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1

al-Dīn, Waḥīd al-Dīn Bahāʼ. Wujūh Turkumānīyah fī riḥāb al-thaqāfah wa-al-ṣiḥāfah. Baghdād: [publisher not identified], 2013.

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2

Issa, Zahraa Haval. Irak Türkmen kadın yazımı. Ankara: Günce Yayınları, 2021.

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3

Hasan, Mushirul. Between modernity and nationalism: Halide Edip's encounter with Gandhi's India. New Delhi: Oxford University Press, 2010.

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Hasan, Mushirul. Between modernity and nationalism: Halide Edip's encounter with Gandhi's India. New Delhi: Oxford University Press, 2010.

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5

Adıvar, Halide Edib. House with wisteria: Memoirs of Turkey old and new. New Brunswick, N.J: Transaction Publishers, 2009.

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6

Euripides. Trojan women. New York: Oxford University Press, 2008.

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7

Euripides. The Trojan women. Newburyport, MA: Focus Classical Library, 2005.

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8

Euripides. The Trojan women. Chicago: I.R. Dee, 1999.

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9

Euripides. The women of Troy. London: Methuen Drama, 2007.

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10

Adıvar, Halide Edib. House with wisteria: Memoirs of Halidé Edib. Charlottesville, Va: Leopolis Press, 2003.

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11

Euripides. Trojan women: The Trojan women by Euripides, and Helen and Orestes by Ritsos. Toronto: Exile Editions, 1990.

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12

Hayatseven, Hülya, and Ş. Gönül Küfteoğlu. Anlatan kadınlar: Roman, öykü. Haliç, İstanbul]: Kadın Eserleri Kütüphanesi ve Bilgi Merkezi Vakfı, 2003.

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13

Euripides. Trojan women: Iphigenia among the Taurians ; Ion. Cambridge, Mass: Harvard University Press, 1999.

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14

Berlinski, Claire. Lion eyes. New York: Ballantine Books, 2007.

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15

Berlinski, Claire. Lion eyes. New York: Ballantine Books, 2007.

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16

Berlinski, Claire. Lion eyes. New York: Ballantine Books, 2007.

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17

Bunting, Eve. A turkey for Thanksgiving. New York: Scholastic Inc., 1993.

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18

1946-, Ḵẖayāla Priyadarśī Ṭhākura, ed. Sno: [vaiśvika rājanīti ko eka prema kahānī meṃ sameṭatā adbhuta upanyāsa]. Naī Dillī: Peṅguina Buksa, 2012.

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19

Sergeevna, Avrutina Appolinariâ, and Torgovo-izdatel'skij dom "Amfora", eds. Sneg. Sankt-Peterburg: Amfora, 2013.

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20

translator, ʻAbdāllī ʻAbd al-Qādir, ed. Thalj. Dimashq: Dār al-Madá, 2017.

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21

1952-, Freely Maureen, ed. Snow. New York: Everyman's Library, 2011.

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22

Stella, Vretou, ed. Chioni. Athe na: O keanida, 2007.

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23

1952-, Freely Maureen, ed. Snow. New York: Knopf, 2004.

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24

Anna, Polat, ed. Śnieg. Kraków: Wydawn. Literackie, 2006.

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1952-, Freely Maureen, ed. Snow. New York: Vintage International, 2005.

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26

Orhan, Pamuk. Nieve. México, D.F: Alfaguara, 2006.

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Orhan, Pamuk. Snow. New York, USA: Vintage International, 2005.

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28

Orhan, Pamuk. Snow. New York: Vintage International, 2005.

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29

Orhan, Pamuk. Xue. Taibei Shi: Mai tian chu ban, 2008.

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30

Orhan, Pamuk. Schnee: Roman. Bonn: Bundeszentrale für politische Bildung, 2005.

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31

Pamuk, Orhan. The museum of innocence. New York: Random House Large Print, 2009.

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32

Orhan, Pamuk. The museum of innocence. New York: Random House Audio, 2009.

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33

Orhan, Pamuk. The Museum of Innocence. New York: Knopf Doubleday Publishing Group, 2009.

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34

Orhan, Pamuk. Muzei Nevinnosti. Sankt-Peterburg: Izd-vo "Amfora", 2009.

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35

Orhan, Pamuk. The museum of innocence. New York: Random House Large Print, 2009.

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36

Orhan, Pamuk. The museum of innocence. New York: Vintage International, 2010.

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37

1952-, Freely Maureen, ed. The museum of innocence. New York: Alfred A. Knopf, 2009.

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38

Halide Edib ve gerçekler. Kızılay, Ankara: Kripto, 2012.

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39

Halidé Edib and Sibel Erol. House with Wisteria: Memoirs of Turkey Old and New. Transaction Publishers, 2003.

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40

Balan, Canan. Imagining Women at the Movies. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039683.003.0005.

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This chapter examines early film culture in Istanbul by focusing on how Turkish male writers constructed cinema-going Turkish women in early twentieth-century and postwar Istanbul. The goal is to analyze gendered concerns about spectatorship emerging in the patriarchal imagination of that time. In order to understand the reception of early cinema in Turkey as well as the cultural status of Turkish cinema among the Ottoman/Turkish intelligentsia and the gender politics surrounding it, the chapter looks at novels, poems, and newspaper reviews. The discussion begins with an overview of film market in post-World-War I Istanbul and cinema-going as a public experience in the Ottoman capital. An analysis of female spectators depicted by male authors reveals a changing culture of spectatorship. This occurred concomitantly with the sociopolitical transition from the declining Ottoman Empire to the rise of the Turkish nation-state. The chapter argues that the change in gender politics during this period triggered the new anxieties that creative writers project onto the activity of filmgoing, and particularly that by cinema-going women.
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41

Adıvar, Halide Edib. House with Wisteria: Memoirs of Turkey Old and New. Taylor & Francis Group, 2017.

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42

Adıvar, Halide Edib. House with Wisteria: Memoirs of Turkey Old and New. Taylor & Francis Group, 2017.

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43

Adıvar, Halide Edib. House with Wisteria: Memoirs of Turkey Old and New. Taylor & Francis Group, 2017.

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44

Adıvar, Halide Edib. House with Wisteria: Memoirs of Turkey Old and New. Taylor & Francis Group, 2017.

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45

Adıvar, Halide Edib. House with Wisteria: Memoirs of Turkey Old and New. Taylor & Francis Group, 2017.

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46

Istanbul In Womens Short Stories. Milet Publishing, 2012.

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47

Between modernity and nationalism: Halide Edip's encounter with Gandhi's India. New Delhi: Oxford University Press, 2010.

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48

Parrot, Andrea, and Nina Cummings. Sexual Enslavement of Girls and Women Worldwide. Greenwood Publishing Group, Inc, 2008. http://dx.doi.org/10.5040/9798216013549.

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They are in different countries but share the same hell. Maria is one of 14 women lured from Mexico to Seattle, Washington, with the promise of a job, then held by force in a brothel and required to sexually service men 12 hours a day. Anna is a young mother from the Ukraine who left her husband and children there to take a job as a housecleaner in Italy, where she was put in a barred, guarded house and forced into prostitution. Nadia is an 11-year-old girl in Africa, kidnapped and forced to have sex with a militiaman daily, with a machete ever ready nearby should she refuse. All three women are part of horrific sex slavery that has drawn the attention of officials in countries around the globe. It is not rare; officials say it is increasing, at least partly due to the billions of dollars it brings in for organized crime. The U.S. State Department estimates 800,000 victims, mostly women and children, are trafficked for sex trade across nations each year and millions more are trafficked within countries - including the U.S., Britain, Spain, and the Netherlands. As a Seattle Times reporter explained when Maria's case hit the news there, the reality is that sex slaves for the most part are young women and teenaged girls who come from almost every one of the world's poorer countries and end up in almost every country where there is a combination of sexual demand and money. But they are also in undeveloped Africa, in prisons internationally, locked in forced marriages, or sold to men by parents. TheyIn this book, Parrot and Cummings outline the scope and growth of the sex slave market today and explain the history with various elements - including economic, political, cultural, and religious - that make this trade difficult to fully expose, quell, combat, and shut down. We hear from girls and women around the world describing how sexual enslavement has tortured them physically, emotionally, and spiritually, whether they suffer at the hands of prison guards in Turkey, criminals in Washington, or buyers dealing with parents who sell their daughters for the sex slave trade in Greece, Belgium, or France. The authors also describe national and international efforts and legislation passed or in design to stop sex slavery. Successful countries and regions are spotlighted. Then Parrot and Cummings point out actions still needed to stop the sex slavery trade.
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49

Adıvar, Halide Edib. House With Wisteria: Memoirs of Halide Edib. Leopolis Press, 2003.

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50

Freely, Maureen, and Pamuk Orhan. Museum of Innocence. Faber & Faber, Limited, 2011.

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