Academic literature on the topic 'Vico, Giambattista (1668-1744) – Rhétorique'
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Journal articles on the topic "Vico, Giambattista (1668-1744) – Rhétorique":
Schuhmacher, Frank. "KulturKlassiker: Giambattista Vico (1668–1744), Die Neue Wissenschaft (1744)." KulturPoetik 23, no. 2 (October 17, 2023): 264–72. http://dx.doi.org/10.13109/kult.2023.23.2.264.
Pompa, Leon. "The Religious Dimension in the Thought of Giambattista Vico, 1668-1744." International Studies in Philosophy 30, no. 4 (1998): 135–37. http://dx.doi.org/10.5840/intstudphil199830434.
Goetsch,, James Robert. "The Religious Dimension in the Thought of Giambattista Vico, 1668–1744." New Vico Studies 10 (1992): 93–96. http://dx.doi.org/10.5840/newvico1992108.
Schaeffer, John D. "The Religious Dimension in the Thought of Giambattista Vico 1668–1744." New Vico Studies 13 (1995): 63–67. http://dx.doi.org/10.5840/newvico1995134.
Durán Guerra, Luis. "Don Quijote como universal fantástico." Anales Cervantinos 50 (December 10, 2018): 75. http://dx.doi.org/10.3989/anacervantinos.2018.003.
Leite Neto, Eduardo. "O USO DOS STUDIA HUMANITATIS NO PENSAMENTO DE GIAMBATTISTA VICO." Kínesis - Revista de Estudos dos Pós-Graduandos em Filosofia 15, no. 38 (July 28, 2023): 161–73. http://dx.doi.org/10.36311/1984-8900.2023.v15n38.p161-173.
Roer, Hanne. "Den fantastiske retorik. Jesuitten Nogheras forsvar for retorikken med et perspektiv til Vico." Rhetorica Scandinavica 23, no. 79 (September 23, 2022): 94–111. http://dx.doi.org/10.52610/rhs.v23i79.37.
Roer, Hanne. "Den fantastiske retorik. Jesuitten Nogheras forsvar for retorikken med et perspektiv til Vico." Rhetorica Scandinavica 23, no. 79 (December 10, 2019): 94–111. http://dx.doi.org/10.52610/mkgv2134.
Fuentes, Lorena, and Jaime Massardo. "INMANENCIA Y TRASCENDENCIA DE LA PRAXIS. OBSERVACIONES SOBRE LA CONCEPCIÓN DE LA HISTORIA EN VICO Y MARX." Andamios, Revista de Investigación Social 4, no. 8 (August 22, 2008): 33. http://dx.doi.org/10.29092/uacm.v4i8.299.
Burrell, David B. "The Religious Dimension of the Thought of Giambattista Vico, 1668-1744, pt. 1, The Early Metaphysics. John Milbank." Journal of Religion 74, no. 1 (January 1994): 106–7. http://dx.doi.org/10.1086/489307.
Dissertations / Theses on the topic "Vico, Giambattista (1668-1744) – Rhétorique":
Luglio, Davide. "Connaissance, rhétorique et science dans l'œuvre de Giambattista Vico." Paris 4, 2000. http://www.theses.fr/2000PA040202.
Sama, Lindor Sterline. "Le sublime chez Giambattista Vico, de l’esthétique à la politique : sublime, rhétorique et politique dans la philosophie vichienne." Electronic Thesis or Diss., Paris 8, 2020. http://www.theses.fr/2020PA080046.
The main objective of this work is to analyze the variations of the meaning of the sublime by Vico and determine how the sublime, as the trigger moment of « andar raccogliendo », participates in the foundation of political community. It’s from the lightning-experience, of the sublime moment that begins the long process of development of the « bestioni » mind who wandered in the great post diluvian forests. By a vigorous imagination, they created the « universals fantastics » or « poetic characters, » which will be their first mode of apprehension of the world. So they are ready to leave their raw state to gradually reach humanity? Thus, at this the concept of «fantastics universals » that Vico founded his new science. In this way, he rehabilitates the imagination, fantasia, and gives it an important role of searching the truth, by proposing a reflection that takes into account all the properties of the human mindset. As a fervent defender of this discipline placed outside the field of knowledge by certain philosophers including Descartes, Vico studied the transformation of the human spirit through different moments of its evolution. So he invented entirely based on « aesthetic sublime ». His approach reminds us Kant, who, in his first criticism, defines basic rules of knowledge starting from the sensitive. The possibility of thinking on sublime as the Neapolitan philosopher not being limited to the poetic age, it should be determined during the passage from the poetic age to the age of « fully developed reason ». Considered as the moment where all symbolic references are suspended, the sublime has the particularity of modifying the order of things to bring out new symbolics institutions. This is what we observe in the new science, during the raising of the plebians against the patriarchy. It is this sublime moment that will favor the emergence of democracy in the cities, which Marc Richir called « sublime in politic». There is a connection between them, as they both reflected the problem of the socio-political foundation
Gue, Loudmie. "La théorie de la connaissance chez Descartes et Vico : imagination et raison." Thesis, Paris 8, 2017. http://www.theses.fr/2017PA080057/document.
In the 17th century, the Quarrel of the Ancients and the Moderns gives the opportunity to wonder about the way in which men build knowledge. Two faculties come into play: imagination and reason. Descartes, it seems, has made reason the only faculty enabling men to know. In addition, Vico highlights the imagination that actively participates in cognition in humans. Thus, the philosophical tradition tends to make the one the opposite of the other. But can we take such opposition for granted?By indulging in an analysis of the Cartesian corpus, what is it possible to bring out about the imagination? What about Vico, who in his Scienza Nuova takes into account, in an original way, those two faculties that play a great role in the question of cognition.On the one hand, critics make Vico the fierce opponent of Descartes. On the other hand, a re-reading of the Cartesian position of the imagination leads us to a reconsideration of the opposition Descartes / Vico. Vico's position allows us to consider the imagination and the reason in a relation of hierarchization and complementarity. Thus, imagination is chronologically the first faculty which appears in men. The reason follows. But does this mean that the one over the other or that one is of greater importance than the other? So where does Vico get his ideas? How does he organize these for a new perspective in the construction of knowledge? These questions invite us to consider the Descartes / Vico report as complex and ambiguous.Our work consists in fixing the status of the imagination and its relationship with reason in the two philosophers and bringing a scientific character to the first. This leads us to study the status of the two faculties, the deep relationship that exists between them when apprehending the real
Zagarella, Roberta. "Il fattore personale dell'argomentazione: una prospettiva retorico-antropologica." Doctoral thesis, Universite Libre de Bruxelles, 2014. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209332.
En général, la thèse analyse le rôle de celui qui parle et de celui qui écoute dans l’argumentation et dans tous les discours. Je vais soutenir est que la dimension personnelle n’est pas un élément qu’il faut supprimer mais, au contraire, un élément essentiel du discours argumentatif.
Une approche rhétorique au problème du sujet se base sur une intuition fondamentale de la rhétorique d’Aristote .Comme nous le savons, dans le premier livre de la Rhétorique, Aristote affirme que le discours (logos) est composé (synkeimai) de trois éléments :l’orateur, le sujet traité et l’auditoire .Au même temps la rhétorique est composée des trois éléments :Logos, Pathos et Ethos. La pratique linguistique inclut la dimension émotive, l’orateur et l’auditoire, qui sont des éléments discursifs. De même, l’ethos et le pathos ne sont pas des moyens de preuves irrationnelles ou des fallacies. On verra que cette idée implique un système philosophique et épistémologique assez différent du système normativiste des théories contemporaines :cela implique de revenir sur le concept de rationalité et sur le rapport entre la rationalité, la praxis et son incertitude essentielle.
Pour question de temps, la thèse ne parle pas de pathos. Elle s’occupe de l’ethos soit du point de vue de celui qui parle (Partie I) soit du point de vue de l’auditoire (Partie II).
Dans la première partie, on analyse la question de la rationalité rhétorique et des paralogismes et les définitions historiques de la dimension personnelle de l’argumentation (ethos, personne, ad hominem).
Dans la deuxième, on analyse le rapport entre la dimension personnelle, le sens commun, la vérité, la certitude et la fides.
En conclusion, on soutiendra que l’ethos est soit une pistis technique de la rhétorique, soit une des conditions préalables du discours même.
Doctorat en Langues et lettres
info:eu-repo/semantics/nonPublished
Remaud, Olivier. "Giambattista Vico : La sagesse et l'histoire." Tours, 2001. http://www.theses.fr/2001TOUR2023.
Gonçalves, Celso Eduardo Mendes. "A via Vico: ética e mitologia na filosofia de Giambattista Vico." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/20764.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
After situating Vico in the Naples of his time and in relation to the questions of modern rationality, as well as carrying out an exercise of philosophical reflection seeking the understanding of the worldview of Vico, this piece of work aims at making explicit the ethic that underlies his work as an ethic of teleological character which privileges the practical life, evidencing a concern for what man can and should do of himself, notwithstanding the guardianship of a divine providence in a cyclical history. However, within the advent of the "age of men," it is verified a process of unfoldment of the human nature in which the development of the individual starts to dictate the development of the community; at the same time, the predominance of abstract rationality dissociated from other human faculties – such as imagination – leads to a preponderant literality in the interpretation of mythology, which pervades the doctrines of religions, moving man away from piety, with the consequent loss of both social cohesion and the human sense of the world. Hence, man decays in the age of the gods, submitting himself to heteronomy in the face of the eternal ideal history. It is identified with the present thesis, therefore, the "master key" indicated by the Napolitan himself with the imagination that underlies poetic wisdom, the application of this interpretative key of the method of his work – the new critical art – is extended to the solution of the pretended paradox between the autonomy and the aimed happiness by a teleological ethic and the cyclical repetition of the eternal ideal history
Após situar Vico na Nápoles de seu tempo e em relação às questões da racionalidade moderna, e realizar um exercício de reflexão filosófica para a compreensão da cosmovisão viquiana, objetiva-se explicitar a ética que subjaz em sua obra como uma ética de caráter teleológico e que privilegia a vida prática, evidenciando uma preocupação para com o que o homem pode e deve fazer de si mesmo, nada obstante a tutela de uma providência divina numa história cíclica. Entretanto, no advento da “idade dos homens”, verifica-se um processo de desdobramento da natureza humana em que o desenvolvimento do indivíduo passa a ditar o desenvolvimento da comunidade; ao mesmo tempo, a predominância da racionalidade abstrata dissociada de outras faculdades humanas, como a imaginação, conduz a uma literalidade preponderante na interpretação da mitologia, que pervade as doutrinas das religiões, afastando o homem da piedade, com a consequente perda da coesão social e perda do sentido humano do mundo. Daí, o homem decai na idade dos deuses, submetendo-se à heteronomia face a história ideal eterna. Identifica-se com a presente tese, então, a “chave mestra” indicada pelo próprio Napolitano com a imaginação que fundamenta a sabedoria poética, estende-se a aplicação dessa chave interpretativa do método de sua obra – a nova arte crítica – para a solução do pretenso paradoxo entre a autonomia e a felicidade objetivada por uma ética teleológica e a repetição cíclica da história ideal eterna
Girard, Pierre. "Communauté et politique dans la philosophie de Giambattista Vico." Paris 4, 2002. http://www.theses.fr/2002PA040191.
This study aims to offer a rational interpretation of Vico's work, to show that the concept of reason occupies a central position in Vico's writings and that its most patent expression is community. By placing reason and its two modalities, community and politics, at the core of this study, I am led to offer a general interpretation of the Scienza nuova through what Vico calls his " two practices ", namely " the art of criticism " and " the art of diagnosis ". Such an interpretation enables me to discuss the notions of prudence, ingenium, philology, " ideal eternal history " and education. I show how these concepts are organized around a scientific project whose object is " the common nature of nations "
Santos, Vladimir Chaves dos. "O engenho segundo Vico." [s.n.], 2002. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279321.
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Vico criticou a racionalidade de seu tempo e propôs outra como alternativa: a chave para essa questão é o conceito de engenho. Em seu programa pedagógico, Vico aspirava a uma síntese entre ciência, prudência e eloqüência, e sugeriu que isso seria possível aguçando-se o engenho dos jovens. Vico não é um irracionalista. Sua noção de razão tem raízes humanistas. Ele pretendeu superar a razão cartesiana, reafirmando a tópica, a inventio e a fantasia, para coroar o engenho com o estatuto de faculdade certa do conhecer. Isso permitia-lhe aprofundar-se no estudo das humanidades. Vico condenou o caráter monástico e solitário das filosofias da virada da século XVII para o XVIII, e alertou para o mal do "egoísmo racional" que acometia a sociedade de sua época. Vico não é um pensador solitário. Antes de vê-lo como um precursor ou conservador, é melhor situá-Io em seu próprio tempo, respondendo às últimas novas da república das letras de então. O empenho de contribuição que Vico enfatizou em suas preleções foi posto em prática no contexto da célebre Querela entre Antigos e Modernos, mais especificamente acerca da questão do status de Homero - um problema que solicitou, entre outras coisas, o engenho de Vico. Os quatro aspectos do engenho, a agudeza, a inventividade, a prudência cidadã e a presença histórica, lançam luz sobre a racionalidade pensada por Vico
Abstract: Vico has criticized the rationality of his time and he proposed another one as alternative: the key for this question is the concept of wit. Into his pedagogical program, Vico wished a synthesis among science, prudence, and eloquence. He suggested that it would be possible if one sharpen the young men's wit. Vico is not na irrationalist. His notion about the reason has humanist roots. He intended to overcome the Cartesian reason, in reaffirming the science of topical, the inventio, and the phantasy to enthrone the wit with a right faculty status of knowing. That allows him to make a profound study of the humanities. Vico has condemned the monachal and solitarian feature of the philosophies from the turn of the XVII century to XVIII century, and he prevented us against the evil of the "rational selfish" that society from his time was taken with. Vico is not a solitary thinker. Before seeing him as a forerunner or conservator, it is rather situate him in his own time, answering the last news of the republic letters since that time. The interest of the contribution that Vico emphasized in his discourses was put in practice into the context of the famous Quarrel between the Ancients and the Moderns, more specifically about the question of the Homer's status - a problem that demanded from Vico his wit. The four aspects of the wit, the acuity, the inventiveness, the citizeness prudence, and the historical presence, bring under light the rationality that was thought by Vico
Mestrado
Mestre em Filosofia
SILVA, PRISCILA ALBA DA. "TRUTH X VERISIMILITUDE: NOTES FROM RENÉ DESCARTES (1596-1650) AND GIAMBATTISTA VICO (1668-1744)." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2016. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=27504@1.
COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
Partindo da análise das obras de René Descartes (1596-1650) e da concepção de retórica enquanto uma metalinguagem, fornecida tanto por Roland Barthes quanto por Haroldo de Campos, investigamos certa tensão entre Giambattista Vico (1668-1744) e o filósofo francês. Atrito forjado a partir da leitura indireta do retor napolitano das obras de Descartes. Este trabalho trata, portanto, da diferença entre a certificação do conhecimento em Descartes e Vico, diferença que, segundo elucidamos, pode ser situada na tensão entre os conceitos de verdade e verossimilhança, respectivamente, bem como nos conceitos de sentido e senso. Em 1699, Giambattista Vico assumiu a cátedra de Retórica na Universidade Real de Nápoles. A partir deste ano e, até o ano de 1707, o filósofo proferiu discursos de abertura dos anos letivos nesta instituição. Esses discursos nos chegam sob o título de Orazioni Inaugurali (1699-1707), donde foram analisadas, na presente dissertação, às duas primeiras, concernentes aos anos de 1699 e 1700. Tal análise procurou nuançar não apenas o entrelaçamento entre forma e conteúdo como, também, a partir disso, sugerir que a verossimilhança viquiana incide formalmente em seus textos, assim como a verdade cartesiana seria derivada de certa estrutura textual.
Analyzing the works of René Descartes (1596-1650) and the conception of rhetoric as a meta language, provided both by Roland Barthes and by Haroldo de Campos, we investigated tension between Giambattista Vico (1668-1744) and the French philosopher. Misunderstanding forged from indirect reading of Neapolitan rector of the works of Descartes. This work analyzes the difference between the certification of knowledge in Descartes and Vico, a difference that, according elucidated, may be located in the tension between the concepts of truth and verisimilitude, respectively, as well as the concepts of way and sense. In 1699, Giambattista Vico took over the chair of Rhetoric at the Royal University of Naples. From this year by the year 1707, the philosopher gave opening speeches of school years at this institution. These talks come in under the heading of Orazioni Inaugurali (1699-1707), from which were analyzed in the present work the first two, pertaining to the years 1699 and 1700. This analysis sought to nuance not only the interweaving between form and content as, also, from there, suggest that the verisumilitude viquiana focuses formally in his writings, as well as the Cartesian truth would be derived from certain textual structure.
Guido, Humberto Aparecido de Oliveira. "A infancia e as ciencias humanas na filosofia social de Giambattista Vico." [s.n.], 1999. http://repositorio.unicamp.br/jspui/handle/REPOSIP/253455.
Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação
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Doutorado
Books on the topic "Vico, Giambattista (1668-1744) – Rhétorique":
Croce, Benedetto. The philosophy of Giambattista Vico. Mineola, New York: Dover Publications, Inc., 2014.
Albano, Maeve Edith. Vico and providence. New York: P. Lang, 1986.
Mooney, Michael. Vico in the tradition of rhetoric. Princeton, N.J: Princeton University Press, 1985.
1946-, Danesi Marcel, ed. Giambattista Vico and Anglo-American science: Philosophy and writing. Berlin: Mouton de Gruyter, 1995.
Kunze, Donald. Thought and place: The architecture of eternal place in the philosophy of Giambattista Vico. New York: P. Lang, 1987.
Vico, Giambattista. Keys to The new science: Translations, commentaries, and essays. Ithaca: Cornell University Press, 2009.
Mazzotta, Giuseppe. The new map of the world: The poetic philosophy of Giambattista Vico. Princeton, N.J: Princeton University Press, 1999.
Verene, Donald Phillip. Vicos Wissenschaft der Imagination: Theorie und Reflexion der Barbarei. Mu□nchen: W. Fink, 1987.
Littleford, Michael S. Giambattista Vico, post-mechanical thought, and contemporary psychology. New York: P. Lang, 1988.
Miller, Cecilia. Giambattista Vico: Imagination and historical knowledge. Basingstoke: Macmillan, 1993.
Book chapters on the topic "Vico, Giambattista (1668-1744) – Rhétorique":
Miletti, Marco Nicola. "Giambattista Vico (1668–1744)." In Law and the Christian Tradition in Italy, 311–30. Abingdon, Oxon ; New York, NY : Routledge, 2020. | Series: Law and religion | “Produced by the Center for the Study of Law and Religion, Emory University”: Routledge, 2020. http://dx.doi.org/10.4324/9781003014539-19.
"Giambattista Vico (1668–1744)." In Sprachphilosophie / Philosophy of Language / La philosophie du langage, edited by Marcelo Dascal, Dietfried Gerhardus, Kuno Lorenz, and Georg Meggle. Berlin • New York: Walter de Gruyter, 1992. http://dx.doi.org/10.1515/9783110095838.1.2.330.
Vico, Giambattista. "Imagination, Language, and the Inventions of Philosophy." In The Many Faces of Philosophy, 205–12. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195134025.003.0016.