Journal articles on the topic 'University of Edinburgh. Music'
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Sewell, John Ike. "Freak Scenes: American Indie Cinema and Indie Music Culture, Jamie Sexton (2023)." Punk & Post-Punk 12, no. 2 (June 1, 2023): 270–72. http://dx.doi.org/10.1386/punk_00205_5.
Full textBently, Lionel. "Music and Copyright. Edited by Simon Frith. Edinburgh: Edinburgh University Press, 1993. 168 pp." Popular Music 14, no. 2 (May 1995): 281–83. http://dx.doi.org/10.1017/s026114300000756x.
Full textSmith, Jeff, Dominic Topp, Jason Gendler, and Francesco Sticchi. "Book Reviews." Projections 13, no. 1 (March 1, 2019): 91–111. http://dx.doi.org/10.3167/proj.2019.130106.
Full textNEGUS, KEITH. "Simon Frith (ed) (1993) Music and Copyright, Edinburgh University Press." Perfect Beat 2, no. 1 (October 7, 2015): 120–21. http://dx.doi.org/10.1558/prbt.v2i1.28811.
Full textStępień-Kutera, Kamila. "The Edinburgh Companion to Literature and Music red. Delia da Sousa Correa (Edinburgh University Press)." Studia Chopinowskie 7, no. 1 (June 13, 2021): 85–86. http://dx.doi.org/10.56693/sc.36.
Full textArnold, Gina. "Freak Scenes: American Indie Cinema and Indie Music Cultures, Sexton Jamie (2023)." Soundtrack, The 14, no. 1 (June 1, 2023): 69–71. http://dx.doi.org/10.1386/ts_00022_5.
Full textFleiner, Carey. "Media and Popular Music. PeterMills. Edinburgh: Edinburgh University Press, 2012. 168 pp. $28.00 paperback, $105.00 cloth." Journal of Popular Culture 46, no. 3 (June 2013): 679–81. http://dx.doi.org/10.1111/jpcu.12043_4.
Full textGIBSON, WILL. "Music as Youth Culture by Dan Laughey (2006). Edinburgh: Edinburgh University Press, 2006. 248 pp., £16.99 paperback. ISBN 07486 23817." British Journal of Music Education 25, no. 2 (June 11, 2008): 213–14. http://dx.doi.org/10.1017/s026505170800795x.
Full textGolding, Rosemary. "Musical Chairs: The Construction of ‘Music’ in Nineteenth-Century British Universities." Nineteenth-Century Music Review 6, no. 2 (November 2009): 19–39. http://dx.doi.org/10.1017/s1479409800003086.
Full textHodkinson, Paul. "Review: Dan Laughey, Music and Youth Culture. Edinburgh: Edinburgh University Press, 2006. £50.00 (hbk), £16.99 (pbk). 248 pp." European Journal of Communication 22, no. 4 (December 2007): 513–16. http://dx.doi.org/10.1177/02673231070220040805.
Full textDunsby, Jonathan. "The Philosophy of Music: Theme and Variations. By Aaron Ridley. pp. viii + 178. (Edinburgh University Press, Edinburgh, 2004, £16.99. ISBN 0-7486-0902-4.)." Music and Letters 87, no. 2 (May 1, 2006): 295–98. http://dx.doi.org/10.1093/ml/gci188.
Full textFurrow, Melissa. "Dalhousie University." Florilegium 20, no. 1 (January 2003): 125–27. http://dx.doi.org/10.3138/flor.20.038.
Full textSmith, Robert. "Reviewer Acknowledgements." Journal of Education and Training Studies 7, no. 11 (October 28, 2019): 128. http://dx.doi.org/10.11114/jets.v7i11.4591.
Full textSmith, Robert. "Reviewer Acknowledgements." Journal of Education and Training Studies 7, no. 3S (March 27, 2019): 134. http://dx.doi.org/10.11114/jets.v7i3s.4184.
Full textPulman, Mark. "Popular Music Genres: An Introduction. By Stuart Borthwick and Ron Moy. Edinburgh: Edinburgh University Press Ltd, 2004. 246z pp. ISBN 0-74861745-0 (paperback)." Popular Music 25, no. 2 (May 2006): 340–42. http://dx.doi.org/10.1017/s026114300625092x.
Full textMillar, Stephen R., Artur Steiner, Francesca Caló, and Simon Teasdale. "COOL Music: a ‘bottom-up’ music intervention for hard-to-reach young people in Scotland." British Journal of Music Education 37, no. 1 (July 12, 2019): 87–98. http://dx.doi.org/10.1017/s0265051719000226.
Full textSmith, Robert. "Reviewer Acknowledgements." Journal of Education and Training Studies 8, no. 6 (May 24, 2020): 50. http://dx.doi.org/10.11114/jets.v8i6.4875.
Full textKotašová, Daniela. "Domestic Music Making and its Instruments: Zpráva z mezinárodní konference hudebních nástrojů v Edinburghu." Muzeum Muzejní a vlastivedná práce 60, no. 1 (2022): 64–68. http://dx.doi.org/10.37520/mmvp.2022.007.
Full textSmith, Robert. "Reviewer Acknowledgements." Journal of Education and Training Studies 7, no. 2 (January 30, 2019): 212. http://dx.doi.org/10.11114/jets.v7i2.4009.
Full textMangaoang, Áine. "Media and Popular Music (Media Topics). By Peter Mills. Edinburgh: Edinburgh University Press, 2012. 168 pp. IBSN 978-0-486-2751-6." Popular Music 33, no. 1 (January 2014): 155–57. http://dx.doi.org/10.1017/s0261143013000615.
Full textCollins, Nick. "Sexton Jamie (ed.) Music, Sound and Multimedia: From the live to the virtual. Edinburgh Edinburgh University Press, 2007 ISBN 978-0-748-62534-5." Organised Sound 14, no. 01 (March 26, 2009): 111. http://dx.doi.org/10.1017/s135577180900017x.
Full textSmith, Robert. "Reviewer Acknowledgements." Journal of Education and Training Studies 7, no. 10 (September 29, 2019): 152. http://dx.doi.org/10.11114/jets.v7i10.4549.
Full textSmith, Robert. "Reviewer Acknowledgements." Journal of Education and Training Studies 7, no. 4 (March 26, 2019): 279. http://dx.doi.org/10.11114/jets.v7i4.4182.
Full textSmith, Robert. "Reviewer Acknowledgements." Journal of Education and Training Studies 7, no. 5 (April 30, 2019): 92. http://dx.doi.org/10.11114/jets.v7i5.4243.
Full textSmith, Robert. "Reviewer Acknowledgements." Journal of Education and Training Studies 7, no. 12 (November 27, 2019): 76. http://dx.doi.org/10.11114/jets.v7i12.4637.
Full textDE VUGT, GEERTJAN. "DAVEY, NICHOLAS. Unfinished Worlds: Hermeneutics, Aesthetics and Gadamer. Edinburgh: Edinburgh University Press, 2013, viii + 190 pp., 1 b&w illus., £70.00 cloth." Journal of Aesthetics and Art Criticism 74, no. 2 (April 2016): 217–19. http://dx.doi.org/10.1111/jaac.12263.
Full textSkinner, James. "Book Review: Jamie Sexton (ed.), Music, Sound and Multimedia: From the Live to the Virtual. Edinburgh: Edinburgh University Press, 2007. 204 pp. ISBN: 0748625348, £16.99 (pbk)." New Media & Society 11, no. 8 (December 2009): 1401–3. http://dx.doi.org/10.1177/1461444809344558.
Full textLogutov, Andrei. "Chronicle of Intermedia Migration (Review of The Edinburgh Companion to Literature and Music, Edinburgh University Press, 2020; American Lit Remixed: Music in Twenty-First-Century American Literature by Melissa J. Strong, Lexington Books, 2021)." Novoe literaturnoe obozrenie, no. 4 (2022): 299–309. http://dx.doi.org/10.53953/08696365_2022_176_4_299.
Full textGoebel, Rolf J. "The Edinburgh Companion to Literature and Music. Edited by Delia da Sousa Correa. Edinburgh: Edinburgh University Press, 2020. 726 pages + 24 b/w illustrations + 76 musical illustrations. £175,00 / $230.00 hardcover or e-book." Monatshefte 113, no. 1 (March 26, 2021): 117–19. http://dx.doi.org/10.3368/wpm.113.1.117.
Full textGoebel, Rolf J. "The Edinburgh Companion to Literature and Music.Edited by Delia da Sousa Correa. Edinburgh: Edinburgh University Press, 2020. 726 pages + 24 b/w illustrations + 76 musical illustrations. £175,00 / $230.00 hardcover or e-book." Monatshefte 113, no. 1 (March 26, 2021): 117–19. http://dx.doi.org/10.3368/m.113.1.117.
Full textCelik, Sibel, and Alper Semih Sari. "Examining of Conservatory Students' Mental Well-Being Levels Aspects of Various Variables." Asian Journal of Education and Training 8, no. 1 (January 21, 2022): 1–7. http://dx.doi.org/10.20448/edu.v8i1.3653.
Full textAhlander, Per G. L. "Richard Wagner’s Der fliegende Holländer – A Flying Hebridean in Disguise?" Scottish Studies 36 (December 31, 2013): 1. http://dx.doi.org/10.2218/ss.v36.2703.
Full textGreig, David. "‘I Let the Language Lead the Dance’: Politics, Musicality, and Voyeurism." New Theatre Quarterly 27, no. 1 (February 2011): 3–13. http://dx.doi.org/10.1017/s0266464x11000017.
Full textCapper, Charles, and Anthony La Vopa. "A NOTE FROM THE EDITORS." Modern Intellectual History 8, no. 1 (March 3, 2011): 1–2. http://dx.doi.org/10.1017/s1479244311000023.
Full textSCULLY, PAMELA. "MUSIC, MIGRATION AND IDENTITY Songs of the Women Migrants: Performance and Identity in South Africa. By DEBORAH JAMES. Edinburgh: Edinburgh University Press for the International African Institute, 1999. Pp. x+238. £14.95, paperback (ISBN 0-7486-1304-8)." Journal of African History 42, no. 3 (December 2001): 491–544. http://dx.doi.org/10.1017/s0021853701478145.
Full textNurdiyanto, F. A., Enggar Putri Harjanti, and Rinekso Wismanto Laban. "Peranan kesepian sebagai moderator antara distres psikologis dengan kesejahteraan psikologis mahasiswa selama pandemi COVID-19." Persona:Jurnal Psikologi Indonesia 11, no. 2 (March 30, 2023): 140–53. http://dx.doi.org/10.30996/persona.v11i2.6900.
Full textAnderson, Martin. "Estonian Composers (combined Book and CD Review)." Tempo 59, no. 232 (April 2005): 60–66. http://dx.doi.org/10.1017/s0040298205210161.
Full textSmaill, Alan, G. Brett, S. Davismoon, S. McGrath, E. Miranda, S. Robinson, and G. Wiggins. "New Music in Edinburgh." Computer Music Journal 17, no. 1 (1993): 66. http://dx.doi.org/10.2307/3680572.
Full textKnights, F. "Early keyboards at Edinburgh." Early Music 39, no. 3 (August 1, 2011): 477. http://dx.doi.org/10.1093/em/car075.
Full textJohnson, David. "MUSIC PUBLISHING IN EIGHTEENTH-CENTURY EDINBURGH." Journal for Eighteenth-Century Studies 1, no. 1 (October 1, 2008): 51–56. http://dx.doi.org/10.1111/j.1754-0208.1978.tb00567.x.
Full textCowan, David. "Artificial intelligence at Edinburgh university." Computer-Aided Design 17, no. 9 (November 1985): 465–69. http://dx.doi.org/10.1016/0010-4485(85)90295-7.
Full textJohnson, David. "Edinburgh: Lyell Cresswell's ‘Good angel, bad Angel’." Tempo 59, no. 234 (September 21, 2005): 40–41. http://dx.doi.org/10.1017/s0040298205240305.
Full textNeale, Micah Anne. "A lively tour of 18th-century Edinburgh." Early Music 46, no. 3 (August 2018): 526–28. http://dx.doi.org/10.1093/em/cay063.
Full textNarveson, Jan. "Freedom from Past Injustices Nahshon Perez Edinburgh: Edinburgh University Press, 2012." Canadian Journal of Political Science 47, no. 4 (October 10, 2014): 864–65. http://dx.doi.org/10.1017/s0008423914000961.
Full textWells, Dominic. "Iain Atack. Nonviolence in Political Theory. Edinburgh: Edinburgh University Press, 2012." Peace & Change 40, no. 3 (June 22, 2015): 423–25. http://dx.doi.org/10.1111/pech.12137.
Full textGearey, Adam. "Peter Goodrich, Schreber’s Law (Edinburgh: Edinburgh University Press, 2018) pp. 162." Law & Literature 32, no. 3 (August 12, 2020): 477–81. http://dx.doi.org/10.1080/1535685x.2020.1796253.
Full textGuenova, Ludmila L. "Kant's Aesthetic Epistemology, by Fiona Hughes. Edinburgh: Edinburgh University Press, 2007." Kantian Review 14, no. 2 (July 2010): 155–58. http://dx.doi.org/10.1017/s1369415400001539.
Full textMcCleery, Alistair, and David Finkelstein. "Archie Turnbull and Edinburgh University Press." Journal of Scholarly Publishing 37, no. 1 (October 2005): 33–47. http://dx.doi.org/10.3138/jsp.37.1.33.
Full textCarlyle, T. "TC TO THE UNIVERSITY OF EDINBURGH." Carlyle Letters Online 26, no. 1 (January 1, 1998): 259. http://dx.doi.org/10.1215/lt-18511209-tc-ue-01.
Full textConway, Paul. "James MacMillan premieres in Edinburgh, Glasgow and London." Tempo 68, no. 269 (June 16, 2014): 70–72. http://dx.doi.org/10.1017/s0040298214000114.
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