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Dissertations / Theses on the topic 'True crime'
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Ayres, Tammy. "Drugs and crime : the true relationship." Thesis, University of Leicester, 2015. http://hdl.handle.net/2381/38432.
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The link between drug use and crime is well established in academic, policy and treatment, particularly the idea that drug use causes crime, despite the nature of the drug-crime relationship varying between sub-groups of drug using offenders and not existing at all for the majority of drug using non-offenders1. Research suggests the amount of crime attributable to drug use has been over exaggerated. There is a dearth of research examining the drug-crime relationship between non-treatment and non-offender samples, particularly in the UK. There is also less research examining the notion that both drug use and crime are caused by other (third) factors compared to the research examining the idea that drug use causes crime. Thus this research aims to compare a group of drug using offenders (n=149) with a group of drug using non-offenders (n=111) on a number of childhood risk factors (perceived parenting, negative life-events and impulsivity), school and peer variables, as well as their coping to strategies. The aim is to ascertain if criminality among drug users is attributable to these other (third) factors, instead of their drug use causing the crime to facilitate a more in depth understanding of the relationship between drug use and offending. Group comparisons followed by regression analyses were employed to examine whether any variables predicted group membership (drug using offender or a drug using non-offender), while age, job and drug use severity were controlled for. A high number of negative life events experienced before age 18, earlier age of onset for drug use, always being in trouble with the police with friends, receiving no qualifications from school, being expelled from school and behavioural avoidant coping predicted being a drug using offender, while the reasons for initiating drug use (out of curiosity and to socialise with friends) predicted being a drug using non-offender. The results show significant differences exist between drug users that go on to become offenders and drug users who do not, and these differences are attributable to offending/non-offending status rather than drug use. The implications for treatment and policy are considered.
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Bullman, Lee. "Nothing but the truth? : truth, true-crime, genre and 'Blowback'." Thesis, University of Huddersfield, 2016. http://eprints.hud.ac.uk/id/eprint/34159/.
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Blowback, my biography of the international drug smuggler Michael Forwell, has, since its publication, been marketed within two commercially and culturally recognised categories, namely true crime and biography. In a commercial sense these titles act as signifiers of content, communicating in broad strokes what the reader can expect from the work, where it might lie within their own view of the cultural landscape and therefore whether or not they find engagement with the work appealing. In a practical sense (i.e. from the point of view of the practitioner, the writer), these categorisations bring with them expectations of both form and content, which influence the work produced within that category to varying degrees, either by their inclusion or their absence. I intend to look at these generic and cultural expectations in relation to my own book Blowback, as well as true crime’s most consistently popular, influential and lauded texts, Truman Capote’s In Cold Blood and Vincent Bugliosi and Curt Gentry’s Helter Skelter, in order to examine the extent to which these expectations shape the work. I will also engage with the work of relevant theorists, including Christian Metz, Steve Neale and Mark Seltzer. I also intend to provide context for both my own creative practice prior to writing Blowback and the extent to which the fiction I wrote went on to influence the ‘true’ crime described within the book. Any study of true crime must wrestle with the genre’s relationship with truth, a relationship I will contextualise via a history of the genre which examines its long, complex and symbiotic relationship with fiction. The true crime shelves are where we store our monsters, and I aim to investigate how those monsters’ brushes with true crime (and with fiction) alter our relationship with them. Interesting notions of truth exist within the study of biography too, and I will look at these where they apply to my portrayal of Michael and his world and where I, the writer of somebody else’s story, might be located within that world.
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Eriksson, Marie. "Victim or murderer? : Discourse, representation & stereotypes in true crime." Thesis, Malmö universitet, Malmö högskola, Institutionen för konst, kultur och kommunikation (K3), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-42417.
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This study explores the true crime documentary Murder to Mercy: The Cyntoia Brown Story and aims to investigate the protagonist Cyntoia Brown in relation to how her character and story is represented. Due to the consistent rise of awareness in equal rights, as well as the steady increase of black representation in popular television, one might think that it would reflect positively in mass media. Although there have been few changes to representation, the findings that are to be presented suggest otherwise. Narratives within television still heavily relies on stereotyping and following societal norms, which this study desires to expose through a discourse analysis.
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Fondén, Cecilia, and Carl Mathisson. ""I saw a tiger"... but did I see a true-crime? : En studie i den historiska utvecklingen av true-crime och serien the Tiger King." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-42730.
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Denna studie har i syfte att nå utökad kunskap inom genren true-crime, dess historiska utveckling samt senaste tillskott. Studiens metodik består av såväl en litteraturstudie av tidigare forskning som en narrativanalys av serien The Tiger King. Tre kompletterande frågeställningar har framställts i syfte att vägleda studien och dess disposition. Det teoretiska ramverket består av genreteori och teorier i narrativanalys från Gerard Genette och Ian Punnett. Litteraturstudien, som är presenterad kronologiskt, identifierar ett antal intentionsmässiga utvecklingar för true-crimes historia. Dessa intentioner består av sensation, verklighetsrapportering, underhållning samt oskyldighetsrevolution. Den narrativa analysen av serien the Tiger King är uppdelad och analyseras kronologiskt utefter sina sju avsnitt. Analysen tyder på en stundvis avsaknad av narrativa aspekter som är väsentliga för true-crime och inslag av såväl sensationella som underhållande intentioner. Resultaten av litteraturstudien och den narrativa analysen sammanställs för studiens tredje frågeställning där the Tiger King behandlas utifrån genrens historiska utveckling. Förändringar i narrativets tidsaspekter, mängden avbildade aktörer och porträtteringen av rättsväsendet identifierades i studiens jämförelseanalys. Genrens mest uppseendeväckande förändring var dess porträtterande av offer och anklagade, samt hur dessa roller blivit ombytta. Dessa resultat leder studien till en diskussion kring genrens framtida utveckling och att the Tiger King kan innebära att true-crime genren återgår till underhållande intentioner. Studien diskuterar slutligen huruvida utvecklingarna inom genren dessutom tyder på en större samhällsförändring av attityderna mot brott och straff.
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Biressi, Anita Ruth. "True crime : a study of contemporary books and magazines in context." Thesis, University of East London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322426.
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Örtegren, Fredrika, and Saskia Moquist. "Gravallvarligt eller dödskul? En semiotisk textanalys av fyra svenska true crime-podcastprogram." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21397.
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I denna studie har vi undersökt hur manliga och kvinnliga innehållsproducenter av fyra svenska true crime-podcastprogram har representerat gärningsperson, offer och deras anhöriga. I studien undersöktes också hur producenterna uttryckt personliga åsikter och hur de använt sig av musik. Att kritiskt granska producenterna är relevant eftersom tidigare studier har visat att de har ett stort inflytande på både samhället och sina lyssnare. Genom en semiotisk textanalys studerades innehållet i podcastprogrammen utifrån teorierna kunskapssociologi, genus och representation. Resultatet visar att manliga och kvinnliga innehållsproducenter representerade de involverade i mordfallen på liknande sätt men att det finns skillnader i hur manliga och kvinnliga innehållsproducenter uttryckt personliga åsikter. I de studerade podcastprogrammen har vi också identifierat två underkategorier i true crime-genren, ”pratprogram” och ”dokumentär”.<br>In this study, we have examined how male and female content producers of four Swedish true crime podcasts have represented perpetrators, victims and their relatives. The study also examined how producers expressed personal opinions and how they used music. A critical review of these producers is relevant because previous studies have shown they have a great influence on both society and their listeners. The content of the podcasts was studied based on the theories of Sociology of Knowledge, Gender and Representation, using a Semiotic Text Analysis. The results show that male and female content producers represented those involved in the true crime cases in similar ways, but that there are differences in how male and female content producers expressed personal opinions. We have also identified two subcategories in the true crime genre, namely "Talk Show" and "Documentary".
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Ng, Wing-tung Peter. "The social construction of the Chinese youth new arrivals and crime in Hong Kong newspapers : reflecting the true picture? /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22115110.
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Lagerstedt, Hanna, and Emma Frejborg. "Utsatthet, våldsbrott och mord som underhållning : En studie om det kulturella utbytet inom true crime- podcasts." Thesis, Linnéuniversitetet, Institutionen för samhällsstudier (SS), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-101065.
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Creating, producing and listening to podcasts has become an increasingly popular way for cultural transmission. Among an infinitely number of genres true crime has been rising in popularity during the last decade. By consuming true crime- podcasts we also affirm the relevance of the cultural exchange. The aim of this study is therefore to examine what this contemporary cultural exchange consists and in what way the transmission affect the actors. The study was implemented by interviewing creators of true crime- podcasts as well as women consuming numerous podcasts within the genre. By applying Bourdieus theoretical concepts combined with Boltanski and Thevenots theory about orders of worth in the analyses of the empirical material we can acquire a profound understanding of individual practices as well as how they legitimize their actions. From the comprehensive material generated from the interviews we found some distinctive results. First, the creators aim to educade, inform and engender a reflective practice within the consumers. The podcastconsumers assigned that they are listening to true crime- podcast in the purpose of entertainment and the acquisition of information. Also, they keep listening although many of them have experienced feelings of fear and have become more cautious towards their surroundings. The cultural exchange that takes place within the podcast is the creation of meaning and reflection itself.
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McIver, Ruth. "Our Dark Places: the shadows between public record, private lives and ethics in true crime–inspired fiction." Thesis, Curtin University, 2019. http://hdl.handle.net/20.500.11937/76190.
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My research project consists of a creative work and an exegesis. I Shot the Devil is a true crime–inspired fiction manuscript that melds memoir with fiction. My exegesis locates itself in debates surrounding feminism, representational politics and existing cultural historians’ enquiry into creative responses to trauma and crime, via two autoethnographic essays. Both explore the ethical, ideological and epistemological issues surrounding the narrativised representation of marginalised subjects, including victims of crime.
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Lundblad, Johanna. ""It's rare to capture the sound of pure evil on tape, but here it is." : En retorisk analys av gestaltningen av brott och rättssystem i poddsändningen Sword and Scale." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-432426.
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Vad är det hos berättelser om mord och brott som fascinerar oss människor? I den här uppsatsen undersöks hur brott, gärningsmän och brottsoffer samt rättssystem porträtteras inom en true crime-text. I denna studie är det poddsändningen Sword and Scale som står i fokus. Vidare undersöks true crime-genren utifrån ett retorisk perspektiv för att utröna hur texten kommunicerar med och övertygar sin mottagare. Uppsatsen tar sina teoretiska utgångspunkter i Kenneth Burkes teori om identifikation och Edwin Blacks teori om the second persona för att kunna utröna ideologiska implikationer hos true crime-narrativet. Resultaten visar att mördare konsekvent porträtteras som onda och fördömda gentemot offret som istället beskrivs som oskyldigt och rättfärdigt, och poddsändningen kan därmed ses konstruera ett etablerat förhållande mellan gott och ont på individnivå. Vidare har analysen visat att rättssystemet beskrivs som en beskyddande, bestraffande och auktoritär makt. Trots detta uppvisas en potential hos anklagande true crime att kritisera rättssystemet, där kritiken riktas mot att rättssystemets beskyddande makt inte utövas tillräckligt eller korrekt. Anklagande true crime fyller därmed även en legitimerande funktion genom att inte att kritisera systemets grundläggande strukturer.
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Sacks, Sara. ""Let's Get Comfy and Cozy and Cuddle Up and Talk About Murder:" My Favorite Murder and the New True Crime." Thesis, University of Oregon, 2017. http://hdl.handle.net/1794/22686.
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This study analyzes the contribution of the podcast My Favorite Murder to the discourse of the true crime genre. Through Critical Discourse Analysis, Feminist Critical Discourse Analysis, and Feminist Media Research the study uncovers how the hosts of the podcast use discourse about gender, class, race, and ability to both reinforce and challenge traditional true crime narratives.
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Phillips, Brett Michael. ""You want it all to happen now!": The Jinx, The Imposter, and Re-enacting the Digital Thriller in True Crime Documentaries." Scholar Commons, 2017. http://scholarcommons.usf.edu/etd/6743.
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In this thesis, I outline the changing shape of the reenactment in the contemporary true crime documentary to illustrate a burgeoning crisis of epistemology and anxieties about the authority of evidence in the Digital Age. I examine two works—The Jinx and The Imposter—that deal with evidence in formally similar but ideologically opposite ways.
Logic in the Digital Age prioritizes an ever-widening collection of increasingly more precise artifacts and details, which supposedly paint a more complete picture but end up highlighting what is unknown more often. Key to this examination is the adoption of classic Hollywood thriller techniques (e.g., non-traditional narrative structures that emphasize subjectivity, twist endings that create uncertainty and doubt, etc.) which indicate a shift away from the traditional “cool” rhetorical control of social realist documentaries towards the emotionally charged manipulation of the thriller. This shift cannot be sufficiently explained by the overarching progression of the documentary towards more reflexive and performative modes. Rather, at the center of this shift is the use of stylized reenactments that share both the thriller’s preoccupation with subjectivity and uncertainty and digital logic’s pervading heterogeneous makeup.
This shift troubles the mastery true crime docs implicitly claim to offer through evidence and the authority of the American criminal justice system in a different way than the more self-reflexive modes of documentary. To resolve the trouble, these films appeal less to evidence and more to emotional certainty and pathos as a way of judging guilt and innocence, shifting the way concrete evidence is understood.
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Neal, Sarah Jane, and sarahneal@myplace net au. "Structuring the Thrill in the True Crime Story: An Analysis of how the substructures of the classic screenplay operate in the Thriller film." RMIT University. Creative Media, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080514.095721.
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The research undertaken as the requirements of the degree is an analysis, evaluation and application of the usefulness of the substructures contained in the classic Thriller screenplay. The research identifies tools and techniques that the screenwriter can apply to the construction of a classically structured Thriller. These tools and techniques have been applied to the creation of an original feature length screenplay entitled Magnetic Fields. The substructures explored in this exegesis are those identified by screen theorist Dr Lisa Dethridge as being essential to the screenplay form, irrespective of genre. They are the premise, protagonist, dramatic problem and plot. The research identifies and defines each of these elements and examines for how they operate in the classic Thriller screenplay. Screen theorist and Thriller genre expert Neill D Hicks provides the theoretical structure for the classic Thriller. A case study, Heavenly Creatures (1994) written by Fran Walsh and Peter Jackson, illustrates the discussion of these substructures. The theories of Dethridge and Hicks are compared and evaluated for their usefulness in the construction of the original screenplay, Magnetic Fields. The story is loosely based on a true crime and the challenge in construction this screenplay was the process of identifying and employing the key conventions and techniques of the Thriller genre. Operating within the conventions of the classic Thriller enables the writer to address the requirements of both industry and audience. The film industry requires that a screenplay adhere to a number of standards relating to its format, length and the organisation of content. The audience, or the reader of the screenplay also has expectations. If a film is labelled a Thriller, the audience expects the story to provoke suspense and fear. They will expect to be thrilled. For the screenwriter to achieve this effect the research aims to prove the benefits of adhering to the structural conventions of the classic Thriller film.
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Lindmark, Anette, and Anna Zetterlund. "True-crimeserier - att skapa spänning i sökandet eftersanningen. : En analys på funktionen av berättarkomponenter och struktur i Netflixdokumentärserie The Keepers (2017)." Thesis, Högskolan Dalarna, Bildproduktion, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27064.
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Syftet med denna uppsats är att undersöka vilka berättarkomponenter som skaparna av The Keepers använder i serien, hur de fungerar tillsammans och hur de möjliggör ett långt dokumentärt berättande. För att komma fram till ett resultat har vi gjort en narrativ analys och en visuell narrativ analys med hjälp av teorier som diskuterar filmatiseringar, animationer, modus och dramaturgi. Resultatet visade att kombinationen av ett klassiskt dramaturgiskt berättande tillsammans med moderna berättarkomponenter i The Keepers skapar spänning och engagerar tittaren i det långa berättandet. Kombinationen av berättarkomponenterna gör att avsnitten hänger ihop väl och leder tittaren framåt genom alla sju avsnitt och serien.
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Eriksson, Derestam Ottilia. "Digitala detektiver - Hur medialisering och konvergenskultur låter oss genomföra rättegångar online." Thesis, Linköpings universitet, Medie- och Informationsteknik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-168045.
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True crime has established itself as a genre with a huge amount of dedicated viewers worldwide,and has gone from ”trash culture” to big, Emmy award-winning productions. Consumers of thegenre has evolved from passively watching the series on the couch, to actively getting engaged in thecase over internet forums as ”digital detectives”. In combination with the technological developmentand the growth of the media, including the shift in power this has contributed to, we now face newchallenges that society has not yet been able to address. The genres influence on its consumers iswidely debated, as is the influence of today’s media climate on our perception of the world, andstudies that address why we expose ourself to this type of content have been written about anddocumented in numerous ways. However, there is no account of the consumers’ own understandingof the relationship between the media, increased opportunities of communication and the genres'growing popularity. This study aims to investigate how today’s media climate and the digital culturewe live in have contributed to the phenomenon that true crime is, and what factors causethe consumers to evolve from passive to active. The documentary Making a Murderer serves asbasis for the study, it is available in two seasons and depicts the murder of Teresa Halbach.To fulfill the purpose of the study, a qualitative method approach was used. As part of the pilotstudy a focus group was conducted, which was then supplemented with personal interviews. Thedata that emerged in these studies were processed and analyzed thematically with the support of thedocumented theories. From the themes and patterns that were developed, conclusions could bewritten, the sub-questions could be answered and the purpose of the study was fulfilled. I came tothe conclusion that mediatization and convergence culture can be assumed to play a major part inthe emergence of digital detectives, as well as in the development of a relatively new form of spoilerculture in which collective intelligence is used to reform society. Furthermore, I found a concernamong the consumers about how dangerous it can be if media and civilians act as judges insociety, and how the possible lack of source criticism can affect the public’s perception of the world.In order for consumers to evolve from passive to active, and for them to be affected on an emotionallevel, a real and detailed picture of the case needs to be portrayed, with socio-economic factors aswell as an insight into the protagonist’s life.
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Reis-Roy, Calvin. "An analysis of the law and practice of securitisation." Thesis, University of Wolverhampton, 2007. http://hdl.handle.net/2436/14405.
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The introduction, and evolution of securitisation over the years, has made a phenomenal contribution to the area of corporate finance. Securitisation is specialised area which has evolved to deliver considerable advantages to banks and their corporate and government clients, a sub-subjected explored in this thesis. Securitisation is using the cashflow, creditworthiness and collateral of receivables to raise finance from the capital markets. To date, research on the subject of securitisation has produced a few textbooks and numerous articles written by academics and practitioners. The ambit of these writings addresses three questions, namely, what is securitisation; how does it work in practice; and how can securitisation be developed so that it can continue delivering advantages in the evolving world of corporate finance. Securitisation is very much a practical subject, and given that the author had very little, if any, practical exposure to the subject prior to developing this thesis, the author, admittedly, felt challenged to ascertain significant issues that could be developed to the extent that such development represents an original contribution to knowledge. Case law in the US had already explored the most significant issue regarding securitisation, namely, true sale. Armed with a solid theoretical base of knowledge that author looked for inspiration, and discovered it during the initial days when the Enron scandal hit the headlines. In short, the Enron scandal involved using the concept of securitisation to facilitate financial crime. The masterminds (if its appropriate to use such description) of the scandal, as this thesis will unfold later, cleverly used thousands of securitisation and hedging transactions to raise funds in order to give financial creditability to a giant corporation which on the surface appeared prosperous but, in reality, was breathing to a large extent on borrowed funds. This scandal, in which securitisation was used, inspired the author to develop the originality of the thesis by focusing on the issue of securitisation and financial crime. Given that financial crime is a huge area to explore, the author narrowed the focus to look at money laundering, and address the question: can the practice of securitisation facilitate money laundering? To approach this question and answer it at doctorate level required a solid understanding of what securitisation is and how it works in practice. Using textbooks, articles and conversations with practitioners, the thesis documents under Part 1, what securitisation is and how it works in practice before moving on to Part 2 to look at if and how securitisation can facilitate money laundering.
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Williams, Marise. "Reading O.J. Simpson: Everyday Rhetoric as Gift and Commodity in I Want to Tell You." Thesis, The University of Sydney, 2004. http://hdl.handle.net/2123/713.
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The Bronco Chase and arrest of O.J. Simpson for the murder of his ex-wife, Nicole Brown Simpson and her friend, Ronald Goldman, and his subsequent criminal trial became one of the most captivating, mass-mediated events of the last decade of the twentieth century. Simpson's iconic celebrity status and his race as an African-American inflamed the notoriety of the crime. An insatiable spectatorial desire for Simpson and narratives concerning his alleged involvement in the Brentwood murders engulfed the American public and American culture for thirty-two months. An excessive scrutiny of his identity by the media, law and order professionals and the populace generated a racially charged discursive cacophony. The memoir Simpson published during his remand to raise funds for his defense expenses, I Want to Tell You: My Response to Your Letters, Your Messages, Your Questions, allows for a productive critical study of everyday rhetoric and the commodity fetishism of celebrity. Released in late January 1995, during the first week of the prosecution's opening statements in the criminal trial, I Want to Tell You was Simpson's first public comment following the nationally televised reading of his suicide note and his spectacular arrest on June 17, 1994. The intercalation of Simpson's narrative utterance with 108 of the more than three hundred thousand letters he received from June to December 1994 as Los Angeles County Jail inmate 4013970 is a practical manifestation of the use value and exchange value of fame. The reciprocity of the epistolic, the phatic demands of address, the etiquette of fan mail and hate mail, the gift of the written text, vulnerable and resonant, reveal an adherence to the symbiotic dynamic of the celebrity-fan, writer-reader, dyadic relation and its currency. Plying his trade as idol of consumption, as spectacle, as genre, Simpson capitalised on the cultural condition of his name and his face as objects of desire. The racialised flesh of Simpson's African-American male body became a site and a sight for narrative and inscription within a pay-per-view marketplace of reification, prosopopoeia, gazeability and criminality.
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Williams, Marise. "Reading O.J. Simpson everyday rhetoric as gift and commodity in I want to tell you /." University of Sydney. SEAFAM, 2004. http://hdl.handle.net/2123/713.
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The Bronco Chase and arrest of O.J. Simpson for the murder of his ex-wife, Nicole Brown Simpson and her friend, Ronald Goldman, and his subsequent criminal trial became one of the most captivating, mass-mediated events of the last decade of the twentieth century. Simpson's iconic celebrity status and his race as an African-American inflamed the notoriety of the crime. An insatiable spectatorial desire for Simpson and narratives concerning his alleged involvement in the Brentwood murders engulfed the American public and American culture for thirty-two months. An excessive scrutiny of his identity by the media, law and order professionals and the populace generated a racially charged discursive cacophony. The memoir Simpson published during his remand to raise funds for his defense expenses, I Want to Tell You: My Response to Your Letters, Your Messages, Your Questions, allows for a productive critical study of everyday rhetoric and the commodity fetishism of celebrity. Released in late January 1995, during the first week of the prosecution�s opening statements in the criminal trial, I Want to Tell You was Simpson's first public comment following the nationally televised reading of his suicide note and his spectacular arrest on June 17, 1994. The intercalation of Simpson�s narrative utterance with 108 of the more than three hundred thousand letters he received from June to December 1994 as Los Angeles County Jail inmate 4013970 is a practical manifestation of the use value and exchange value of fame. The reciprocity of the epistolic, the phatic demands of address, the etiquette of fan mail and hate mail, the gift of the written text, vulnerable and resonant, reveal an adherence to the symbiotic dynamic of the celebrity-fan, writer-reader, dyadic relation and its currency. Plying his trade as idol of consumption, as spectacle, as genre, Simpson capitalised on the cultural condition of his name and his face as objects of desire. The racialised flesh of Simpson's African-American male body became a site and a sight for narrative and inscription within a pay-per-view marketplace of reification, prosopopoeia, gazeability and criminality.
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Arturén, Frida, and Johanna Brandin. "Tre berättelser och ett mord : En kvalitativ innehållsanalys om hur tre podcasts gestaltar Sturebymordet." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-160770.
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The purpose of this study was to investigate how the same murder case is being portrayedin three of Swedens biggest true crime podcasts; P3 Dokumentär, True Crime Sweden and Mordpodden. The case that has been studied is the murder of 15 year old Therese Johansson Rojo who was killed in June 2009. She was found dead in a forest in Stureby, Stockholm in Sweden and later on a 16 year old boy and his 16 year old girlfriend got arrested for the murder. Both of them were found guilty, the boy for murder and the girl for conspiracy to commit murder. The study examined similarities and differences in how the three main characters are described in the different podcasts and how gender is being represented. To achieve valid and reliable arguments and results, we have supported our statements in theories and previous research related to crime, gender and framing inmedia. The method that has been used in this study is a qualitative study including toolsas lexicality, modality and rhetoric. The analysis is divided in three parts, one for each main character and with two themes for each part, how their looks and personality are described in the different podcasts. The analysis showed that all three podcasts portray the main characters in similar ways. There is a lot of focus on the looks of the victim, Therese who is being portrayed as a stereotypic girl. She is also described as the ideal victim as a young and innocent girl. The mainly focus is however, especially in Mordpodden and in True crime Sweden, on the 16 year old girl and 16 year old boy and their relationship with each other. The boy and the girl are being described with dichotomies and are not portrayed, unlike Therese, as typical gender stereotypes. The 16 year old girl is mostly described as controlling and the boy is often described as an innocent victim. This means that the girl is being portrayed as masculine and the boy as feminin. By describing Thereseas the ideal victim and the perpetrators based on dichotomies, the podcasts create gender, based on Fagerström and Nilssons (2008) theory about how gender is being created.
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De, Guzman Dianne Frances A. "Communication under the tree conflict survivors' struggle for educational achievement /." Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1244415575.
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Andersson, Niklas, and Daisy Omodho. "Vi gör det för vår överlevnad : En kvalitativ studie om tre personer medtillhörlighet inom svensk organiserad brottslighet." Thesis, Umeå universitet, Institutionen för socialt arbete, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-86385.
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The objective of this thesis was to research and gain knowledge about people involved in organized crime in Sweden. By conducting interviews we were able to analyze what factors played a role in an individual's choice to become a member of a criminal gang, as well as to gain an overall picture of these people. The qualitative research was carried out in three different cities in Sweden. Three people, aged between 30 and 60, who are currently members of a gang, were interviewed. In these interviews they shared their life stories in terms of childhood, youth, gang involvement as well as their hopes for the future. The results were then further analyzed to explore any similarities and differences among the participating individuals. Furthermore, these results were then compared with previous research on the topic, as well as different theories. We were able to conclude several common trends in the experiences of the interviewed people despite all of them being unique. Among other findings, we could see that theories regarding risk factors for criminal development were mostly coherent with that of the interviewees. Risk factors can be segregated into the individual level, family level, peer level, school level and community level. Research on risk factors were shown to match the interviewees' life stories quite well. Some of the common factors were that two of the people who were interviewed came from broken family relationships, all three described themselves as drawn to peer groups seeking excitement, and all three said that their time at school was characterized by violence. All the people interviewed are active members of a gang because it "suited their needs. They all noted, however, that a disadvantage of this lifestyle is that it comes with a lot of stress, especially the fight against the judiciary. It was clear to all three people that they find it difficult to obey the law and that it would be difficult to leave the criminal underworld completely. This means that chronic criminality, as well as other behavior, is the result of habits that are fundamentally difficult to break.
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Karlsson, Julia. "Hårdare tag mot brottsligheten? : Tre etablerade politiska partiers syn på kriminalitet och kriminalpolitik." Thesis, Linnéuniversitetet, Institutionen för samhällsvetenskaper, SV, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hik:diva-2441.
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This study analyzes the political view of criminality and crime politics in three political parties in the Swedish parliament, Socialdemokraterna, Folkpartiet and Moderaterna. The study seeks to describe which kind of view these parties present on the criminality in our society. The material for this study is the ideologies that the parties descend from which are, socialism, liberalism and conservatism, the political programs of these three parties have also been studied as well as the parties proposals, political documents in the Swedish parliament. The current public debate shows that the crime politics is an attractive question and the parties may seem to have similar proposals on how to lower the criminality in our society. The theory that has been used to describe the results of the study is “actors and structures” and the results are related to this theory as well as the theory has been used as an instrument to explain and sort the material and the results. The results of the study show that the parties are different in their views on criminality as a problem in our society. Socialdemokraterna has a structural view while Folkpartiet and Moderaterna have a actor-centered- view on criminality and crime politics. The results show that the parties have a different view of the source of criminality and this leads to different suggestions on which interventions that are desirable to reduce the criminality.
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Silva, Denise Capasso da. "Violence, security perception and mode choice on trips to and from a university campus." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/18/18144/tde-04102017-153723/.
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This dissertation addresses the validation of the hypothesis there is a general sense that violence and security perception influence the use of sustainable travel modes. The research characterizes the issue of security perception among University of São Paulo (Brazil) users and identifies the way the sense of security and violence occurrences are related to the travel mode choice. An online survey on security perception and the way its participants access the campus was conducted. The target relationships were explored by Decision Tree (DT) algorithms. An initial exploratory analysis revealed occurrences of violence and reports of insecurity perception were strongly correlated on streets around the campus. The time analysis of violence distribution presented the incidents concentrated at night and during the week. The study also showed that security perception variation according to gender and travel mode choice is less sensitive to security perception than to the occurrence of violence, or type of affiliation to the university. Finally, DT algorithms explored the relation of spatially treated variables (i.e. route length to the university, density of violence occurrences and insecurity reports on the route) to mode choice. The results also showed that distance to the campus was relevant to the mode choice only in routes not strongly considered unsafe. In routes of higher insecurity perception, the share of nonmotorized modes was more expressive and the largest participation of sustainable modes was on routes with high incidence of violence. Since it is counterintuitive to assume numerous walking trips are a consequence of violence, the opposite was considered as a possible explanation to those results. The present study reinforces the need for increased surveillance in regions with high participation of non-motorized modes, for preventing users from shifting to motorized modes.<br>Esta dissertação busca comprovar a hipótese de que a violência e a percepção de segurança influenciam o uso de modos de transporte sustentáveis. A pesquisa caracteriza a questão da percepção de segurança entre os usuários da Universidade de São Paulo (Brasil), em São Carlos, e identifica como o sentimento de segurança pessoal e a violência estão relacionados com a escolha do modo de viagem. Foi realizada uma pesquisa on-line sobre a percepção de segurança dos usuários da universidade e a forma como eles acessam o campus. As interações foram exploradas por algoritmos de Árvore de Decisão (AD). Uma análise exploratória inicial mostrou que ocorrências de violência e relatos de insegurança estavam fortemente correlacionados nos trechos de via ao redor do campus. A análise temporal da distribuição da violência apresentou os incidentes concentrados à noite e durante os dias de semana. Além disso, a pesquisa mostrou que a percepção de segurança variou de acordo com o gênero e a escolha modal é menos sensível à percepção de segurança do que a ocorrência de violência, ou vinculação com a universidade. Por fim, os algoritmos de AD foram executados para explorar a relação das variáveis tratadas espacialmente (ou seja, o comprimento da rota até o campus, além da densidade de ocorrências e relatos de insegurança na rota) com a escolha modal. O último resultado obtido na análise foi que a distância até a universidade era relevante para a escolha modal apenas em rotas onde não há numerosos relatos de insegurança. A participação dos modos não motorizados foi mais expressiva nas rotas com maior percepção de insegurança, e em rotas com alta incidência de violência. Como não é razoável supor que mais viagens a pé são uma consequência dos roubos e sim o oposto, o estudo reforça a importância de aumentar a segurança nas regiões de alta incidência de viagens não motorizadas, de forma a não incentivar a migração destes usuários para modos motorizados.
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Baker, Shawn A. "An analysis of timber trespass and theft issues in the Southern Appalachian region." Thesis, Virginia Tech, 2003. http://scholar.lib.vt.edu/theses/available/etd-05212003-153313.
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Pettersson, Erika. "Röda sörjor med gapande munnar : En undersökning om hur den döda kvinnan beskrivs i tre svenska deckare från 2000-talet." Thesis, Södertörns högskola, Litteraturvetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-38230.
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This essay aims to examinate how the dead woman is described in three swedish crime fiction- novels. The novels included in my study is Stieg Larsson ́s Män som hatar kvinnor, Mons Kallentoft ́s Den femte årstiden and Lars Kepler ́s Stalker. The purpose of this study is to examine these questions: how is the dead woman described, how does the woman relate to prevailing norms in a sex-normative context, who is the dead woman based on socio-cultural identity and how can the killer ́s identity be understood in relation to the victim? Inspired by Judith Butler ́s performativity theory I assume a gender constructivist perspective, that gender is a social construction. I am also inspired of Maria Nikolajeva ́s gender role schedule, which shows what characteristics women are most often attributed in literature. I also add my own properties to the schedule. Thus, the result shows that the dead woman fulfills all conventional female standards. The dead woman is, based on the material, either an unwanted woman or an desired woman. The unwanted woman is subjected to sexual violence, something that the desired woman avoids. When the women are dead, they still meet conventional standards even though their bodies are completely destroyed by their perpetrators. The identity of the murderers can be understood from socio-cultural status and their motives.<br>Denna uppsats undersöker hur den döda kvinnan beskrivs i tre svenska deckare: Stieg Larssons Män som hatar kvinnor, Mons Kallentofts Den femte årstiden och Lars Keplers Stalker. Syftet med uppsatsen är att besvara dessa frågor: hur beskrivs den kvinna som ska dödas och som sedan dör, hur relaterar kvinnorna som ska dödas och sedan dör till rådande kvinnliga normer i en könsnormativ kontext, vem är den döda kvinnan och hur kan mördarens identitet förstås i relation till offret? För att besvara dessa frågor utgår jag från att kön är en social konstruktion och Judith Butlers performativitetsteori. Dessutom används Maria Nikolajevas könsrollsschema för hur kvinnor oftast skildras i litteratur. Resultatet visar att den döda kvinnan går att dela upp i två kategorier; den önskade kvinnan och den oönskade kvinnan. Båda kategorier av kvinnor relaterar till rådande kvinnliga normer. Den oönskade kvinnan har ingen plats i samhället, lever ensam och utsätts för sexuellt våld innan hon mördas. Den önskade kvinnan fyller en funktion i samhället, saknas av någon när hon dör och utsätts inte för sexuellt våld innan hon mördas. Den döda kvinnan uppfyller alla kvinnliga normer utifrån Nikolajevas schema, oavsett vilken kategori hon tillhör. Mördarnas identiteter går att förstå utifrån socioekonomisk status samt val av offer.
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Nygren, Isak. "The Gothic versus the Russian. The conflict between the Church of the Goths and the Russian Orthodox Church : A comparison between the Church of the Goths (and similar churches) and the Moscow Patriarchate." Thesis, Södertörns högskola, Institutionen för historia och samtidsstudier, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-26798.
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This essay is mainly about the Church of the Goths and about the Russian Orthodox Church, and their conflict. The essay will be focusing about important persons in these two churches. This essay will be tracing back the roots of the Church of the Goths, since it is a church, that is unknown by most people in this world. My research will be making a distinction of the differences between the Church of the Goths and the Russian Orthodox Church. This essay will also be discussing the heritage of the Gothic people and the theories of the Goths.The methods in the essay, is academic sources, information from the Church of the Goths and from the Russian Orthodox Church. The results shows how the information was found, and now it is published for the first time about the Church of the Goths. This means the Church of the Goths has a stronger ground than first expected. The methods were comparing what the different sources says, and if it was possible to connect the Church of the Goths to the Metropolitanate of Gothia, and so on.
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"Toward a Theory of True Crime: Forms and Functions of Nonfiction Murder Narratives." Doctoral diss., 2017. http://hdl.handle.net/2286/R.I.43954.
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abstract: The mass media genre known as true crime is dismissed often as a more sensational, less reliable iteration of traditional crime journalism. Consumer and editorial confusion exists because there is no overarching criteria determining what is, and what is not, true crime. To that extent, the complete history of true crime’s origins and its best practitioners and works cannot be known with any certainty, and its future forms cannot be anticipated. Scholarship is overdue on an effective criteria to determine when nonfiction murder narratives cease to be long-form crime reporting and become something else. Against the backdrop of this long-evolving, multi-faceted literary/documentary genre, the researcher in this exploratory, qualitative study seeks to (a) examine the historical tension between formal journalism and true crime; (b) reveal how traditional journalism both reviles and plunders true crime for its rhetorical treasures; and (c) explain how this has destabilized the meaning of the term “true crime” to the degree that a more substantive understanding needs to be established. Through a textual analysis of the forms and functions of representative artifacts, the researcher will suggest that a Theory of True Crime could be patterned after time-tested analytic codes created for fiction, but structured in a simple two-stage examination that would test for dominant characteristics of established true crime texts.<br>Dissertation/Thesis<br>Doctoral Dissertation Journalism and Mass Communication 2017
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"Exploring the Existence of a “Documentary Effect”: Examination of True Crime Documentaries on Judgments of Evidence Manipulation and Perceptions of Police." Master's thesis, 2018. http://hdl.handle.net/2286/R.I.49396.
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abstract: Cultivation theory states that consuming television cultivates a social reality in the real world which aligns with the reality present in television. When the television show CSI was released, researchers studied a form of cultivation stemming from the show titled the "CSI Effect." One of the components of the CSI Effect is the tendency of those who watch CSI to be more likely to overestimate the presence of forensic evidence present in a trial and place more trust in such evidence. In recent years, several true crime documentaries that examined controversial cases have been released. In a similar vein of research conducted on CSI, the current study examines true crime documentaries and their possible impacts on viewers’ judgments and beliefs about the criminal justice system. In the current study, participants were provided with a mock case and asked about their perceptions of the case along with their viewership habits. While overall true crime documentary viewership did not influence judgments of evidence manipulation or perceptions of police, findings point to viewership of the targeted documentaries being associated with feelings of mistrust towards the criminal justice system overall, while the lesser-viewed documentaries correlated with judgments of strength and responsibility of the defendant in the case. One possible explanation is that individual characteristics may serve as the driving factor in how individuals choose what to watch when the popularity of the show is not as well-known.<br>Dissertation/Thesis<br>Masters Thesis Psychology 2018
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SCOMAZZON, GIULIA. "Crimine, colpa e testimonianza: sulla performatività nella rappresentazione documentaria." Doctoral thesis, 2019. http://hdl.handle.net/10808/30843.
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(9802850), Lisa Hay. "Animating the archive though creative non-fiction: Locating and reimagining the lives of nineteenth-century rural working-class people in colonial documents." Thesis, 2022. https://figshare.com/articles/thesis/Animating_the_archive_though_creative_non-fiction_Locating_and_reimagining_the_lives_of_nineteenth-century_rural_working-class_people_in_colonial_documents/21747974.
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This thesis, Animating the archive though creative non-fiction: locating and reimagining the lives of nineteenth-century rural working-class people in colonial documents, is comprised of the creative work The stone cairn: a tale of nineteenth-century rural crime and punishment, and an exegesis. In the creative work, imaginative reconstructions inform historical facts to piece together a story involving events connected to the 1854 murder of shepherd Thomas Brookhouse by another shepherd, Patrick Geary in western Victoria. Recreating the narrative communicates the experience of Brookhouse and Geary, as well as other rural working-class people of the time, highlighting stories that defy common tropes and themes in Australian literature about this group of people who left few documentary traces of their lives.
In the exegesis I examine two interconnected theoretical modes on which creative non-fiction writing is used: research-led practice and practice-led research. I discuss my own intellectual journey as one formed within a research-led practice approach. My discovery of practice-led research as a method of sparking imagination and enhancing creativity is explored. The creation of new knowledge and the value of this new approach for its communication to a broad audience that emerges from this thesis are also discussed.<p></p>