BIM and 5D-BIM. By a comparison between the real estate industry and the construction industry produce solutions that can be implied in the construction industry. The methods that have been used in this operation is a study of literature and interviews of experts in the industry. Based on these methods the author has concluded several reasons why 5D-modeling is so limited as it is. This area is rather undiscovered, few in the industry even thinks of this as a problem, or an area that needs improvement, so the investigation in the area is very limited. Besides, the time it takes for a person to learn a new working progress is time the person often doesn’t have. Plus that the new is frightening, the time it takes to learn the new way is unknown and the time it takes to imply it in the projekt is unknown. The way you’ve always worked is safe and you know approximitly how long it’s going to take. One thing that is notable in the construction industry is that the demands from the clients is starting to appear and the competens of the contractors doesn’t exist. And there is a fatal chans that the demands will increase much faster than the development of competens in the industry. For the industry to keep develop in the right pace, the industry must dare to invest in 5D-modeling. By giving priority to learn a more efficient way of working, by daring to invest economically in software and education of competens and to look at these costs as an investment in the future and not a cost for the ongoing projekts.
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20

Stone, Harold Samuel. "Vico's cultural history : the production and transmission of ideas in Naples, 1685-1750 /." Leiden : E. J. Brill, 1997. http://catalogue.bnf.fr/ark:/12148/cb40939661p.

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21

Vanzulli, Marco. "L'idée de science chez Vico : Mythe et anthropologie." Nice, 2005. http://www.theses.fr/2005NICE2004.

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L'objectif principal que se propose ce travail est de montrer, dans toute sa complexité, le caractère scientifique de la nouvelle science vichienne. L'épistémologie de la Science Nouvelle apparaîtra, à travers notre analyse, comme le résultat de trois composants gnoséologiques fondamentaux: la rhétorique, la jurisprudence et la science de la nature. Sans nier la fonction essentielle des instances sensibles et imaginatives, nous essaierons de montrer l'importance de la détermination rationnelle qui caractérise la Science Nouvelle, et le corpus vichien tout entier. Une telle lecture nous permettra d'envisager le caractère anthropologique tout à fait particulier de la science "relative à la commune nature des nations" et de nous arrêter sur l'interprétation civile du mythe qu'elle contient. Nous essaierons finalement de jeter les bases d'une actualisation et d'une application de l'herméneutique vichienne du mythe en la comparant avec le courant phénoménologique et irrationaliste des études contemporaines de la mythologie et de l'histoire des religions
This study aims to prove the scientific character of Vico's new science and its complexity. The New Science epistemology will appear, through our analyse, the result of three basic components: rhetoric, jurisprudence and natural science. Without denying the fundamental function of sensible and imaginative determinations, we will try to show the importance of rational determination in the New Science, and indeed in Vico's entire output. This reading will allow us to examine the distinctively anthropologic nature of the science "concerning the common nature of the nations" and to dwell upon the civil interpretation of the myth which it provides. Subsequently, we will try to lay the foundations of an actualisation and an application of the vichian hermeneutics of myth, by comparison with the phenomenological and irrationalist tendency of contemporaneous studies of mythology and history of religions
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22

ZANELLI, SHABAN. "La metafisica di Giambattista Vico. Un percorso ontologista." Doctoral thesis, Università degli Studi di Trieste, 2022. http://hdl.handle.net/11368/3030761.

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L'elaborato analizza la metafisica di Giambattista Vico con l'intento di delinearne le caratteristiche e di descriverne gli sviluppi durante l'intero corso della speculazione del filosofo napoletano (1699-1744). A tal scopo si è scelto di approfondire il rapporto delle dottrine di Vico con le sue fonti - in particolare modo Platone e Malebranche - e del dibattito sei-settecentesco in cui esse erano originariamente inserite. L'idea fondamentale che si intende proporre è che l'intero sviluppo della speculazione metafisica vichiana possa essere interpretato come un continuo ripensamento di un'iniziale ispirazione ontologista mai messa in discussione.
The work analyzes the metaphysics of Giambattista Vico with the aim of delineating its characteristics and describing its developments during the entire course of the Neapolitan philosopher's speculation (1699-1744). For this purpose it was decided to deepen the relationship of Vico's doctrines with his sources - in particular Plato and Malebranche - and of the seventeenth-eighteenth-century debate in which they were originally inserted. The fundamental idea that we intend to propose is that the entire development of Vico's metaphysical speculation can be interpreted as a continuous rethinking of an initial - and never questioned - ontologist inspiration.
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23

MORO, Giuseppe. "Historia Duplex. Pensiero e linguaggio nell’opera di Giambattista Vico." Doctoral thesis, Scuola Normale Superiore, 2020. http://hdl.handle.net/11384/91049.

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24

Girard, Pierre. "Communauté et politique dans la philosophie de Giambattista Vico." Paris 4, 2002. http://www.theses.fr/2002PA040191.

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L'objectif principal que se propose ce travail est d'offrir une interprétation rationnelle de l'oeuvre de Vico, de montrer que le concept de raison est au centre de sa philosophie et que son espression la plus manifeste en est la communauté. En mettant la raison au cœur de notre travail (et avec elle ses deux modalités que sont la communauté et la politique), nous serons amenés à donner une interprétation générale de la Scienza nuova à travers ce que Vico nomme ses " deux pratiques ", à savoir " l'art critique " et " l'art diagnostique ". Une telle lecture nous permettra de développer les notions de providence, d'ingenium, de philologie, " d'histoire idéale éternelle " et d'éducation. Nous montrerons comment ces concepts s'organisent autour d'un projet scientifique ayant comme objet la " nature commune des nations "
This study aims to offer a rational interpretation of Vico's work, to show that the concept of reason occupies a central position in Vico's writings and that its most patent expression is community. By placing reason and its two modalities, community and politics, at the core of this study, I am led to offer a general interpretation of the Scienza nuova through what Vico calls his " two practices ", namely " the art of criticism " and " the art of diagnosis ". Such an interpretation enables me to discuss the notions of prudence, ingenium, philology, " ideal eternal history " and education. I show how these concepts are organized around a scientific project whose object is " the common nature of nations "
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25

Yudelman, Jonathan. "TheElements of Progress: Ideology and History in Hobbes and Vico." Thesis, Boston College, 2020. http://hdl.handle.net/2345/bc-ir:108950.

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Thesis advisor: Susan M. Shell
The 21st century has witnessed jarring set-backs in the spread of the liberal democracy around the globe, as well as domestic challenges to the liberal form of government where it has been long established. By interrogating the root principles of the liberal theory of progress, this study aims to account for both the overwhelming success of the liberal progress in the latter half of the twentieth century, as well as its mounting failures in the early twenty-first century. It is argued that the liberal theory of progress rests on an unstable synthesis of two competing modern political philosophies, which are identified as ideology and the philosophy of history. The latter offers a theory of mankind’s historical development toward reason, while the former provides a blueprint for the construction of the rational state. Before these modern philosophies were synthesized in the liberal theory of progress, they emerged in opposition to one another, in the works of Thomas Hobbes and Giambattista Vico. The first chapter introduces the political philosophy of Hobbes’ Leviathan, and examines Hobbes’s teaching about nature and art, power and public opinion, culture and civil religion. On this basis, the Leviathan is shown to inaugurate the ideological form of politics, of which liberalism is one example. Chapter two defines ideology and traces its history, demonstrating the common source of all modern ideologies in a foundational egalitarianism that replaces the natural politics of rule. Chapter three addresses the modern philosophy of history, inaugurated by Vico’s New Science. An account of the genesis of this philosophy is presented and contrasted with Leo Strauss’ account. The fourth chapter considers Vico’s political teaching and his opposition to the modern theories of natural law, including especially that of Hobbes. Rejecting the view that Vico should be characterized as an enemy of the Enlightenment, this chapter examines his teaching about the historicity of human nature as reflected in religion, justice, poetry, philosophy and the political cycle of human history, and concludes with a discussion of the “barbarism of reflection,” in which all progress is said to comes to an end. These studies of Hobbes and Vico indicate the points of greatest tension within the liberal theory of progress, and prepare the way for a future critical study of liberal theory of progress in Kant and his successors
Thesis (PhD) — Boston College, 2020
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: Political Science
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26

Filho, Antonio Jose Pereira. "Linguagem e Práxis: Vico e a crítica à concepção cartesiana da linguagem." Universidade de São Paulo, 2005. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-01102010-112543/.

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Pretende-se mostrar, neste trabalho, como as relações entre linguagem e práxis formam o núcleo do projeto filosófico de Giambattista Vico. Trata-se de um projeto complexo e que se realiza em diferentes momentos a partir de um confronto com a concepção mentalista da linguagem. Vico identifica no método de Descartes e no logicismo de Port-Royal, no assim chamado cartesianismo lingüístico, uma concepção extremamente redutora que põe em segundo plano a dimensão social e expressiva dos fenômenos da linguagem. Nosso objetivo é reconstituir os principais momentos do projeto de Vico (o que faremos através de uma leitura das primeiras obras do filósofo) e como ele se configura na Ciência Nova, sobretudo na sua última edição (de 1744). Com isso, pretende-se mostrar o que há de novo na perspectiva de Vico frente à tradição filosófica da qual ele procura se destacar e, assim, indicar o lugar preciso ocupado pelo filósofo italiano no que concerne aos estudos da linguagem. Nesse sentido, gostaríamos de defender aqui a tese de que o núcleo do projeto de Giambattista Vico consiste no novo tipo de relação que o filósofo estabelece entre os desdobramentos lingüísticos, as modificações (modificazioni) da mente e das instituições humanas. Veremos que a inteligibilidade desse processo passa pela elaboração de um novo método ou nova arte crítica que, levando em conta uma concepção da linguagem mais complexa que a do cartesianismo lingüístico, torna visível como o mundo das instituições humanas foi construído, como ele se desenvolve e como ele opera ao longo do tempo.
The present work intends to show how the rapports between language and práxis make up the core of Giambattista Vicos philosophical project. It is a complex project; and it is accomplished at different moments from a confront with the mentalist conception of language. Vico considers Descartes method and the Port-Royal logicism, the so-called linguistic Cartesianism, an extremely reductionist perspective that set aside the social and the expressive dimension of linguistic phenomena. The aims of the present work is to trace back the main moments of Vicos project (what shall be done through an analysis of Vicos first works), show how it appears in the Scienza Nuova, mainly in its last edition (1744); and shed light on the new perspectives of Vicos thought, compared to the philosophical tradition he wants to set himself at a distance; and, finally, point out the very place of the Italian philosopher in the linguistic studies. We uphold that the core of Vicos project consists in a new sort of rapport that the philosopher establishes between the linguistic developments, the modifications (modificazioni) of mind and of the human institutions. We shall see that the intelligibility of that process involves the creation of a new method or new critical art that, considering a conception of language which is more complex than the linguistic Cartesianism, make the construction of human institutions clear, show how it develops itself and how it operates throughout the time.
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27

Esposito, Maria Angela Marini. "Giambattista Vico: sua proposta sobre o começo das civilizações e os comentários rabínicos sobre o dilúvio universal." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-10082007-150045/.

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Esta pesquisa visa evidenciar as semelhanças existentes entre a proposta de Giambattista Vico sobre o começo das civilizações gentílicas e as argumentações rabínicas relativas ao episódio do Dilúvio Universal, narrado em Gênesis 6 e considerado um documento conservado pelas tradições orais e verbais judaicas. Buscamos os fundamentos da literatura grego-romana e judaica que levaram Vico a intuir um método para a verificação das ciências humanas. Tal método difere do método dedutivo, aclamado pelos intelectuais de sua época, pois o filósofo italiano acredita que a religião está presente na base do processo civilizatório e coloca a linguagem como o fenômeno que organiza o mundo. Levantamos - nos postulados viquianos e nas argumentações rabínicas relativas aos primeiros capítulos de Gênesis - as observações que apresentam as características intrínsecas que condicionam os homens a instituir os três princípios eternos (religião, casamentos e sepulturas), identificáveis na formação de todos os povos; situamos as três fases viquianas (divina, heróica e humana) nos textos judaicos e evidenciamos, na visão rabínica de mundo, os fundamentos usados como base para a formação do conceito viquiano sobre a graça; tal conceito é responsável pela divisão da humanidade entre hebreus e gentios e dá margem às conjecturas relativas à existência de gigantes no tempo do dilúvio
This research aims to evidence the existing similarities between the proposal of Giambattista Vico about the beginning of the heathen civilization and rabbinic arguments about the episode of the Flood, in Genesis 6, considered a document conserved for Jewish oral and verbal traditions. We searched for the beddings of literature Jewish and Greek-Roman that allowed Vico to intuit a method for the verification of human beings sciences. Such method differs from the deductive method, acclaimed for the intellectuals of its time: the Italian philosopher believes that the religion is present in the base of the civilization process and places the language as the phenomenon that organizes the world. We showed - in the vichian postulates and the rabbinic arguments about the first chapters of Genesis - the comments that focus the intrinsic characteristics which induce the men to institute the three perpetual principles (religion, marriages and sepultures), identifiable in the formation of the nations everywhere; we pointed the three vichian phases (divine, heroic and human being) in the Jewish texts and we evidence, in the rabbinic view of world, the beddings used as base for the elaboration of the vichian concept about the favour; such concept is responsible for the division of the humanity between heathen and Hebrews allowing conjectures about the existence of giants in the time of the Flood
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28

Gardner, Leslie. "'C.G. Jung and G.B. Vico; an exploration in rhetoric'." Thesis, University of Essex, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.485302.

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29

Guido, Humberto Aparecido de Oliveira. "A linguagem poetica em vico : a construção do conhecimento." [s.n.], 1994. http://repositorio.unicamp.br/jspui/handle/REPOSIP/253860.

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Orientador : Hermas Gonçalves Arana
Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação
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Resumo: A Filosofia Moderna foi o ponto de partida desta investigação. Para isto foi importante investigar também as raízes do pensamento moderno através da abordagem do humanismo renascentista. Esta primeira parte do trabalho tem a finalidade de oferecer o ambiente cultural em que viveu Giambattista Vico (1668-1744). Vico dedicou-se aos estudos da história, do direito natural e da filologia, .relacionando estes vários campos do saber na filosofia. Seu objetivo era demonstrar as várias fases de desenvolvimento idade. da mente humana e aquilo que era próprio a cada A linguagem poética é a expressão de um saber pré reflexivo, anterior ao raciocínio.lógico. Esta forma de linguagem é própria de uma sabedoria também poética, momento em que a percepção e a imaginação atuam com maior intensidade intelecto humano. A linguagem poética é a base sobre a constrói o conhecimento lógico. sobre o qual se Passando dó campo histórico para o campo epistemológico, a linguagem poética é própria das crianças e dos adolescentes, ela é o caminho para se chegar à reflexão filosófica durante a juventude. Para os modernos, as discussões no campo da linguagem estavam diretamente ligadas às novas formas de escolarização e, aos respectivos' métodos pedagógicos que surgiam em meio às mudanças sócio-econômicas. A reflexão sobre a linguagem oferece novos elementos para repensarmos a influência dos métodos modernos sobre o pensamento pedagógico atual, bem como distorções sofridas por estes métodos ao longo dos séculos
Mestrado
Filosofia e História da Educação
Mestre em Educação
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30

Luglio, Davide. "Connaissance, rhétorique et science dans l'œuvre de Giambattista Vico." Paris 4, 2000. http://www.theses.fr/2000PA040202.

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Notre travail part du présupposé que la rhétorique occupe une place centrale dans l'œuvre de Vico en tant qu'instrument de transmission de la connaissance scientifique. Loin de l'eloquentia humaniste, l'idéal rhétorique vichien répond donc, non pas aux exigences de persuasion du discours civil, comme on a trop longtemps laisse croire, mais à la visée euristique propre à sa recherche épistémique. Celle-ci étant scientia de universalibus et aeternis, Vico conçoit platoniquement l'art du discours comme une technique psychagogique. Refusant les présupposes métaphysiques de la science cartésienne, Vico choisit comme centre d'intérêt scientifique non pas le monde physique mais l'histoire de l'humanité qu'il entreprend de réorganiser - notamment à ses origines - selon un ensemble de lois dégagées par sa métaphysique. Par un art du discours qui se rattache à la fois à la rhétorique du baroque moderne italien et à celle que développe le pseudo-longin dans le traité du sublime, Vico sait faire de sa reconstruction de l'histoire de l'humanité une oratio sublimis, un parcours d'élévation spirituelle et de révélation eschatologique.
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31

Graziani, Françoise. "La pensée fossile mythe et poésie : d’Aristote a Vico." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040187.

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Le vieux différend entre le philosophe et le poète, entre logos et mythos, peut être converti en accord à condition de changer de point de vue. Alors que Platon n’a voulu voir dans leurs différences qu’une source de discorde et de division, Aristote en a tiré une poétique et une rhétorique, les poètes de la Renaissance une philosophie poétique et Vico une anthropologie du langage et une archéologie de la pensée. Ce qui est pour les modernes une « pensée sauvage » a longtemps été considéré par les anciens comme une sagesse archaïque, qui s’exprimait par figures et « traduisait en langue des dieux » les voix de la nature.On se propose ici de réévaluer les notions de pensée poétique et de pensée mythique en adoptantle point de vue des poètes de la Renaissance et de l’âge baroque, qui identifièrent l’une et l’autre à la pensée ingénieuse productrice de métaphores, de figures et de fictions. Mais il faut remonter aux sources antiques pour pouvoir rendre compte de l’active polysémie des anciennes méthodes d’interprétation des mythes qui, loin de séparer les points de vue de la physique, de la morale et de la théologie, les associaient en une « science poétique » qui faisait la synthèse de tous les savoirs du monde, et qui est désormais une science fossile
The old dispute between the Philosopher and the Poet, which leads to the dichotomy betweenLogos and Mythos, can be turned into a settlement as long as one changes one’s viewpoint. WhilePlato only considered their difference as a source of discord and division, Aristotle drew from it aPoetic and a Rhetoric, the Renaissance poets a Poetical Philosophy, and Vico a language’sAnthropology and an Archeology of the Thought. What is considered by the Moderns to be a « wildthinking » was seen by the Ancients as an archaic wisdom, expressed through figures and« translating the voices of nature into the language of gods ».The purpose here is to reassess the concepts of Poetic and Mythic thought by adopting theviewpoint of the poets of the Renaissance and the Baroque era. Those cleary identified these twospecific thinkings with the wit’s power to produce metaphors, figures and fictions. In order to achievethis research, it is important to revisit the antic sources, so as to enlight the effective polysemysupporting the ancient ways used to interpret myths. Far from categorising the stance of the physics,the morals and the theology, the Ancients used to gather them into a comprehensive « poeticscience » : it reunited the synthesis of all knowledge but has become a fossilised science
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32

Graziani, Françoise. "La pensée fossile mythe et poésie : d’Aristote a Vico." Electronic Thesis or Diss., Paris 4, 2010. http://www.theses.fr/2010PA040187.

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Le vieux différend entre le philosophe et le poète, entre logos et mythos, peut être converti en accord à condition de changer de point de vue. Alors que Platon n’a voulu voir dans leurs différences qu’une source de discorde et de division, Aristote en a tiré une poétique et une rhétorique, les poètes de la Renaissance une philosophie poétique et Vico une anthropologie du langage et une archéologie de la pensée. Ce qui est pour les modernes une « pensée sauvage » a longtemps été considéré par les anciens comme une sagesse archaïque, qui s’exprimait par figures et « traduisait en langue des dieux » les voix de la nature.On se propose ici de réévaluer les notions de pensée poétique et de pensée mythique en adoptantle point de vue des poètes de la Renaissance et de l’âge baroque, qui identifièrent l’une et l’autre à la pensée ingénieuse productrice de métaphores, de figures et de fictions. Mais il faut remonter aux sources antiques pour pouvoir rendre compte de l’active polysémie des anciennes méthodes d’interprétation des mythes qui, loin de séparer les points de vue de la physique, de la morale et de la théologie, les associaient en une « science poétique » qui faisait la synthèse de tous les savoirs du monde, et qui est désormais une science fossile
The old dispute between the Philosopher and the Poet, which leads to the dichotomy betweenLogos and Mythos, can be turned into a settlement as long as one changes one’s viewpoint. WhilePlato only considered their difference as a source of discord and division, Aristotle drew from it aPoetic and a Rhetoric, the Renaissance poets a Poetical Philosophy, and Vico a language’sAnthropology and an Archeology of the Thought. What is considered by the Moderns to be a « wildthinking » was seen by the Ancients as an archaic wisdom, expressed through figures and« translating the voices of nature into the language of gods ».The purpose here is to reassess the concepts of Poetic and Mythic thought by adopting theviewpoint of the poets of the Renaissance and the Baroque era. Those cleary identified these twospecific thinkings with the wit’s power to produce metaphors, figures and fictions. In order to achievethis research, it is important to revisit the antic sources, so as to enlight the effective polysemysupporting the ancient ways used to interpret myths. Far from categorising the stance of the physics,the morals and the theology, the Ancients used to gather them into a comprehensive « poeticscience » : it reunited the synthesis of all knowledge but has become a fossilised science
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33

MUELLER, Ciema. "Gênese de um paradigma antropológico: o culturalismo na obra de Vico, Herder e Dilthey." Universidade Federal de Pernambuco, 1992. https://repositorio.ufpe.br/handle/123456789/16993.

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Submitted by Caroline Falcao (caroline.rfalcao@ufpe.br) on 2016-05-25T16:48:59Z No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) 39M946g Dissertação.pdf: 7451844 bytes, checksum: d9360458298609797b4554d46edb9c87 (MD5)
Made available in DSpace on 2016-05-25T16:48:59Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) 39M946g Dissertação.pdf: 7451844 bytes, checksum: d9360458298609797b4554d46edb9c87 (MD5) Previous issue date: 1992-10
Compõe-se a presente dissertação de três capítulos – respectivamente dedicados à análise da obra de Vico, Herder e Dilthey - e de uma conclusão, sendo que o capítulo referente a Dilthey substitui a nota metodológica. Trata-se de uma tentativa de inventariar os conceitos de Filosofia correntemente associados sob a forma do paradigma antropológico designado como "culturalismo". A rigor, visa a pesquisa a reunir elementos que proporcionem uma resposta satisfatória à pergunta: que é culturalismo? Desta perspectiva, a obra de Giambattista Vico avulta sobre as demais por ser a matriz teórica da doutrina culturalista, quer dizer, a reflexão que gerou os parâmetros epistemológicos e antropológicos que permitiram a essa teoria elevar-se ao nível de uma paradigma. Donde justificar-se a maior extensão do capítulo consagrado a Vico, no qual se argüi, ou pelo menos se tenta argüir, tanto a teoria do conhecimento quanto a teoria geral da cultura, contidas na principal obra do autor, a Ciência Nova. Ambas as teorias sobressaem no panorama de idéias do século XVIII por sua orientação explicitamente anticartesiana. À análise de Vico segue-se a de Herder, cuja reputação anti-iluminista e anti-cartesiana dispensa comentar suas afinidades com o companheiro de ofício napolitano, a quem, aliás, sucedeu, volutariamente ou não, na medida em que fortaleceu seu legado teórico íncorporando-lhe noções tais como Volkgeist e Fortgang, a saber, "espírito do povo" e "progressão cultural" (esta sem substituição ao conceito de "progresso linear", dos iluministas). Por último, Dilthey, que a propósito deve ser apresentado como o autor do método complementar da teoria, o método hermenêutico, cuja fórmula epistemológica se acha descrita no capítulo que expõe a base metodológica do paradigma. A conclusão tenta demostrar o nexo existente entre as idéias dos três filósofos e a teoria assentada na Antropologia como culturalismo. Além disso, argumenta a favor do historicismo, de cuja doutrina a teoria culturalista inequivocamente procede, transformada em bête-noir da atualidade em virtude da suspeita de "irracionalismo" que lhe conferiu a voga acadêmica pós-moderna, empenhada em expurgar a subjetividade - leia-se História, leia-se Cultura - da ciência.
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34

Dilan, Khazan, and Susanna Elewi. "Kalkylarbete för byggnadsprojekt med Vico Office : För- och nackdelar med 5D BIM." Thesis, Högskolan i Gävle, Avdelningen för bygg- energi- och miljöteknik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-19781.

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Abstract Building Information Model/Modeling/Management (BIM) is a tool that allows for efficient working methods. BIM saves time and money while providing the potential for visualization. This method of working is based on a 3D-model, and then a fourth and fifth dimension are connected. 5D modeling means that a spreadsheet creates cost estimates based on the 3D model. This provides opportunities to carry out calculations in the early stages of the projects.   Calculations are currently performed manually and do not contribute to the development that the construction industry requires. To examine the efficiency of 5D BIM, a comparison should be made with the traditional calculation method. The purpose of this study is to propose a more reliable quantity takeoff and to study the advantages and disadvantages of each method.   The research questions to be studied in this thesis read as follows:  How reliable is quantity takeoff with the help of Vico Office in contrast to traditional quantity takeoff? What is required of a BIM model to perform a quantity takeoff in Vico Office?   To create calculations manually, bills of quantities are performed with recipes for each building component and then price lists from recipe databases are used. With the 5D BIM, a spreadsheet is connected to the BIM model that generates price lists and calculations for each building component. Spreadsheet entries are created for the component that contain the right amount of information, that is then connected to the correct building component. Vico Office is a program that provides opportunities to import 3D models from CAD tools to then carry out timetables and calculations.   Vico Office offers many advantages in contrast to the manual spreadsheet work in, among other things, time and cost. It is easy to handle and contributes to the development of BIM. It also contributes to increased communication between participants that makes it easier to handle delays. At the same time, the program needs new knowledge. The manual spreadsheet work gives uncertain calculations and the risk of measurement errors exist.   To perform a complete quantity takeoff in Vico Office an architectural model and a construction model is required. It is also important to name the components in the model before it is imported to Vico Office. Vico Office gives more BIM, and it is easier to perform a quantity takeoff because all the tools are in one place. It is not possible to determine that it is actually more efficient with Vico Office because the building model was lacking in this study.    This thesis demonstrates the advantages of 5D BIM, but at the same time it requires an initiative of the companies to implement the system. This transition from manual spreadsheet work to 5D BIM can be complicated because it requires time and knowledge.   Keywords: 5D BIM, Vico Office, Cost, Quantity Takeoff
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Wiberg, Emelie, and Martin Bjerring. "5D-kalkylering av produktionskalkyl." Thesis, KTH, Byggteknik och design, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-259978.

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Utvecklingen inom byggindustrin går sakta men säkert framåt. Branschen har börjat förstå vilka framgångar och möjligheter det finns med att digitalisera sig, däremot är det är en lång resa som är under ständig förbättring. Inom byggbranschens digitalisering handlar det alltsomoftast om BIM, ett begrepp som har många olika betydelser. Enkelt förklarat handlar det om att en 3D-modell kopplas ihop med olika typer av information, vilket kan ge många möjligheter till att effektivisera byggets samt projektets gång. Främst talas det om möjligheten att genom en 3D-modell få fram både 4D (tid) och 5D (kostnad)-modeller. Många aktörer inom bostadsproduktion har påbörjat sin resa mot ett digitalt arbetssätt och JM AB är definitivt en utav dem. År 2018 började JM AB arbeta med sin ambition om att en dag vara branschledande inom digitalisering. En del av digitaliseringsarbetet sker inom kalkylavdelningen på JM, där avdelningen i detta nu gör mängdning samt kalkylering i mjukvaruprogrammet VO. Det är i sin tur kalkylavdelningen som tar fram produktionskalkylen inför byggstart och det görs också i VO. Tack vare utvecklingen inom digitaliseringen kan JM AB nu göra tydliga kopplingar mellan tid och kostnader med 3D-modeller som bas. En kalkyl som inte kopplas på detta sätt är arbetsomkostnadskalkylen. Här krävs en undersökning i hur kalkylen kan kopplas till en 5D-modell och på sikt kunna bidra till produktionskalkylens utveckling, vilket för oss till rapportens syfte. Examensarbetet fokuserar på att ta fram olika nyckeltal för arbetsplatsomkostnader som kan kopplas till 5D-kalkylering. I denna process har det krävts intervjuer med sakkunniga, för att få en tydlig bild gällande både, vem som upprättar kalkylerna och hur de tas fram. För att bekräfta och stärka det som har sagts i intervjuerna har litteratur i form av artiklar och böcker används. Resultatet redovisar vad som krävs vid 5D-kalkylering av produktionskalkylen i VO. Det visar även vilka nyckeltal för kontona Kran samt Bodar, kontor m.m. som har tagits fram baserat på data från de utvalda flerbostadshusprojekten. För att nyckeltalen på bästa sätt ska kunna visualiseras samt redovisas i VO, behöver dem kopplas till en tidsram, vilket i detta fall är tidsplanen. Målet med rapporten har varit att förbättra analysen av kalkylerade produktionskostnader med tillämpning av 5D-kalkylering. Sammanställningen av nyckeltal på arbetsplatsomkostnader, som visualiseras i VO, har som syfte att optimera projekten genom att ta fram tydligare kopplingar mellan kostnad och tid. Rapportens reliabilitet måste självklart valideras av företaget i fråga. Denna visualisering och nyckeltalsframställning är däremot ett exempel på hur ett möjligt tillvägagångsätt kan se ut. Tillvägagångsättet och 5D-visualiseringen är även det första i sitt slag inom företaget JM AB.
The development in the construction industry is slowly but surely moving forward. The industry has begun to understand the successes and opportunities of digitizing itself, but it is a long journey that is constantly improving. In the construction industry's digitization, it is mostly common that it talks about BIM, a concept that has many different meanings. Simply explained, it is about connecting a 3D model with different types of information, which can provide many opportunities for streamlining the construction of the building and the project. It is mainly talked about the possibility of obtaining a 4D (time) and 5D (cost) models through a 3D model. Many housing production companies have begun their journey towards a digital world and JM AB is definitely one of them. In 2018, JM AB began to work with its ambition to one day be the leading actor in the industry of digitization. Part of the digitization work takes place within the calculations department at JM, where the department in this now makes quantity and cost estimations in the Vico Office program. It is the calculations department that produces the production costing for the construction start and this is also done in VO. Thanks to the development in digitalization, they can now make clear connections between time schedule and costs with 3D models as a base. A calculation that is not linked in this way is the overhead cost calculation. This requires a study into how the calculation can be linked to a 5D model and in the long run be able to contribute to the development of the production costing, which for us is the purpose of the report. This study focuses on developing various key figures for overhead costs that can be linked to 5D calculation. In this process, interviews with experts have been required, in order to get a clear picture of both, who establishes the calculations and how they are produced. To confirm and strengthen what has been said in the interviews, literature in the form of articles and books has been used. The result in the report shows what is required in 5D calculation of the production costing in VO. It also shows which key figures have been produced based on data from the specified comparison projects. In order for the key figures to be best visualized and reported in VO, they need to be linked to a time frame, which in this case is the projects timetable. The aim of the report has been to improve the analysis of estimated production costs with the application of 5D calculation. The compilation of key figures on costs, which is visualized in VO, aims to optimize the projects by producing better connections between cost and time. The report's reliability must of course be validated on the basis of the company's, JM, response to the rapport. This visualization and key figures presentation are an example of how a possible approach might look. The procedure and the 5D visualization are also the first of its kind within the company JM AB.
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36

Pereira, Filho Antônio José. "Linguagem e práxis: Vico e a crítica à concepção cartesiana da linguagem." reponame:Repositório Institucional da UFS, 2010. https://ri.ufs.br/handle/riufs/1404.

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Pretende-se mostrar, neste trabalho, como as relações entre linguagem e práxis formam o núcleo do projeto filosófico de Giambattista Vico. Trata-se de um projeto complexo e que se realiza em diferentes momentos a partir de um confronto com a concepção mentalista da linguagem. Vico identifica no método de Descartes e no logicismo de Port-Royal, no assim chamado cartesianismo lingüístico, uma concepção extremamente redutora que põe em segundo plano a dimensão social e expressiva dos fenômenos da linguagem. Nosso objetivo é reconstituir os principais momentos do projeto de Vico (o que faremos através de uma leitura das primeiras obras do filósofo) e como ele se configura na Ciência Nova, sobretudo na sua última edição (de 1744). Com isso, pretende-se mostrar o que há de novo na perspectiva de Vico frente à tradição filosófica da qual ele procura se destacar e, assim, indicar o lugar preciso ocupado pelo filósofo italiano no que concerne aos estudos da linguagem. Nesse sentido, gostaríamos de defender aqui a tese de que o núcleo do projeto de Giambattista Vico consiste no novo tipo de relação que o filósofo estabelece entre os desdobramentos lingüísticos, as modificações (modificazioni) da mente e das instituições humanas. Veremos que a inteligibilidade desse processo passa pela elaboração de um novo método ou nova arte crítica que, levando em conta uma concepção da linguagem mais complexa que a do cartesianismo lingüístico, torna visível como o mundo das instituições humanas foi construído, como ele se desenvolve e como ele opera ao longo do tempo. _________________________________________________________________________________________ ABSTRACT: The present work intends to show how the rapports between language and práxis make up the core of Giambattista Vicos philosophical project. It is a complex project; and it is accomplished at different moments from a confront with the mentalist conception of language. Vico considers Descartes method and the Port-Royal logicism, the so-called linguistic Cartesianism, an extremely reductionist perspective that set aside the social and the expressive dimension of linguistic phenomena. The aims of the present work is to trace back the main moments of Vicos project (what shall be done through an analysis of Vicos first works), show how it appears in the Scienza Nuova, mainly in its last edition (1744); and shed light on the new perspectives of Vicos thought, compared to the philosophical tradition he wants to set himself at a distance; and, finally, point out the very place of the Italian philosopher in the linguistic studies. We uphold that the core of Vicos project consists in a new sort of rapport that the philosopher establishes between the linguistic developments, the modifications (modificazioni) of mind and of the human institutions. We shall see that the intelligibility of that process involves the creation of a new method or new critical art that, considering a conception of language which is more complex than the linguistic Cartesianism, make the construction of human institutions clear, show how it develops itself and how it operates throughout the time.
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37

Aitken, R. James (Robert James) 1955. "Piranesi-Vico-II Campo Marzio : foundations and the eternal city." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23196.

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This paper undertakes to develop an in-depth interpretation of Piranesi's Il Campo Marzio. While drawing heavily from specific details in both the text and images, the study retains a contextual outlook, speculating that Vico's New Science can lend meaning to Piranesi's work.
Based primarily on Vico's concept of the Ideal Eternal History, parallels are drawn between the two works. While this provides the key to entering into Piranesi's work, it reveals only its inner horizon, merely describing in different terms what is already there.
The insights provided by this exercise, however, demonstrate that the making of architecture as promoted by the Campo Marzio is not unlicensed Romantic freedom, but a fundamental, culturally-bound human activity. The paper concludes, moreover, that the making of the Campo Marzio interpretively re-enacts the original imaginative founding of the Eternal City and, as such, constitutes an attempt to re-found Heroic Rome.
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38

Moran, A. D. "Vico, pragmatism and education : some Vichian perspectives on American thought." Thesis, Swansea University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.638229.

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This work examines Vico's thought in terms of its possible implications for modern theory and practice of education. A mechanism whereby Vico's work may have influenced later educational theorists, notably Pestalozzi, is examined. This involves consideration of the role of the Swiss Enlightenment thinker F.B. de Felice in carrying ideas like Vico's into that country. Direct transmission of Vichian ideas into the USA in the early nineteenth century by Europeans (e.g. by Niebuhr's protégé Frans Lieber) is examined as is the less direct influence of European ideas on Ralph Waldo Emerson whose views in many ways may be shown to be 'proto-pragmatic'. The pragmatists are next investigated. Similarities and differences between Peirce's and Vico's vies, especially in relation to their notions of 'science' are described and evaluated. William James's work is described and his psychology and its possible effect on our understanding of 'the learner' is compared with Vico's. John Dewey's work in theory and practice of education is related to and compared with Vico's. The investigation shows that the pragmatists had in their work much in common with Vico. They were constructivist and anti-Cartesian, believing men were self-making rather than being made by reference to things outside them. Their epistemology and psychology and the theories of society which follow from these is examined. In particular, their notion of the 'common sense' is shown to have important consequences for education theory. The differences between their views are synthesised. It is concluded that this synthesis, consideration of the historic transmission of such views, and the fusion of Vico's with the pragmatist's ideas will provide a valuable insight into the way in which we may use Vico's work in modern educational practice most notably in curriculum theory and pedagogy.
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39

Martins, Paulo Sérgio. "A imaginação e a elaboração de modelos científicos em Vico /." Marília, 2017. http://hdl.handle.net/11449/150522.

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Orientador: Kleber Cecon
Co-orientador: Marcos Antonio Alves
Banca: Max Rogério Vicentini
Banca: Lúcio Lourenço Prado
Resumo: No século XVIII, o filósofo napolitano Giambattista Vico faz uma crítica ao racionalismo cartesiano, refutando a tese de que as ciências naturais pudessem alcançar a verdade. Seu pensamento reivindica, para a imaginação, a linguagem e a história - dimensões negligenciadas pela corrente racionalista - um status prioritário para a obtenção de conhecimento verossímil. A atenção exacerbada para atividades puramente racionais, como a matemática e a lógica, para a obtenção de conhecimento, segundo Vico, conduziria o homem a uma espécie de "barbárie", levando-o à desumanização. De acordo com Vico, fazer é conhecer e vice-versa. Somente se pode conhecer aquilo que se faz. Ao homem, não é possível o conhecimento da natureza em sua essência, pelo fato de não ser o seu criador. No entanto, o homem cria a história e, por isso, pode conhecê-la. Os vestígios históricos trazidos pela filologia, somados à reflexão filosófica, poderão conduzir o homem ao conhecimento. Com a sua máxima verum et factum convertuntur ("conheço porque faço, faço porque conheço"), Vico coloca o homem como um produtor de modelos representativos do mundo, o qual lança mão da imaginação e do engenho (criação), para conceber a realidade. Partindo dessa máxima viquiana, visamos, neste trabalho, analisar a relevância das faculdades da imaginação e do engenho nos processos de elaboração de modelos científicos. No primeiro capítulo, buscamos compreender os principais conceitos do pensamento viquiano; em seguida, no segundo... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: In the 17th century, Neapolitan philosopher Giambattista Vico criticizes Cartesianism, refuting the thesis that the Natural Sciences could reach the truth. His thought reclaims, to imagination, language and history - dimensions neglected by rationalist thinking - a priority status for the acquisition of credible knowledge. The exacerbated attention to purely rational activities such as mathematics and logic for knowledge acquisition, according to Vico, would lead mankind to a sort of "barbarism" taking it to dehumanization. For Vico, to do is to know and vice-versa. We can only know what we do. To men, it is not possible to know nature in its essence, for they are not its creator. However, man creates history and, therefore, may know it. The historical traces brought by philology, added to the philosophical reflection, may lead man to knowledge. With his maxim verum et factum convertuntur, (I know because I do, I do because I know), Vico places man as a producer of depictive models of the world, who makes use of imagination and ingeniousness (creation) to conceive the reality. From this Vichian maxim, we aim, in this study, to analyze the relevance of imagination and ingeniousness faculties in the processes of scientific models development. In the first chapter, we try to understand the main concepts of the Vichian thinking; after that, in the second chapter, we define the concepts aggregated with the imaginative faculty, like the memory, the ingeniousness and the fantasy. Vico suggests expand the validation of knowledge beyond the scrutiny of logic reasoning. Thus, in the third chapter, we investigate the exercise of imagination as a preponderant factor for the hypotheses elaboration and for the generation of new models in science.
Mestre
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40

Rinaldetti, Thierry. "Mobilité et modalités migratoires au sein des économies atlantiques : l'exemple des habitants de l'Apennin eubinogualdais en Ombrie (1900-1914)." Paris 8, 2010. http://www.theses.fr/2010PA083271.

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Au tournant du 20e siècle, les migrations de travail des habitants de l’Apennin eugubinogualdais, une région de moyenne montagne située en Ombrie, les conduisirent vers plusieurs bassins miniers situés des deux côtés de l’Atlantique, en Lorraine, au Luxembourg, en Pennsylvanie, au Kansas et dans la région des Grands Lacs. En raison même de leur caractère répétitif et multidirectionnel, l’étude des migrations de travail se prête mal aux approches statistiques globales. Non seulement la confusion, inévitable, entre migrant et déplacement peut-elle être lourde de conséquences lorsqu’il s’agit d’estimer le volume et la composition démographique des flux, mais les modalités et les stratégies migratoires d’individus se déplaçant en tous sens au sein des économies atlantiques ne peuvent être appréhendées qu’en reconstituant les trajectoires individuelles et familiales. Dans le cas de Fossato di Vico, une petite commune au coeur de l’Apennin eugubinogualdais, l’exploitation de sources nominatives italiennes, américaines et luxembourgeoises a permis de constituer deux bases de données concernant les migrants et leurs familles, et d’éclairer ainsi de nombreux aspects des migrations de travail internationales du tournant du 20e siècle : incidence du caractère répétitif et multidirectionnel sur les estimations statistiques du volume et de la composition des flux ; formes de la mobilité individuelle ; espace migratoire et stratégies familiales ; place des femmes dans les migrations de travail ; place des États-Unis dans les économies atlantiques
From 1900 to 1914, the inhabitants of the Eugubinogualdese, a low mountain area in the Umbrian Apennines, migrated massively to several mining fields located on both sides of the Atlantic, in Luxembourg and the Lorraine region, in Pennsylvania, in Kansas, and around the Great Lakes. Owing to the migrants’ repeated moves and numerous destinations, aggregate data are of little use to study the labor migrations of Europeans in the Atlantic economies in the late 19th and early 20th centuries. Not only does a confusion between moves and migrants produce unreliable estimates of the volume and the composition of the migration flows, but the only way to understand how and why migrants moved as they did in several directions within the Atlantic economies is by retracing their individual and family migration histories. In the case of Fossato di Vico, a small town at the very heart of the Eugubinogualdese, personal data have been collected in Italy, in the United States and in Luxembourg to compile two distinct data bases on the migrants and their families. As a result, some new light has been cast on the labor migrations in the Atlantic economies : aspects of the individuals’ mobility have been documented, the impact of the migrants’ repeated and multidirectional moves on aggregate-data-based estimates has been ‘measured’, the migrants’ social space and strategies have been scrutinized and, last but not least, the place of women in the labor migrations as well as that of the United States in the Atlantic economies have been reassessed
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41

Pihlvang, Alexander, and Pierre Svorono. "Automatiserad process för mängdavtagning och kalkylering : En jämförelse mellan traditionell mängdavtagning och kalkylering mot BIM för BTH Bygg AB." Thesis, KTH, Byggteknik och design, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-260051.

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Att byta ut en redan fungerande men gammal process kan vara tidskrävande och kostsamt. Detta har påvisats speciellt i byggbranschen där digitaliseringen sakta går framåt. Denna studie kommer att undersöka vilka aspekter i den traditionella mängdavtagnings- och kalkylprocessen på BTH Bygg AB som kommer att påverkas vid byte till en process byggd på modellering och BIM. Syftet med studien är att jämföra den traditionella mängdavtagningen och kalkyleringen med hjälp av Bluebeam och MAP mot en process som genomförs med modellering i programvaran ArchiCAD och en koppling till Vico Office för mängdavtagning och kalkylering. Skillnaden från den traditionella processen kommer vara att övergå från 2D-underlag med manuell mängdavtagning till att använda sig av 3D-modeller, BIM-modeller, och utföra automatiska beräkningar via Vico Office. Studien är en kvalitativ undersökning med inslag av en kvantitativ enkätundersökning. Där fokuseringen var på att få fram den mest arbetseffektiva och minst kostsamma lösningen för BTH Bygg. Jämförelser har gjorts på två olika byggprojekt med liknande storlek och förutsättningar, och avgränsats till att beräkna golv, innerväggar och undertak. Underlaget för studien har varit personliga intervjuer med personer från kalkylavdelningen på BTH Bygg för att samla in kunskap om deras process för mängdavtagning och kalkylering. Även intervjuer med anställda på företagen för programvarorna Bluebeam, ArchiCAD och Vico Office har utförts för att få en objektiv bild av samtliga programvaror. Att implementera informationsrika BIM-modeller i mängdavtagningen och kalkylering har visat sig vara lönsamt när det kommer till kvalitet genom minskat manuellt arbete vid koppling mellan programvarorna. Dessutom finns det stora möjligheter till tidsbesparing i övriga skeden genom att arbeta i en integrerad process där samtliga delar av byggprocessen är kopplade till varandra.
Replacing an already functioning but old process can be time consuming and unprofitable. This has been demonstrated especially in the construction industry, where digitization is progressing slowly. This study examines what aspects of the traditional process of quantity takeoff as well as calculation process at the company BTH Bygg AB will be affected when changing to a process based on modeling and BIM, Building Information Modeling. The purpose of the study is to compare the traditional quantity takeoff and calculation with the aid of Bluebeam and MAP against a process that is carried out with modeling in the software ArchiCAD with a connection to Vico Office for quantity takeoff and calculation. The difference from the traditional process will be to move from 2D manual quantity takeoff to using 3D models, BIM models, and performing automatic calculations via Vico Office. The study is a qualitative study with elements of a quantitative survey where the focus on getting the most work-efficient and profitable solution for BTH Bygg. Comparisons between two different construction projects has been made. The projects comprises similar size and conditions as well as limited to calculations of floors, interior walls and ceilings. The basis for the study has been personal interviews with people from the calculation section at BTH Bygg to gather knowledge about their process for quantity takeoff and calculation. Interviews with employees of the companies for the software Bluebeam, ArchiCAD and Vico Office have also been carried out to obtain an objective picture of all the software. The conclusion is that implementing information-rich BIM models in the quantity takeoff and calculation has proved to be profitable when it comes to quality through reduced manual work when connecting between software. In addition, there are great opportunities for saving time in other stages by working in an integrated process where all parts of the con- struction process are linked to each other.
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42

Yusuf, Adan, and Ahmad Miakhil. "Jämförelse av olika mängdavtagningsmetoder." Thesis, Örebro universitet, Institutionen för naturvetenskap och teknik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-77014.

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BIM står för Building Information Modeling. Det innebär att man har en gemensambyggmodell som innehåller information relevant för alla aktörer. Skillnaden mellan en 3Doch BIM modell är förutom visualiseringen att man har tillgång till fler dimensioner s om tidoch kostnad. Detta leder till en större tydlighet för alla aktörer under en byggnads livscykel.IFC format är ett neutralt filformat som underlättar informationsbyte mellan olika BIMverktyg. IFC format har utvecklats av byggbranschen och ägs inte a v någon leverantör. VDC, som står för Virtual Design Construction, är NCC:s sätt att arbeta med projekt knutnatill BIM. VDC ger möjligheten att ge användaren uppdaterad information för att förståkundens önskemål och hur man ska förverkliga det. Ett led i detta arbete är att undersöka nyamängdavtagningsmetoder och jämföra dem. Syftet med examenarbetet var att jämföra 4 olika mängdavtagningsmetoder utifrån tid ochkvalitet. De 4 olika metoderna var Vico Office, Solibri, Bluebeam och den traditionellamän gdavtagningen för hand. Mängdavtagningen avgränsades endast till att mängda ickebärande innerväggar i projektet. Vico Office, Solibri, Bluebeam och mängdning för hand är de 4 metoderna som granskats.Underlag för mängdavtagningen har varit en IFC fil er o ch 2D ritningar. Från IFC filernagjordes mängdavtagning i Vico Office och Solibri. 2D ritningarna användes till att ta frammängder från Bluebeam och för hand. Mängdavtagningen resulterar i en jämförelse avmängderna man har fått. Sammanställning har geno mförts i Excel. Mängdavtagningen har utförts på Kvarteret Pedagogen som är en nyproduktion avflerbostadshus i Karslundsskogen. Det består av 3 huskroppar med 55 lägenheter på 5våningar. Byggstart var 2015 och byggnaderna står färdiga i dagsläget Resultatet visade på markanta skillnader mellan de 4 metoderna. Resultaten visade att SolibriModel Checker är den programvara som var bäst lämpad för mängdavtagning om man toghänsyn till tid och mängd. Den var också den mest användarvänliga av de 4 metoderna.
BIM stands for Building Information Modeling. This means that you have a common buildingmodel that contains information relevant to all members of the building process . Thedifference between a 3D and BIM model is in addition to visualization that you have access tomore dimensions such as time and cost. This leads to greater clarity for all members during abuilding's life cycle. IFC for mat is a neutral file format that facilitates information exchangebetween different BIM tools. IFC format has been developed by the construction industry andis not owned by any supplier. VDC, which stands for Virtual Design Construction, is NCC's way ofworking on projectslinked to BIM. VDC provides the opportunity to provide the user with updated information tounderstand the customer's wishes and how to impleme nt it. A part of this work includesinvestigating new methods of quantity takeoff and comparing them. The purpose of the thesis work was to compare 4 different methods ofquantity takeoff basedon time and quality. The 4 different methods were Vico Office, Solibri, Bluebeam and thetraditional quantity takeoff by hand (manual) manual). The quantity take off was limited only to theamount of non bearing inner walls in the project. Vico Office, Solibri, Bluebeam andquantity takeoff by hand are the 4 methods reviewed. Thebasis for the quantity take off has been an IFC file and 2D drawings. From the IFC file, takeoffwas made in Vico Office and Solibri. The 2D drawings were used to obtain quantities fromBluebeam and by hand. The quantity take off results in a comparison of the quantities that wasreceived . Summary of quantities has been carried out in Excel. Thequantities has been collected from Kvarteret Pedagogen which is a new construction ofmulti family houses in Karslundsskogen . It consists of 3 houses with 55 apartments on 5floors. Building start was 2015 an d today the project is complete. The result showed significant differences between the four meth ods. The results showed thatSolibri Model Checker is the software that is best suited for quantity takeoff when consideringtime and quantity. It was also the most user friendly of the 4 methods.
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43

Guido, Humberto Aparecido de Oliveira. "A infancia e as ciencias humanas na filosofia social de Giambattista Vico." [s.n.], 1999. http://repositorio.unicamp.br/jspui/handle/REPOSIP/253455.

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Orientador: Hermas Gonçalves Arana
Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação
Made available in DSpace on 2018-07-25T01:19:45Z (GMT). No. of bitstreams: 1 Guido_HumbertoAparecidodeOliveira_D.pdf: 1981272 bytes, checksum: e97475de585ad3e764bfc27e4b6a5cc1 (MD5) Previous issue date: 1999
Doutorado
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44

Pierotti, Karen. "Digital storytelling : an application of Vichian theory /." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1262.pdf.

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45

VIVONA, RAFFAELLA. "Criteri e metodi per la valutazione quali-quantitativa delle acque sotterranee destinate al consumo umano: esempi nel Lazio nord-occidentale." Doctoral thesis, La Sapienza, 2005. http://hdl.handle.net/11573/917384.

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46

Santos, Vladimir Chaves dos. "O conceito de engenho e de invenção na Scienza Nuova de Giambattista Vico." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280914.

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Orientador: Roberto Romano da Silva
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-08-12T17:34:31Z (GMT). No. of bitstreams: 1 Santos_VladimirChavesdos_D.pdf: 12643860 bytes, checksum: 7a30a4264d109e7a94a4670dd143f977 (MD5) Previous issue date: 2009
Resumo: A Scienza Nuova de Vico responde em grande medida as principais carências da ciência moderna apontadas por ele em seus primeiros textos de perfil anticartesiano. Nela encontra-se uma tópica dos fatos humanos; um exame histórico do senso comum; uma ciência ativa; e um estilo que confere eloqüência à ciência. Para Vico, a faculdade criativa por excelência é o engenho. Esse em todos seus aspectos é a faculdade operante na Scienza Nuova
Abstract: The Vico's New Science is a responde to his evaluation witc regard to the modern science, above all the Cartesian philosophy. It contains topics of human facts, a historical inquiry of common sensc, an active science and an eloquent scientific language. According to Vico, the wit is the human faculty to invent. The New Science intends to be a wity work
Doutorado
Filosofia
Doutor em Filosofia
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47

Sama, Lindor Sterline. "Le sublime chez Giambattista Vico, de l’esthétique à la politique : sublime, rhétorique et politique dans la philosophie vichienne." Electronic Thesis or Diss., Paris 8, 2020. http://www.theses.fr/2020PA080046.

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L’objectif principal de ce travail est d’analyser les variations du sens du sublime chez Vico et de déterminer comment le sublime comme moment déclencheur de l’andar raccogliendo, l’aller en rassemblant, participe à la fondation de la communauté politique. C’est à partir de l’expérience de la foudre, moment sublime par excellence que commence le long processus de développement de l’esprit des « bestioni » qui erraient dans les grandes forêts postdiluviennes. Par une imagination vigoureuse, ces derniers créent les « universaux fantastiques » ou « caractères poétiques », qui seront leur premier mode d’appréhension du monde. Ainsi, quittent-ils leur état de brute pour atteindre progressivement l’humanité. C’est sur ce concept d'« universaux fantastiques » que Vico fonde sa nouvelle science. De cette façon, il réhabilite l’imagination, la fantasia, et lui confère un rôle important dans la recherche de la vérité, proposant ainsi une réflexion qui tient compte de toutes les propriétés de l’esprit humain. En fervent défenseur de cette discipline placée en dehors du champ de la connaissance par certains philosophes dont Descartes notamment, Vico étudie les transformations de l'esprit humain à travers différents moments de son évolution. Aussi, invente-t-il une esthétique entièrement fondée sur le sublime. Sa démarche rappelle celle de Kant, qui, dans sa première Critique, définit les règles de base de la connaissance en partant du sensible. Par conséquent, pour comprendre la méthode utilisée par le philosophe napolitain sur l’évolution de l’esprit, il nous a semblé nécessaire de partir de l’esthétique kantienne. Toutefois, la possibilité de réfléchir sur le sublime chez le philosophe napolitain n’étant pas limitée au sensible, il convient d’en déterminer le sens lors du passage de l’âge poétique à l’âge de la « raison entièrement développée ». Considéré comme moment où tous les repères symboliques sont suspendus, le sublime a la particularité de modifier l’ordre des choses en vue de faire émerger de nouvelles institutions symboliques. C’est ce que nous observons dans la Science nouvelle au moment du soulèvement de la plèbe contre le patriarcat. C’est ce moment sublime qui favorisera l’émergence de la démocratie dans les cités, que Marc Richir appelle « sublime en politique ». Il existe donc un lien entre ce dernier et Giambattista Vico quant à la manière dont ils ont tous les deux réfléchi sur la problématique de la fondation sociopolitique
The main objective of this work is to analyze the variations of the meaning of the sublime by Vico and determine how the sublime, as the trigger moment of « andar raccogliendo », participates in the foundation of political community. It’s from the lightning-experience, of the sublime moment that begins the long process of development of the « bestioni » mind who wandered in the great post diluvian forests. By a vigorous imagination, they created the « universals fantastics » or « poetic characters, » which will be their first mode of apprehension of the world. So they are ready to leave their raw state to gradually reach humanity? Thus, at this the concept of «fantastics universals » that Vico founded his new science. In this way, he rehabilitates the imagination, fantasia, and gives it an important role of searching the truth, by proposing a reflection that takes into account all the properties of the human mindset. As a fervent defender of this discipline placed outside the field of knowledge by certain philosophers including Descartes, Vico studied the transformation of the human spirit through different moments of its evolution. So he invented entirely based on « aesthetic sublime ». His approach reminds us Kant, who, in his first criticism, defines basic rules of knowledge starting from the sensitive. The possibility of thinking on sublime as the Neapolitan philosopher not being limited to the poetic age, it should be determined during the passage from the poetic age to the age of « fully developed reason ». Considered as the moment where all symbolic references are suspended, the sublime has the particularity of modifying the order of things to bring out new symbolics institutions. This is what we observe in the new science, during the raising of the plebians against the patriarchy. It is this sublime moment that will favor the emergence of democracy in the cities, which Marc Richir called « sublime in politic». There is a connection between them, as they both reflected the problem of the socio-political foundation
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48

Navet, Georges. "De l'usage de vico en france : le probleme de la legitimite du droit civil." Reims, 1987. http://www.theses.fr/1987REIMD002.

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Le probleme qui se pose aux liberaux au debut de la restauration est de donner a la fois un fondement et une interpretation au code civil. Le fondement est trouve par cousin dans une loi divine d'inspiration kantienne, qui resonne au coeur des individus et limite a priori leur liberte par le respect de celle d'autrui. La societe ainsi definie est d'ordre ideal; un fondement est bien donne au code en tant que recueil de lois, mais ce fondement philosophique ne permet pas a lui seul de fonder une jurisprudence, qui doit par essence s'appuyer sur une realite. Cette realite, ou cet ancrage social, ne peut etre trouvee ni dans la tradition, qui ramenerait a l'ancien regime, ni dans les pratiques populaires. Le modele de la jurisprudence va etre cherche chez les jurisconsultes romains, et le code repense comme une reactivation moderne des lois de rome. Ainsi, au moment meme ou le reel semble diverger d'avec l'ideal, jourdan affirme-t-il leur convergence, au prix d'eriger rome en substitut de la realite francaise. C'est ici que vico est convoque, comme garant de la convergence du reel et de l'ideal, de l'histoire et de la philosophie, du fait et du droit. L'appel a vico ne tient que si n'est pas interroge le principe meme qui permet au napolitain d'affirmer la presence de l'ideal dans le reel. Ce "principe heroique", qui dit que les hommes font le monde civil, produit necessairement un moment democratique, ou tous concourent egalement a la confection des lois. En interrogeant ce moment, ballanche d'une part, michelet de l'autre, sont amenes a mettre en cause le principe de representation sur lequel repose en definitive la conception liberale, a redefinir les rapports du civil et du politique, et a accorder a la plebe pour l'un, au peuple pour l'autre, un role moteur dans l'histoire
French liberals at the beginning of the restoration were faced with the doubly complex task of establishing both a foundation and an interpretation for the civil code. Cousin derives the basis from a divine law of kantian inspiration which, resounding within the heart of every man, implies that an individual's freedom is limited by his respect for that of his fellow man. A society defined in this manner is of an ideal nature. Indeed, a basis is established for the code as a set of laws, but this philosophical foundation alone does not constitute grounds for jurisprudence, which must essentially rely upon reality. The roots for this reality, or social setting, cannot be taken from tradition, for this would signify a return to the former system. Nor can they be derived from folks ways and practices. Instead the model for jurisprudence is taken from the roman jurisconsults, and the code is now seen as a modern resuscitation of roman law. Hence, at the very moment when reality would appear to diverge from the ideal, jourdan asserts that the two actually converge, at the expence of substituting ancient rome for the reality of france. It is at this point that vico is invoked in order to ensure the convergence between reality and the ideal, between history and philosophy, between the facts and the law. This appeal to the theories of vico can be considered valid only if the principle itself by which the neopolitan affirms the presence of the ideal in reality remains unquestioned. This "heroic principle", which stipulates that man creates the civil world, gives way to a necessarily democratic entity at some point in time where each individual takes part in the drawing-up of laws. After close examination of this moment, both ballanche and michelet are compelled to question the principle of representation upon which the liberal concept is based, to redefine the relationship between the civil sphere and the political sphere and, finally, to attribute to the plebians in the one case, and to the people in the other, a role as a driving force in history
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49

Wilson, Gerald I. "The role of providence in the "New Science" of Giambattista Vico." Thesis, University of Ottawa (Canada), 1994. http://hdl.handle.net/10393/10441.

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The question of how to interpret the role of providence in the New Science of Giambattista Vico (1668-1744) is one of the most vexing problems of interpretation surrounding Vico's magnum opus. In this essay I come at the problem by attempting to understand Vico's theory of knowledge and how it comes to bear upon his interpretation of history. In chapter one I offer a phenomenology of the historical world according to Vico. I consider the problem of historical knowledge as such and attempt to show that Vico makes an original contribution by his insistence that we need to critically appropriate the historical texts from the past. In chapter two I explore some of the main features of Vico's epistemology. I then attempt to get more deeply into Vico's view of history by looking at him through important interpretations. In chapter three I discuss the interpretation of Leon Pompa. In chapter four I discuss the interpretation of Vichian epistemology found in the work of Donald P. Verene. In a fifth and final chapter I attempt to then make some determination of how providence functions in the NS. I seek to interpret Vico's providence doctrine as requiring a transcendental referent or God, based on the verum-factum principle as the central epistemic model. (Abstract shortened by UMI.)
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50

Gilbert, Bennett. "Some Neglected Aspects of the Rococo: Berkeley, Vico, and Rococo Style." PDXScholar, 2014. https://pdxscholar.library.pdx.edu/open_access_etds/1872.

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The Rococo period in the arts, flourishing mainly from about 1710 to about 1750, was stylistically unified, but nevertheless its tremendous productivity and appeal throughout Occidental culture has proven difficult to explain. Having no contemporary theoretical literature, the Rococo is commonly taken to have been a final and degenerate form of the Baroque era or an extravagance arising from the supposed careless frivolity of the elites, including the intellectuals of the Enlightenment. Neither approach adequately accounts for Rococo style. Naming the Rococo raises profound issues for understanding the relations between conception and production in historical terms. Against the many difficulties that the term has involved in accounting for an immense but elusive cultural movement, this thesis argues that some of the chief philosophical conceptions of the period clarify the particular character and significance of Rococo production. Rococo production is here studied chiefly in decor, architecture, and the plastic arts. This thesis also makes an extended general argument for the value of intellectual history. Rococo style is a group of visual effects of which the central character is atectonicity. This is established by a synthesizing overview of Rococo ornamental motifs. Principal theorists of post-Cartesian thought have failed to see how these distinguish Rococo style from both Baroque and Enlightenment culture. The analysis addresses the historical narratives of Benjamin, Adorno, Foucault, Deleuze, and others about Baroque and Enlightenment culture. The core historical claim of this thesis is that Rococo atectonic effects are visual forms of the anti-materialist, idealist ontology of George Berkeley and of the metaphysics and ontology in the early work of Giambattista Vico. Close readings of important passages from works of both philosophers published in 1710 develop the relationship between atectonics and idealist ontology. Both men rejected the Baroque hierarchical cosmology in favor of finitude as the key to human understanding. The readings center on the issue of causality, including Berkeley's views of the perfect contingency of the world and on Vico's theories of truth and ingenium. A reading of Diderot's critique of the Rococo, which led the reaction to it, shows that he recognized the power of idealist ontology in the Rococo cultural production. The larger force in the rejection of Rococo is the emergence of the sublime as a morally fearful feature of physical nature. Montesquieu's aesthetic work also shows the transition to a more rigidly determined view of existence, which was expressed but constrained in the little-recognized lattice motif in Rococo arts. The result of these readings is the influence during and after the Rococo period of the concept of continuous creation, in which the memory and imagination of the human subject relays God-given powers of creation into the production of culture. Continuous creation also suggested a human capability to animate material nature. Rococo style displays this as a pre-cinematic effects that represent the non-material, non-causal deep structure of reality.
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