Journal articles: 'TV set'

1

Wober, Mallory. "TV and Homework." Set: Research Information for Teachers, no. 2 (August 1, 1991): 1–4. http://dx.doi.org/10.18296/set.1039.

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Penati, Cecilia. "‘Remembering Our First TV Set’." European Television Memories 2, no. 3 (June 30, 2013): 4. http://dx.doi.org/10.18146/2213-0969.2013.jethc026.

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Personal memories represent a crucial source in outlining a history of television audience. However, they are undoubtedly special historical tools, and their interpretation requires particular cares and concerns. Relying on interviews leaded on direct witnesses, the paper describes the advent of television in the private space of the home in the mid fifties in Italy, comparing personal memories with the interpretative repertoires filtered down by the popular media system. The paper also tries to add a further piece to a wider ‘European historical mosaic’, in seeking to relate some aspects peculiar to the Italian scenario to a broader transnational pattern.

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Dewalt, Mark. "Good and Bad in Prime Time TV for Kids." Set: Research Information for Teachers, no. 2 (August 1, 1990): 1–4. http://dx.doi.org/10.18296/set.1067.

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Adomenas, V., and V. Bagdonavicius. "Optimization of TV set technological training duration." IEEE Transactions on Consumer Electronics 39, no. 4 (1993): 853–58. http://dx.doi.org/10.1109/30.267409.

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Marijan, Dusica, Vladimir Zlokolica, Nikola Teslic, Vukota Pekovic, and Tarkan Tekcan. "Automatic functional TV set failure detection system." IEEE Transactions on Consumer Electronics 56, no. 1 (February 2010): 125–33. http://dx.doi.org/10.1109/tce.2010.5439135.

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Flaherty, N. "Tipping point [digital TV set top boxes]." Electronics Systems and Software 2, no. 6 (December 1, 2004): 38–41. http://dx.doi.org/10.1049/ess:20040608.

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Guillen, S., M. T. Arredondo, V. Traver, J. M. Garcia, and C. Fernandez. "Multimedia telehomecare system using standard TV set." IEEE Transactions on Biomedical Engineering 49, no. 12 (December 2002): 1431–37. http://dx.doi.org/10.1109/tbme.2002.805457.

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McCarthy, Anna. "The misuse value of the TV set." International Journal of Cultural Studies 3, no. 3 (December 2000): 307–30. http://dx.doi.org/10.1177/136787790000300301.

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9

Lynch, Michael P., Rebecca E. Eilers, and Patricia J. Pero. "Open-Set Word Identification by an Adult With Profound Hearing Impairment." Journal of Speech, Language, and Hearing Research 35, no. 2 (April 1992): 443–49. http://dx.doi.org/10.1044/jshr.3502.443.

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The ability of an adult with profound hearing impairment to integrate speech information from touch, aided hearing, and speechreading in identification of open‐set words was investigated. A list was obtained of 735 words that the subject failed to identify using any single modality: touch, with either the Tacticon 1600, a multichannel electrocutaneous vocoder (TV), or the Tactaid II, a 2‐channel vibrotactile aid (TA); aided hearing (H); or speechreading (S). To test integration, observed word identification performance in combined‐modality conditions was compared with predicted performance calculated from single‐modality scores. Words were randomly assigned to seven conditions: (a) S+H, (b) H+TV, (c) H+TA, (d) S+TV, (d) S+TA, (e) S+TV+H, and (f) S+TA+H. Results indicated that the subject integrated speech information across modalities, with highest performance in the S+TV+H and S+TA+H conditions. Integration also occurred when both speechreading and touch were used and when both speechreading and aided hearing were used.

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Kenny, James F. "TV viewing among TV set owners and non‐owners in a remote Philippine province." Journal of Broadcasting & Electronic Media 40, no. 2 (March 1996): 227–42. http://dx.doi.org/10.1080/08838159609364346.

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Mihara, Y., K. Hirase, and M. Tanaka. "A cost effective D-TV system chip set." IEEE Transactions on Consumer Electronics 45, no. 3 (1999): 884–86. http://dx.doi.org/10.1109/30.793633.

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12

Graham-Rowe, Duncan. "Dump the TV set, watch the web instead." New Scientist 193, no. 2593 (March 2007): 26. http://dx.doi.org/10.1016/s0262-4079(07)60548-x.

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13

WORTHY, WARD. "TV chemistry course set to debut this fall." Chemical & Engineering News 68, no. 35 (August 27, 1990): 24. http://dx.doi.org/10.1021/cen-v068n035.p024.

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Graham, Katherine. "Critical approaches to TV and film set design." Theatre and Performance Design 6, no. 3 (July 2, 2020): 311–12. http://dx.doi.org/10.1080/23322551.2020.1848201.

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15

Proaño, Luis Eladio. "CIESPAL: Nueva etapa de TV." Chasqui. Revista Latinoamericana de Comunicación, no. 29-30 (January 20, 2015): 7. http://dx.doi.org/10.16921/chasqui.v0i29-30.3027.

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Barra, Luca, and Massimo Scaglioni. "TV Goes Social." Convergent Television(s) 3, no. 6 (December 24, 2014): 110. http://dx.doi.org/10.18146/2213-0969.2014.jethc074.

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In recent years, the Italian television scenario has become fully convergent, and social TV is an activity – and a hip buzzword – indicating both a rich set of possibilities for the audience to engage with TV shows, and an important asset developed by the television industry to provide such engagement, with promotional and economic goals. Mainly adopting the perspective of the production cultures of Italian broadcasters, the essay will explore the “Italian way to social television”, highlighting the strategies adopted by networks and production companies to encourage online television discourse and to exploit it as a content, a marketing device or a source of supplementary income.

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17

G.S., Thyagaraju, and U. P. Kulkarni. "Rough Set Theory Based User Aware TV Program and Settings Recommender." International Journal of Advanced Pervasive and Ubiquitous Computing 4, no. 2 (April 2012): 48–64. http://dx.doi.org/10.4018/japuc.2012040105.

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In this paper the authors are proposing a design of TV program and settings recommendation engine utilizing contextual parameters like personal, social, temporal, mood, and activity. In addition to the contextual parameters the system utilizes the explicit or implicit user ratings and watching history to resolve the conflict if any while recommending the services. The System is implemented exploiting AI techniques like fuzzy logic and Rough Sets Based Decision Rules. The motivation behind the proposed work is i) to improve the user’s satisfaction level and ii) to improve the social relationship between user and TV. The context aware recommender utilizes social context data as an additional input to the recommendation task alongside information of users and TV programs. They have analyzed the recommendation process and performed a subjective test to show the usefulness of the proposed system for small families.

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Skovgaard-Petersen, Jakob. "Omar – en islamistisk tv-serie?" Babylon Nordisk tidsskrift for Midtøstenstudier, no. 1 (October 28, 2021): 34–43. http://dx.doi.org/10.5617/ba.9399.

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Set i tilbageblik var 2012 islamisternes år i Mellem-østen. Revolutionerne i året forinden havde ført til dramatiske magtskifter i enkelte lande, kontrollerede overdragelser i andre, og borgerkrig i atter andre.

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Nyre, Lars. "What happens when I turn on the TV set?" Westminster Papers in Communication and Culture 4, no. 2 (August 1, 2007): 24. http://dx.doi.org/10.16997/wpcc.82.

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20

Schroeder, Michael C., and Charles W. Smith. "Estimating the speed of light with a TV set." Physics Teacher 23, no. 6 (September 1985): 360. http://dx.doi.org/10.1119/1.2341847.

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Pery, Antoine, and Jean-claude Rufray. "A Digital Controlled Videoprocessor IC for Color TV - Set." IEEE Transactions on Consumer Electronics CE-32, no. 3 (August 1986): 251–57. http://dx.doi.org/10.1109/tce.1986.290039.

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22

Yeh, Ching-Chiang. "Online word-of-mouth as a predictor of television rating." Online Information Review 39, no. 6 (October 12, 2015): 831–47. http://dx.doi.org/10.1108/oir-01-2015-0033.

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Purpose – Despite the growing importance of online word-of-mouth (WOM) with regard to television (TV) ratings, it is usually excluded from early prediction models. The purpose of this paper is to investigate the role of online WOM in TV ratings predictions, focussing on whether the incorporation of online WOM could improve predictions of TV ratings, and extracts meaningful rules for decision-making. Design/methodology/approach – The author uses online WOM as a potential predictive variable in the TV ratings prediction model. The author matches a list of programs based on TV ratings for the movie channel with internet user reviews and TV ratings information from Yahoo! Movies (YM) and XYZ Company. The data set includes 71 movies, for which the data were analyzed with a hybrid model. Findings – Grey relational analysis shows that online WOM is a useful ex ante determinant of TV ratings. As a predictive variable, it plays an essential role in enhancing TV ratings predictions. The experimental results also indicate that the proposed model surpasses other listed methods in terms of both accuracy and reduction of variables, while the proposed procedure yields a set of easily understandable decision rules that facilitate the interpretation of TV ratings information. Practical implications – This paper identifies critical predictors of TV ratings and suggests that online WOM messages are a credible source. A hybrid model is developed to illustrate an intelligent prediction system for TV ratings. Originality/value – The study demonstrates the effectiveness of online WOM and its impact on TV ratings. It offers an intelligent prediction system for TV ratings with practical implications for managers within the TV industry.

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Deng, Yiting, and Carl F. Mela. "TV Viewing and Advertising Targeting." Journal of Marketing Research 55, no. 1 (February 2018): 99–118. http://dx.doi.org/10.1509/jmr.15.0421.

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Television, the predominant advertising medium, is being transformed by the microtargeting capabilities of set-top boxes (STBs). By procuring impressions at the STB level (often denoted “programmatic television”), advertisers can now lower per-exposure costs and/or reach viewers most responsive to advertising creatives. Accordingly, this study uses a proprietary, household-level, single-source data set to develop an instantaneous show and advertisement viewing model to forecast consumers' exposure to advertising and the downstream consequences for impressions and sales. Viewing data suggest that person-specific factors dwarf brand- or show-specific factors in explaining advertising avoidance, thereby suggesting that device-level advertising targeting can be more effective than existing show-level targeting. Consistent with this observation, the model indicates that microtargeting lowers advertising costs and raises incremental profits considerably relative to show-level targeting. Further, these advantages are amplified when advertisers can buy in real time as opposed to up front.

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Ye, Yu Huang, and Xiao Ping Huang. "The Standard and Realization of MMI Based on EN." Applied Mechanics and Materials 182-183 (June 2012): 619–23. http://dx.doi.org/10.4028/www.scientific.net/amm.182-183.619.

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During these years, as the digital TV (DTV) broadcasting technique is developed, the number of set-top box (STB) consumers is increasing quickly, and they spend more money on pay-TV. Conditional Access System is the key technology to realize pay-TV and interact-TV. This paper introduces Man-Machine Interface (MMI) standard of En50221[1] for conditional access system and it’s a method of realization on STB of DTV.

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Weissar, Petr, Jiri Pinker, Miloslava Hrichova, and Jaroslav Firt. "New Method of Program Selection in Digital TV Receivers and its Evaluation by Users." Journal of Advanced Computational Intelligence and Intelligent Informatics 8, no. 5 (September 20, 2004): 530–34. http://dx.doi.org/10.20965/jaciii.2004.p0530.

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A novel type of a user-friendly "man-to-TV set" interface has been designed for the new generation of digital TV sets with many hundreds of channels. It consists of an optimised remote-control device and a system of menus appearing on the TV screen. Response of potential users has been tested on the groups of students of different age and education, including seniors. Positive results have shown that the new TV control system can be used in practice.

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Tukaiev, Sergii, Yurii Havrylets, Volodymyr Rizun, Maksym Khylko, Igor Zyma, Mukola Makarchuk, Evdokia Reshetnik, Victoriia Kravchenko, Olena Dolgova, and Ivan Seleznov. "Shifts in the Autonomic Nervous System Defined by the Valence of TV News." Current Issues of Mass Communication, no. 24 (2018): 08–21. http://dx.doi.org/10.17721/2312-5160.2018.24.08-21.

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The pattern and nature of autonomic nervous system responses largely depend on the type of emotion. The study was aimed at defining shifts in the autonomic nervous system that accompany the emotional activation under the influence of emotionally accented TV news. Results indicated that a heart rate decelerated in a few minutes after the watching neutral video set. At the same time, throughout the viewing of the video, the activity of the parasympathetic system and the stress index decreased. Negatively accented TV news caused more complex changes. For men, the significant changes in heart rate were recorded only during the first TV news items. On the other hand, negative TV news stories elicited the most significant changes in parasympathetic system and stress index – these changes occurred in the middle of exposure to negative TV news set. The impact was stronger and more complicated for women and consisted of decreasing heart rate while watching TV news stories and accelerating heartbeats in the pause between them. A significant decrease in the parasympathetic system activity occurred after watching negative TV news. Regarding all the parameters, negative TV news stories exerted more significant influence on the psycho-physiological condition of the volunteers than neutral TV stories. Our study revealed the short-term media effects of negative and neutral TV news on the activation patterns of the autonomic nervous system. The short-term reactions of the individual to the mass media are those bricks that underlie a large-scale picture of the media impact on a mass audience. The fact of the existence of short-term media effects gives the base for a further research on the cumulative nature of TV news content’s impact on people, including the longitudinal perspective of media effects.

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Kaya, Aycan, Cigdem A. Gumussoy, Beste Ekmen, and Ayse E. Bayraktaroglu. "Usability heuristics for the set‐top box and TV interfaces." Human Factors and Ergonomics in Manufacturing & Service Industries 31, no. 3 (February 12, 2021): 270–90. http://dx.doi.org/10.1002/hfm.20885.

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Lee, Won, Yeong Kim, Hyung Hong, and Kang Park. "Face Recognition System for Set-Top Box-Based Intelligent TV." Sensors 14, no. 11 (November 18, 2014): 21726–49. http://dx.doi.org/10.3390/s141121726.

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Wang, Yu Ru, Zhen Ping Lan, Ping Li, and Dong Ming Lei. "The Principle of Conditional Access System and the Realization of Set-Top Boxes." Applied Mechanics and Materials 385-386 (August 2013): 1554–57. http://dx.doi.org/10.4028/www.scientific.net/amm.385-386.1554.

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Digital TV refers to a system which transforms the traditional analog signal into digital for processing, transmitting and receiving. In order to protect the interests of the operators and ensure the development of digital television, CAS (Conditional Access System) of digital TV uses various kinds of digital technology through the scrambling process of the program, so that only the authorized users can watch the scrambled programs. This paper mainly introduces the principle of CAS in current DTV, as well as elaborates the realization example of the CA running on the STi5105 chip platform and the detailed process from transplant to descrambling successfully.

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Teurlings, Jan. "Social Media and the New Commons of TV Criticism." Television & New Media 19, no. 3 (May 28, 2017): 208–24. http://dx.doi.org/10.1177/1527476417709599.

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This article investigates the way that social media have given a renewed impetus to TV criticism. Websites like Entertainment Weekly or TVline.com not only offer TV criticism by TV critics but also offer ample opportunity for fans to debate their favorite TV shows, part of what Graeme Turner has called “the demotic turn” in contemporary media. Whereas academic scrutiny of this demotic turn has tended to focus on the issue of democratization and the valorization of subjugated knowledges, relatively little attention has been given to how this has created a “commonification” of TV criticism. An analysis of audience reactions to The Walking Dead shows a protoprofessionalization of TV criticism, with audience members offering increasingly sophisticated analyses of TV shows, informed by standards set by the culture industry. The paper ends with a discussion on what type of cultural knowledge these new televisual commons produce and circulate.

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Tian, Lan, Qing Hua Song, and Xiao Shan Lu. "Information Technology and an Audio Retrieval Method Based on a Novel Audience Rating System." Advanced Materials Research 886 (January 2014): 664–67. http://dx.doi.org/10.4028/www.scientific.net/amr.886.664.

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A novel and universal audience rating system based on TV audio features is introduced. In this system, the audio signal is sampled from the audio outlet of TV set and high compressed into a specific spectrum features packages. The packaged audio features are high robustness for different types of television sets and sound volumes, and have no disturbance of surroundings. In the channel audio retrieval method, feature vector correlation analysis and pattern matching are adopted successively. The simulation test results show that the TV channel recognition rate is above 93%, and other sounds from non-TV channels can be detected reliably.

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Khinkulova, Kateryna. "Hello, Lenin?" Europe on and Behind the Screens 1, no. 2 (November 29, 2012): 94. http://dx.doi.org/10.18146/2213-0969.2012.jethc022.

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After the collapse of the USSR in 1991, Soviet television looked old-fashioned and seemed redundant, with the emerging post-Soviet televisual cultures turning their gazes to global sources of inspiration. The next decade affected Russia and Ukraine in very different ways. In Russia brief exposure to what was seen as “cheap mass-culture” left TV viewers and producers disillusioned. With the change of attitude towards Western TV, the ideas about Soviet TV changed, too. From a grey and unexciting model Soviet TV had become a shining example of “high quality” and nostalgia-driven content set in for the next few years. In Ukraine, where no domestic TV had existed as such prior to 1991 and where Soviet TV was rapidly fading into the past (and some-one else’s past, too), a decade of experimenting with programming had left the TV producers much more open to global television formats and Western ideas, developing programmes very different than the Russian ones.

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Kemarskaya, Irina N. "Attraction on TV: rules of communication game." Journal of Flm Arts and Film Studies 11, no. 1 (March 15, 2019): 120–28. http://dx.doi.org/10.17816/vgik111120-128.

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The essay analyzes the game nature of screen attraction - one of the most important tools of television dramaturgy. Attraction is examined, in the tradition established by Sergei Eisenstein and developed by Russian and foreign researchers, not just as entertainment but as a way of influencing audience perception. TV viewing is regarded as a special kind of game developing in accordance with the rules established by a programs format and repeated in this programs each new release. The key aspects relating classic TV communication to game are: voluntary selection and viewing of the programs; clearly marked place and time of occupation; a set of rules mandatory for a particular game; the feelings of joy and fun generated by the participation in TV viewing; immersion of the viewer in the "otherness" of the game and simultaneous presence in everyday life. The rules of communication game are accepted by all participants in the process: the makers of a TV product, the partakers and the audience. Voluntary way of program viewing is an indispensable condition for TV communication, and the attractions are its most active moments: they are designed to capture and keep the viewer's attention, and to evoke emotions associated with the pleasure produced by game. The essay explores the attraction-like nature of TV shows both as a content and as a set of the signs, as a way of the functioning of the audiovisual language. The variability of the TV spectacle is investigated as the phenomenon of postmodern aesthetics, as an aesthetic merit rather than an immanent disadvantage a priori depriving TV products of the right to uniqueness.

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Takama, Yasufumi, and Shunichi Hattori. "Mining Association Rules from TV Watching Log for TV Program Recommendation." Journal of Advanced Computational Intelligence and Intelligent Informatics 12, no. 1 (January 20, 2008): 26–31. http://dx.doi.org/10.20965/jaciii.2008.p0026.

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This paper proposes a method for extracting association rules from users’ TV watching logs, aiming at TV program recommendation. In Japan, a TV is usually located in a living room, where family members communicate each other while watching the same TV programs. Based on the choice of TV channels and conversation while watching TV, we can estimate other person’s interests and preference, which is a basis for establishing friendly relationship between others. Therefore, giving the robot a capability of recommending TV program will contribute to establish friendly communication with human partners. Furthermore, transition to digital terrestrial television broadcasting (DTTB) will bring us difficulty in finding TV program worth watching from a number of TV channels in near future. Therefore, a method for recommending TV programs will be one of the most important technologies for realizing intelligent support of our daily lives, such as a partner robot. The proposed method extracts association rules from user profiles that are generated from their TV watching logs, based on which TV programs are recommend to a target user. In order to have extensibility in terms of information resource for generating user profile, the method employs a user profile of commonly-used bookmark format. When association rules are extracted from a set of the profiles, generalization law is introduced so that variety of users’ behaviors can be reduced. Experiments are performed with actual users’ logs, and the result shows the generalization law contributes to increase the accuracy of TV program recommendation.

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Li, Bin. "The Fuzzy Mathematical Evaluation Model Based on the Movie and TV Art Industry Management." Journal of Computational and Theoretical Nanoscience 14, no. 1 (January 1, 2017): 162–67. http://dx.doi.org/10.1166/jctn.2017.6143.

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The movie and TV art industry of Weifang especially the theater is researched as the object in this paper. After looking through a large number of reference, the main factors influencing the management of the movie and TV art industry are determined. The evaluation system of the movie and TV art industry management is constructed. Using AHP to get the weight of each evaluation factor, the five-dimension set is established as excellent, good, general, poor, very poor. Using the expert group to score the second-level influencing factors, the evaluation vector of the movie and TV art industry management could be obtained. According to the maximum principle to determine the evaluation results of the movie and TV art industry management, and a simulation calculation is carried out.

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Guimarães, Matheus Mageste, Adriano Ferreira Pinho, Rafael Alves Barreto, and Jênnifer Silva Brito. "EFEITO DE DIFERENTES PROTOCOLOS DE CLUSTER SET SOBRE O DESEMPENHO DO SALTO VERTICAL / EFFECT OF DIFFERENT CLUSTER SET PROTOCOLS ON VERTICAL JUMPER PERFORMANCE." E-Legis - Revista Eletrônica do Programa de Pós-Graduação da Câmara dos Deputados 11 (November 6, 2018): 72–84. http://dx.doi.org/10.51206/e-legis.v11i0.491.

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Este estudo investiga o efeito de dois protocolos de cluster set versus método tradicional sobre o desempenho do salto vertical, sendo a amostra composta por 25 voluntários fisicamente ativos, selecionados de forma não probabilística. Utilizaram-se os protocolos Tradicional, Cluster 1 e Cluster 2, realizando-se o Drop Jump (DJ) antes e depois destes. Avaliaram-se o Índice de Força Reativa (IFR), Tempo de Contato (TC), Tempo de Voo (TV) e Rigidez (RIG) pelo aplicativo My Jump 2. Na comparação intraprotocolo houve diferença significativa entre o DJ pré e pós no protocolo Tradicional para o IRF e para RIG, enquanto para o Cluster 1 houve discrepância entre o DJ pré e pós para o IFR e TV. Na comparação intraprotocolo houve diferença entre o Cluster 1 e o Cluster 2 no DJ pré apenas para a IFR e para a RIG. Entre o Tradicional e o Cluster 1 houve diferença somente para a RIG. Concluiu-se que tanto o método de Cluster como o Treino Tradicional se mostraram eficientes, cada um conforme sua especificidade.

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Goutama, Albertus Edward. "Games Advertising Vs Tv Advertising Which One Is More Effective In Building Brands?" Jurnal STEI Ekonomi 27, no. 1 (June 1, 2018): 1–9. http://dx.doi.org/10.36406/jemi.v27i1.149.

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There are a many pros and cons regarding which are more effective between TV Advertising and Games Advertising in being a medium of promotion media. As we know TV Advertising and Games Advertising is widely used big companies in promoting a product as well as embed Brand Image and Brand in Mind Set society in general. This article shows a number of pentung points that make TV Advertising is superior to a number of advantages it has , Compared Games Advertising in promoting a product.

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Goutama, Albertus Edward. "Games Advertising Vs Tv Advertising Which One Is More Effective In Building Brands?" Jurnal STEI Ekonomi 27, no. 01 (June 1, 2018): 1–9. http://dx.doi.org/10.36406/jemi.v27i01.149.

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There are a many pros and cons regarding which are more effective between TV Advertising and Games Advertising in being a medium of promotion media. As we know TV Advertising and Games Advertising is widely used big companies in promoting a product as well as embed Brand Image and Brand in Mind Set society in general. This article shows a number of pentung points that make TV Advertising is superior to a number of advantages it has , Compared Games Advertising in promoting a product.

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39

Dong, Wenbo, Jianming Liu, Yinhu Huang, Byung Cheon Lim, Zhangtao Wang, Guanbao Hui, Chaoyue Wang, Wei Kang, and Xunwang Yu. "P‐46: New Type of Unbounded Screen Full Attachment TV Set." SID Symposium Digest of Technical Papers 53, no. 1 (June 2022): 1223–25. http://dx.doi.org/10.1002/sdtp.15725.

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Kim, Junghak, Eui-suk Jung, Yong-tae Lee, and Won Ryu. "Home appliance control framework based on smart TV set-top box." IEEE Transactions on Consumer Electronics 61, no. 3 (August 2015): 279–85. http://dx.doi.org/10.1109/tce.2015.7298086.

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&NA;. "New Stand Up To Cancer TV Fundraiser Set for Sept. 10." Oncology Times 32, no. 10 (May 2010): 58. http://dx.doi.org/10.1097/01.cot.0000381223.45804.0b.

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Sarinastiti, Widi, Dwi Susanto, and Debby Naftalia. "Perancangan Virtual Set Interior Untuk Studio TV Laboratorium Multimedia Broadcasting PENS." Jurnal Desain Idea: Jurnal Desain Produk Industri Institut Teknologi Sepuluh Nopember Surabaya 21, no. 2 (December 15, 2022): 45. http://dx.doi.org/10.12962/iptek_desain.v21i2.13497.

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De Meulenaere, Jonas, Lizzy Bleumers, and Wendy Van den Broeck. "An Audience Perspective on the 2nd Screen Phenomenon." Journal of Media Innovations 2, no. 2 (August 10, 2015): 6–22. http://dx.doi.org/10.5617/jmi.v2i2.909.

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Second screen (2nd screen) applications are among the latest of the TV-industry’s innovations to retain the TV-viewer’s attention in a challenging multi-screen environment. These applications can be regarded as an extension of TV-content consumed on a TV-set towards lightweight portable devices such as tablets. Despite the numerous commercial instances available internationally and the existing literature on the topic from a technical perspective remains the audience side of this phenomenon underexposed. Moreover, in the case of Flanders, 2nd screen applications are thus far rather marginally commercially implemented. In this research, we aim to elicit what TV-viewers anticipations are regarding 2nd screen functionalities. By applying means-end theory and a laddering approach we were able to discern how these anticipations subsequently relate to the TV-show itself, the consequences for the viewing experience, as well as how 2nd screen is expected to fit within the viewer’s everyday life.

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Ren, Zhicheng, Fangqi Zhang, Guoxin Zheng, Asad Saleem, and Ke Guan. "A 3D Non-Stationary Channel Model with Moving Mobile Station in Rectangular Tunnel." International Journal of Antennas and Propagation 2019 (May 2, 2019): 1–12. http://dx.doi.org/10.1155/2019/6750153.

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This paper presents a three-dimensional (3D) geometry-based stochastic model (GBSM) for capturing the non-stationarity of radio channel at 1.8 GHz in a rectangular tunnel. A time-variant (TV) complex channel gain is derived for obtaining the statistical properties in time, frequency, and spatial domains such as the time-variant autocorrelation function (TV-ACF), the time-variant Doppler power spectral density (TV-DPSD), and the time-variant spatial cross-correlation function (TV-CCF), respectively. Then the TV channel statistical properties at different time instants can be extracted and the non-stationary channel characteristics caused by the TV scattering environment are thoroughly discussed. Furthermore, three cases including “approach”, “arrival”, and “away” are set to allow a comprehensive study on how the DPSD behaves with the relative position between transmitter and receiver. The reliability of proposed 3D GBSM is highlighted by a good agreement with the measured result in terms of the correlation function.

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Borowiecki, Artur. "Typology of opening scenes in the new generation of TV series." Kultura-Społeczeństwo-Edukacja 19, no. 1 (June 14, 2021): 119–32. http://dx.doi.org/10.14746/kse.2021.19.9.

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The product of quality TV, modern TV series have undergone significant changes compared to traditional productions. TV series used to have a closed episodic structure, contained within a single episode. These days, the format marked by a narrative continuity prevails. The types of sequences that open TV series have changed, too. Filmmakers employ various ‘opening strategies’ to make their productions stand out and attract audiences’ attention. The initial scenes highlight dynamic action, set the tone and express the central conflict. Other types of opening aim to explicate the main protagonist to make them intriguing. This article will provide the definition of ‘opening scenes’, and their typology will be discussed based on selected examples.

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Kennedy, David. "Australian Video Viewing Survey." Journal of Telecommunications and the Digital Economy 9, no. 1 (March 25, 2021): 73–83. http://dx.doi.org/10.18080/jtde.v9n1.394.

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In late 2020, Venture Insights conducted a video consumer survey of 1,003 Australian households. This paper provides an overview of the results. A television set remains the most common device for watching video, but a substantial majority of households also watch video on PCs, tablets and smartphones. Internet-connected TVs are now common. Only 24% of households currently have a 4K or better TV, but 44% of households anticipate buying a 4K TV set over the next three years. More than half of households do not subscribe to a pay-TV service. Of those which do, two-thirds have Foxtel. Netflix remains dominant in the Australian subscription video market, while its main competitors are each subscribed to by about one-fifth of households. Most survey respondents expect their video consumption to remain stable across all formats over the next year.

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Calfano, Brian, Costas Panagopoulos, and Elisa Raffa. "Government Eyewitness: Considering New Approaches to Political Coverage Through Local TV’s Greatest Strengths." Journalism & Communication Monographs 24, no. 4 (December 2022): 236–307. http://dx.doi.org/10.1177/15226379221131045.

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In this monograph, we assess audience reactions to local TV news political coverage across an array of topics and research designs. First, we trace the development in local TV news of the now universally recognized reporter-driven emphasis: the local Eyewitness News model. That format’s role in establishing reporters as local elites is our basis for comparing how audiences respond to local reporters associated with the “eyewitness” brand versus reporters from national broadcast outlets. Using a combination of survey and field experiments, we investigate how audiences respond to eyewitness reporters. First, we vary audience exposure to partisan and policy frames sourced to these reporters. Across these experiments, audiences, and especially Republicans, respond more favorably to local than to national reporters and to the use of a policy than a partisan frame. Our second set of experiments test false balance and truth-telling in local TV stories about the 2020 presidential election. Again, the local reporter bests a national counterpart in terms of audience, especially Republican, reactions. In our third set of studies, we examine different combinations of human-interest content in the traditional thematic and episodic framing approaches in TV news for their effect on audiences’ climate change attitudes. We conclude by showing how these results inform an expansion of the topics and approaches local TV news affiliates should take to offer political coverage of value.

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Qadir, Muhammad Irfan, and Shafiq Jullandhry. "Impact of TV Violence on Aggression of Youth; A Comparative Analysis of Male and Female Students of Lahore." Journal of Business and Social Review in Emerging Economies 6, no. 2 (June 14, 2020): 549–56. http://dx.doi.org/10.26710/jbsee.v6i2.1180.

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This study focuses on impact of TV violence on aggression young viewers of Lahore. For this study 500 (Male, 250 and Female 250) students are taken as a sample size from different universities of Lahore. Data is collected through stratified and convenience sampling technique from the targeted population. Major results indicate the significant difference in exposure to TV violence and aggression of male and female students. Major results of statistical tests male student exposure and attitude to TV violence has significant impact on aggression but exposure of female student has not significant impact on aggression whereas attitude to TV violence has significant impact on aggression. Further, there is also need to set some sort of filters on media contents which are presenting violence.

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Oțăt, Diana. "The Translation of TV Commercials. Degrees of Localisation." Linguaculture 9, no. 2 (December 10, 2018): 111–28. http://dx.doi.org/10.47743/lincu-2018-2-0127.

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The paper aims at featuring some current advertising trends and their effect upon the re-mapping of translation strategies. Addressing the field of advertising from a translation-oriented perspective, we seek to look into how TV commercials’ relocation is tackled in view of the unity in diversity socio-cultural context and to investigate the cultural intake. Hence, we set out to establish to what extent broadcasted stereotypes are disseminated via translation. Special attention is paid to the role of the cultural variable and the translation of culture-specific elements in terms of localisation and glocalisation. To shed some light on the issue of stereotyped interfaces and the overcoming of cross-cultural barriers in the translation of TV commercials, we embark upon a specialised corpus-based analysis of a set of “globalised” commercials by means of dedicated software.

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Abdulhamid, Mohanad. "Analysis and Design of 10-Element Yagi-Uda Antenna." Scientific Bulletin 25, no. 1 (June 1, 2020): 1–8. http://dx.doi.org/10.2478/bsaft-2020-0001.

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AbstractThe main aim of this paper is to come up with a 10-element Ultra High Frequency (UHF) aerial with optimal spacing that gives clear TV reception. A Yagi antenna is chosen for this study due to its high directionality, broadband capability, high gain and the availability of materials locally. An attempt is made to simulate the entire antenna and test it on a Samsung TV set.

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Journal articles on the topic 'TV set'

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