Relevant bibliographies by topics / Vibrato / Dissertations / Theses
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Dissertations / Theses on the topic 'Vibrato'

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Published: 4 June 2021
Last updated: 25 July 2025

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1

Moens-Haenen, Greta. "Vibrato im Barock." Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A38344.

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2

Nandamudi, Srihimaja. "Aerodynamics of Vocal Vibrato." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1499427478103556.

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3

Reese, Lorie. "Laryngeal-level amplitude modulation in vibrato /." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1535.pdf.

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4

Besouw, Rachel Marijke van. "Representing the pitch of vibrato tones." Thesis, University of York, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.441069.

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5

Reese, Lorie C. "Laryngeal-Level Amplitude Modulation in Vibrato." BYU ScholarsArchive, 2006. https://scholarsarchive.byu.edu/etd/767.

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Research in vocal vibrato has established that vocal tract filtering is primarily responsible for the amplitude modulation (AM) present in Western classical vibrato. Using electroglottography (EGG) and the EGG speed quotient, which is sensitive to fluctuations in the amplitude of vocal fold vibration, AM was detected at the laryngeal (source) level, in addition to the subsequent AM which results from vocal tract filtering. Seventeen classically-trained opera singers sang vowels in three pitch and loudness conditions. EGG and microphone measurements of FM and AM and their rates, extents, and pe
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6

Secan, Stephen R. "Amplitude and frequency modulation in Oboe Vibrato." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1407510603.

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7

Draiblate, Yoni. "HISTORY, EVOLUTION AND PEDAGOGY OF CELLO VIBRATO." Diss., Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/555692.

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Music Performance<br>D.M.A.<br>On 9 April 1860, seventeen years before Thomas Edison invented the phonograph, a Parisian inventor named Leon Scott de Martinville invented the “phonautograph,” the first device capable of recording sound. In the demonstration recording produced by de Martinville, the listener hears the inventor singing a short section of the song “Au clair de la lune.” The recording lasts about ten seconds and is not of very good audio quality—it is full of interference and white noise, making it hard to decipher words. Technology has since evolved and improved to the point wher
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8

Holmes, Sharee Oakes. "The Effects of Emotion on Acoustic Characteristics of Vocal Vibrato in Trained Singers." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3616.

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The purpose of this study was to investigate the effects of emotion on several key acoustic features of vibrato including vibrato rate, extent, and steadiness (measured by FM rate COV and FM extent COV). We hypothesized that intensity of emotion would have a significant effect on vibrato rate, extent, and periodicity, although the direction of these changes was undetermined. There were 10 participants, including eight females and two males, who were graduate student singers with high competency ratings. Each participant completed a series of tasks including sustained vowels at several pitch an
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9

Reidlinger, Christopher R. "Review and analysis of violin vibrato pedagogy with beginning violin students." Full text available online (restricted access), 2000. http://images.lib.monash.edu.au/ts/theses/Reidlinger.pdf.

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10

Manfredi, Zo Hurd. "Physical Problems in Vibrato Amongst First-year College Violinists: a Descriptive Study." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc804848/.

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The purpose of this descriptive study was to first identify to what extent first-year college violinists physically struggle with the vibrato motion, and further, to identify physical problems within the motion that are contributing to their challenges during the learning process. The 16 participants in this study were chosen randomly from the College Music Society Directory of Music Faculties in Colleges and Universities (2013-2014 edition). Participants completed a questionnaire of 32 quantitative and qualitative questions addressing the vibrato of their 2013-2014 first-year violinists. 62%
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11

Hinkley, Sandy Purdum. "Effects of Vibrato and Pitch-Varied Vocal Models on High School and Undergraduate Singers' Intonation, Intensity, and Use of Vibrato." Thesis, The Florida State University, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10261291.

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<p> The purpose of this study was to investigate the effects of vibrato and pitch-varied vocal models on acoustic measures of high school and undergraduate singers&rsquo; vocal performance. Participants&rsquo; perception of vocal models was also examined to explore a possible relationship between perception and production. The following primary questions guided this research: 1) Is singers&rsquo; intonation affected by vibrato or pitch-varied vocal models? 2) Is singers&rsquo; vibrato rate affected by vibrato or pitch-varied vocal models? 3) Is singers&rsquo; vibrato extent affected by vibrato
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12

Mare, Minette. "Influential factors in the application of flute vibrato." Thesis, Stellenbosch : University of Stellenbosch, 2008. http://hdl.handle.net/10019.1/1718.

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Thesis (MMus (Music))--University of Stellenbosch, 2008.<br>This thesis provides an overview of different aspects of the application of vibrato on the flute. Although it is a compilation of different viewpoints, it does not offer a conclusion as regards the ‘correct’ application of vibrato, due to the subjective nature of this phenomenon. The intention is that the reader will be able to reach his or her own conclusions and form new opinions regarding this subject. The focus is largely on the comparison of the production of vibrato on the flute with its production on other instruments. The aim
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13

Lester, Rosemary Anne. "Modulation of Voice Related to Tremor and Vibrato." Diss., The University of Arizona, 2014. http://hdl.handle.net/10150/325218.

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Modulation of voice is a result of physiologic oscillation within one or more components of the vocal system including the breathing apparatus (i.e., pressure supply), the larynx (i.e. sound source), and the vocal tract (i.e., sound filter). These oscillations may be caused by pathological tremor associated with neurological disorders like essential tremor or by volitional production of vibrato in singers. Because the acoustical characteristics of voice modulation specific to each component of the vocal system and the effect of these characteristics on perception are not well-understood, it
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14

Lamar, Jacquelyn B. (Jacquelyn Brown). "The History and Development of Vibrato Among Classical Saxophonists: A Lecture Recital Together with Three Recitals of Selected Works of A. Desenclos, L. Robert, J. Ibert, K. Husa, B. Heiden, R. Schumann and Others." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc330729/.

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This study examines the history and development of vibrato among classical saxophonists as well as briefly summarizes the history of vibrato in general from its origins on string instruments, the voice and other wind instruments. An analysis of recordings of early saxophonists shows the approximate time period of incorporation of vibrato on the saxophone and the influences of performers and musical styles on its development. Pedagogical methods of performing vibrato on the saxophone are included as well as a discussion of saxophone vibrato styles. An exploration of vibrato as an expressive mu
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15

Calitz, Wilken Craill. "A multidisciplinary study of the phenomenon of violin vibrato." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/1792.

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Thesis (MMus (Music))--University of Stellenbosch, 2009<br>Violin vibrato is the action by which a violinist periodically changes the frequency of a sustained note by moving the finger on the string, rapidly backwards and forwards. If it is artistically applied, it adds life, character and warmth to an otherwise dull sounding note. Although it has been used since the sixteenth century, very little research has been done on the reason why humankind would experience such periodic fluctuations as an object of beauty in violin performance. In answering the question, this study explores a variety
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16

Lee, Ka-won. "An investigation of left-hand vibrato technique on the violin." Full text available online (restricted access), 1999. http://images.lib.monash.edu.au/ts/theses/Lee.pdf.

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17

Gomes, Dos Santos Junior Osvaldo. "The Flute Inside-Out: Tracking Internal Movements in Flute Playing." Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/17992.

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Analyses in the past have revealed that flute sound production is a complex procedure involving internal movements of the body. The larynx and pharynx in particular play a crucial role. Some authors, advocate for the abdominal muscles, while others, draw attention to the lips and the oral cavity. However, despite the various studies, the physiology of flute playing is limited by lack of empirically-derived information about what happens when a player carries out musical tasks. The present study is an empirical investigation of the role of the larynx and pharynx in flute playing from the pers
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18

Douglas, David M. "An improved mechanical vibrato device for the electric bass guitar." Full text, Acrobat Reader required, 1998. http://viva.lib.virginia.edu/etd/theses/douglas98.pdf.

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19

Weber, Matthew J. (Matthew Joseph). "An Investigation of Selected Muscle Potential Activity in Violin/Viola Vibrato." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278616/.

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The purpose was to investigate muscle potential during the vibrato motion for successful, healthy violin/viola performers. Electromyography was used to analyze parameters of muscle potentials during performance of a standardized exercise. These parameters were (a) evidence of potentials, (b) patterns of potentials, and (c) timing relationships (24 muscles). This study also sought to replicate and expand performance data from previous studies. Procedures from three pilot studies were used to standardize collection of EMG data. Synchronized video recordings were used to determine vibrato speed a
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20

Jackson, Christopher Newlyn. "An Examination, Reinterpretation and Application of Selected Performance Practices in Four Motets of Luca Marenzio (1553-1599): Implications for a Modern Choral Performance Context." Diss., Tucson, Arizona : University of Arizona, 2005. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu%5Fetd%5F1099%5F1%5Fm.pdf&type=application/pdf.

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21

KIM, YOU-SEONG. "A PEDAGOGICAL APPROACH TO THE TRILL IN SINGING." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1172621759.

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22

Saleiro, Clara Nora Vaz. "Estratégias de afinação baseadas em Intonation & Vibrato de Trevor Wye." Master's thesis, Universidade de Aveiro, 2014. http://hdl.handle.net/10773/13629.

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Mestrado em Ensino de Música<br>Este projeto educativo incidiu sobre o tema da afinação, em particular, da flauta transversal. O projeto teve como base o método Intonation & Vibrato de Trevor Wye (Wye, 1983), a partir das ideias defendidas pelo autor e dos 24 pequenos estudos de afinação que propõe. Foi feito um levantamento dos diferentes temperamentos que existiram ao longo da história, as suas vantagens e desvantagens. Partindo do princípio de que também o temperamento igual não é perfeito e que, ao tocar um instrumento de afinação não-fixa, podemos corrigir certos intervalos mais important
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23

McLeod, Philip, and n/a. "Fast, accurate pitch detection tools for music analysis." University of Otago. Department of Computer Science, 2009. http://adt.otago.ac.nz./public/adt-NZDU20090220.090438.

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Precise pitch is important to musicians. We created algorithms for real-time pitch detection that generalise well over a range of single �voiced� musical instruments. A high pitch detection accuracy is achieved whilst maintaining a fast response using a special normalisation of the autocorrelation (SNAC) function and its windowed version, WSNAC. Incremental versions of these functions provide pitch values updated at every input sample. A robust octave detection is achieved through a modified cepstrum, utilising properties of human pitch perception and putting the pitch of the current frame wit
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24

Yang, Luwei. "Computational modelling and analysis of vibrato and portamento in expressive music performance." Thesis, Queen Mary, University of London, 2017. http://qmro.qmul.ac.uk/xmlui/handle/123456789/24857.

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Vibrato and portamento constitute two expressive devices involving continuous pitch modulation and is widely employed in string, voice, wind music instrument performance. Automatic extraction and analysis of such expressive features form some of the most important aspects of music performance research and represents an under-explored area in music information retrieval. This thesis aims to provide computational and scalable solutions for the automatic extraction and analysis of performed vibratos and portamenti. Applications of the technologies include music learning, musicological analysis, m
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25

Carvalho, Mafalda Barradas. "Estratégias de ensino de vibrato na formação em flauta transversal em Portugal." Master's thesis, Universidade de Aveiro, 2016. http://hdl.handle.net/10773/17694.

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Mestrado em Ensino de Música<br>Na preparação e execução de uma dada obra musical, o vibrato constitui um dos aspetos importantes a ter em conta pelo flautista. Contudo, o ensino e aperfeiçoamento desta componente técnica encontra-se por vezes ausente da sua formação básica e secundária, criando-lhe dificuldades no domínio e posterior aplicação do vibrato como elemento expressivo. O objetivo principal deste projeto educativo foi o de explorar estratégias para o ensino do vibrato em Portugal. Começou-se por realizar entrevistas semi-estruturadas a oito professores de flauta transversal de Cons
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26

Chen, Tzu Yun. "A Pedagogical Approach to Vibrato Styles for Advanced Cello Students and Their Teachers." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1365642147.

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27

Remley, Jon Stephen. "The Preferred Oboe Vibrato: An Analysis of Pitch Modulation and Intensity Level Modulation." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc278116/.

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The purpose of this study was to determine the pitch and intensity level characteristics found in the vibrati of preferred oboe players whose vibrato was ranked by a panel of experts. The investigation also sought to discover factors that distinguish the preferred oboe vibrato from vibrato that is less preferred.
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28

Moorcroft, Lynda. "Pre-Performance Practices: Breathing Imagery and Warm-Up For Singers." Thesis, The University of Sydney, 2011. http://hdl.handle.net/2123/7870.

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Research clarifying whether silent warm-up is possible and what constitutes a warmed-up voice is lacking. The acoustic correlates of a warmed-up voice are not clear, and perceptual correlates have centred on singers’ rather than both singers’ and listeners’ perceptions. This thesis therefore investigates acoustic and perceptual changes following vocal warm-up and breathing imagery, and whether breathing imagery may serve as a silent warm-up for singers. The literature review covers the acoustic and perceptual factors critical to optimal tone quality in singing, and the challenges of vocal a
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29

Brown, Steven Franklin. "An Investigation of Perception of a Frequency Modulated Band Location of Pitch Within a Musical Vibrato." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc331039/.

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The purpose of this study was to investigate aspects of pitch perception of auditors when presented with musical tones whose frequencies were modulated. Research problems were: estimation of the effect of musical training upon pitch perception; estimation of the effect of stimuli of differing tonal qualities and frequency ranges upon perception; and estimation of the effect of solo and ensemble performances upon pitch perception. Subjects for the study were thirty musicians and thirty nonmusicians. Subjects were students at North Texas State University and Paris Junior College who had voluntee
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30

Adduci, Michael Douglas. "Dynamic Measurement of Intraoral Pressure and Sound Pressure With Laryngoscopic Characterization During Oboe Performance." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc103281/.

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Measurements of intraoral pressure (IOP) and sound pressure level (SPL) were taken of four oboists as they performed two sets of musical exercises: (1) crescendo-decrescendo from pp to ff and back to pp on the pitches D4, G4, C5 and A5, and (2) straight and vibrato performances of the same four pitches at mf. Video images of the vocal tract were also made using flexible fiberoptic nasoendoscopy (FFN). IOP and SPL data were captured in real time by the WinDaq®/Lite software package, with the dB meter located 8-9 inches in directly front of the oboe bell. The study yielded minimum and maximum va
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31

Zinninger, Thomas. "An Analysis of Concert Saxophone Vibrato Through the Examination of Recordings by Eight Prominent Soloists." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1384428227.

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32

Dalsant, Jessica. "Avaliação de duas ferramentas para a representação das variáveis acústicas implicadas no vibrato da flauta." Universidade Federal de Minas Gerais, 2011. http://hdl.handle.net/1843/AAGS-8L8P6X.

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This work investigated the flute vibrato, to determine which analytical tools that represent it in a more comprehensive way. Our aim is to use these tools to improve flute instrumental technic. After considering previously published works on this topic, it has been decided to focus this investigation on the following vibrato acoustical parameters: extent, rate, deviation from the fundamental frequency (F0), regularity and wave shape, attack end ending of the note, use of the vibrato in the attack and ending of the note, noises/ ghost clouds, vibrato and spectral envelope evolution in time. Tw
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33

Roiko-Jokela, Miia. "Laconisme de l’aile : Exploring modern flute techniques." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3182.

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This thesis introduces the modern flute techniques used in the solo flute piece Laconisme de l’aile by Kaija Saariaho. The purpose is to find ways to excecute the techniques so that they serve the music in the best way. The techniques are divided in five groups based on how they are excecuted: effects made with the mouth, changing the timbre, multiphonics, effects made by fingers and diffenent sounds by blowing. As an attachment there is a recording of the piece and how the techniques sound in the context. At the end of the process it has been evaluated, if the modern techniques help with the
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34

Bunte, James. "A Player’s Guide to the Music of Ryo Noda: Performance and Preparation of Improvisation I and Mai." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1282578051.

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35

Pool, Christopher Scott. "Observations of the larynx during vibrato production among professional bassoonists as indicated in experiments utilizing fiberoptic laryngoscopy." Diss., The University of Arizona, 2004. http://hdl.handle.net/10150/280737.

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The research presented here is an observational study of the larynx and its contributions to the production of vibrato on the bassoon. The process of vibrato production on the bassoon is a topic under much debate among its teachers and performers, with no standard guidelines in place for its execution. While most performers and teachers of the bassoon teach vibrato as a technique that uses abdominal pulsations of air to produce its effect, the role of the larynx has been largely ignored in its contribution to the process. This document compares vibrato production of the bassoonist to that of a
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36

Faria, Priscila Oliveira. "Análise das variações do vibrato de cantoras líricas em duas cadências musicais de caráter alegre e triste." Universidade Federal de Minas Gerais, 2011. http://hdl.handle.net/1843/AAGS-8PPNFM.

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This paper presents a description of possible patterns of vibrato applied to the characters sad and happy. Using spectral analysis and an algorithm of spectral analysis of tremor and vibrato of the human voice developed in the Graduate Program in Electrical Engineering and Physical of UFMG, it aims the recognition of spectral analysis as a tool that enables differentiation of emotional characters involved in the performance of opera singers. The methodology included the recording of 10 opera singers, performing two cadenzas, one of sad character and the other of happy character. Each cadenza w
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37

Lachambre, Hélène. "Caractérisation de l'environnement musical dans les documents audiovisuels." Phd thesis, Université Paul Sabatier - Toulouse III, 2009. http://tel.archives-ouvertes.fr/tel-00457522.

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Actuellement, la quantité de musique disponible, notamment via Internet, va tous les jours croissant. Les collections sont trop gigantesques pour qu'il soit possible d'y naviguer ou d'y rechercher un extrait sans l'aide d'outils informatiques. Notre travail se place dans le cadre général de l'indexation automatique de la musique. Afin de situer le contexte de travail, nous proposons tout d'abord une brève revue des travaux réalisés actuellement pour la description automatique de la musique à des fins d'indexation : reconnaissance d'instruments, détermination de la tonalité, du tempo, classificati
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Gontevas, Maria. "Sångvibrato : En teknik av betydelse i sångundervisning?" Thesis, Kungl. Musikhögskolan, Institutionen för musik, pedagogik och samhälle, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2959.

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När det gäller sångvibrato har lite forskning tidigare gjorts i ämnet, och när det gäller sångundervisning har jag i min egen erfarenhet aldrig haft någon sånglärare som talat om vibrato. Även bland tillfrågade sångkollegor, är det mycket sällsynt att de fått jobba med vibrato då de fått sångundervisning. Både på gymnasienivå och högskolenivå. Syftet var därför att ta reda på hur sånglärare arbetar med vibrato i sin sångundervisning. I den här uppsatsen har jag från ett kulturpsykolologiskt perspektiv och genom kvalitativa intervjuer undersökt huruvida sånglä
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Silva, Jose Eduardo de Carvalho. "Tremor e vibrato humanos: mediação de taxa, profundidade e regularidade no movimento demembros,na voz e no contrabaixo acústico." Universidade Federal de Minas Gerais, 2010. http://hdl.handle.net/1843/BUOS-8EUR7C.

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This work invetigated human tremor and vibrato. Algorithms for rate, extent and regularity measurements were evaluated in three signals: (i) tremor in upper limbs; (ii) spoken and sung voice; and (iii) long duration notes in the double bass. The study was carried out by measuring low frequency fluctuations (4-15 Hz) in the fundamental frequency series (F0) and in the signals envelope. Three techniques for amplitude and frequency modulation analysis were studied: analytic signal, Teagers operator, and Fourier analysis. The first two presented difficulties with multicomponent signals such as voi
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Mueller, Rodney Alan. "The development and pilot testing of a hypermedia program to supplement undergraduate string techniques class instruction in upper string vibrato." Full text available online (restricted access), 1997. http://images.lib.monash.edu.au/ts/theses/Mueller.pdf.

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41

van, Stade Koenraad J. H. "Discovering Ideals of Expressivity and Artistry in 19th-Century Vocal Performance: Re-enacting Schumann’s Dichterliebe." Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/29588.

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The beginning of the 20th century saw the rise of modernist aesthetics which moulded modern performance practice. This change caused a steadfast distancing from the expressive practices of the late 19th century which were part of a continuum of practice going back to the 18th century or earlier. Recordings of singers, who in some cases were trained in the 1830s and 1840s, provide first-hand evidence of these late 19th-century practices and give insight into their embodied and tacit knowledge. Their singing sounds vastly different to the singing style generally heard today. This thesis exami
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Ferrell, Matthew August. "Perspectives on Choral and Solo Singing: Enhancing Communication Between Choral Conductors and Voice Teachers." Scholarly Repository, 2010. http://scholarlyrepository.miami.edu/oa_dissertations/494.

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Concepts of choral and solo singing diverge among the masses of pedagogues, teachers, and conductors who have differing opinions about healthy vocal technique and training. These differences have generated tension within some university music programs, with choral faculty and voice faculty sometimes on opposing sides. This document presents answers from professional singers who engage in choral and solo singing while maintaining a healthy vocal technique. All subjects interviewed for this document were asked to speak in detail to vocal adjustments made to sing in different styles. In addition,
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Záleská, Veronika. "Využití vibrodiagnostiky v soudním inženýrství." Master's thesis, Vysoké učení technické v Brně. Ústav soudního inženýrství, 2014. http://www.nusl.cz/ntk/nusl-232846.

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This thesis deals with the measurement and evaluation of vibration on selected parts of car. Part of the work is devoted to the theory of vibration and noise, which includes, among others, presentations of common disorders of machine parts in terms of vibration. In the practical part of the work were performed out measurements described here and the results analyzed. Last part is in short devoted to the possibilities of using a similar measurement in forensic engineering.
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Wilcocks, Gerda Reinette. "Improving tone production on the flute with regards to embouchure, lip flexibility, vibrato and tone colour, as seen from a classical music perspective." Pretoria : [s.n.], 2006. http://upetd.up.ac.za/thesis/available/etd-09132007-163345/.

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Mitchell, Helen Frances. "Defining vocal quality in female classical singers: pedagogical, acoustical and perceptual studies." Thesis, The University of Sydney, 2005. http://hdl.handle.net/2123/710.

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The technique of 'open throat' is a pedagogical concept transmitted through the oral tradition of singing. This thesis explored the pedagogical perceptions and practices of 'open throat' using empirical methodologies to assess technical skill and associated vocal quality. In the first study (Mitchell, Kenny, Ryan, & Davis, 2003), we assessed the degree of consensus amongst singing pedagogues regarding the definition of, and use in the singing studio of the technique called 'open throat.' Results indicated that all fifteen pedagogues described 'open throat' technique as fundamental to singing t
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Mitchell, Helen Frances. "Defining vocal quality in female classical singers: pedagogical, acoustical and perceptual studies." University of Sydney. Australian Centre for Applied Research in Music Performance, 2005. http://hdl.handle.net/2123/710.

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The technique of �open throat� is a pedagogical concept transmitted through the oral tradition of singing. This thesis explored the pedagogical perceptions and practices of �open throat� using empirical methodologies to assess technical skill and associated vocal quality. In the first study (Mitchell, Kenny, Ryan, & Davis, 2003), we assessed the degree of consensus amongst singing pedagogues regarding the definition of, and use in the singing studio of the technique called �open throat.� Results indicated that all fifteen pedagogues described �open throat� technique as fundamental to singing t
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47

Mallikarjuna, Trishul. "Towards expressive melodic accompaniment using parametric modeling of continuous musical elements in a multi-attribute prediction suffix trie framework." Thesis, Georgia Institute of Technology, 2010. http://hdl.handle.net/1853/37190.

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Elements of continuous variation such as tremolo, vibrato and portamento enable dimensions of their own in expressive melodic music in styles such as in Indian Classical Music. There is published work on parametrically modeling some of these elements individually, and to apply the modeled parameters to automatically generated musical notes in the context of machine musicianship, using simple rule-based mappings. There have also been many systems developed for generative musical accompaniment using probabilistic models of discrete musical elements such as MIDI notes and durations, many of them
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48

Kotinda, Giovanni Iamin. "Absorvedor dinâmico de vibração tipo lâmina vibrante." Universidade Federal de Uberlândia, 2005. https://repositorio.ufu.br/handle/123456789/14912.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>This work is dedicated to the design of a vibrating blade dynamic vibration absorber (ADVLV), which is composed by a blade that is subjected to an initial traction T , and contains a concentrated mass m that is fixed at a given position d along the blade. These three parameters can be adjusted so that the ADVLV is tuned. For this aim, a finite element model of the system was built, leading to a design methodology for the absorber. Also, design of experiment techniques were performed to obtain the most interesting configurations f
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Rossignol, Stéphane. "Segmentation et indexation des signaux sonores musicaux." Phd thesis, Université Pierre et Marie Curie - Paris VI, 2000. http://tel.archives-ouvertes.fr/tel-00010732.

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Ce travail concerne la segmentation et l'indexation des signaux sonores musicaux. Trois niveaux de segmentation interdépendants sont définis, correspondant chacun à un niveau de description du son différent.<br /><br /><br />1) Le premier niveau de segmentation, appelé << sources >>, concerne la distinction entre la parole et la musique. Les sons considérés peuvent provenir par exemple de bandes-son de films ou d'émissions radiophoniques.<br /><br />Des fonctions d'observation sont étudiées, qui ont pour objectif de mettre en évidence les propriétés différentes du signal de parole et du signal
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Caldas, Tiago Reis [UNESP]. "Desenvolvimento de um instrumento portátil para detectar falha em rolamento de motor de indução, pela técnica do envelope, usando um DSP de 16 bits e a transformada de Hilbert." Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/97047.

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Made available in DSpace on 2014-06-11T19:28:33Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-10-29Bitstream added on 2014-06-13T19:26:51Z : No. of bitstreams: 1 caldas_tr_me_guara.pdf: 1089046 bytes, checksum: 403b82fa7a776499a5ab2e51e75444dd (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Em um ambiente industrial é responsabilidade da manutenção cumprir com as necessidades específicas de cada processo produtivo. Basicamente é necessário aumentar a disponibilidade e a confiabilidade dos equipamentos. Este trabalho apresenta o desenvolvimento de um e
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