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Journal articles on the topic 'Verrücktheit'

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Author: Grafiati

Published: 25 July 2024

Last updated: 26 July 2024

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1

Kraepelin, Emil. "Paranoia (Verrücktheit) - 1904." Revista Latinoamericana de Psicopatologia Fundamental 13, no. 2 (June 2010): 333–51. http://dx.doi.org/10.1590/s1415-47142010000200013.

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Aqui publicamos a tradução brasileira (1905) do capítulo sobre a paranoia, extraído da sétima edição alemã (1904) do tratado (Lehrbuch) de psiquiatria de Emil Kraepelin. O autor discute o diagnóstico da paranoia e, particularmente, faz a distinção entre a paranoia e a demência precoce.

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2

Kendler, Kenneth S. "Tracing the Roots of Dementia Praecox: The Emergence of Verrücktheit as a Primary Delusional-Hallucinatory Psychosis in German Psychiatry From 1860 to 1880." Schizophrenia Bulletin 46, no. 4 (June 9, 2020): 765–73. http://dx.doi.org/10.1093/schbul/sbaa039.

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Abstract While the roots of mania and melancholia can be traced to the 18th century and earlier, we have no such long historical narrative for dementia praecox (DP). I, here, provide part of that history, beginning with Kraepelin’s chapter on Verrücktheit for his 1883 first edition textbook, which, over the ensuing 5 editions, evolved into Kraepelin’s mature concepts of paranoia and paranoid DP. That chapter had 5 references published from 1865 to 1879 when delusional-hallucinatory syndromes in Germany were largely understood as secondary syndromes arising from prior episodes of melancholia and mania in the course of a unitary psychosis. Each paper challenged that view supporting a primary Verrücktheit as a disorder that should exist alongside mania and melancholia. The later authors utilized faculty psychology, noting that primary Verrücktheit resulted from a fundamental disorder of thought or cognition. In particular, they argued that, while delusions in mania and melancholia were secondary, arising from primary mood changes, in Verrücktheit, delusions were primary with observed changes in mood resulting from, and not causing, the delusions. In addition to faculty psychology, these nosologic changes were based on the common-sense concept of understandability that permitted clinicians to distinguish individuals in which delusions emerged from mood changes and mood changes from delusions. The rise of primary Verrücktheit in German psychiatry in the 1860–1870s created a nosologic space for primary psychotic illness. From 1883 to 1899, Kraepelin moved into this space filling it with his mature diagnoses of paranoia and paranoid DP, our modern-day paranoid schizophrenia.

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3

Winnicott, Donald W. "Die Psychologie der Verrücktheit." PSYCHE 72, no. 04 (April 2018): 254–66. http://dx.doi.org/10.21706/ps-72-4-254.

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4

Knies, Stephan. "OPER für alle." Opernwelt 64, no. 1 (2023): 68–69. http://dx.doi.org/10.5771/0030-3690-2023-1-068.

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5

Picht, Johannes. "Zu Winnicotts »Psychologie der Verrücktheit«." PSYCHE 72, no. 04 (April 2018): 267–77. http://dx.doi.org/10.21706/ps-72-4-267.

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6

Noth, Isabelle. "»Verrücktheit hat oft höchsten Sinn«." Wege zum Menschen 61, no. 4 (July 2009): 385–90. http://dx.doi.org/10.13109/weme.2009.61.4.385.

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7

Schwarz, Julian. "Common Sense und Verrücktheit im sozialen Raum." Nervenheilkunde 38, no. 10 (October 2019): 782. http://dx.doi.org/10.1055/a-0949-1178.

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8

Finzen, Asmus. "Goffman wiedergelesen IV: Die Verrücktheit des Platzes." Sozialpsychiatrische Informationen 44, no. 4 (2014): 40–45. http://dx.doi.org/10.5771/0171-4538-2014-4-40.

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9

Sava, Doris. "To ta l g a g a. On the Conceptualisation of Madness in Phraseology." Kronstädter Beiträge zur germanistischen Forschung 23 (June 1, 2023): 191–208. http://dx.doi.org/10.31926/kbzgf.2023.23.11.

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Tradierte Konzepte werden durch ständigen Gebrauch bei den Sprechern mental gefestigt. Von der Allgegenwärtigkeit der Metapher im Alltag ausgehend, zeigt der Beitrag am Beispiel der Konzeptualisierung von WAHNSINN/ VERRÜCKTHEIT auf, wie dieser extreme Geisteszustand im Deutschen versprachlicht wird, wie reich hierbei das phraseologische Material ausfällt und welches Metapherninventar für dieses Konzept vorhanden ist.

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10

Abram, Jan. "Angst vor der Verrücktheit im Kontext von Nachträglichkeit und negativer therapeutischer Reaktion." PSYCHE 72, no. 04 (April 2018): 308–38. http://dx.doi.org/10.21706/ps-72-4-308.

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11

Berrios, German E., Johan Schioldann, and Johan Schioldann. "From Evolutive Paranoia, by August Wimmer (1902)." History of Psychiatry 29, no. 4 (November 9, 2018): 478–95. http://dx.doi.org/10.1177/0957154x18789598.

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Literature on the history of ‘paranoia’ (as a clinical concept) is large and confusing. This is partly explained by the fact that over the centuries the word ‘paranoia’ has been made to participate in several convergences (clinical constructs), and hence it has named different forms of behaviour and been linked to different explanatory concepts. The Classic Text that follows provides information on the internal clinical evolution of the last convergence in which ‘paranoia’ was made to participate. August Wimmer maps the historical changes of ‘ Verrücktheit’ as it happened within the main European psychiatric traditions since the early 19th century. After World War II, that clinical profile was to become reified and renamed as ‘delusional disorder’.

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12

Kendler, Kenneth S. "The Development of Kraepelin’s Mature Diagnostic Concepts of Paranoia (Die Verrücktheit) and Paranoid Dementia Praecox (Dementia Paranoides)." JAMA Psychiatry 75, no. 12 (December 1, 2018): 1280. http://dx.doi.org/10.1001/jamapsychiatry.2018.2377.

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13

Kendler, Kenneth S. "The Development of Kraepelin’s Mature Diagnostic Concept of Catatonic Dementia Praecox: A Close Reading of Relevant Texts." Schizophrenia Bulletin 46, no. 3 (November 2, 2019): 471–83. http://dx.doi.org/10.1093/schbul/sbz101.

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Abstract Through a close reading of texts, this essay traces the development of catatonia from its origination in Kahlbaum’s 1874 monograph to Kraepelin’s catatonic subtype of his new category of Dementia Praecox (DP) in 1899. In addition to Kraepelin’s second to sixth textbook editions, I examine the six articles referenced by Kraepelin: Kahlbaum 1874, Brosius 1877, Neisser 1887, Behr 1891, Schüle 1897, and Aschaffenburg 1897 (Behr and Aschaffenburg worked under Kraepelin). While Brosius and Neisser confirmed Kahlbaum’s descriptions, Behr, Schüle, and Aschaffenburg concluded that his catatonic syndrome was nonspecific and only more narrowly defined forms, especially those with deteriorating course, might be diagnostically valid. Catatonia is first described by Kraepelin as a subform of Verrücktheit (chronic nonaffective delusional insanity) in his second to fourth editions. In his third edition, he adds a catatonic form of Wahnsinn (acute delusional-affective insanity). His fourth and fifth editions contain, respectively, catatonic forms of his two proto-DP concepts: Psychischen Entartungsprocesse and Die Verblödungsprocesse. Kahlbaum’s catatonia required a sequential phasic course. Positive psychotic symptoms were rarely noted, and outcome was frequently good. While agreeing on the importance of key catatonic signs (stupor, muteness, posturing, verbigeration, and excitement), Kraepelin narrowed Kahlbaum’s concept, dropping the phasic course, emphasizing positive psychotic symptoms and poor outcome. In his fourth to sixth editions, as he tried to integrate his three DP subtypes, he stressed, as suggested by Aschaffenburg and Schüle, the close clinical relationship between catatonia and hebephrenia and emphasized the bizarre and passivity delusions seen in catatonia, typical of paranoid DP.

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14

Sommerfeld, Beate. "„Ist das denn auch noch Sprache?“ ̶ Visualität als Entgrenzung der Begriffssprache in Thomas Bernhards Roman Frost." Roczniki Humanistyczne 69, no. 5 (June 16, 2021): 83–95. http://dx.doi.org/10.18290/rh21695-5.

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„Czy jest to jeszcze język?” – wizualność jako wykraczanie poza ramy języka pojęć w powieści Thomasa Bernharda Mróz Artykuł analizuje delimitacje języka w powieści Mróz Thomasa Bernharda. Jego bohater, malarz Strauch, porzucił sztukę i oddaje się fantazjom i marzeniom. W literackich inscenizacjach tej imaginatywnej produkcji obrazów rozwijana jest antropologia wewnętrznych obrazów, które sprzeciwiają się logicznemu porządkowi języka pojęciowego. Bernhard przedstawia koncepcję wizjonerstwa, która kwestionuje wyłączną słuszność kategoryzacji pojęciowej i daje pod rozwagę możliwość specyficznego poznania wizualnego. Powstają obrazy czystej wizualności, które wymykają się komunikacji językowej i przypominają o bezsłownym doświadczeniu wizualnym. Strategie wizualizacji Bernharda są przedstawiane i uwidocznione w ich dyskursywnych powiązaniach z pytaniami antropologicznymi. Der Beitrag geht den Entgrenzungen der Sprache nach, die in Bernhards Roman Frost metapoetisch zur Disposition gestellt und performativ eingelöst werden. Dessen Protagonist, der Maler Strauch, hat der Ausübung seiner Kunst entsagt und gibt sich seinen Phantasien und Traumvisionen hin. In den literarischen Inszenierungen dieser inneren Bildproduktion wird ein Konzept der visionären Schau entfaltet, welches die alleinige Geltung begrifflicher Kategorisierungen infrage stellt und auf die Brückenlosigkeit zwischen wortlosem Bilderlebnis und Sprache verweist. Die aus der Handlung herausgesprengten Tableaus einer von Begriffslogik entbundenen, opaken Visualität zersetzen den Logos der Wissenschaftssprache und werden von dieser mit dem Stigma der Verrücktheit belegt. Bernhards Visualisierungsstrategien werden auf rhetorischer und synästhetischer Ebene nachvollzogen und dabei in ihren diskursiven Verflechtungen mit anthropologischen Fragestellungen sichtbar gemacht. So wird ein diskursiver Bezug zur Psychopathologie angedeutet, indem die psychopathologischen Anteile einer radikal künstlerischen Existenz herausgestellt werden, die als kommunikative Lähmung in der rational verfassten Welt entworfen wird. Zudem unterhalten die Visionen eine untergründige Beziehung zu menschheitsgeschichtlich früheren Zuständen des Bewusstseins, die als phylogenetische Relikte weiterhin präsent sind und eine tiefere Wirklichkeitsschicht erlebbar machen, die jenseits von Sprache liegt.

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15

Müller, Christoph. "Das Absurde wird alltäglich." Psychiatrische Pflege 3, no. 2 (April 1, 2018): 45–47. http://dx.doi.org/10.1024/2297-6965/a000158.

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Zusammenfassung. Elias Hirschl hat als Zivildiener in einem Wohnheim für Behinderte und psychisch erkrankte Menschen in der österreichischen Hauptstadt Wien gearbeitet. Diese bewegende Zeit hat der Schriftsteller und Poetry Slammer in seinem Buch „Hundert schwarze Nähmaschinen“ dokumentiert. Das abwechslungsreiche Buch erweckt den Eindruck, in beeindruckender Authentizität das Erlebte nachzuzeichnen. Christoph Müller hat mit Elias Hirschl über die Verrücktheiten und Absurditäten der Arbeit mit Menschen gesprochen, die sich zum Teil selber entrückt sind.

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16

Sava, Doris. "Zur Konzeptualisierung extremer Geisteszustände In der deutschen und rumänischen Phraseologie." Transilvania, 2022. http://dx.doi.org/10.51391/trva.2022.08.07.

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The orientation of phraseological nomination towards the human allows the reflection of everyday collective observations, experiences and evaluations of a certain (norm-deviating) behaviour or action. The paper explores the role of the linguistic image in the metaphorisation of the concept ‘Wahnsinn’/‘Verrücktheit’ in German and Romanian, in order to ask about the productive initial domains for the conceptualisation of this term, since conceptual spheres allow conclusions to be drawn about the models of thought and values anchored in the language. The interlingual analysis of this particular excerpt from the German and Romanian lexicon of phrases makes it clear that one cannot speak of serious differences in the phraseological realisation or of differing valuations and that universal and productive metaphorical patterns can be discerned in the conceptualisation of ‘Wahnsinn’/‘Verrücktheit’ in German and in Romanian.

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17

Leeuwen-Tumovcová, Jiřina van. "‚RATIONALITÄT‘ und ,IRRATIONALITÄT‘ als LINEARITÄT und ZIRKULARITÄT: Zur Konzeptualisierung der Verrücktheit und der praktischen Vernunft." Zeitschrift für Slawistik 41, no. 3 (January 1996). http://dx.doi.org/10.1524/slaw.1996.41.3.305.

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18

Gregson, William. "The Sociality of Madness: Hegel on Spirit's Pathology and the Sanity of Ethicality." Hegel Bulletin, July 13, 2023, 1–25. http://dx.doi.org/10.1017/hgl.2023.16.

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Abstract Despite a profound concern for the epistemological, ontological and ethical conditions for being-at-home-in-the-world, G.W.F. Hegel published very little on a particularly serious threat to being-at-home: mental illness and disorder. The chief exception is found in Hegel's Encyclopaedia of the Philosophical Sciences (1830). In this work, Hegel briefly provides an ontology of madness (Verrücktheit), wherein madness consists in the inward collapsing of subjectivity and objectivity into the individual's unconscious and primordial feeling soul. While there has been an increasing number of studies on Hegel's conception of madness, I propose that there is another overlooked way to understand madness in Hegel's system: as social pathology. I argue in this article that Hegel offers a compelling social account of madness in the Phenomenology of Spirit (1807), which arises at the elevated, self-reflective and community level of spirit. This sociality of madness, as I call it, occurs when spirit is unable to reconcile two contradictory yet equally essential aspects of its reality, resulting in spirit's structural homelessness. I argue that by examining this overlooked sociality of madness, we may read Hegel's political-philosophical project in a new light: on the one hand, the ethical life (Sittlichkeit) presented in the Philosophy of Right (1821) becomes understood as a political therapeutic. On the other hand, if the ethical life fails to live up to the demand of being an adequate spiritual therapeutic, then the traditional reading of the Philosophy of Right as a reconciliatory hermeneutic becomes problematized, opening up new avenues for the proliferation of social pathology.

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