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Books on the topic 'Uneven productions of space'

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Published: 30 June 2021
Last updated: 13 February 2022

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1

Uneven re-production: Industry, space, and society. Oxford, UK ;Tarrytown, N.Y: Pergamon, 1994.

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2

Uneven development: Nature, capital, and the production of space. Oxford, UK: B. Blackwell, 1991.

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3

Uneven development: Nature, capital, and the production of space. 3rd ed. Athens: University of Georgia Press, 2008.

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4

Uneven development: Nature, capital, and the production of space. Oxford, UK: B. Blackwell, 1990.

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5

Uneven development: Nature, capital, and the production of space. 3rd ed. London: Verso, 2010.

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6

Peck, Jamie. Time, space, flexibility: Uneven development in regulation theory. Leeds: University of Leeds, School of Geography, 1992.

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7

Shakespeare in space: Recent Shakespeare productions on screen. New York: Peter Lang, 2002.

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8

CEFRESS (Center : Université de Picardie), ed. Représentations et productions de l'espace dans les sociétés contemporaines. Paris: L'Harmattan, 2009.

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9

Richard, Dennis. Cities in modernity: Representations and productions of metropolitan space, 1840-1930. New York, NY: Cambridge University Press, 2008.

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10

Holdar, Magdalena. Scenography in action: Space, time and movement in theatre productions by Ingmar Bergman. Stockholm: Konstvetenskapliga institutionen, 2005.

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11

Krasniqi, Gëzim. Uneven Citizenship: Minorities and Migrants in the Post-Yugoslav Space. Routledge, 2017. http://dx.doi.org/10.4324/9781315677828.

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12

Pratt, Andy C. Uneven Reproduction: Industry, Space and Society (Policy, Planning and Critical Theory). Pergamon, 1994.

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13

Pratt, Andy C. Uneven Reproduction: Industry, Space and Society (Policy, Planning and Critical Theory). Pergamon, 1994.

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14

Pratt, Andrew, and Andy C. Pratt. Uneven Reproduction: Industry, Space and Society (Policy, Planning, and Critical Theory). Butterworth-Heinemann, 1994.

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15

Pratt, Andrew, and Andy C. Pratt. Uneven Reproduction: Industry, Space and Society (Policy, Planning, and Critical Theory). Butterworth-Heinemann, 1994.

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16

Uneven Space-Times of Education: Historical Sociologies of Concepts, Methods and Practices. Taylor & Francis Group, 2017.

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17

Harvey, David. Spaces of Global Capitalism: A Theory of Uneven Geographical Development. Verso, 2006.

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18

Harvey, David. Spaces of Global Capitalism: A Theory of Uneven Geographical Development. Verso, 2006.

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19

Hilde, Heynen, and Baydar Gulsum, eds. Negotiating domesticity: Spatial productions of gender in modern architecture. New York: Routledge, 2005.

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20

Baydar, Gulsum. Negotiating Domesticity Spatial productions of gender in modern architecture. Routledge, 2005.

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21

Abbott, Jon. Irwin Allen Television Productions, 1964-1970: A Critical History of Voyage to the Bottom of the Sea, Lost in Space, the Time Tunnel and Land of the Giants. McFarland & Company, Incorporated Publishers, 2009.

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22

Irwin Allen Television Productions, 1964-1970: A Critical History of Voyage to the Bottom of the Sea, Lost in Space, The Time Tunnel and Land of the Giants. McFarland & Company, Inc., Publishers, 2006.

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23

Culpepper, Pepper D. Capitalism, Institutions, and Power in the Study of Business. Edited by Orfeo Fioretos, Tulia G. Falleti, and Adam Sheingate. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199662814.013.27.

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This chapter explores the contributions of historical institutionalist scholarship to understanding preference formation in business. It critiques the analytical drift of the literature away from some conceptual sites of essential political action in democratic capitalism: issues of power, common trends across capitalist countries, and the role of voters in structuring the character of political conflict among interest groups and political parties. The chapter proposes a governance space, defined by the two dimensions of political salience and institutional formality, as a way to combine insights about the importance of institutional context with the structurally uneven allocation of power resources in capitalism.
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24

Reny, Marie-Eve. Containment and Authoritarian Regime Resilience. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190698089.003.0006.

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Containment enables church leaders to secure themselves space for the informal practice of religion outside state institutions. It also minimizes the risks that churches are punished for avoiding the central government’s regulations on religious affairs. Yet the strategy yields uneven benefits for unregistered churches and the local state. This chapter accounts for how containment contributes to the resilience of China’s authoritarian regime. It depoliticizes house church leaders, feeds divisions between compliant and dissident church leaders, and generates information about unregistered churches that ultimately makes local governance less co-optive and less coercive. It then discusses the circumstances in which containment might not yield its intended outcome, that is, empower house churches in ways that unsettle the regime.
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25

Ruiter, Stijn. Crime Location Choice. Edited by Wim Bernasco, Jean-Louis van Gelder, and Henk Elffers. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199338801.013.20.

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Crime is unevenly distributed in space. This chapter discusses the uneven spatial patterns in crime from an offender decision-making perspective. It describes the main theoretical perspectives in environmental criminology (the rational choice perspective, routine activity approach, and crime pattern theory) and reviews the empirical research with an emphasis on studies that have used a discrete spatial choice framework for analyzing individual crime location choices. The strength of the discrete spatial choice framework, several of its assumptions, and its link with random utility maximization theory are discussed. The chapter concludes with several challenges for future crime location choice research, including challenges regarding temporal aspects of criminal decision making, planned versus opportunistic crimes, and solved versus unsolved crimes.
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26

Meierhenrich, Jens. The Decline of a Classic. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198814412.003.0008.

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This chapter explores the uneven reception of Fraenkel’s classic across space and time, with particular reference to the book’s very different fortunes in the United States and postwar Germany. I account in detail for the international recognition bestowed on Fraenkel in the early 1940s, and its subsequent status as an obligatory footnote—a marginalized classic that few had read and even fewer understood. I also explain why The Dual State failed to make inroads in Germany until the early 1970s, when the first German edition was published. I weave into the analysis elements of an intellectual biography, charting Fraenkel’s career, inter alia, in the U.S. Foreign Economic Administration, which operated under the auspices of the Office of Strategic Services (OSS); as a U.S. legal adviser in the international territorial administration of Korea; and as reluctant doyen of political science in postwar Germany.
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27

Cole, Emma. Postdramatic Tragedies. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198817680.001.0001.

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Ancient tragedy has played a well-documented role in contemporary theatre since the mid-twentieth century. In addition to the often-commented-upon watershed productions, however, is a significant but overlooked history involving classical tragedy in experimental and avant-garde theatre. Postdramatic Tragedies focuses upon such experimental reinventions. It analyses receptions of Greek and Roman tragedy that come under the banner of ‘postdramatic theatre’, a style of performance in which the traditional components of drama, such as character and narrative, are subordinate to the immediate, affective power of more abstract elements, such as image and sound. The book is in three parts, each of which explores classical reception within a specific strand of postdramatic theatre: text-based theatre, devised theatre, and theatre that transcends the usual boundaries of time and space, such as durational and immersive theatre. Across the three sections the author conducts a semiotic and phenomenological analysis of seven case studies, of productions from 1995 to 2015 from the United Kingdom, the United States, Australia, and Continental Europe. The book covers a mixture of widely known productions, such as Sarah Kane’s Phaedra’s Love, alongside works largely unknown in Anglophone scholarship, such as Martin Crimp’s Alles Weitere kennen Sie aus dem Kino and Jan Fabre’s Mount Olympus. It reveals that postdramatic theatre is related to the classics at its conceptual core, and that the study of postdramatic tragedies reveals a great deal about both the evolution of theatre in recent decades, and the status of ancient drama in modernity.
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28

Amine, Khalid. Shakespeare’s Tragedies in North Africa and the Arab World. Edited by Michael Neill and David Schalkwyk. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.013.51.

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Shakespeare was introduced into the Arab world in the first half of the nineteenth century, a period characterized both by Arab retreat from the international scene and by Western colonial desire in the Middle East. In the earliest productions the aura of Shakespeare’s canon was preserved and represented as a mythical space. But the second stage, from the early 1960s up to the present, has been characterized by postcolonial disavowal and revisions of power relationships through the practice of a ‘double critique’.
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29

Douglas, Gordon C. C. The Help-Yourself City. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190691332.001.0001.

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When cash-strapped local governments don’t provide adequate services, and planning policies prioritize economic development over community needs, what is a concerned citizen to do? In the help-yourself city, you do it yourself. The Help-Yourself City presents the results of nearly five years of in-depth research on people who take urban planning into their own hands with unauthorized yet functional and civic-minded “do-it-yourself urban design” projects. Examples include homemade traffic signs and public benches, guerrilla gardens and bike lanes, even citizen development “proposals,” all created in public space without permission but in forms analogous to official streetscape design elements. With research across 17 cities and more than 100 interviews with do-it-yourselfers, professional planners, and community members, the book explores who is creating these unauthorized improvements, where, and why. In doing so, it demonstrates the way uneven development processes are experienced and responded to in everyday life. Yet the democratic potential of this increasingly celebrated trend is brought into question by the privileged characteristics of typical do-it-yourself urban designers, the aesthetics and cultural values of the projects they create, and the relationship between DIY efforts and mainstream planning and economic development. Despite its many positive impacts, DIY urban design is a worryingly undemocratic practice, revealing the stubborn persistence of inequality in participatory citizenship and the design of public space. The book thus presents a needed critical analysis of an important trend, connecting it to research on informality, legitimacy, privilege, and urban political economy.
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30

Wenzel, Jennifer. The Disposition of Nature. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823286782.001.0001.

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What role have literature and other cultural imagining played in shaping understandings of the world and the planet, for better and for worse? How might the formal innovations, rhetorical appeals, and sociological imbrication of world literature help confront unevenly distributed environmental challenges, including global warming? This book examines the rivalry between world literature and postcolonial theory from the perspective of environmental humanities, Anthropocene anxiety, and the material turn. Drawing its examples primarily from Africa and South Asia, it takes a contrapuntal approach to sites and subjects dispersed in time and space. Reading for the planet means reading from near to there: across experiential divides, between specific sites, at more than one scale. Recurrent concerns across the chapters are the multinational corporation (and the colonial charter company) as a vector of globalization and source of cultural imaginings and environmental harm; who (or what) can be regarded as a person; scenes of world-imagining from below in which characters or documentary subjects situate their experience within a transnational context; and formal strategies that invite reflexivity from the audience, in order to register, at the level of literary form, the uneven universality of vulnerability to environmental harm. The book argues for the relevance of the literary to environmental thought and practice. An understanding of cultural imagining and narrative logics can foster more robust accounts of global inequality, to energize movements for justice and livable futures.
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31

O'Donnell, S. Jonathon. Passing Orders. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823289677.001.0001.

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Demonization has increasingly become central to the global religious and political landscape. Passing Orders interrogates this centrality through an analysis of evangelical “spiritual warfare” demonologies in contemporary America, which envision the world as built on a clash of divine and demonic forces in which humanity is enmeshed. Situating spiritual warfare in the context of American exceptionalism, ethnonationalism, and empire-management, it exposes the theological foundations that justify the dehumanizing practices of the current US political order—queer- and transphobia, Islamophobia, antiblackness, and settler colonialism. The book argues that demonologies are not merely tools of dehumanization but ontological and biopolitical systems that create and maintain structures of sovereign power, or orthotaxies: models of the “right ordering” of reality that create uneven geographies of space and stratify humanity into hierarchies of being and nonbeing. Demonologies constitute and consolidate these geographies and stratifications by enabling the framing of other orders as passing orders—as counterfeit, transgressive, and transient. But these orders are unwilling to pass on, instead giving structure to deviant desires that resist sovereign power. Demonstrating these structures of resistance in demonologies of three figures—the Jezebel spirit, the Islamic Antichrist, and Leviathan—Passing Orders explores how demons exceed their designated role as self-consolidating others to embody alternative possibilities that unsettle orthotaxic claims over territory, time, and truth. Ultimately, it reimagines demons as a surprising source of political and social resistance, reflecting fragile and fractious communities bound by mutual passing and precarity into strategic coalitions of solidarity, subversion, and survival.
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32

Crawford, Margo Natalie. Black Inside/Out. University of Illinois Press, 2018. http://dx.doi.org/10.5406/illinois/9780252041006.003.0007.

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The sixth chapter examines the role of inner and outer space in cultural productions of black post-blackness. Crawford develops a theory of black public interiority (a theory of black cultural movements’ ability to create a sense of shared interiority within the public space of the collective). She argues that the Black Arts Movement was aspiring for public art that could be experienced as both a black interior and an open space created by a collective. This chapter analyzes a range of installation art and other visual art, film, and letter writing that dramatize the black interior being experienced as the black outdoors. Crawford demonstrates that the BAM set in motion a vital process (that black aesthetics continue to engage) of refusing to allow black interiority to be defined as the province of the black bourgeoisie. The art examined includes installation art created by Kara Walker, outdoor murals, the film Night Catches Us, the letter writing of Carolyn Rodgers and Hoyt Fuller, and more.
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33

White, Christine. ‘Humming the Sets’. Edited by Robert Gordon and Olaf Jubin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199988747.013.17.

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This chapter discusses the impact of stage design on musical theatre, and the development of musical theatre as a product packaged for consumption across the world. Its focus is chiefly on British musicals of the late twentieth and early twenty-first centuries, during which ‘scenography’ has become recognized as the term for describing the whole theatre-designed space, encompassing, set, costume, sound, light, and more recently including film, animations, and a host of projection technologies and digital media. The chapter refers to contemporary reviews of productions, their success and failure, and the nature of the musical as a form in harmony with new scenic production aesthetics. What becomes apparent in this chapter is the interconnectedness of scenic practices and production aesthetics, which relates directly to the visual impact of musicals on the British stage and the interchange of production styles and modes of the UK and North America.
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34

Attiwill, Suzie. Framing – ?interior. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474429344.003.0004.

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This chapter presents a series of exhibition and curatorial projects situated in the discipline of interior design that experimented with questions of interior and interiority, subject and object relations, spatial and temporal conditions. Deleuze’s critique of interior and interiority as isolated, pre-existing entities provokes a thinking and doing otherwise where space and subjectivity, interior and exterior are unquestioned givens. Thinking through practising with Deleuze, the technique of framing is re-posed as a technique of interiorization where interior and interiority are productions in exteriority; the frame as a fold of an outside that involves processes of selection and arrangement. Deleuze’s book Foucault and the ‘Outside-interior’ and Elizabeth Grosz’s Chaos, Territory, Art. Deleuze and the Framing of the Earth are key references. The chapter poses ‘?interior’ – with reference to Deleuze’s ?-being – as a problematic to be addressed through designing interior – each time anew.
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35

Shaughnessy, Robert. The Time Is Out of Joint. Edited by James C. Bulman. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199687169.013.31.

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One of the culturally dominant means through which time is conceptualized as space, and vice versa, jet lag has increasingly become a metaphor we live by. It has particular resonances for Shakespearean performance, a phenomenon that is, by definition, perpetually out of time. Taking as a point of departure Brian Cox’s 1991 account of his experience of the National Theatre’s touring productions of King Lear and Richard III, this chapter aligns the predicament of the jet -lagged traveller, the off-form actor, and the jet-lagged, off-form travelling actor to argue that their mutual predicament offers an under-explored frame of reference for performance in general and for Shakespeare in performance in particular. It examines how mechanisms of synchrony (or entrainment) shape the actor’s work in performance and with the audience. It also examines the implications of theatrical good and bad timing, and the sometimes unexpected consequences of time getting out of joint.
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36

Cartelli, Thomas. High-Tech Shakespeare in a Mediatized Globe. Edited by James C. Bulman. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199687169.013.9.

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Abstract In successive single-set productions of Coriolanus, Julius Caesar, and Antony and Cleopatra, Ivo van Hove’s Roman Tragedies transforms the stage into a high-tech version of Shakespeare’s Globe, mimicking how global media stage political debates and generate the simulacrum of war and social conflict. Mixing live actors with video projections displayed on monitors spaced on and above the stage, van Hove encourages spectators to move from one viewing space to another, to order drinks, check email, or tweet on desktop computers. Extending Shakespeare’s ‘all the world’s a stage’ conceit to a world connected by ‘clouds’ of information transported on viewless wings and deposited in airy drop boxes, van Hove’s stage is everywhere and nowhere at once. But in replicating the aesthetic design of global media, while suppressing the populist components of Coriolanus and Julius Caesar, van Hove arguably extends only the illusion of emancipation to spectators ‘immersed’ in competing demands on their attention.
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37

Ellis, Richard. Westward Ho with Kholiwood. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040832.003.0020.

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This essay focuses on what Richard Ellis sees as three of the main overlapping trends of transnational “New American Studies.” He contemplates an intra-hemispheric approach to American Studies, a contingent hemispheric approach to American Studies, and a more recent approach attending to globalizing changes in the world order, precipitated by the necessary recognition of a new closeness between the postindustrial state and late corporate capitalism. All rethink space and spatialization, but Ellis also wants to stress the powerful omnipresence of the U.S. state, U.S. multinationals, and U.S. export culture. In order to illustrate his approach, Ellis offers a comparative, inter-hemispheric analysis of two international film co-productions, one Hollywood-style, the other Bollywood-style (Sofia Coppola’s 2003 Lost in Translation and Gurinder Chadha’s 2004 Bride and Prejudice). He ultimately argues that a new kind of approach to USAmerican Studies is necessary, stressing processes of contact, hybridity, exchange, flow, and migration.
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38

Hall, Dewey W., and Jillmarie Murphy, eds. Gendered Ecologies. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781949979046.001.0001.

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Gendered Ecologies: New Materialist Interpretations of Women Writers in the Long Nineteenth Century is comprised of a diverse collection of essays featuring analyses of literary women writers, ecofeminism, feminist ecocriticism, and the value of the interrelationships that exist among human, nonhuman, and nonliving entities as part of the environs. The book presents a case for the often-disregarded literary women writers of the long nineteenth century, who were active contributors to the discourse of natural history—the diachronic study of participants as part of a vibrant community interconnected by matter. While they were not natural philosophers as in the cases of Sir Isaac Newton, Robert Boyle, and Michael Faraday among others, these women writers did engage in acute observations of materiality in space (e.g., subjects, objects, and abjects), reasoned about their findings, and encoded their discoveries of nature in their literary and artistic productions. The collection includes discussions of the works of influential literary women from the long nineteenth century—Mary Wollstonecraft, Mary Shelley, Caroline Norton, Charlotte Brontë, George Eliot, Mary Elizabeth Braddon, Jane Johnston Schoolcraft, Margaret Fuller, Susan Fenimore Cooper, Celia Thaxter, Laura Ingalls Wilder, Francis Wright, and Lydia Maria Child—whose multi-directional observations of animate and inanimate objects in the natural domain are based on self-made discoveries while interacting with the environs.
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