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Books on the topic 'Turkish Portraits'

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Author: Grafiati
Published: 26 July 2024
Last updated: 27 July 2024

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1

Üniversitesi, Uludağ, ed. Aydın portreleri: Türkiye'de toplumsal dönüşümün sanata yansıması. Bursa: Uludağ Üniversitesi Basımevi, 2002.

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2

Güler, Ara. 100 yüz: Ara Güler'den yazar fotoğrafları. İstanbul: YKY, 2002.

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3

Turgut, Mahmut. Objektifimdeki edebiyatçılar. Ankara: T.C. Kültür Bakanlığı, 2001.

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4

Doğanay, Erkan. Suretten surete: Osman Hamdi Bey'den günümüze portre örnekleri = From figure to figure : examples of portraits from Osman Hamdi Bey to the present day. İstanbul: Küçükçekmece Belediyesi, 2010.

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5

Kaba, Kadir. The origins of Turkish Cypriot photography: Kıbrı Türk fotoğrafı'nın kökeni. Nicosia, Cyprus: Cypriot Photographers' Gallery, 2013.

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6

M. Fevzi Akarsu: Modern Kıbrıs Türk fotoğrafı'nın kurucusu = Founder of modern Turkish Cypriot photography. Mağusa: Doğu Akdeniz Üniversitesi, Kıbrıs Araştırma Merkezi, 2016.

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7

Barratt, Carrie Rebora. John Singleton Copley and Margaret Kemble Gage: Turkish Fashion in 18th-century America. San Diego, Calif: Putnam Foundation, 1998.

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8

Müzesi, Rezan Has, and Kadir Has Üniversitesi, eds. Yeni hikayeler: New stories. İstanbul: Rezan Has Müzesi, 2011.

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9

Nicolaas, E. Sint. Op bezoek bij de Sultan: De 'Turkse' schilderijen van ambassadeur Cornelis Calkoen (1696-1764). Amsterdam: Rijksmuseum Amsterdam, 2013.

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10

Akgün, Merve Akar, Evrim Altuğ, and Gökşen Buğra. 99 kare: Cumhuriyet'in değerleri. İstanbul: MASA, 2018.

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11

Bey, Youssouf. Youssouf Bey: The charged portraits of fin-de siècle Pera : Ömer M. Koç collection. Edited by Öztuncay Bahattin and Youssouf Bey 1856-1933. Istanbul: Vehbi Koç Foundation, 2016.

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12

Orga, Irfan. Portrait of a Turkish family. London: Eland, 2002.

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13

Orga, Irfan. Portrait of a Turkish family. London: Eland, 1988.

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14

Başar, Serhat. Eserleri, fotoğrafları ve aileleriyle Osmanlı şeyhülislâmları. İstanbul: İstanbul Büyükşehir Belediyesi Kültür A.Ş. Yayınları, 2017.

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15

Bacqué-Grammont, Jean-Louis. Représentants permanents de la France en Turquie (1536-1991) et de la Turquie en France (1797-1991). Istanbul: Editions Isis, 1991.

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16

Taşçı, Yıltan. 100 yüz. Lefkoşa: Cypri-Cola Evsu, 2011.

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17

Hayatseven, Hülya, and Ş. Gönül Küfteoğlu. Anlatan kadınlar: Roman, öykü. Haliç, İstanbul]: Kadın Eserleri Kütüphanesi ve Bilgi Merkezi Vakfı, 2003.

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18

Chase, Holly. Turkish tapestry: A traveller's portrait of Turkey. Groton Long Point, Conn: Bosphorus Books, 1993.

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19

The origins of Turkish Cypriot photography. Nicosia: Cypriot Photographers' Gallery, 2010.

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20

al-ʾĀshûrî, Loqmān ibn Ḥosayn. Kıyafetüʾl-insâniyye fı̂ şemâiliʾl-ʻOsmâniyye. [Istanbul]: Historical Research Foundation, Istanbul Research Center, 1987.

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21

Altınoğlu, Garbis. Portrait of a terrorist state: A summary of the ordeal of political captives in Turkish prisons. Leeds: CL, 2001.

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22

Yüksel, Gazi. Geçmişten günümüze Kıbrıs'ta fotoğraf vitrinimiz. Lefkoşa, Kıbrıs: Galeri Kültür, 1995.

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23

Bestandji, Taoufik. De Constantine à Constantinople: Impact de la musique turque sur la musique du Maghreb. Paris: L'Harmattan, 2018.

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24

Korkmazel, Ergenç Mehmet. Stavrokonno, 1900-1975--. Lisi, Lefkoşa [Nicosia, Cyprus]: E.M. Korkmazel, 2009.

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25

Dobrev, Petŭr D. Bŭlgari, ti͡u︡rki, slavi͡a︡ni: Fizicheskite im obrazi v rannite srednovekovni pametnit͡s︡i. Sofii͡a︡: Izdatelska Kŭshta Ogledalo, 1996.

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26

Mette, Veit. Generation ÜÇ. Bielefeld: Kerber, 2009.

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27

Sanatci portreleri =: Artists' portraits. Yapi Kredi Kultur Sanat Yayincilik, 1999.

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28

Cagman, Filiz. Osmanli Sarayi Tasvir Sanati. Masa Yayinlari, 2016.

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29

Gezen, Müjdat. Çizgilerle Nazım Hikmet. Kirmizi Kedi Yayinevi, 2018.

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30

Die Helden, ihre Frauen und Troia: 36 kleine Portraits. Darmstadt: Philipp Von Zabern, 2012.

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31

"Al gözüm seyreyle": Güneş Karabuda'nın Yaşar Kemal fotoğrafları, 1956-2010. Beyoğlu, İstanbul: Yapı Kredi Yayınları, 2010.

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32

Kemal Özer için anı fotoğrafları. Cağaloğlu, İstanbul: Yordam Kitap, 2011.

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33

Türkiye'de, sanat eleştirmenlerinin yorumlarıyla ölmeden önce görmemiz gereken 101 portre. Istanbul: Caretta, 2014.

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34

Çağdaş Türk resminde otoportreler. Cağaloğlu, İstanbul: Beta, 2007.

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35

Attalidische Herrscherbildnisse: Studien zur hellenistischen Porträtplastik Pergamons. Wiesbaden: Harrassowitz, 2006.

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36

Orga, Irfan. Portrait of a Turkish Family. Hippocrene Books, Incorporated, 1989.

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37

Orga, Irfan. Portrait Of A Turkish Family. Inman Press, 2007.

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38

Medvedow, Jill S. Juan Muñoz Portrait of a Turkish man drawing. Published by the Trustees of the Isabella Stewart Gardner Museum, 1995.

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39

Borowiec, Andrew. Cyprus. Greenwood Publishing Group, Inc., 2000. http://dx.doi.org/10.5040/9798400636592.

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Borowiec portrays Cyprus as a permanent source of tension in the Eastern Mediterranean and a potential trigger for future conflict between Greece and Turkey. He describes the depth of animosity between Greek and Turkish Cypriots and analyzes the obstacles in the path of a search for a solution. Most casual observers see the conflict between Greeks and Turks on a strategic Mediterranean island as a struggle within a sovereign state. Borowiec concludes that there has never been a Cypriot nation, only Greeks and Turks living in Cyprus, separated by the hostility reflecting the traditional animosity between their motherlands. If these two groups could forget their past conflicts—as did, for example, Germany and Poland—there might be a way to end the partition of Cyprus. At the present time, however, the crisis is likely to continue with varying degrees of tension, threatening the entire Eastern Mediterranean and undermining NATO's cohesion. Borowiec traces the history of Cyprus from antiquity through Ottoman and British colonial rule and the post-independence period. He describes the break between the island's communities in 1963, the UN intervention of 1964, and the path toward the Athens junta's coup in 1974 which caused the Turkish invasion and occupation of the northern part of Cyprus. He compares the conflicting views of the protagonists—the Greek Cypriot majority and the Turkish Cypriot minority. Considerable attention is paid to the two separate economic and political entities on the island. Borowiec analyzes the futility of myriad international mediation efforts and suggests possible ways of creating a climate propitious to dialogue. This important new look at the Cypriot conflict will be valuable to researchers, policy makers, and scholars involved with the Eastern Mediterranean and conflict/peace studies.
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40

Utku Dervent, Oguz Haslakoglu, Ümit Inatçi. Every Paintings is a Self-Portrait. Bozlu Art Project, 2017.

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41

Yavuz, M. Hakan. Nostalgia for the Empire. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197512289.001.0001.

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This book examines the social and political origins of beleaguered and wistful expressions of nostalgia about the Ottoman Empire for various groups in the region. Rather than focus on how Ottomanism evolved, the book examines how social and political memories of the Ottoman past have been transformed in Turkish society along with reactions from the outside world. This Ottoman past, as remembered now, is grounded in contemporary conservative Islamic values. Thus, the connection between memories of the Ottoman past and these values defines Turkey’s new identity. This new expression of memory portrays Turkey as a victim of the major powers, justifying its position against its imagined internal and external enemies. The book explores why Turkish society has selectively brought the Ottoman Empire back into the public mindset and for what purpose. It traces how memory of the Ottoman period has changed in Turkish literature, mainstream history books, and other cultural products from the 1940s to the 21st century. A key aspect of Turkish literature is its criticism of the Kemalist modernization of Turkey matched by its return to the Ottoman past to articulate an alternative political language. This book responds to several interrelated questions: What is neo-Ottomanism, in general, and what is the significance of various terms using Ottoman as a variant and what purpose do they serve? Who constructed the term and for what purpose? What are the social and political origins of the current nostalgia for the Ottoman past?
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42

[Sheik] Jelaleddin: A Portrait of His Invasion (Language. IndoEuropeanPublishing.com, 2009.

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43

Tüm bir yaşam =: A lifetime. Ankara: Kültür Bakanlığı, 1992.

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44

The Bathers. Duke University Press, 2009.

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