Relevant bibliographies by topics / Uncanny

Academic literature on the topic 'Uncanny'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Uncanny.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Uncanny"

1

Rae, Caroline Emily. "Uncanny Waters." Feminist Review 130, no. 1 (March 2022): 61–77. http://dx.doi.org/10.1177/01417789211066012.

Full text
Abstract:
In this article, I argue for the notion of what I term ‘uncanny water’ as a conceptual tool for reading contemporary oceanic fictions. The uncanny’s affective capacity to destabilise epistemological and ontological certainties makes it a particularly potent literary tool for challenging the nature/culture binary. I argue that fictions which actively defamiliarise the ocean can be used to redress the anthropocentric privilege found in hitherto narratives of the oceanic that were predicated upon mastery and control, and that uncanny moments of displacement and uncertainty can illuminate human/oceanic interconnections and foster a sense of responsibility and compassion towards the oceans. I identify resonances between the uncanny’s continuing referentiality and the notion that feminist transcorporeality interrelates the subject into networks of materiality which extend across time and space in unknowable ways. Both transcorporeality and the uncanny work against the conceit of the individual through the dissolution of boundaries, and, crucially, both require a suspension of assumptions of the self as whole, discrete and impermeable. To demonstrate this, I read the uncanny waters of contemporary fictions from the Northern Atlantic Littoral (Atlantic Canada and the westernmost parts of the UK). The littoral position of these spaces makes them ideally placed to negotiate the borders between habitable and unhabitable spaces, and the limitations of knowledge that run alongside this. I assert that iterations of uncanny water offer a transoceanic dialogue which shifts constructions of subjectivity away from national and terrestrial boundaries to one more akin to the fluid and relational dialectics of transcorporeality.
APA, Harvard, Vancouver, ISO, and other styles
2

Jandrić, Petar, and Ana Kuzmanić. "Uncanny." Postdigital Science and Education 2, no. 2 (March 14, 2020): 239–44. http://dx.doi.org/10.1007/s42438-020-00108-5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Betts, Gregory. "Uncanny Academe." ESC: English Studies in Canada 44, no. 4 (2018): 11–15. http://dx.doi.org/10.1353/esc.2018.0027.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Pająk, Patrycjusz. "Uncanny Styria." Prace Filologiczne. Literaturoznawstwo, no. 9(12) cz.1 (July 4, 2019): 149–62. http://dx.doi.org/10.32798/pflit.114.

Full text
Abstract:
The nineteenth century in the West was a period of intellectual and artistic fascination with the East, both distant and near: Asian and Eastern European. One of the regions that attracted the interest of Western Europeans was Styria, situated on the border separating Austria from Hungary and the Balkans, that is, the West from the East. Borderland cultural phenomena stimulate the imagination as much as exotic phenomena. Both disturb with their hybrid character, which results from the mixing of elements from familiar and alien cultures. With their duality and ambiguity, borderlands are the source of the uncanny, which in the Western literature of the nineteenth century became the basic ingredient of the Western image of the Styrian lands. Uncanny Styria was discovered by Basil Hall, a Scottish traveler who reported the impressions of his stay in this region in his 1830s travelogue Schloss Hainfeld; or, a Winter in Lower Styria. In the second half of the century, two Irishmen wrote about the uncanny Styrian borderland: Joseph Sheridan Le Fanu and Bram Stoker. Both associated Styria with vampirism: the former in the 1870s novella Carmilla, the latter in the 1890s short story Dracula’s Guest. The central thread that runs through all three texts is the decline of Styrian nobility. From Hall, it prompts expression of melancholy regret, accompanied by a sense of strangeness. In his work, the erosion of the culture of the nobility results from Styria’s isolated location in the borderlands, as well as the destructive influences of modernity. Le Fanu balances the regret with horror, related to a different interpretation of decline as cultural regression. In Stoker’s story, the terror intensifies with the sense that the regression that affects the province of Styria could extend to Western Europe.
APA, Harvard, Vancouver, ISO, and other styles
5

Puddu, Sabrina, and Giaime Meloni. "Uncanny Beauty." idea journal 16, no. 1 (December 17, 2017): 102–29. http://dx.doi.org/10.37113/ideaj.vi0.22.

Full text
Abstract:
This essay reflects on the paradox that invests common perceptions of prison interiors by presenting a formal investigation of the nineteenth century prison of Buoncammino in Italy. While we unanimously refuse as abominable the pre-modern dark dungeon, we are also very ambivalent towards the (unrealised) promises of the carefully designed enlightened and ‘enlightening’ spaces of the modern prison, which in principle we consider superior but that, ultimately, we end up perceiving in a not too dissimilar way from the pre-modern imaginary of darkness. Is this survival of darkness inside modern institutions, born in the age of the Enlightenment, a sign of failure for the hopes embedded in the modern prison? Or does it derive from the imperfect implementation of the model modern prison in reality? Or, alternatively, was darkness already embedded in modernity itself? The apparently irresolvable paradox of the coexistence of ‘dark space’ in ‘light space’ relates to the dichotomic nature of contemporary debates on penal institutions: whether to humanise or abolish them.
APA, Harvard, Vancouver, ISO, and other styles
6

Mellencamp, Patricia. "‘Uncanny’ feminism." Afterimage 14, no. 2 (September 1, 1986): 12–15. http://dx.doi.org/10.1525/aft.1986.14.2.12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Mellencamp, Patricia. "‘Uncanny’ feminism." Afterimage 14, no. 2 (September 1, 1986): 12–15. http://dx.doi.org/10.1525/aft.1986.14.2.12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

McNeill, Will. "Uncanny Belonging." Heidegger Circle Proceedings 47 (2013): 144–65. http://dx.doi.org/10.5840/heideggercircle2013478.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Höing, A. "Uncanny Pets." Anglistik 30, no. 2 (2019): 69–82. http://dx.doi.org/10.33675/angl/2019/2/9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Chess, Shira. "Uncanny Gaming." Feminist Media Studies 15, no. 3 (June 24, 2014): 382–96. http://dx.doi.org/10.1080/14680777.2014.930062.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Uncanny"

1

MARTINS, JULIA TEITELROIT DE SOUZA. "THE UNCANNY-ER IS THE UNCANNY." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2012. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=30152@1.

Full text
Abstract:
PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
O estranhador é o estranho consiste na investigação do gênero narrativo denominado Estranho (Unheimliche), avançando para uma proposta de caracterização e ampliação do gênero a partir da identificação de sua poética. Nesta defesa, foram consideradas teorias e exemplos da literatura e do cinema e também conceitos fundamentais da psicanálise.
The uncanny-er is the uncanny consists of an investigation of the narrative genre known as Uncanny (Unheimliche), culminating in a proposal of characterization and enlargement of the genre by identification of its poetics. In this dissertation, theories and examples from literature and cinema were taken into account, as well as fundamental concepts of psychoanalysis.
APA, Harvard, Vancouver, ISO, and other styles
2

Kyianenko, D., Ірина Анатоліївна Морозова, Ирина Анатольевна Морозова, and Iryna Anatoliivna Morozova. "Uncanny valley." Thesis, Sumy State University, 2020. https://essuir.sumdu.edu.ua/handle/123456789/77879.

Full text
Abstract:
Sometimes humanoid-like robots or computer characters evoke fear. This is because we know that they are only created to look like people. For example: robot Sophia looks like a real person, but it can’t move naturally, it moves like a robot and sometimes it scares. This phenomenon is called "Uncanny Valley" and it was introduced in the 1970s by Japanese roboticist Masahiro Mori. Mori loved designing robots and the more he learned, the more realistic his creatures looked. But he noticed that the simpler the robots were the more positive reaction they evoked but the more realistic or human-like they became, the more people got scared of them.
APA, Harvard, Vancouver, ISO, and other styles
3

Tucker, Willard Ross. "The Industrial Uncanny." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1250549784.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Lay, Stephanie. "The Uncanny Valley Effect." Thesis, Open University, 2015. http://oro.open.ac.uk/43340/.

Full text
Abstract:
The Uncanny Valley Effect (UVE) first emerged as a warning against making industrial robots appear so highly human-like that they could unsettle the real humans around them. It proposed a specific pattern of negative emotional responses to entities that were almost but not quite human, and has been proposed as the reason why some entities such as dolls, mannequins and zombies may appear unsettling. The aim of this thesis was to move beyond an anecdotal explanation to understand more about the perception of near-human faces, and how this compares to the perception of human and non-human faces. The aims were to explore the relationship between the human-likeness of faces and emotional responses to them, to understand reactions to and descriptions of near-human faces, to explore aspects of how near-human faces are processed and to explore whether mismatched emotional expressions might contribute to the perception of some near-human faces as eerie. Five studies were carried out using face images whose human-likeness was systematically controlled or measured. A non-linear relationship between human-likeness and eeriness was found, but the near-human faces were not always the eeriest images. Near-human faces were found to be subject to the effects of inversion, and inversion was found to heighten perceptions of eeriness. Faces were created which contained mismatched emotional expressions, and the blends combining happy faces with angry or fearful eyes were rated as the most eerie. Incongruities between aspects of appearance or behaviour had been cited as explanations for the UVE in the past but this thesis presents the first evidence that differences in eeriness may result from incongruities between emotional expressions. Directions for future research have been suggested to explore these findings in a wider context and to understand more about the UVE.
APA, Harvard, Vancouver, ISO, and other styles
5

Clanton, Carrie B. "Uncanny others : hauntology, ethnography, media." Thesis, Goldsmiths College (University of London), 2017. http://research.gold.ac.uk/20111/.

Full text
Abstract:
This thesis presents my study of “ghosthunting”—the practice of attempting to capture ghosts, primarily using cameras and audio recorders—as a metaphorical device for the use of audio-visual media within anthropology. I conducted fieldwork with ghosthunters, paying particular attention to their attendant audio-visual media practices and outputs, in order to redress the reluctance of anthropology to a) evaluate audio and visual media as mechanisms for producing anthropological critique—although some anthropologists have taken pains to do that with writing—and b) to understand the particular "haunted" history of audio-visual media as being related to critical anthropological concerns such as representation, time, and the other. The history of the use of audio-visual media within ghosthunting follows a similar trajectory to that of anthropology, and the resultant methodologies and outputs of both disciplines function in ways that are less inclined towards discursive “speaking with others” than they are towards attempting to produce demystified representations of others. Neither practice has, in contemporary times, acknowledged the historical connection of audio-visual media to the supernatural, nor its capacity to deal with the uncanny as a critical provocation. My study of ghosthunters shows that despite attempts to reify ghosts via photography, audio, and film, those media are themselves devices that maintain the uncanny as an ethical injunction towards the other—whether as ghosts or as the cultural “other” of anthropological critique. An acknowledgement of the “haunted” origins and capacities of media allows for ethical engagements with anthropological others, ultimately suggesting critical media methodologies for anthropology that, while informed by anthropology’s “crisis of representation,” radically differ from written ethnography. Viewing the relationship of media and anthropology through the lens of Derrida’s hauntology is a useful framework for thinking about media methodologies that can stand as critique.
APA, Harvard, Vancouver, ISO, and other styles
6

Almaraz, Steven Michael. "UNCANNY PROCESSING: MISMATCHES BETWEEN PROCESSING STYLE AND FEATURAL CUES TO HUMANITY CONTRIBUTE TO UNCANNY VALLEY EFFECTS." Miami University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=miami1487623424211977.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Grizzle, Eric Tait John. "Exploring fear and Freud's The uncanny." [Denton, Tex.] : University of North Texas, 2007. http://digital.library.unt.edu/permalink/meta-dc-3666.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Harris, William. "The uncanny in everyday urban life." Thesis, University of Bristol, 2000. http://hdl.handle.net/1983/0fc830ab-e240-42af-beb7-6257c2b1e2fb.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Consbruck, Ryan. "The Uncanny: Disassociative Forces in Architecture." University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1427900167.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Grizzle, Eric. "Exploring Fear and Freud's The Uncanny." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3666/.

Full text
Abstract:
Fear is one of the oldest and most basic of human emotions. In this thesis, I will explore the topic of fear in relation to literature, both a staple of the horror genre as well as a device in literary works, as well as in my own writings. In addition, I will use Sigmund Freud's theory of the “uncanny” as a possible device to examine the complexities of fear and its effects both on the mind and body through the medium of literature, and, more specifically, where and how these notions are used within my own short stories. By exploring how and why certain fears are generated, we may be able to better examine our own reactions in this regard.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Uncanny"

1

Paul, Jennings. Uncanny! London: Puffin, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Paul, Jennings. Uncanny. 2nd ed. Victoria: Puffin Books, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Paul, Jennings. Uncanny! London: Puffin, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

1946-, Campbell Ramsey, ed. Uncanny banquet. London: Warner, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Collins, Jo, and John Jervis, eds. Uncanny Modernity. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230582828.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Sheckley, Robert. Uncanny tales. Waterville, Me: Five Star, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Royle, Nicholas. The uncanny. Manchester: Manchester University Press, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

1946-, Campbell Ramsey, ed. Uncanny banquet. London: Little, Brown, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Freud, Sigmund. The uncanny. New York: Penguin Books, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Mike, Kelley. The uncanny. Köln: Walther König, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Uncanny"

1

Leitgeb, Christoph. "Translating the uncanny, uncanny translation." In The Dark Side of Translation, 75–91. 1. | New York : Taylor and Francis, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429321528-4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Whiteley, Giles. "Uncanny Echoes." In Schelling’s Reception in Nineteenth-Century British Literature, 1–31. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-95906-1_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Rieger, Stefan. "Uncanny Valley." In Anthropologie – Technikphilosophie – Gesellschaft, 205–23. Wiesbaden: Springer Fachmedien Wiesbaden, 2018. http://dx.doi.org/10.1007/978-3-658-23032-6_11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

March, Alan. "Uncanny Revelations." In Planning in an Uncanny World, 73–92. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003108757-7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Jervis, John. "Uncanny Presences." In Uncanny Modernity, 10–50. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230582828_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Snow, Kevin. "Uncanny Text." In Procedural Storytelling in Game Design, 103–11. Second edition. | Boca Raton : Taylor & Francis, 2019.: A K Peters/CRC Press, 2019. http://dx.doi.org/10.1201/9780429488337-11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Trigg, Dylan. "The uncanny." In The Routledge Handbook of Phenomenology of Emotion, 553–63. Abingdon, Oxon; New York, NY : Routledge, 2020. | Series: Routledge handbooks in philosophy: Routledge, 2020. http://dx.doi.org/10.4324/9781315180786-53.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Lloyd-Smith, Allan Gardner. "The Uncanny." In Uncanny American Fiction, 1–17. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19754-5_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Robertson, Brian. "The uncanny." In Lacanian Antiphilosophy and the Problem of Anxiety, 15–29. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137513533_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Schrage-Früh, Michaela. "Uncanny Reflections." In Ageing Masculinities in Irish Literature and Visual Culture, 137–50. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003240532-13.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Uncanny"

1

Bartneck, Christoph, Takayuki Kanda, Hiroshi Ishiguro, and Norihiro Hagita. "Is The Uncanny Valley An Uncanny Cliff?" In RO-MAN 2007 - The 16th IEEE International Symposium on Robot and Human Interactive Communication. IEEE, 2007. http://dx.doi.org/10.1109/roman.2007.4415111.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Tinwell, A., and M. Grimshaw. "Bridging the uncanny." In the 13th International MindTrek Conference: Everyday Life in the Ubiquitous Era. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1621841.1621855.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Aglieri Rinella, Tiziano. "Le Corbusier’s uncanny interiors." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.708.

Full text
Abstract:
Abstract: The reception of Le Corbusier’s early buildings in Paris provoked an astonishing sensation of shock and estrangement in the public of the time. This troubling sensation of wonder is still alive today, after almost a century from their construction, and it is particularly vivid in some of the interiors, as we can notice from the photographic documentation of the time. Sigmund Freud, in his book “The interpretation of dreams”, underlined the direct relation existing between the interior of the human psyche and the interior of the house a subject lives in. He defined the interior of each man’s home as a sort of “diagnostic box” of the human mind, able to disclose the psyche of the individual, expressing his dreams, desires and obsessions. In his purist houses, Le Corbusier seems to have imposed his overwhelming personality on the clients, somehow expressing his own idealistic dream of the city of the future and foreseeing the visionary scenarios of a modernist utopia. This paper’s goal is to present a psychoanalytic reading of Le Corbusier’s buildings of the time, analyzing a number of significant examples in order to identify their uncanny effects, disclosing the hidden relations between cause and effect, and decoding the related composing technics used in the interior design. Resumen: La recepción de los primeros edificios de Le Corbusier en París provocó una sensación asombrosa de shock y extrañamiento en el público de la época. Esta sensación inquietante de asombro sigue vivo hasta hoy, después de casi un siglo de su construcción, y es particularmente viva en algunos interiores, como podemos observar en la documentación fotográfica de la época. Sigmund Freud, en su libro "La interpretación de los sueños", subrayó la relación directa existente entre el interior de la psique humana y el interior de la casa donde un sujeto vive. Él definió el interior de la casa de cada hombre como una especie de "caja diagnóstica"de la mente humana, capaz de revelar la psique del individuo, expresando sus sueños, deseos y obsesiones. En sus casas puristas, Le Corbusier parece haber impuesto su personalidad arrolladora en los clientes, expresando de alguna manera su propio sueño idealista de la ciudad del futuro y previendo los escenarios visionarios de una utopía modernista. El objetivo de este trabajo es de presentar una lectura psicoanalítica de los edificios de Le Corbusier de la época, analizando una serie de ejemplos significativos con el fin de identificar sus efectos extraños, revelar las relaciones ocultas entre causa y efecto, y decodificando las relativas técnicas compositivas utilizadas en el diseño de los interiores. Keywords: Le Corbusier; Interiors; Architecture; Uncanny; Freud; Surrealism. Palabras clave: Le Corbusier; Interiores; Arquitectura; Perturbador; Freud; Surrealismo DOI: http://dx.doi.org/10.4995/LC2015.2015.708
APA, Harvard, Vancouver, ISO, and other styles
4

Schneider, Edward. "Mapping out the Uncanny Valley." In ACM SIGGRAPH 2008 posters. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1400885.1400921.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Mathur, Maya B., and David B. Reichling. "An uncanny game of trust." In the 4th ACM/IEEE international conference. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1514095.1514192.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Hover, Quirien R. M., Ella Velner, Thomas Beelen, Mieke Boon, and Khiet P. Truong. "Uncanny, Sexy, and Threatening Robots." In HRI '21: ACM/IEEE International Conference on Human-Robot Interaction. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3434073.3444661.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Chaminade, Thierry, Jessica K. Hodgins, Joe Letteri, and Karl F. MacDorman. "The uncanny valley of eeriness." In ACM SIGGRAPH 2007 panels. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1278400.1278402.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Ho, Chin-Chang, Karl F. MacDorman, and Z. A. D. Dwi Pramono. "Human emotion and the uncanny valley." In the 3rd international conference. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1349822.1349845.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Heljakka, Katriina Irja, Pirita Johanna Ihamäki, and Anu Inkeri Lamminen. "Playing with the Opposite of Uncanny." In CHI PLAY '20: The Annual Symposium on Computer-Human Interaction in Play. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3383668.3419900.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Yang, Yang. "Postcolonial Uncanny Narrative in Heart of Darkness." In Proceedings of the 2018 International Symposium on Humanities and Social Sciences, Management and Education Engineering (HSSMEE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/hssmee-18.2018.29.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Uncanny' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography