Relevant bibliographies by topics / Ukrainian Mystery and detective stories

Academic literature on the topic 'Ukrainian Mystery and detective stories'

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Published: 1 March 2023

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Journal articles on the topic "Ukrainian Mystery and detective stories":

1

Pavlenko, Olena. "Translating selves of Mykola Dmytrenko." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 12, no. 21 (2019): 75–83. http://dx.doi.org/10.34079/2226-3055-2019-12-21-75-83.

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This paper reflects on the key issues of literary translation approaches suggested by Mykola Dmytrenko, an outstanding Ukrainian prose translator. Despite the vast research made by Ukrainian and foreign scholars regarding the translation (A. Bennet, S. Bassnet, M. Strykha) little is known about the contribution made by Ukrainian translators to the promotion of the Ukrainian literature on the international arena. Mykola Dmytrenko’s original arguments coming from value-based interview questions reveal the nature of translating process in terms of cultural transfer with a special emphasis on the literary standards and the distinctive nature of translation paradigm. As many translation theorists and researchers claim, there has been an accepted recognition of the fact that the use of the strategies and techniques of contemporary linguistics shift away to cultural studies. This article attempts to outline the scope of translation as a process by syndicating various extralinguistic phenomena as they occur in Mykola Dmytrenko’s translation project. Firstly, his translation programme embraces the issues of self with their close relation to the problems of cultural identity and the ones connected with tracing the target text within its new sociocultural context. Secondly, Mykola Dmytrenko’s translations provide his exceptional position in developing general principles through which he adequately clarifies the algorithm of choosing literary texts for translation and sheds light on the author selection as well as the ways literary translation networks function in a number of respects. Furthermore, the translator aims his works to be viewed in a broader context of building up the relations with the author of the original on the equal basis so that the target reader would feel he deals with the original text, not with the translation. With this purpose, Mykola Dmytrenko claims that he not only aspires to getting Ukrainian readers acquainted with the masterpieces of world literature, but also aims to develop the ability of cultivating their deductive skills as well as sharpening observation and forming the power of imagination. These explicate the reasons for the translator’s selection of literary texts by A. C. Doyle («A Scandal in Bohemia», «The Red-headed League», «A Case of Identity», «Boscombe Valley Mystery», «Thе Five Orange Pips», etc.). All these have been illustrated by the examples from A. Conan Doyle’s collection of detective stories «The Adventures of Sherlock Holmes» («The Reigate Puzzle»). So, the translator’s pragmatic view comes to be both from an inborn talent and a professional skill to produce the target text of the highest quality.
2

Mojalefa, M. J., and N. I. Magapa. "Mystery in Sepedi detective stories." Literator 28, no. 1 (July 30, 2007): 121–40. http://dx.doi.org/10.4102/lit.v28i1.154.

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The aim of this article is to illustrate the importance of the concept “mystery” in the classification of Sepedi detective stories. Mystery is therefore first defined, and then some rules governing how mystery is created and sustained in a narrative are reviewed. Examples are given of how the writers of Sepedi detective stories mislead their readers in order to create mystery. Mystery is then examined according to five of its constituent elements, namely the real character of the detective, the name of the criminal, the identity of the victim, the evidence that reveals the mystery in the end, and the investigation that reveals the mystery. Each category is explored by citing relevant examples from Sepedi detective stories.
3

Curcio, Frances R., and J. Lewis McNeece. "The Case of Video Viewing, Reading, and Writing in Mathematics Class: Solving the Mystery." Mathematics Teacher 86, no. 8 (November 1993): 682–85. http://dx.doi.org/10.5951/mt.86.8.0682.

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The element of mystery can be a naturally intriguing component of a mathematics lesson for middle school students. Mystery stories capture students“ interest and attention and contribute to developing critical-reading skills (Crouse and Bassett 1975; Curcio 1982; Scalzitti 1982). When presenting mystery stories within the context of a mathematics lesson, students often ask, “What does this have to do with mathematics?” Significant connections can be made between solving a mystery and solving a mathematics problem that supply a rationale for incorporating mystery stories in the mathematics class. In particular, similarities in the questions a problem solver asks when confronting a problem (Polya 1973) and the questions a detective asks in solving a mystery can be found in figure 1. After solving short mystery stories, students will see the connection between solving a mystery and solving a mathematics problem.
4

Ramazan, Farman J. "THE GOLDEN AGE OF DETECTIVE FICTION: GENRE CONVENTIONS OF AGATHA CHRISTIE’S COSY MYSTERIES." Scientific Journal of Polonia University 49, no. 6 (January 18, 2022): 17–21. http://dx.doi.org/10.23856/4902.

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The article focuses on the investigation of detective fiction in general and detective stories in particular which in this research is understood as a narrative where the plot hinges on a crime that the characters investigate and attempt to solve. The research also deals with various genre types of detective stories, such as police-department procedurals, hardboiled, locked room mysteries, cosy mysteries. Special attention is paid to the genre development of detective stories from a historical perspective. It is worth underlining that the period between World War I and World War II (the 1920s and 1930s) is generally referred to as the Golden Age of Detective Fiction. The purpose of the study is to highlight the main plot elements of a cosy mystery, such as the protagonist, the antagonist, the setting, the crime event, and definite narrative mechanisms involved in a story.
5

Riabchenko, Maryna. "CLASSIC DETECTIVE IN UKRAINIAN LITERATURE (BASED ON THE CYCLE "THE ACUMEN OF DR. PIDDUBNY" BY YURI SHOVKOPLIAS)." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 32 (2022): 63–67. http://dx.doi.org/10.17721/1728-2659.2022.32.12.

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Mass literature is an integral and important part of the literary process. This literary segment has long been unable to fully develop due to complex historical and social circumstances in the Ukrainian space. The revival and active existence of genres of Ukrainian mass literature at the present stage contribute to the actualization of numerous literary studies. Detective is considered as one of the most popular genres of mass literature in this investigation. The purpose of the article is to trace the peculiarities of the formation of a classic detective in Ukrainian mass literature, to investigate its compliance with the generally accepted formula and to analyse the authentic features. The object of research is a series of stories "The acumen of dr. Piddubny" by Yuri Shovkoplias. Research methods: philological, principles of receptive aesthetics, comparative analysis. The theoretical basis of the study are works of J. Cawelti (theory of formula literature), O. Romanenko, J. Tsymbal, T. Gulyak and others. The article traces the evolution of the detective genre in foreign and Ukrainian literature. It was found that the emergence of the detective in the Ukrainian literature took place in the 1920s, and the founder of the formula of the classic detective can be considered Yuri Shovkoplias. A comparative analysis of the stories "The acumen of dr. Piddubny" showed that the writer, creatively rethinking the famous image of Sherlock Holmes, creates a Ukrainian detective, endowing it with authentic features. Such features are: dr. Piddubny has his quirks; although he uses the obligatory deductive method, he has his own scheme of investigating the crime; the image of the Ukrainian detective corresponds to the realities of the twenties of the twentieth century, etc. Yuri Shovkoplias also complements the already existing formula of the classic detective. He develops his own immutable scheme of events, which is present in each of the works of the cycle. He asserts the domestic analogue of the detective story in this way.
6

O.Ya., Doichyk, and Tomash Ya.Z. "METAPHORIC REPRESENTATION OF THE CONCEPTS OF CRIME AND INVESTIGATION IN DETECTIVE STORIES." South archive (philological sciences), no. 88 (December 16, 2021): 24–35. http://dx.doi.org/10.32999/ksu2663-2691/2021-88-3.

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Purpose. The article dwells upon the range of conceptual metaphors with the target domains CRIME and INVESTIGATION verbalized in Arthur Conan Doyle’s detective stories. The research aims at tracing the cognitive mechanisms of conceptual metaphoric mappings which objectify the key concepts of the detective text: CRIME and INVESTIGATION. The analysis is done on the basis of the theoretical points of cognitive linguistic schools, namely the conceptual metaphor theory. The aim is achieved by completing the following tasks: singling out the key concepts of a detective story and tracing their conceptual correlations; schematic representing the basic frame of CRIMINAL INVESTIGATION; analyzing the cognitive mechanisms behind the metaphoric interpretations of CRIME and INVESTIGATION concepts; and describing metaphoric correlations of the basic frame slots (CRIME, CRIMINAL, DETECTIVE, INVESTIGATION).Methods, applied in the research, include contextual and descriptive analysis, conceptual analysis. The range of metaphors with the target domains CRIME and INVESTIGATION is analyzed according to the conceptual metaphor theory methodology.Results. In the detective stories under study the key concepts CRIME, CRIMINAL, DETECTIVE, and INVESTIGATION are represented by a certain set of metaphoric models. The metaphoric expressions that verbalize the concepts of CRIME and INVESTIGATION reveal their conceptual correlations with the concepts of DETECTIVE і CRIMINAL, which obtain further metaphoric interpretation according to these mappings.Conclusions. The research has revealed that the concepts of CRIME and INVESTIGATION have high capacity to be metaphorically interpreted due to their abstract nature. The target domain CRIME is associated with the following set of source domains: PERFORMANCE, GAME, A TANGLE / A PUZZLE / A CHAIN / A RIDDLE / MYSTERY / A LOCKED DOOR, BUSINESS, OCCUPATION, ENTERTAINMENT, MENTAL ACTIVITY, STORY, and PHENOMENON. The range of source domains which correlate with the target domain INVESTIGATION includes: JOURNEY, ROLEPLAY, HUNTING, CHASE, COMPLETING LINKS TO A CHAIN, MAKING VISIBLE, UNTANGLING, and ENTERTAINING ACTIVITY.Key words: frame, conceptual metaphor, range of metaphor, target domain, metaphoric mapping. Статтю присвячено дослідженню діапазону концептуальних метафор для референтів ЗЛОЧИН / CRIME та РОЗСЛІДУВАННЯ / INVESTIGATION у текстах детективних оповідань А. Конан Дойла. Метою статті є простеження когнітивних механізмів творення концептуальних метафор, що об’єктивують ключові концепти оповідань детективного жанру, – ЗЛОЧИН / CRIME та РОЗСЛІДУВАННЯ / INVESTIGATION. Аналіз здійснюється з опертям на положення провідних шкіл когнітивної лінгвістики, зокрема теорії концептуальної метафори. Реалізація поставленої мети відбувається шляхом виокремлення ключових концептів детективної розповіді та з’ясування їхніх концептуальних зв’язків; схематичного моделювання фрейму ДЕТЕКТИВНЕ РОЗСЛІДУВАННЯ / CRIMINAL INVES-TIGATION; аналізу механізмів творення концептуальних метафор, які об’єктивують концепти CRIME та INVESTIGATION і виявляють концептуальні зв’язки між слотами фрейму (CRIME, CRIMINAL, DETECTIVE, INVESTIGATION).Методи, застосовані в дослідженні, включають контекстуальний і концептуальний аналізи, метод суцільної вибірки, описовий метод. Визначення діапазону метафор концептів CRIME та INVESTIGATION здійснюється відповідно до положень теорії концептуальної метафори.Результати. У досліджуваних оповіданнях концепти CRIME, CRIMINAL, DETECTIVE, INVESTIGATION об’єктивовані певним набором метафоричних моделей. У метафоричних висловах, що об’єктивують концепти CRIME та INVESTIGATION у текстах оповідань, відображено їхні зв’язки з концептами DETECTIVE і CRIMINAL, які також отримують своє метафоричне осмислення в межах цих концептуальних метафор.Висновки. Дослідження показує, що високий ступінь метафоризації концептів CRIME та INVESTI-GATION зумовлений абстрактністю референтів. Концептуальний референт CRIME корелює з доменами PERFORMANCE, GAME, A TANGLE / A PUZZLE / A CHAIN / A RIDDLE / MYSTERY / A LOCKED DOOR, BUSINESS, OCCUPATION, ENTERTAINMENT, MENTAL ACTIVITY, STORY, PHENOMENON. Діапазон корелятивних доменів, які проєктуються на референтний домен INVESTIGATION, включає такі кореляти, як JOURNEY, ROLEPLAY, HUNTING, CHASE, COMPLETING LINKS TO A CHAIN, MAKING VISIBLE, UNTANGLING, ENTERTAINING ACTIVITY.Ключові слова: фрейм, концептуальна метафора, діапазон метафори, домен цілі, метафоричне мапування.
7

Has-Tokarz, Anita. "Kryminały (są) dla dziewczyn… — refleksje wokół cyklu detektywistycznego Karen Karbo o Minervie Clark." Literatura i Kultura Popularna 28 (October 6, 2022): 63–80. http://dx.doi.org/10.19195/0867-7441.28.5.

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In recent years, there has been a growing interest in detective literature among the youngest readers. The appeal of this type of literature is confirmed not only by a kind of “publication overproduction” observable in the segment of books for children and young adults, but also by reader rankings. The latter also show two significant trends: firstly — the declining age of the youngest readers who choose detective stories, secondly — girls are beginning to prevail among the young recipients of this literature. The goal of the article is to seek an answer to the question why young girls increasingly often choose detective literature and what makes it attractive from the reception perspective. The example which is the focus of attention is the mystery-type trilogy written by American author Karen Karbo about the adventures of an eccentric teenager Minerva Clark. The series consists of the following volumes: Minerva Clark Gets a Clue, Minerva Clark Goes to the Dogs, and Minerva Clark Gives Up the Ghost, all of which can be categorized as classical detective stories. The latest detective fiction for young girls, which readily utilizes gender and feminist topics, features more and more characters of brave and independent female amateur detectives. Minerva Clark has joined this colorful gallery of characters, who appeared in the twentieth-century literature thanks to Miss Marple novels authored by Agatha Christie. The literary character of Minerva Clark arouses associations with another fictional character meant for female teenage readers — Nancy Drew, the titular hero of American novels Nancy Drew Mystery Series, published in the USA since the 1930s. Minerva Clark has become part of the contemporary discourse on femininity and the role of gender in popular culture. The popularity of the trilogy in question as well as the whole trend of detective stories for girls can be explained in several ways. Apart from the feminine topic repertoire, the literary factors are of significance: suspense-keeping stories, captivating plots, young people’s slang, and most of all — humor, highly thought of by the young audience. In Karen Karbo’s series we are dealing with verbal-intellectual and situational comedy as well as that of characters. The content-related comedy-making factors in the trilogy about Minerva Clark also include humorous narration (play on words), situational scenes, and a happy ending. Books about female teenage detectives such as Minerva evoke a substantial response among their gender also because they are written with present-day girls and their needs in mind.
8

John, Jerrin Aleyamma. "Serial Killing as a Defence Mechanism: A Study of Thomas Harris’s “The Silence of the Lambs”." SMART MOVES JOURNAL IJELLH 7, no. 11 (November 28, 2019): 8. http://dx.doi.org/10.24113/ijellh.v7i11.10123.

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The literary canon carries with it a huge array of possible writings exploring the various contours of fiction, the genre of Detective fiction is one such umbrella term. The effect of mystery and suspense and the surprise factors being hidden away in the pages, keeps the readers glued to detective fiction. This paper explores the plot line of one of the prominent detective stories, Thomas Harris’s ‘The Silence of the Lambs’ in search of certain existential questions regarding the named serial killer in the plot. The social evil of killing the lives of many for the purely pleasure aspect is viewed from multiple viewpoints and a new reading of the plot by placing it within relevant contextual framework is carried out. A traversal through the psychological, behavioural and social norms of the context is explores within the paper.
9

Shotwell, Gregg. "A Working-Class Sherlock." Monthly Review 68, no. 5 (October 7, 2016): 62. http://dx.doi.org/10.14452/mr-068-05-2016-09_7.

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Timothy Sheard, the Lenny Moss mystery series (New York: Hardball).At its best, the art of fiction reveals the underlying truth of human relations: we are communal and collaborative by nature. Selfishness and greed are social aberrations because, ultimately, they violate the principle of self-preservation. No wonder we are drawn to crime stories: they mirror our common experience. Capitalism is high crime disguised as church doctrine. Conspiracy is evident, though the evidence is concealed. Hence, our fascination with the detective genre. We are in dire need of Timothy Sheard's scrutiny—a detective who peers through a working-class eyeglass.Click here to purchase a PDF version of this article at the Monthly Review website.
10

Sungkowati, Yulitin. "PENGARUH CERITA DETEKTIF TRADISIONAL BARAT TERHADAP NOVEL INDONESIA MENCARI SARANG ANGIN DAN KREMIL KARYA SUPARTO BRATA (The Influence of West Traditional Detective Stories on Indonesian Novel: Suparto Brata’s “Mencari Sarang Angin” and “Kremil”)." METASASTRA: Jurnal Penelitian Sastra 7, no. 1 (March 11, 2016): 109. http://dx.doi.org/10.26610/metasastra.2014.v7i1.109-122.

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Penelitian ini bertujuan mendeskripsikan hubungan Suparto Brata dengan cerita detektif tradisional Barat dan mendeskripsikan pengaruh cerita detektif tradisional Barat terhadap novelnya yang berjudul Kremil dan Mencari Sarang Angin. Kajian ini termasuk ke dalam studi sastra bandingan. Penelitian ini menghasilkan temuan bahwa Suparto Brata merupakan pembaca cerita-cerita detektif tradisional Barat. Pengaruh bacaan tersebut terhadap novel Kremil dan Mencari Sarang Angin yang ditulisnya teridentifikasi dari fakta cerita berupa alur (yang terdiri atas tiga bagian: kejahatan, pelacakan, dan pembongkaran misteri), penokohan (penjahat, korban, pelacak, dan tokoh lainnya), dan latar terisolasi. Akan tetapi, dalam beberapa hal, novel Kremil dan Mencari Sarang Angin menunjukkan penyimpangan atau modifikasi dari cerita detektif tradisional Barat.Abstract:This study focuses on describing the relationship between Suparto Brata as a writer and western traditional detective stories. It also examines their influence on his works: “Kremil” and “Mencari Sarang Angin”. The research is under comparative literary study. The result of the re- search shows that Suparto Brata is the western detective stories reader. Their influence on his works, “Kremil” and “Mencari Sarang Angin”, can be identified from their plot, character, and isolated setting. Firstly, the plot is divided into three parts: criminality, tracing the story, and un- covering the mystery. Secondly, the characters consist of criminal, victim, and other characters. In some cases, however, “Kremil” and “Mencari Sarang Angin” indicate the deviation or modification of the western traditional detective stories.
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Journal articles Dissertations / Theses Books

Dissertations / Theses on the topic "Ukrainian Mystery and detective stories":

1

Lake, Darlene Margaret. "The detective as social critic : the Spanish and Mexican detective novel 1970-1995 /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/8312.

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Meyer, Deon Meyer Deon. "'n Praktiese ondersoek na die struktuur van die speur- en spanningsroman : met spesifieke verwysing na die werk van Michael Connelly, John le Carré, Ian Rankin, Lee Child en Frederick Forsyth /." Link to the online version, 2005. http://hdl.handle.net/10019/1111.

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Wallis-Martin, Julia Wallis-Martin Julia. "Crime fiction and the publishing market /." St Andrews, 2008. http://hdl.handle.net/10023/710.

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Trott, Sarah Louise. "The detective as veteran : the trauma of war in the work of Raymond Chandler." Thesis, Swansea University, 2010. https://cronfa.swan.ac.uk/Record/cronfa42370.

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Raymond Chandler created his detective Philip Marlowe not as the idealisation of heroic individualism as is commonly perceived, but instead as an authentic individual subjected to very real psychological frailties resulting from his traumatic experiences during World War One. Marlowe's characterisation goes beyond the traditional chivalric readings and should instead be interpreted as an authentic representation of a traumatised veteran in American society. Substituting the horror of the trenches for the corruption of the city. Chandler's disillusioned protagonist and his representation of an uncaring American society resonate strongly with the dislocation of the Lost Generation. Consequently, it is profitable to consider Chandler not simply as a generic writer but as a genuine literary figure. This thesis re-examines important primary documents highlighting extensive discrepancies in existing biographical narratives of Chandler's war experience, and unveils an account that is significantly different from that of his biographers, revealing the trauma that troubled Chandler throughout his life. The application of psychological behavioural interpretation to interrogate Chandler's novels demonstrates the variety of post-traumatic symptoms that tormented both Chandler and his protagonist. A close reading of his personal papers reveals the psychological symptoms of PTSD that were subconsciously encoded into Marlowe's characterisation. Marlowe can only be understood a character shaped by Chandler's own experiences. This conflation of the hard-boiled style and war experience has influenced many contemporary crime writers, particularly in the traumatic aftermath of the Vietnam War. The sum of this work offers a new understanding of Chandler's traumatic war experience, how that experience established the traditional archetype of detective fiction, and how this reading of his work allows Chandler to transcend generic limitations to be recognised as a key twentieth century literary figure.
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Nuñez, Gabriela. "Investigating La Frontera : transnational space in contemporary Chicana/o and Mexican detective fiction /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2007. http://wwwlib.umi.com/cr/ucsd/fullcit?p3286241.

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Nelson, Colby David. "Literary investigations of modern American crime narratives /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/9349.

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Cleveland, William. ""Why is Everyone So Interested in Texts?": The Shifting Role of the Reader in the Genre of Hard-boiled Fiction." Fogler Library, University of Maine, 2007. http://www.library.umaine.edu/theses/pdf/ClevelandW2007.pdf.

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Pendrill, Michael Laurie. "A guilty satisfaction : detective fiction and the reader." Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/40838/.

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The purpose of this thesis is to explore the reasons why readers choose to read detective fiction. Taking Thomas De Quincey's satirical identification of the aesthetic quality of murder, I look at Edgar Allan Poe's detective fiction to find a non-satiric version of the same argument that emphasises the balancing quality of the ethical to the aesthetic. W.H. Auden's essay “The Guilty Vicarage” offers an argument concerning the reader's position in relation to these opposite components. I explore the ways in which Auden's arguments build into Freud's understanding of guilt, daydreams, the moral conscience, jokes, the uncanny and the death drive, and how these can be applied to the genre to help illustrate the reader's experience. Concurrent to this I offer an analysis of how the parallel developments in literary theory, particularly those of Barthes and Shklovsky, can be incorporated to enrich the understanding of these Freudian positions within the modern reader's experience. It is my intention to open up a field of study within the genre that differs from the traditional Marxist approach. Particular emphasis is placed on the role of the experience of pleasure found when moments of commonality between the aesthetic and the ethical are reached– how these are often unsatisfactory– necessitating a repetition of the literary experience. It is my argument that such an approach to the reader's position within the genre has not been explored in such a detailed fashion, centring as it does upon the active role of guilt in pleasure felt by the reader as the motivation to repeat. To illustrate that this is an argument that is applicable to different historical phases of detective fiction the study undertakes analysis of the following authors: Arthur Conan Doyle, Wilkie Collins, Agatha Christie, Raymond Chandler, Graham Greene and John Fowles.
9

Yuan, Honggeng. "From conventional to experimental : the making of Chinese metaphysical detective fiction /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21556398.

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Kareno, Emma. "Sherlock's pharmacy : drugs in detective stories, 1860s to 1890s." Thesis, University of Stirling, 1996. http://hdl.handle.net/1893/21824.

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This work examines the significance of drugs in Victorian stories of detection through a selection of detective fiction published between the years 1860 and 1890. The main purpose of the work is to show how these texts make a specific link between drugs and detection, and use this link to engage themselves in questions concerning reading and the consumption of fiction. I wish to argue, first, that drugs play a significant role in Victorian detective stories as a device to produce a sense of mystery and excitement in these texts. Secondly, I shall hope to show how this is achieved especially by presenting detection as having the drug-like qualities of intoxication and addiction. And thirdly, I shall examine how this particular characterisation of detection evokes a conception of detective fiction as a drug and invites the reader to consider her experience of reading in terms of an experience of drugs. In short, drugs, in these narratives, do not appear as a mere theme or a plot element, but can be seen to affect the very narrative form and structure of the fiction.
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Books on the topic "Ukrainian Mystery and detective stories":

1

Stanley, George Edward. The Ukrainian egg mystery. New York, N.Y: Avon Books, 1986.

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Ordivsʹkyĭ, Semen. Chorna ihumeni͡a︡: Istoryko-pryhodnyt͡s︡ʹki povistʹi. Lʹviv: "Chervona kalyna", 1994.

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Shelepalo, Oleksandr. Naĭkrashchyĭ vykhid--smertʹ. Podilli︠a︡: M.Khmelʹnyt︠s︡ʹkyĭ, 2003.

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Hloba, Aleksandr. Solnt͡se: Dostovernai͡a istorii͡a nerealʹnogo bytii͡a. Kiev: Sammit-Kniga, 2013.

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T︠S︡ykina, Halyna. Koly molot zustrichai︠e︡tʹsi︠a︡ z kovadlom. Kharkiv: "Folio", 2020.

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Chupa, Oleksiĭ. Bomz︠h︡i Donbasu: Homo Profugos. Brusturiv: Discursus, 2014.

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7

Ordivsʹkyĭ, Semen. Chorna ihumeni︠a︡: Istoryko-pryhodnyt︠s︡ʹki povistʹi. Lʹviv: "Chervona kalyna", 1994.

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8

Shelepalo, Oleksandr. Na kordoni khodi︠a︡tʹ chorni psy: Detektyv. Ternopilʹ: "Mandrivet︠s︡ʹ", 2017.

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9

Dat͡seĭ, Vasylʹ. Syni͡a ruz͡ha: Detektyvna povistʹ. Uz͡hhorod: Vyd-vo "Zakarpatti͡a", 2005.

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10

Ivchenko, Vladyslav. Naĭkrashchyĭ syshchyk imperiï na sluz︠h︡bi pryvatnoho kapitalu. Kyïv: Tempora, 2013.

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Book chapters on the topic "Ukrainian Mystery and detective stories":

1

Trensky, Paul I. "Detective and Mystery Stories." In The Fiction of Josef Škvorecký, 118–25. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21531-7_11.

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2

Borgmeier, Raimund. "A Further Case of the 'Detective Novel Unbound'. Thornton Wilder's the Eighth Day and the Mystery Novel." In Telling Stories, 296–311. Amsterdam: B.R. Grüner Publishing Company, 1992. http://dx.doi.org/10.1075/zg.141.20thr.

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