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Relevant bibliographies by topics / Vertical gardens

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Academic literature on the topic 'Vertical gardens'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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Journal articles on the topic "Vertical gardens"

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Davis, Michael Maks, Andrea Lorena Vallejo Espinosa, and Francisco Rene Ramirez. "Beyond green façades: active air-cooling vertical gardens." Smart and Sustainable Built Environment 8, no. 3 (July 3, 2019): 243–52. http://dx.doi.org/10.1108/sasbe-05-2018-0026.

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Purpose Vertical gardens offer multiple benefits in urban environments, including passive cooling services. Previous research explored the use of “active vertical gardens” as potential evaporative air-cooling units by developing a mathematical model based on the FAO-56 Penman Monteith equation. Further research showed that active vertical gardens function best by creating an airflow in the cavity behind the garden such that air is cooled by flowing over the water-saturated garden substrate. The purpose of this paper is to improve the quantification of active vertical garden performance. Design/methodology/approach A building-incorporated vertical garden was built in Quito, Ecuador, with an air inlet at the top of the garden, an air cavity behind the garden and where air was expelled from the base. Measurements were made of air temperature, humidity and velocity at the air inlet and outlet. Findings The active vertical garden cooled the air by an average of 8.1 °C with an average cooling capacity of 682.8 W. Including the effects of pre-cooling at the garden inlet, the garden cooled the air by an average of 14.3 °C with an average cooling capacity of 1,203.2 W. Originality/value The results are promising and support the potential for active vertical gardens to be incorporated into building services and climate control.

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Yeo, Matthew S. K., S. M. Bhagya P. Samarakoon, Qi Boon Ng, M. A. Viraj J. Muthugala, and Mohan Rajesh Elara. "Design of Robot-Inclusive Vertical Green Landscape." Buildings 11, no. 5 (May 13, 2021): 203. http://dx.doi.org/10.3390/buildings11050203.

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Vertical gardens have emerged alongside the increase in urban density and land scarcity to reintegrate greenery in the built environment. Existing maintenance for vertical gardens is labour-intensive, time-consuming and is being increasingly complemented by robotic applications. While research has been focused on enhancing robot design to improve productivity, minimal effort has been done on ‘design for robots’ in creating suitable environments for optimal robot deployments. This paper proposed a multi-disciplinary approach that brings together architects, designers, and roboticians to adapt the design of the vertical garden infrastructure to counteract the limitations of the maintenance robot. A case study on an existing plant maintenance robot ‘Urodela’ was conducted to determine the limitations encountered by robotic aid during operation. A robot-inclusive modular design for vertical gardens is proposed based on robot-inclusive principles, namely manipulability and safety, along with architectural design considerations. Design explorations for different configurations of track layouts of the proposed robot-inclusive modular design for vertical gardens is further analysed to validate its applicability and scalability.

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Davis, M. J. M., F. Ramírez, and A. L. Vallejo. "Vertical Gardens as Swamp Coolers." Procedia Engineering 118 (2015): 145–59. http://dx.doi.org/10.1016/j.proeng.2015.08.413.

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Oyama, Liliane Sayuri, Maximiliano Kawahata Pagliarini, Camila Miranda Buschieri, Patrick Luan Ferreira dos Santos, and Regina Maria Monteiro de Castilho. "Vertical gardens: Manufacturing materials proposal." Research, Society and Development 10, no. 7 (June 27, 2021): e41510716709. http://dx.doi.org/10.33448/rsd-v10i7.16709.

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Vertical gardens emerged with the aim of increasing green areas in large urban centres, thus reducing the negative impacts of this dense urbanization. In general, vertical gardens are able to improve air quality, reduce heat islands, increase biodiversity, among other advantages presented in this work. This study proposes the use of two materials for making panels for vertical gardens. The panels were based on the model developed by the French botanist Patrick Blanc, using “green felt” and “grey cacharel” with each panel measuring 50 x 80 cm and with 24 pockets. These were installed in a residence in the municipality of Ilha Solteira, São Paulo state, Brazil; having with vegetal species Trandescantia zebrina. During January 19 to February 2, 2020, the temperatures of the panels, the wall and the region behind the panels were measured. An average thermal damping of up to 8.71°C was observed; it was concluded that the panels developed were effective for the construction of vertical gardens.

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Kurniasih, Sri, Inggit Musdinar, and Dody Kurniawan. "EMPOWERMENT, TRAINING, AND WORKSHOP OF VERTICAL GARDEN AS GREEN IN THE SPRING LAND IN RT 01-09 / RW04, TUGU SELATAN VILLAGE, KOJA, NORTH JAKARTA." ICCD 2, no. 1 (November 26, 2019): 456–61. http://dx.doi.org/10.33068/iccd.vol2.iss1.184.

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The phenomenon of urban areas in Indonesia today tends to experience a typical problem, namely the high rate of population growth mainly due to the flow of urbanization so that the management of urban space becomes heavier. The high number of urban population that continues to increase from time to time has implications for the high pressure on the use of urban space, so that the spatial planning of urban areas needs special attention, especially those related to the provision of residential areas, public and social facilities and spaces open public in urban areas. In general, public open spaces in urban areas consist of green open spaces and non-green open spaces. Urban Green Open Space is part of open spaces of an urban area filled with plants, plants and vegetation (endemic and introduced) to support ecological, socio-cultural and architectural benefits that can provide economic benefits (welfare) for the community. Communities in urban areas are heterogeneous with heterogeneous educational backgrounds as well as environmental conditions in the RT. 05 RW. 04 Tugu Selatan Village, Koja Subdistrict, North Jakarta, where the condition of the land is narrow at each resident's house, so the provision of reforestation is not a top priority for them. RT community problems. 05 RW. 04 Tugu Selatan Village, Koja Subdistrict, North Jakarta at the moment is the lack of public knowledge about the concept of environmentally friendly settlements, which can be realized by providing reforestation on narrow land with vertical gardens. The facilitation and utilization of vertical gardens as greening on narrow land in Jakarta is carried out with the aim of increasing people's understanding of the concept of environmentally friendly settlements through the application of vertical gardens as a form of greening on narrow land and assisting the community in applying vertical gardens on narrow land. With the application of the concept of Tri Daya in the activities of Assistance and Utilization of Vertical Garden as Greening on Narrow Land in Jakarta, the implementation of community service activities through the licensing stage to the local RW and RT for the implementation of community service activities, survey of target community locations to obtain community service data to the community, coordinating with the local RT and RW to organize this training activity, training in the use of vertical gardens for greening, preparation of community service activities at Budi Luhur University, vertical garden utilization workshops for greening and monitoring the results of making vertical gardens in target communities. As a result of this activity, the community has better understood the reforestation that can be carried out in a narrow area, the community can apply the creation of a vertical garden using simple tools and materials. So that the target people can easily practice themselves in their homes.

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Gantner, Urs. "Verdichten mit «Greening», oder was wir von Singapur lernen können (Essay)." Schweizerische Zeitschrift fur Forstwesen 166, no. 4 (April 1, 2015): 219–22. http://dx.doi.org/10.3188/szf.2015.0219.

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Densification by greening, or what we can learn from Singapore (essay) Singapore, a city-state with a high population density, wants to give its population, its tourists and its economy a living and livable city and has developed the concept of the Garden City. Parks, nature reserves, forest, green corridors, trees, botanical gardens, horizontal and vertical greening of buildings, as well as popular participation, are all important for this vision of the city. Singapore is counting on dense construction alongside “greening” and biodiversity. Let us be prepared to learn from Singapore's example! Our land is also a non-renewable resource. To protect our ever more limited agricultural land, we should renounce any extension of building land, and free ourselves from the expanding carpets of suburban development. Let us build multiple urban neighbourhoods with mixed use and more biodiversity. Let us develop new types of communal gardens. Urban gardens in the widest sense – from private gardens to garden cooperatives, to parks and botanical gardens – are a part of our living space. The city should be our garden.

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Kim, Jaekyoung, Sang Yeob Lee, and Junsuk Kang. "Temperature Reduction Effects of Rooftop Garden Arrangements: A Case Study of Seoul National University." Sustainability 12, no. 15 (July 27, 2020): 6032. http://dx.doi.org/10.3390/su12156032.

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Increasing urbanization has highlighted the need for more green spaces in built-up areas, with considerable attention of vertical installations such as green walls and rooftop gardens. This study hypothesizes that the rooftop-garden-induced temperature reduction effects vary depending on the type of arrangements. Therefore, the objective of this study is to find the most efficient arrangement of the roof gardens for temperature reduction. This paper presents the results of a quantitative analysis of the temperature reduction effect of rooftop gardens installed on structures and sites on the campus of Seoul National University. An ENVI-Met simulation is utilized to analyze the effects of roads, buildings, green areas, and vacant land on temperature and humidity. The effects of the following five rooftop garden configurations were compared: extreme, linear (longitudinal), linear (transverse), checkerboard, and unrealized rooftop gardens. The extreme and linear (longitudinal) gardens achieved the maximum temperature reduction, −0.3 °C, while the lowest maximum reduction of −0.2 °C was achieved by the checkerboard pattern. Over larger areas, the greatest impact has been recorded in the mornings rather than in the afternoons. The results of this study will be useful for those planning and installing rooftop gardens at the district and city levels.

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KIRIT, Nezahat, and Alper SAĞLIK. "VERTICAL GARDENS APPLICATIONS ON URBAN LANDSCAPE DESIGN." International Refereed Journal Of Architecture and Design, no. 13 (2018): 0. http://dx.doi.org/10.17365/tmd.2018.1.2.

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Vety Jayanti, Aviana, Eko Priyo Purnomo, and Aulia Nurkasiwi. "VERTICAL GARDEN : PENGHIJAUAN UNTUK MENDUKUNG SMART LIVING DI KOTA YOGYAKARTA." AL IMARAH : JURNAL PEMERINTAHAN DAN POLITIK ISLAM 5, no. 1 (January 31, 2020): 41. http://dx.doi.org/10.29300/imr.v5i1.2916.

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Abstract: Increasingly dynamic city development without being accompanied by the provision of vacant land for reforesting has a negative impact on the environment. Increasing air quality and noise levels make a city have to prepare solutions to solve problems that have an impact on the environment of human life. The concept of vertical garden emerged as an alternative greening that can be applied in cities with a level of availability of narrow vacant land such as the city of Yogyakarta. The impact of applying this concept can overcome problems such as decreased air quality due to pollution. This study uses qualitative methods to describe how the effect of applying vertical gardens as an alternative to greening in supporting smart environments.Keywords: Smart Environment, Vertical Garden, Environment;

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Jones, F. M. A. "Roman Gardens, Imagination, and Cognitive Structure." Mnemosyne 67, no. 5 (August 19, 2014): 781–812. http://dx.doi.org/10.1163/1568525x-12341369.

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The article deals with the Roman garden and sets it in the context of identity, imagination, and cognitive development. Although the implications of the argument are empire-wide, the focus here is primarily on the urban gardens of the city of Rome ca. 60 b.c.-a.d. 60. The person experiencing one garden sees through it other gardens, real, historical, or poetic. ‘The garden’ and representations of the garden become places for thinking about literature, history, and identity. Our evidence for this ‘thinking’ is a lateral or synchronic layer in the sense that the thinking for which we have textual evidence is all done by fully developed adults. However, there is another, vertical or diachronic, aspect to the process which involves the cognitive development from childhood of the garden-user and the role of the garden in structuring the prospective citizen’s understanding of the world. The garden is a central feature of the urban residence, where the Roman citizen lives and moves through the course of his cognitive development. It is inside the house, and the house is inside the city, which is inside Italy. The concluding part of the article investigates how the core notion of the garden as enclosed space maps on to larger sets of inside-outside dyads in the Roman world: the garden is a secluded interior, but on a larger scale Rome is a safe interior surrounded by more perilous environment; again, Italy is a civilised interior surrounded by a more dangerous outer world. The garden is experienced by the child largely through play, and this also feeds into the garden-related imaginative acts described in the first part of the paper.1

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Dissertations / Theses on the topic "Vertical gardens"

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Grünewald, Niclas, and Gabriella Rullander. "Charcoal vertical gardens as treatment of drainwater for irrigation reuse : a performance evaluation in Kibera slum, Nairobi." Thesis, Uppsala universitet, Uppsala University Sustainability Initiatives (UUSI), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-408805.

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Cachay, Morante Rodrigo Alberto, Hidalgo Rocío Melisa Cadillo, Núñez Alexa Daniela Gil, and Villarreal Alvaro Alonso Sánchez. "Proyecto de Investigación - Innovation Green." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/651826.

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Nuestro proyecto busca desarrollar una idea de negocio a partir de un problema. Para ello consta de dos grandes etapas: la primera etapa de búsqueda y validación del problema, y la segunda etapa referente al desarrollo de la idea de negocio. Sabemos que la tendencia a vivir en lugares más pequeños es notoria en la población, especialmente en Lima, por ello el problema central que se identificó fue la falta de espacio para la decoración natural en viviendas. En la primera etapa, se realizaron entrevistas al público objetivo y a expertos que nos permitieron validar la viabilidad de la idea de negocio: jardines verticales a base de musgo vivo. La idea surgió como alternativa sencilla para combatir contaminación ambiental, adatándola al mercado peruano, con un mayor énfasis en la asesoría estética y el diseño, educando siempre en la importancia de la protección del medio ambiente. En la segunda etapa, se determinaron los planes a seguir para la evolución de una empresa a partir de esta pequeña idea. Dentro de este análisis se rescatan, la importancia de las operaciones de instalación y desarrollo tecnológico. Nuestro diferencial recae en el musgo, gracias a su sencillo mantenimiento y su bajo costo de implementación y adaptación. Las proyecciones indican que, bajo una tasa de descuento del 14.64%, lograremos un VAN de S/. 74,134 con una tasa interna de retorno de 53.13%. Con estos números, nuestro proyecto representa una gran oportunidad de inversión con una base de investigación biotecnológica que otorga un gran diferencial.
Our project seeks to develop a business idea from a problem. It consists of two major stages: the first stage of search and validation of the problem, and the second stage concerning the development of the business idea. We know that the tendency to live in smaller places is notorious in the population, especially in Lima, so the central problem that was identified was the lack of space for natural decoration in homes. In the first stage, interviews were conducted with the target market and experts, which allowed us to validate the viability of the business idea: vertical gardens based on live moss. The idea emerged as a simple alternative to counter environmental pollution, adapting it to the Peruvian market, with a greater emphasis on aesthetic advice and design, always educating on the importance of environmental protection. In the second stage, the plans to be followed for the evolution of a company were determined from this small idea. Within this analysis, the importance of installation and technological development operations are rescued. Our differential lies in the moss, thanks to its simple maintenance and its low cost of implementation and adaptation. Projections indicate that, under a discount rate of 14.64%, we will achieve a NPV of S/. 74,134 with an internal rate of return of 53.13%. With these numbers, our project represents a great investment opportunity with a biotechnological research base that grants a large differential.
Trabajo de investigación

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Urben-Imbeault, Tamara. "Vertical gardening in a northern city; speculations for Winnipeg." Land 8 - Landscape Architecture Network, 2014. http://hdl.handle.net/1993/30769.

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This practicum is a reference for vertical gardeners in cold climates. Winnipeg, Manitoba is explored, however findings may be applied to other cities in similar climates. First, the history of vertical gardening is discussed, then the types of vertical gardens currently on the market are described. These can be classified into two categories: soil bearing or non-soil bearing. Most designs are modular pre-planted systems that can be attached to any wall, as long as it satisfies the structural requirements recommended by the manufacturer. The benefits of vertical gardening have been shown to be rather extensive, covering a wide range of areas. Aesthetic improvement, reduction of the Urban Heat Island (UHI) effect, improvement of air quality, stormwater absorption, noise reduction, native habitat integration, reduction of heating and cooling costs for buildings, food production, marketing, and biophilia are all benefits explored in detail. Difficulties associated with vertical gardening are discussed, specifically the lack of knowledge and awareness of vertical gardens, lack of empirical evidence (or missing details in existing research), overall cost and lack of financial incentives, lack of industry codes, and various associated risks. Design framework exists within microclimate conditions unique to vertical gardens, as well as neighbourhood and regional (micro)climates. Theories relating to the study of green walls covered include the human ecosystem model, urban reconciliation ecology, habitat templating, the urban cliff hypothesis, and wall ecology. Suitable habitat templates identified for vertical gardens in Winnipeg are cliffs, sand dunes, alvars, mixed grass prairie and prairie potholes. Design parameters to be followed for vertical garden design in Winnipeg are to ensure that lightweight materials are used, to provide insulation to protect plants from sudden temperature changes, to choose plants that grow in the region and are adapted to grow in areas with limited soil, increased wind, varying degrees of sunlight (depending on orientation), and increased pollution and salt spray depending on location.
October 2015

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Bustos, Neumann Santiago Alejandro. "Evaluación económica de una unidad estratégica de negocios para la integración vertical en la cadena de suministros de bulbos de Lilium para Sun And Breeze Gardens Ltda." Tesis, Universidad de Chile, 2019. http://repositorio.uchile.cl/handle/2250/171807.

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Luštický, Jan. "BIKEZONE.cz - Cykloprodejna s bytovymi jednotkami." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2014. http://www.nusl.cz/ntk/nusl-226679.

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The thesis BIKEZONE.cz - bike shop with residential units is processed in the form of project dokumenmtace containing all the elements in accordance with applicable regulations. The proposed facility is on a plot number 182/1, Prague. The building has four floors. There are vending establishment with administrative facilities and three deluxe units. The structural system is made of limestone blocks, prestressed concrete ceiling panels, flat green roof with extensive cultivation and vertical gardens on the facade.

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Rosenberg, Ryan Michael. "Nature Conquers Construction." Thesis, Virginia Tech, 2010. http://hdl.handle.net/10919/33872.

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This project began as a critique of the current notions of â greenâ architecture. It grew into the creation of a system for integrating nature with structure, the organic with the constructed. A grand entry for the Highline Park on the lower Westside of Manhattan is used as a means for generating a domain which plants, specifically hanging ivy, could thrive. Simple elements such as columns, cables, stairs and ramps, can become a means for creating immersive living volumes, fostering instances where nature can conquer construction.
Master of Architecture

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Wang, Manting. "Rosslyn Waterfront Complex: Bridge the City and the River Architecturally." Thesis, Virginia Tech, 2018. http://hdl.handle.net/10919/82152.

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I consider that either walking along the riverbank or floating down the river by boat and enjoying the journey by interacting with nature is a fundamental human right. Wandering in the concrete jungle, humming while beatboxing, dancing, and skateboarding can also be great pleasures. However, as cities increasingly cover over nature with urban constructions, highways, for instance, they deprive people's right to access the river by erecting a barrier between city and nature. Citizens are the reason that cities exist. So many vivid social activities happen in the concrete jungle every day. Yet, out urban lifestyles belittle nature as it is obscured by the city. It would be much more beautiful, inspiring, and healthy if we can find ways to develop cities in harmony with nature, allowing citizens to bring our urban textures to the ever-flowing river. In my thesis, I explore the possibilities of bringing the city and the river, architecturally.
Master of Architecture

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Li, Ting. "Art Center." Thesis, Virginia Tech, 2015. http://hdl.handle.net/10919/53954.

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For any artist, imagination is a powerful and necessary instrument for everyday creation. It is like a magical engine that drives the artist forward. But what is imagination? How do we keep this engine running nonstop? According to the Italian philosopher Giovan Battista Vico, imagination is nothing but extended or compounded memory, imagination is nothing but the springing up of reminiscences, and ingenuity or invention is nothing but the working over of what is remembered.So we can easily understand that people create or invent things out of what they have seen, what they have experienced, and what they have engaged with their own bodies. In my thesis, I'm not competing with the artists in imagination or creation, but I'm trying to offer them this architectural environment that would be transfigured into memory through senses. The artists living and working in this tower building are encouraged to move vertically through stairways and vertically aligned public spaces. By engaging the body and senses in this vertical movement, the artists would find their way out of the urban canyon to the sky of imagination. They would also be able to live lightly above the bustling world of reality.
Master of Architecture

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Abbasi, Farid. "The High Garden : An architectural exploration on how to integrate vertical farming and modular architecture inside city centres." Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-171699.

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The state of the world is changing. By 2050, The earth’s population will increase by 3 billion and building sector is asked to construct 3 billion new housing units inside urban centres. Since one of the fundamental needs is food, agriculture sector also needs to adjust itself to this growing number of people. Nevertheless, in 2019, Agriculture used 50 per cent of all earth’s habitable land and experts estimate that we need 109 hectares more land to cultivate however this amount of habitable land is approximately the land which is represented by the country of Brazil and 20 per cent more. Moreover, the Food and Agriculture Organization of the United Nations states that water use grew twice as much as population increase and agriculture already is using approximately 70 per cent of the global freshwater. At this point, experts like Professor Dickinson Despommier suggests that the only way humanity can tackle its future food safety issues is to find ways to introduce vertical farming inside Urban centres. The High Garden project is resulted by the world state today and is trying to find an architectural solution to the mentioned issues. It starts firstly by studying the issues more thoroughly and then tries to form a framework which includes and transcends them. It studies how the construction sector is acting now and how it can reorient itself to the situation whilst limiting its negative environmental impact. Then the thesis tries to understand the basics of vertical farming methods compared to the conventional geoponics farming as it is practised today and how it can integrate the better cultivation solution inside city centres. The last step of the theoretical studies of the project is to look at the history of integrated farming and EcoArchitecture. After understanding the theories of the issue, then the thesis starts to form itself as an architectural intervention using the architectural tools and methods and combining the studied disciplines. The result of the thesis is a modular configuration which can accommodate various activities such as aeroponic farming, local markets, zen areas, and drone subscription deliveries etc. Because of the modular construction of the project, it can adapt and adjust itself to different situations and it uses an algorithmic tool to analyse and study existing cities to find proper intervention points. Then it is attached to the existing buildings as a sustainable green extension solving some issues and revitalizing the dead city edges. Keywords: State of the World, rapid urbanization, population growth, geoponic agriculture, Co2 emission, greenhouse gas emission, aeroponic farming, modular architecture, sustainable architecture, EcoArchitecture

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Cruciol-Barbosa, Murilo. "Avaliação da Influência térmica de um jardim vertical de tipologia parede viva contínua /." Bauru, 2019. http://hdl.handle.net/11449/190784.

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Orientador: Maria Solange Gurgel de Castro Fontes
Resumo: O jardim vertical é todo sistema que permite o crescimento e o desenvolvimento da vegetação em superfícies verticalizadas. A parede viva é o tipo de jardim vertical que demanda maior tecnologia de produção e instalação e o seu modelo “parede viva contínua” é constituída por camadas (perfis metálicos, placas estruturantes, feltro, substrato e vegetação) que junto com uma cavidade de ar existente entre o jardim e a edificação funciona como uma proteção contra radiação solar incidente. A influência térmica da parede viva ocorre pela ação de quatro mecanismos que atuam em conjunto: sombreamento, isolamento térmico, barreira de vento e resfriamento evapotranspirativo. O mecanismo de sombreamento ocorre pela ação do sistema de jardim vertical que sombreia a superfície da parede e impede a incidência solar direta, sendo um dos mais importantes na influência térmica do jardim. Além disso, por meio do mecanismo evapotranspirativo, o jardim também influencia o microclima do seu entorno imediato. Assim, o presente projeto objetivou identificar o impacto de um jardim vertical de tipologia “parede viva contínua” na redução das temperaturas superficiais de uma parede e nos microclimas do seu entorno imediato (temperatura do ar, umidade absoluta e temperatura radiante média), em diferentes condições de tempo. Para isso, foi construída um jardim experimental, com delimitação de uma parcela controle. Os resultados mostraram influência significativa do jardim sobre as temperaturas superficiais... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: The vertical garden is any system that allows the growth and development of vegetation on vertical surfaces. The living wall is the typology of vertical garden that demands the most production and installation technology and its “continuous living wall” model consists of layers (metal profiles, structural plates, felt, substrate and vegetation) that together with an air cavity between the garden and the building acts as a protection against solar radiation. The thermal influence of the living wall occurs through the action of four mechanisms that act together: shading, thermal insulation, wind barrier and evapotranspiration cooling. The shading mechanism occurs by the action of the vertical garden system that shades the wall surface and prevents direct sunlight, being one of the most important in the thermal influence of the vertical garden. In addition, through the evapotranspiration mechanism, the vertical garden also influences the microclimate of its immediate surroundings. Thus, the present project aimed to identify the impact of a vertical garden of “continuous living wall” typology in the reduction of the surface temperatures of a wall and in the microclimates of its immediate surroundings (air temperature, absolute humidity and average radiant temperature), in different weather conditions. For this, an experimental garden was built, with delimitation of a control plot. The results showed a significant influence of the vertical garden on the surface temperatures and th... (Complete abstract click electronic access below)
Mestre

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Books on the topic "Vertical gardens"

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Vertical garden city: Singapore. Singapore: Straits Times Press Pte. Ltd., 2014.

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Morrison, Susan. Garden up!: Smart vertical gardening for small and large spaces. Brentwood, Tenn: Cool Springs Press, 2011.

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Blanc, Patrick. The vertical garden: From nature to the city. New York: W.W. Norton, 2008.

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Blanc, Patrick. The vertical garden: From nature to the city. New York: W.W. Norton, 2008.

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Véronique, Lalot, ed. The vertical garden: From nature to the city. New York: Norton, 2012.

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(Introduction), Jacques Leenhardt, and Mario Ciampi (Photographer), eds. Vertical Gardens. Verba Volant, 2007.

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Clapp, Leigh, and Harriet Klotz. Vertical Gardens. New Holland Publishers Pty, Limited, 2016.

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Eco House: Green roofs and vertical gardens. Monsa, 2015.

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Grow a living wall: Create vertical gardens with purpose : pollinators - herbs & veggies - aromatherapy - many more. 2015.

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Tong, Jialin. Living wall: Jungle the concrete 2. 2017.

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Book chapters on the topic "Vertical gardens"

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Vach, Tomáš, and Ivan Mašín. "AHP-Based Evaluation of Vertical Gardens Design." In Current Methods of Construction Design, 415–21. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-33146-7_48.

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Pérez-Andreu, V., C. Aparicio-Fernández, F. Castilla, and J. L. Vivancos. "Development and Characterization of Modular Ceramic and Metal Elements in Vertical Gardens and Ventilated Façades in Buildings." In Lecture Notes in Management and Industrial Engineering, 189–202. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-92273-7_13.

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Guillot, Xavier. "Vertical Living and the Garden City: The Sustainability of an Urban Figure." In Spatial Planning for a Sustainable Singapore, 151–67. Dordrecht: Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-6542-2_9.

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"Vertical Gardens." In Interior Gardens, 9–25. Birkhäuser, 2011. http://dx.doi.org/10.1515/9783034610452.9.

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Burhan, zgur, and Elif Karac. "Vertical Gardens." In Advances in Landscape Architecture. InTech, 2013. http://dx.doi.org/10.5772/55763.

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George, Abraham. "Roof Gardens to Vertical Farming." In Encyclopedia of Renewable and Sustainable Materials, 199–204. Elsevier, 2020. http://dx.doi.org/10.1016/b978-0-12-803581-8.10706-4.

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Walter, Virginia R. "Hanging Baskets, Standards, Combination Pots, and Vertical Gardens." In Introduction to Floriculture, 551–67. Elsevier, 1992. http://dx.doi.org/10.1016/b978-0-12-437651-9.50026-9.

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Pevec, Illène, Soul Shava, John Nzira, and Michael Barnett. "Urban Agriculture." In Urban Environmental Education Review, edited by Alex Russ and Marianne E. Krasny. Cornell University Press, 2017. http://dx.doi.org/10.7591/cornell/9781501705823.003.0026.

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This chapter considers school gardens in North America and urban agriculture in South Africa as sites for urban environmental education. Urban agriculture encompasses rooftop and community gardens, greenhouses, hydroponic systems, plant nurseries, small livestock husbandry, and vertical farms, located indoors, on vacant lots, on roofs, and on postindustrial landscapes, among other sites. Urban environmental education taking place in urban agriculture sites can integrate intergenerational and multicultural learning and contribute to environmental and science knowledge, positive youth development, job skills, and improved diets. It can also enhance social capital, environmental quality, and economic development. The chapter looks at examples of recent policies and practices strengthening urban agriculture and environmental education.

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Elcott, Noam M. "Material. Human. Divine. Notes on the Vertical Screen." In Screen Genealogies. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789463729000_ch11.

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Taking cues from architecture, painting, and experimental cinema, Noam Elcott maps three distinct paradigms for the format of the vertical screen. Portraiture—the erect human figure or face—may be understood as the eponymous and paradigmatic form of this vertical format. Vertical screens also align with the celluloid strips that run vertically through nearly all projectors, whose properties were interrogated by postwar avant-gardes and have taken on renewed urgency in light of celluloid’s impending obsolescence. Finally, the luminous verticality of stained glass windows helped define the Gothic order, which provided a model for avant-garde experiments in light and space for a century or more, and which have suddenly returned to centre stage in contemporary art. Elcott’s three distinct paradigms map a centuries-long encounter with vertical screens that resonate unexpectedly yet unambiguously in the present.

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"Vertical Garden House." In Dense + Green, 166–71. Birkhäuser, 2015. http://dx.doi.org/10.1515/9783038210146-019.

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Conference papers on the topic "Vertical gardens"

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Hong, Kwang-Pyo, Hyukjae Lee, and Seunghoon Hong. "A Study on the Physiological and Psychological Stress Relief Effects of Vertical Gardens on Human Body: 3 Different Construction Methods of Vertical Gardens." In 2019 12th International Congress on Image and Signal Processing, BioMedical Engineering and Informatics (CISP-BMEI). IEEE, 2019. http://dx.doi.org/10.1109/cisp-bmei48845.2019.8966007.

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McDonald, Arthur Phaoenchoke, Alejandro Montoya, and Fernando Alonso-Marroquin. "Vertical garden for treating greywater." In OFF-GRID TECHNOLOGY WORKSHOP. Author(s), 2017. http://dx.doi.org/10.1063/1.4985557.

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Chia, Tzu-Ching, and Chun-Lin Lu. "Design and Implementation of the Microcontroller Control System for Vertical-Garden Applications." In 2011 Fifth International Conference on Genetic and Evolutionary Computing (ICGEC). IEEE, 2011. http://dx.doi.org/10.1109/icgec.2011.41.

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Berar, Cristian. "STUDY ON THE POSSIBILITY OF BUILDING A VERTICAL GARDEN ON THE BUASVMT FACADE." In 19th SGEM International Multidisciplinary Scientific GeoConference EXPO Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgem2019/6.2/s27.070.

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García González, Andrea, Vicente Mas Llorens, and José Santatecla Fayos. "La Villa Sarabhai. La riqueza de lo ambiguo." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.910.

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Resumen: La Villa Sarabhai ha sido considerada en gran parte de las referencias críticas como un paradigma de la "architecture femelle" por absorber el emplazamiento y por sus espacios abovedados, llegando a ser asociada con la arquitectura rústica, folklórica, incluso primitiva. Sin embargo, la evolución del proyecto muestra que no existe ninguna voluntad por parte de Le Corbusier de integrar la villa en su entorno ni de rendir tributo a la arquitectura tradicional. Le Corbusier continúa evolucionando dando un nuevo giro a estrategias arquitectónicas ya consolidadas y resistiéndose a las clasificaciones: genera una planta libre mediante muros; transforma la terraza jardín de una habitación sin techo en una pradera; y en lugar de laminar el espacio en vertical lo lamina en horizontal. No obstante, el objetivo de su arquitectura se mantiene firme desde los años 20, generar una sensación continua de desconcierto. En la Villa Sarabhai el visitante no es capaz de afirmar si se encuentra en un edificio anclado al terreno o que se posa sobre él, en una construcción arquitrabada o abovedada, arriba o abajo, dentro o fuera, ni siquiera si lo que percibe es real o una representación de la realidad. Así, la ambigüedad se convierte en el medio para alcanzar la riqueza arquitectónica. Abstract: Villa Sarabhai is considered by many critics to be a paradigm of "architecture femelle", because it absorbs the setting and has vaulted spaces, which are elements associated with a rustic, folkloric, and even primitive, architecture. However, the evolution of the project shows that Le Corbusier did not intend to integrate the villa into the landscape or pay tribute to traditional architecture. Le Corbusier kept evolving. He added new twists to his consolidated architectonic strategies and defied classification: he generated a free plan by using walls; he transformed the garden terrace from a room without a ceiling into a prairie; and, instead of laminating the space in vertical, he laminated it in horizontal. Nevertheless, the aim of his architecture remained constant since the 1920s, generating a permanent feeling of bewilderment. Inside Villa Sarabhai, visitors are not able to confirm if they are in a building which is anchored to the ground, or in one which is resting on it; in an orthogonal construction or in a vaulted one; up or down; inside or outside; not even sure whether what they perceive is real or a representation of reality. The ambiguity becomes the means for reaching the architectonic richness. Palabras clave: Le Corbusier; Villa Sarabhai; Ahmedabad; Architecture femelle; Bóveda; Ambigüedad. Keywords: Le Corbusier; Villa Sarabhai; Ahmedabad; Architecture femelle; Vault; Ambiguity. DOI: http://dx.doi.org/10.4995/LC2015.2015.910

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Pérez Rodríguez, Marta. "HABITAR EL AIRE." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.668.

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Resumen: Existen en las ideas enunciadas por Le Corbusier dos caminos que partiendo aparentemente de mundos paralelos y opuestos, terminarán convergiéndo en un mismo lugar. Con la construcción del Pavillon de l’Esprit Nouveau, en 1925, se define el nuevo espacio exterior vinculado a la vida moderna. Éste, se dará simultáneamente desde lo colectivo, el immeuble-villa, y desde lo individual, la villa, aunque ambos, se suceden como procesos coexistentes. A este vacío, Le Corbusier lo denominará jardin suspendu, y el orden con el cuál se definirá, será el mismo con el que se constituirá todo el sistema. Desde dentro, este jardin, dejará de ser un exterior para concebirse desde las mismos mecánismos que operan dentro de la casa. Entonces ¿Qué es este espacio?. Simplemente, lo que Le Corbusier trazó, una rica dualidad espacial. Al otro lado, y opuesto a la casa, surge siempre un exterior, como extensión infinita de lo natural. ¿De qué forma ordenarlo?¿cómo vincularlo de nuevo al hombre?. Sólo existe una respuesta posible, un único gesto, el arquitectónico, surgido con la construcción de un plano. Con él, asoma la vertical y la horizontal: Aquellas líneas que vinculan de nuevo al hombre con sus leyes. Con ello, el vacío ya no existe, se ha transformado, constituyendo un nuevo espacio. ¿Qué es este espacio?. De nuevo, una rica ambigüedad. Abstract: Into the ideas enunciated by Le Corbusier there are two paths starting apparently from parallel and opposite worlds, but finally coming to converge in a same place. With the construction of the “Pavillon de l’Esprit Nouveau”, in 1925, it is defined the new outside space linked to modern life. This is given simultaneously from the collective with the “immeuble-villa”, and from the individual, la villa, although both succeed as coexistent processes. This emptiness was called by Le Corbusier “jardin suspendu”, and the order to define it, will be the same used to build the whole system. From inside, this garden will fail to be an outside to be conceived from the same mechanisms that work into the house. So, what is this space? It is simply what Le Corbusier designed, a rich space duality. In the other side, and opposite the house, an outside emerges always, like a boundless extent of the natural. Which way can it be arranged? How can it be linked again to the human? It exists only one possible answer, one unique gesture, the architectonic one, which emerges with the construction of a plan. With it, vertical and horizontal positions arise: those lines that link again the man with his laws. With it, this emptiness doesn’t exists anymore, it has changed becoming in a new space. What is this space? Again, a rich ambiguity. Palabras clave: immeuble-villa, jardin suspendu, interior, exterior, dualidad especial. Keywords: immueble-villa, jardin suspendu, inside, outside, space duality. DOI: http://dx.doi.org/10.4995/LC2015.2015.668

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