Relevant bibliographies by topics / Twentieth century

Academic literature on the topic 'Twentieth century'

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Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Twentieth century"

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Rewald, Sabine, Maria Morris Hambourg, William S. Lieberman, Lowery S. Sims, Elliot Bostwick Davis, Lisa M. Messinger, Jeff L. Rosenheim, et al. "Twentieth Century." Metropolitan Museum of Art Bulletin 51, no. 2 (1993): 62. http://dx.doi.org/10.2307/3269024.

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Adlin, Jane, Jared D. Goss, Sabine Rewald, Lisa M. Messinger, William S. Lieberman, Jennifer A. Loveman, J. Stewart Johnson, et al. "Twentieth Century." Metropolitan Museum of Art Bulletin 56, no. 2 (1998): 61. http://dx.doi.org/10.2307/3269046.

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Rewald, Sabine, Lisa M. Messinger, Jared Goss, Alice Cooney Frelinghuysen, J. Stewart Johnson, Laura Muir, Jeff L. Rosenheim, et al. "Twentieth Century." Metropolitan Museum of Art Bulletin 58, no. 2 (2000): 54. http://dx.doi.org/10.2307/3269097.

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Hambourg, Maria Morris, Jeff L. Rosenheim, Sabine Rewald, Lowery Stokes Sims, Lisa M. Messinger, and J. Stewart Johnson. "Twentieth Century." Metropolitan Museum of Art Bulletin 50, no. 2 (1992): 60. http://dx.doi.org/10.2307/3269247.

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LeCorbeiller, Clare, Lisa M. Messinger, Sabine Rewald, J. Stewart Johnson, Nan Rosenthal, Jeff L. Rosenheim, William S. Lieberman, Lowery S. Sims, Doug Eklund, and Maria Morris Hambourg. "Twentieth Century." Metropolitan Museum of Art Bulletin 53, no. 2 (1995): 60. http://dx.doi.org/10.2307/3269259.

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Johnson, J. Stewart, Elliot Bostwick Davis, Sabine Rewald, Jennifer A. Loveman, H. Barbara Weinberg, Lisa M. Messinger, Lowery S. Sims, Nan Rosenthal, Jeff L. Rosenheim, and Maria Morris Hambourg. "Twentieth Century." Metropolitan Museum of Art Bulletin 52, no. 2 (1994): 62. http://dx.doi.org/10.2307/3258875.

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Martin, Emily, Alice Cooney Frelinghuysen, Jane Aldin, Lisa M. Messinger, Sabine Rewald, Gary Tinterow, Susan Alyson Stein, et al. "Twentieth Century." Metropolitan Museum of Art Bulletin 57, no. 2 (1999): 56. http://dx.doi.org/10.2307/3259915.

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Sims, Lowery S., Sabine Rewald, Lisa M. Messinger, Nan Rosenthal, Maria Morris Hambourg, Douglas Eklund, Jane Adlin, Jennifer A. Loveman, and Jared D. Goss. "Twentieth Century." Metropolitan Museum of Art Bulletin 54, no. 2 (1996): 56. http://dx.doi.org/10.2307/3262710.

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Laybourn, Keith, and Tim Rees. "Twentieth Century." Annual Bulletin of Historical Literature 80, no. 1 (November 1996): 153–71. http://dx.doi.org/10.1111/j.1467-8314.1996.tb00822.x.

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Aaron, Jane, and Barbara Prys-Williams. "Twentieth-Century Autobiography." Modern Language Review 101, no. 4 (October 1, 2006): 1101. http://dx.doi.org/10.2307/20467059.

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Dissertations / Theses on the topic "Twentieth century"

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Whiting, Emma. "Twentieth-Century Abject Literature." Thesis, University of East Anglia, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518349.

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See, Mackenzie. "Twentieth Century Maya Worldview." Master's thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5862.

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Maya Folktales offer insight into how twentieth century Maya worldview is a hybrid of indigenous Maya and European beliefs. Analysis was conducted on twenty-eight Maya folktales from the highlands of Guatemala found in folklore anthologies. Stories like The Spirits of the Dead in folklore anthologies can reveal new perspectives on how the Maya feel about rituals spaces, the fabric that separates the land of the dead from the land of the living, and the importance of showing respect to the dead in one's community. Other stories, show the connection the Maya feel with their heritage and the connection they feel with the area where their ancestors lived. Twentieth century Maya folktales can provide insight into how the Maya view their landscape, including the realm of the dead as a part of the physical landscape and the belief that the landscape itself is a living spiritual entity.
M.A.
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Anthropology
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Thompson, James Paul Hanlon Heather. "Raku sixteenth century Japan--twentieth century America /." Normal, Ill. Illinois State University, 1987. http://wwwlib.umi.com/cr/ilstu/fullcit?p8806869.

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Thesis (Ed. D.)--Illinois State University, 1987.
Title from title page screen, viewed September 1, 2005. Dissertation Committee: Heather Hanlon (chair), Paul J. Baker, Barbara Heyl, Thomas E. Malone, Thomas W. Nelson. Includes bibliographical references (leaves 118-120) and abstract. Also available in print.
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Michell, Paul. "Twentieth century Czechoslovakian flute music /." Title page, abstract and table of contents only, 1994. http://web4.library.adelaide.edu.au/theses/09MUM/09mumm623.pdf.

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Burns, Carolyn Claire Isabelle. "Adaptation and twentieth-century opera." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/10617.

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Combining critical theory and dramaturgical analysis, this thesis considers twentieth-century English-language opera adaptations from a structural and cultural perspective, with particular focus on the increasing complexity of relationships between different types of literary text and the position of contemporary opera within national literary cultures. Employing the strategies of new musicology, particularly the examination of the ways the experience and interpretation of music is shaped by gender and sexuality, this argument forms a rebuttal of conventional opera analysis which frames theoretical consideration of the genre as primarily a negotiation of the comparative representative power of the libretto and the score. This thesis consists of three parts: the first develops a theoretical framework for the consideration of adaptation, combining analysis of adaptation theory, opera studies and a thematic reading of the prominence of psychological narratives in twentieth-century drama. The second part suggests a framework for narrative analysis of opera, beginning with a discussion of the thematic and structural expression of femininity in opera and the representative function played by the sung voice in narrative music, identifying non-naturalistic dramaturgical analogues to opera, and considering the aesthetic implications of extravagant stage artifice. The final part outlines the changing cultural position of opera in contemporary society through discussion of the position of the genre in relation to broader stage and literary culture in the United States and Australia, with particular focus on the impact of broadcast and recording technology on opera production, closing with a consideration of how the complex relationship between technology and live acoustic performance might come to shape the composition of new work. This thesis concludes with the contention that while the specific conventions and cultural status of opera make it an ideal media for atypical interpretations of canonical texts, the intricacy of the relationship between adapted operas and their source material is a reflection of the expansive creative and critical potential of all textual adaptations, rather than an exception based on the particular stylistic specifications of opera.
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Alexander, Karen. "Minimalism in twentieth-century American writing." Thesis, University College London (University of London), 2007. http://discovery.ucl.ac.uk/1446326/.

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My PhD thesis identifies a "will to reduction" in twentieth-century American literature as a significant trend that I trace from the Modernist era to the contemporary period. I locate the origins of contemporary literary Minimalism in Modernist experimentation. In an early chapter I identify reductive tendencies and the values informing them in Imagism, Objectivism, and the writings of Ernest Hemingway and William Carlos Williams. These form the foundation for a tradition of American Minimalism, which I then document in contemporary literature. Robert Creeley is an inheritor of the Objectivists' Minimalist leanings, which recur, by emulation or partial disagreement, in the poetry of Aram Saroyan and Robert Grenier. Raymond Carver renews the Hemingway tradition in his short stories, and one chapter of my thesis considers Carver along with Mary Robison, who has also written a Minimalist novel. Radical, sustained experiments in Minimalism by Robert Lax, Lydia Davis, and David Markson are the subject of subsequent chapters. Their work represents recent versions of Minimalism in poetry, the short story, and the novel. Recurring themes in my thesis are the ways in which some of these authors have been influenced by visual art, and philosophical issues raised by literary experiments in Minimalism.
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Boni, Stefano. "Hierarchy in twentieth-century Sefwi (Ghana)." Thesis, University of Oxford, 1999. http://ora.ox.ac.uk/objects/uuid:c3238187-7e9d-465d-b9e4-63ea1ad7eda1.

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The dissertation aims to provide an understanding of the relation between political-economic power and the attribution of social value in twentieth-century Sefwi (Ghana). The existing literature on relations of dominance amongst the Akan has flaws: works examine single relations of dominance in isolation; studies focus mostly on discontinuity and change; peripheral areas are neglected. In the dissertation these issues are addressed. Hierarchy is used as an analytical tool which enables one to link diverse expressions of dominance; the persistence of certain hierarchical patterns throughout the twentieth century is analysed alongside transformations; and the focus is on Sefwi, a marginal region of the Akan world. The dissertation is divided into five sections. The introduction presents the methodological and theoretical approach adopted in the work. Part one is concerned with change in hierarchical patterns: twentieth-century dynamics are analysed to determine the extent of change with reference to chiefly power, capitalist.relations and gender issues. Part two shows that unequal relations inform three hierarchical domains -ancestry, gender and seniority. Part three addresses the issue of the coherence and unity of hierarchy by examining modes of organization of experience that cut across the three domains of inequality: reference is made to the use of kinship terms; concepts of ownership, caretakership and help; recourse to the supernatural; food and drink transactions. In the conclusion, Sefwi hierarchy is examined in a wider comparative and theoretical perspective with reference to the notions of 'encompassing of the contrary' (Dumont) and 'fetishization' (Marx).
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Matore, Daniel. "Experimental typography in twentieth-century poetry." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:34bd524a-74ec-467d-8f70-0b0e825de0e5.

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Experimental Typography in Twentieth-Century Poetry, by Daniel Matore, New College, University of Oxford. A thesis submitted for examination for the degree of Doctor of Philosophy in English Literature in Hilary Term, 2017. This thesis is a study of the typographical experimentation in the verse of twentieth-century poets writing in English. Typography and poetics, it contends, became indissolubly linked in the last century, and this work traces why this is so. It chiefly deals with poetry written roughly in the period 1908 to 1970, rooted in the work of Ezra Pound, E.E. Cummings, and Charles Olson, but with substantial considerations of poets such as Marianne Moore, William Carlos Williams, and David Jones. Typographical experiment in European languages, particularly the work of Stéphane Mallarme, Guillaume Apollinaire, and F.T. Marinetti, is recurrently invoked to comprehend the idiosyncrasies of the graphical innovations of British and American poets. At the heart of this thesis is the question of why so many poets throughout the last century employed typography as a signatory part of their style. It hopes to show how authorships and the span of a poet's career can be read through their typography. Its methodology is eclectic. Archival research into manuscripts, drafts, typescripts, and proofs has provided the empirical groundwork as well as interpretative insights. Essays and periodical articles are drawn upon to trace the intellectual history which informs literary style. Close reading, sometimes within the parameters of established stylistic vocabulary and sometimes at the limits of this, is undertaken to illuminate the expressive possibilities of typographical form. The introduction prefigures the debates and motifs of typographical experiment through the seminal work of Stéphane Mallarmé. It considers whether there was a typographical revolution in poetry in English at the start of the last century and examines how the advents of free verse and experimental mise-en-page intersected. Chapter 1 traces the foundational importance of Ezra Pound in the genealogy of typographical experiment in English. His graphical innovations are read through lenses such as musicology, psychophysics, and ophthalmology. Chapter 2 considers the audacious and celebrated visuality of E.E. Cummings, focussing on his early unpublished experiments, his debut volume Tulips and Chimneys (1923), and his 1935 collection No Thanks. How sexuality and the material text interrelate is examined, and his typography is interpreted through his theories of reading. Chapter 3 is concerned with the post-war experiments of Charles Olson, especially his magnum opus The Maximus Poems. The respective vocations of the poet and the typographer are examined through his relationships with printers and designers, and the influence of philosophies of space on his poetics is explored. The conclusion situates modernist experiment in relation to the aesthetics of graphic design. The categories of printing reformers and reactionaries are employed to cast into relief the idiosyncrasy of typographical experimentation in poetry.
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Lewis, Christopher David. "The harpsichord in twentieth-century Britain." Thesis, University of Southampton, 2017. https://eprints.soton.ac.uk/415998/.

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This dissertation provides an overview of the history of the harpsichord in twentieth century Britain. It takes as its starting point the history of the revival harpsichord in the early part of the century, how the instrument affected both performance of historic music and the composition of modern music and the factors that contributed to its decline. Information regarding British composers, performers, and individual works has been gathered together in a database. Analysis of this database allows the consideration of how the characteristics of the revival harpsichord shaped the use of the instrument throughout the century. More detailed case studies of the harpsichord works of three composers writing at different points in the century: Lennox Berkeley, Stephen Dodgson, and Michael Nyman are then plotted against this narrative. Conclusions will be drawn from analysis of the case studies and will consider how the harpsichord has moved away from its nostalgic associations, and how has it not.
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Dubinina, M. O., Вікторія Едуардівна Проняєва, Виктория Эдуардовна Проняева, and Viktoriia Eduardivna Proniaieva. "The press in Sumy. Twentieth century." Thesis, Сумський державний університет, 2013. http://essuir.sumdu.edu.ua/handle/123456789/33552.

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Before we talk about the future, we should look into the past. After all prerequisites for development, history is essential components of creating something new. Talking about the future prospects of the Sumy media should understand its first principles. When you are citing the document, use the following link http://essuir.sumdu.edu.ua/handle/123456789/33552
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Books on the topic "Twentieth century"

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Ludwig, Ken. Twentieth century. New York: Samuel French, Inc., 2004.

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Wasser, Frederick. Twentieth Century Fox. London ; New York : Routledge, 2020. | Series: Routledge Hollywood centenary: Routledge, 2020. http://dx.doi.org/10.4324/9781315686486.

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Lubove, Roy. Twentieth century Pittsburgh. Pittsburgh: University of Pittsburgh Press, 1995.

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Velde, R. van de. Twentieth-century art. Antwerpen: R. van den Velde, 1992.

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Baabar. Twentieth century Mongolia. Knapwell: White Horse, 1999.

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Kierulff, Charles Taylor. Twentieth century Kjaerulfs. West Los Angeles, Calif., USA: Cap K Publications, 1986.

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Brown, Laurie M. Twentieth century physics. Philadelphia, PA: Institute of Physics Pub., 1995.

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Rubinstein, William D. Twentieth-Century Britain. London: Macmillan Education UK, 2003. http://dx.doi.org/10.1007/978-0-230-62913-4.

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Thody, Philip. Twentieth-Century Literature. London: Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-24399-0.

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Filmer, Kath, ed. Twentieth-Century Fantasists. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22126-4.

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Book chapters on the topic "Twentieth century"

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Williamson, Jamie. "Twentieth Century." In The Evolution of Modern Fantasy, 127–65. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137515797_5.

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Williamson, Jamie. "Twentieth Century." In The Evolution of Modern Fantasy, 167–89. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137515797_6.

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Brown, Alice W., Elizabeth R. Hayford, Richard R. Johnson, Susan Whealler Johnston, Richard K. Kneipper, Michael G. Puglisi, and Robert Zemsky. "Twentieth Century." In Cautionary Tales, 7–12. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003443391-3.

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de Moulin, Daniel. "The twentieth century." In A Short History of Breast Cancer, 88–104. Dordrecht: Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-009-1059-1_10.

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Knowles, Ronald. "The twentieth century." In Henry IV Parts I & II, 40–71. London: Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-21978-0_4.

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Rovida, Edoardo. "The Twentieth Century." In Machines and Signs, 157–209. Dordrecht: Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-5407-2_7.

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Colgan, Richard. "The Twentieth Century." In Advice to the Young Physician, 41–62. Boston, MA: Springer US, 2009. http://dx.doi.org/10.1007/978-1-4419-1034-9_4.

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Crone, Robert A. "The twentieth century." In A History of Color, 191–246. Dordrecht: Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-007-0870-9_13.

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Shottenkirk, Dena. "Twentieth Century Epistemology." In Nominalism and Its Aftermath: The Philosophy of Nelson Goodman, 59–68. Dordrecht: Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-1-4020-9931-1_4.

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Friesen, John W., and Virginia Lyons Friesen. "Twentieth-Century Communes." In The Palgrave Companion to North American Utopias, 187–221. New York: Palgrave Macmillan US, 2004. http://dx.doi.org/10.1007/978-1-4039-8223-0_9.

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Conference papers on the topic "Twentieth century"

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Slatin, John M. "Twentieth-century American poetry." In the 6th annual international conference. New York, New York, USA: ACM Press, 1988. http://dx.doi.org/10.1145/358922.358944.

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Olsen, Bernt Ivar, Niels Windfeld Lund, and Gunnar Hartvigsen. "Leaving twentieth-century understanding of documents." In 2010 4th IEEE International Conference on Digital Ecosystems and Technologies (DEST). IEEE, 2010. http://dx.doi.org/10.1109/dest.2010.5610589.

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Ernst, Frederick J., Kerstin E. Kunze, Marc Mars, and Miguel Angel Vázquez-Mozo. "Physics of the Twentieth Century, and Beyond." In PHYSICS AND MATHEMATICS OF GRAVITATION: Proceedings of the Spanish Relativity Meeting 2008. AIP, 2009. http://dx.doi.org/10.1063/1.3141343.

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Rivai, Muhammad, Erond Damanik, and Apriani Harahap. "Tamils Identity in Early Twentieth Century Medan." In Proceedings of the 3rd International Conference on Innovation in Education, Science and Culture, ICIESC 2021, 31 August 2021, Medan, North Sumatera Province, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.31-8-2021.2313800.

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"Durability And Conservation Of Twentieth-Century Concrete." In SP-305: Durability and Sustainability of Concrete Structures. American Concrete Institute, 2015. http://dx.doi.org/10.14359/51688567.

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Tripeny, P. "Cable Net Structures in Mid-Twentieth Century Architecture." In Structures Congress 2005. Reston, VA: American Society of Civil Engineers, 2005. http://dx.doi.org/10.1061/40753(171)72.

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Adeleke, Tunde. "AFRICA IN TWENTIETH CENTURY BLACK LIBERATION: CONSENSUS AND CONFLICTS." In 37th International Academic Conference, Budapest. International Institute of Social and Economic Sciences, 2018. http://dx.doi.org/10.20472/iac.2018.037.001.

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Francis, R. Douglas. "‘Being’ in the Twentieth Century From Human to Virtual." In Annual International Conference on Contemporary Cultural Studies. Global Science & Technology Forum (GSTF), 2013. http://dx.doi.org/10.5176/2382-5650_ccs13.16.

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Yu, Jingyuan. "Survivor in Chinese Modern Transitions in the Twentieth Century." In 7th International Conference on Humanities and Social Science Research (ICHSSR 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210519.092.

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Scanlan, Robert. "Twentieth century aeroelasticity of bridges - Tacoma Narrows and beyond." In 41st Structures, Structural Dynamics, and Materials Conference and Exhibit. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2000. http://dx.doi.org/10.2514/6.2000-1703.

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Reports on the topic "Twentieth century"

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Goldin, Claudia. Labor Markets in the Twentieth Century. Cambridge, MA: National Bureau of Economic Research, June 1994. http://dx.doi.org/10.3386/h0058.

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Galenson, David. Conceptual Revolutions in Twentieth-Century Art. Cambridge, MA: National Bureau of Economic Research, June 2009. http://dx.doi.org/10.3386/w15073.

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DeLong, J. Bradford. The Shape of Twentieth Century Economic History. Cambridge, MA: National Bureau of Economic Research, February 2000. http://dx.doi.org/10.3386/w7569.

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Galenson, David. Language in Visual Art: The Twentieth Century. Cambridge, MA: National Bureau of Economic Research, March 2008. http://dx.doi.org/10.3386/w13845.

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Galenson, David. The Back Story of Twentieth-Century Art. Cambridge, MA: National Bureau of Economic Research, June 2008. http://dx.doi.org/10.3386/w14066.

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Galenson, David. The Greatest Photographers of the Twentieth Century. Cambridge, MA: National Bureau of Economic Research, August 2009. http://dx.doi.org/10.3386/w15278.

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Binnendijk, Hans, and Jeffrey Simon. Preventing a Sixth Twentieth-Century Balkan War. Fort Belvoir, VA: Defense Technical Information Center, January 1994. http://dx.doi.org/10.21236/ada385621.

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Galenson, David. The Greatest Artists of the Twentieth Century. Cambridge, MA: National Bureau of Economic Research, December 2005. http://dx.doi.org/10.3386/w11899.

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Barsky, Robert, and J. Bradford De Long. Bull and Bear Markets in the Twentieth Century. Cambridge, MA: National Bureau of Economic Research, November 1989. http://dx.doi.org/10.3386/w3171.

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Clay, Karen, and Werner Troesken. Deprivation and Disease in Early Twentieth-Century America. Cambridge, MA: National Bureau of Economic Research, March 2006. http://dx.doi.org/10.3386/w12111.

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