Academic literature on the topic 'Vanessa Beecroft'
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Journal articles on the topic "Vanessa Beecroft"
Steinmetz, Julia, Heather Cassils, and Clover Leary. "Behind Enemy Lines: Toxic Titties Infiltrate Vanessa Beecroft." Signs: Journal of Women in Culture and Society 31, no. 3 (March 2006): 753–83. http://dx.doi.org/10.1086/499083.
Full textMarx Estarque, Maya. "Confluencia e Hibridación entre Arte y Moda en el Proceso Creativo de creadores Contemporáneos." deSignis, no. 32 (January 1, 2020): 145–52. http://dx.doi.org/10.35659/designis.i32p145-152.
Full textDelvaux, Martine. "Écriture et nudité. Les femmes de Nelly Arcan et de Vanessa Beecroft." Tangence, no. 103 (May 2, 2014): 79–91. http://dx.doi.org/10.7202/1024972ar.
Full textŚnieciński, Marek. "Problem nagości, tożsamości i dorastania (w dziełach współczesnych artystek)." DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU 25, no. 25 (February 25, 2019): 68–87. http://dx.doi.org/10.5604/01.3001.0012.9853.
Full textŚnieciński, Marek. "THE PROBLEM OF NUDITY, IDENTITY AND GROWING UP IN WORKS OF CONTEMPORARY WOMEN ARTISTS." DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU 25, no. 25 (February 25, 2019): 68–87. http://dx.doi.org/10.5604/01.3001.0012.9830.
Full textSperling, Jutta. "The Anachronic Madonna Lactans: Impersonations of the Nursing Virgin by Cindy Sherman, Catherine Opie, and Vanessa Beecroft." Zeitschrift für Kunstgeschichte 84, no. 3 (September 1, 2021): 408–40. http://dx.doi.org/10.1515/zkg-2021-3005.
Full textEgri, Petra. "A színre vitt divat: kortárs ruhaperformanszok." Apertura 15, no. 4 (2020): 1–19. http://dx.doi.org/10.31176/apertura.2019.15.4.5.
Full text"Le corps selon Vanessa Beecroft." L'Évolution Psychiatrique 78, no. 4 (October 2013): 691–93. http://dx.doi.org/10.1016/j.evopsy.2013.05.006.
Full textFantuzzi, Arianna. "Il corpo femminile nelle ricerche artistiche di fine Novecento." 28 | 2019, no. 1 (December 11, 2019). http://dx.doi.org/10.30687/va/2385-2720/2019/01/010.
Full textDissertations / Theses on the topic "Vanessa Beecroft"
Roll, Melanie Renee. "PERFORMING THE IMAGE: THE TABLEAUX OF VANESSA BEECROFT." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1416591151.
Full textAubé, Patricia. "L’impact du nombre : vers une neutralisation de l’érotisme dans les œuvres de Vanessa Beecroft et de Spencer Tunick." Master's thesis, Université Laval, 2014. http://hdl.handle.net/20.500.11794/25211.
Full textBurton, Laini Michelle, and n/a. "The Blonde Paradox: Power and Agency Through Feminine Masquerade and Carnival." Griffith University. Queensland College of Art, 2006. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20070122.110616.
Full textBurton, Laini Michelle. "The Blonde Paradox: Power and Agency Through Feminine Masquerade and Carnival." Thesis, Griffith University, 2006. http://hdl.handle.net/10072/365277.
Full textThesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
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Tampayeva, Zhamila. "La performance artistique à l’ère de l’ubiquité photographique : le cas de Vanessa Beecroft." Thèse, 2019. http://hdl.handle.net/1866/23780.
Full textDigital photography has transformed our social behaviour and has become an important part of our daily lives. The contemporary art scene also followed this trend. The late 1960s were marked by the emergence of ephemeral art practices, including performance. These twentieth-century artistic trends prompted an intensified usage of photographic documenting in art. The photographic medium has gradually become a major support for ephemeral artistic creation. The ephemeral dimension of photography has thus become more material, which has in turn allowed possessing these works of art. Vanessa Beecroft, an Italian American artist, is a perfect example of this phenomenon, as her art brings together these tendencies and paradoxes. She has been both criticized for her exploitative approach toward women who participate in her performances and glorified as a feminist artist. Her artistic production erases the boundaries between the real world and the imaginary, as well as between the world of legitimate art and that of popular culture, the art market, and commerce. In my thesis, I study the photographs taken during Beecroft’s performances as independent works of art. This allows me to push the sociological analysis further and to trace a series of mediations that are at the heart of her work and that create the value of these artworks. Lastly, this analysis places Beecroft’s work in the global context of the current art market.
Lafrenière, Julie. "Les inscriptions vestimentaires comme support identitaire dans le travail de Jana Sterbak et de Vanessa Beecroft." Mémoire, 2006. http://www.archipel.uqam.ca/3221/1/M9614.pdf.
Full textSaraiva, Catarina 1973. "Espelhos e reflexos." Master's thesis, 2012. http://hdl.handle.net/10451/6333.
Full textThis dissertation is part of my Master‟s Degree in Painting (course variant I), at Faculdade de Belas Artes, Universidade de Lisboa. Its objective is to present a reflection on such concepts as body, identity, duplication, fragmentation or distortion, and how they mould a variety of approaches to the representation and construction of the feminine. Throughout the history of Western Art, the mirror, as an attribute of seduction, has accompanied the image of the woman. In contemporaneity in general and in contemporary art in particular, it appears as a postmodern deconstruction of classical archetypes that acquires the status of an art object, revealing a multitude of meanings and conveying the personal or collective experiences of the female subject. Within this context, and in accordance with contemporary artistic practices, a number of works by women artists who explore the mirror image‟s dimensional possibilities in a variety of techniques, such as sculpture, photography, performance, video and installation, will be analysed. The reflection carried out within the dissertation theoretical component will be warranted by the study‟s visual work section
Books on the topic "Vanessa Beecroft"
Beecroft, Vanessa. Vanessa Beecroft performances 1993-2003. Edited by Beccaria Marcella, Castello di Rivoli (Museum : Rivoli, Italy), and Kunsthalle Bielefeld. Milano: Skira, 2003.
Find full text1940-, Hickey Dave, ed. VB 08-36: Vanessa Beecroft performances. Ostfildern-Ruit: Hatje Cantz Publishers, 2000.
Find full textBeecroft, Vanessa. Vanessa Beecroft: Performances. Hatje Cantz Publishers, 2000.
Find full textVanessa, Beecroft, Cianchi Lapo, and Fondazione pitti immagine discovery (Italy), eds. VB53: Vanessa Beecroft. Milano: Charta, 2005.
Find full textUnknown. Catalogo Vanessa Beecroft Vb53. UNKNOWN, 1999.
Find full textVanessa Beecroft: VB LV. Charta, 2007.
Find full textMarcella, Beccaria, ed. Vanessa Beecroft: Performances 1993-2003. Milan: Skira, 2003.
Find full textBeccaria, Marcella. Vanessa Beecroft: Performances 1993-2003. Skira, 2004.
Find full textVanessa, Beecroft, and capcMusee d'art contemporain de Bordeaux., eds. Traffic: Vanessa Beecroft ... [et al.]. Bordeaux: capcMusee d'art contemporain, 1996.
Find full textBeecroft, Vanessa. Vanessa Beecroft: Photographs, Films, Drawings. Hatje Cantz Publishers, 2004.
Find full textBook chapters on the topic "Vanessa Beecroft"
Johnson, Clare. "Near-Stillness in the Art Films of Sam Taylor-Johnson and Vanessa Beecroft." In Femininity, Time and Feminist Art, 132–51. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137318091_8.
Full text"Vanessa Beecroft: Körper als Fetische." In Ästhetik der Begegnung, 180–85. transcript-Verlag, 2013. http://dx.doi.org/10.14361/transcript.9783839423257.180.
Full text"Vanessa Beecroft: Körper als Fetische." In Ästhetik der Begegnung, 180–85. transcript Verlag, 2013. http://dx.doi.org/10.1515/transcript.9783839423257.180.
Full text"Aus dem Rahmen (ge-)fallen. Tableaux vivants in Goethes Wahlverwandtschaften und bei Vanessa Beecroft." In Äpfel und Birnen, 73–94. transcript-Verlag, 2006. http://dx.doi.org/10.14361/9783839404980-004.
Full textTacke, Alexandra. "Aus dem Rahmen (ge-)fallen. Tableaux vivants in Goethes Wahlverwandtschaften und bei Vanessa Beecroft." In Äpfel und Birnen, 73–94. transcript Verlag, 2006. http://dx.doi.org/10.1515/9783839404980-004.
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