Dissertations / Theses on the topic 'Trios (Oboe'
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Cheng, Yu-sum Anthony, and 鄭汝森. "An application of Arnold Schoenberg's gedanke manuscript as a blueprint theory for a portfolio of original compositions." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hdl.handle.net/10722/209587.
Full textEstacio, John Anthony. "Composition recital." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/42040.
Full textArts, Faculty of
Music, School of
Graduate
Drude, Matthias. "Trio für Oboe, Klarinette und Fagott (1988)." Matthias Drude, 2020. https://slub.qucosa.de/id/qucosa%3A72480.
Full textBretz, Jacqueline Therese. "The Reed Trio: Analysis of Works by Ibert, Francaix and Schreiner with a Representative Repertoire List." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1366236512.
Full textNormand, Daniel. "Grâce à trois, Revue de presse : 9 septembre 1996 ; Transformations vernales : oeuvres musicales." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq33726.pdf.
Full textAlmeida, Herminio Carlos de. "A canção viver de amor de Toninho Horta e Ronaldo Bastos: aspectos composicionais e de performance em um arranjo para trio de oboé, trompa e piano." Universidade Federal de Minas Gerais, 2005. http://hdl.handle.net/1843/AAGS-7YMLM4.
Full textEstudo sobre aspectos composicionais e de performance decorrentes da transposição da linguagem popular para a erudita no arranjo musical. A referência analítica é um arranjo, de Hermínio Carlos de Almeida, para trio de oboé, trompa e piano, da canção Viver de amor, dos compositores brasileiros Toninho Horta e Ronaldo Bastos. O objetivo geral é ressaltar a legitimidade dessa técnica, não apenas para a exploração de combinações instrumentais inusitadas, mas também como útil instrumento para a expansão desse tipo de repertório. Os procedimentos metodológicos incluem: 1- Contextualização histórica dos compositores, da obra em questão e de suas gravações; 2- Considerações teóricas sobre a prática de arranjo musical; 3- Edição da leadsheet1 de Viver de Amor, a partir do manuscrito do compositor; 4- Análise formal, harmônica, melódica e rítmica da composição original; 5- Estudo comparativo entre a versão original e a versão do arranjo camerístico, tendo em vista as práticas composicionais e de performance decorrentes das duas linguagens musicais, popular e erudita.
"Oboe Trios: An Annotated Bibliography." Doctoral diss., 2014. http://hdl.handle.net/2286/R.I.26889.
Full textDissertation/Thesis
Doctoral Dissertation Music 2014
Kim, Yeong Su Ko Eunae. "20th century French oboe repertoire from two groups of composers "Le triton" and "Le jeune France"." 2006. http://hdl.handle.net/1903/9756.
Full text"Three compositions." Chinese University of Hong Kong, 1994. http://library.cuhk.edu.hk/record=b5895456.
Full textThesis (M.Mus.)--Chinese University of Hong Kong, 1994.
Preface --- p.1
Chapter I. --- Twinkling --- p.3
Chapter i) --- Analysis-----Introduction --- p.4
Chapter ----- --- Formal structure
Chapter ----- --- Musical elements
Chapter ii) --- Score (with performance notes) --- p.8
Chapter II. --- Emancipation --- p.14
Chapter i) --- Analysis 226}0ؤ Introduction --- p.15
Chapter ----- --- First movement ~ Formal structure
Chapter ~ --- Orchestration
Chapter ----- --- Second movement ~Formal structure
Chapter ~ --- Harmony
Chapter ----- --- Third movement ~ Formal structure
Chapter ~ --- Musical elemets
Chapter ii) --- Score (with 226}0بorchestra' & performance notes) --- p.25
Chapter III. --- Once Upon a Time --- p.105
Chapter i) --- Analysis 226}0´ؤؤIntroduction --- p.106
Chapter ----- --- Formal structure
Chapter ----- --- Scale
Chapter ----- --- Quotation
Chapter ii) --- Score (with performance notes) --- p.111
Goodner, Robert Lynn. "Chamber music featuring trumpet in three different settings with voice, with woodwinds, with strings." 2007. http://hdl.handle.net/1903/9729.
Full text"A portfolio of four original music compositions." 1998. http://library.cuhk.edu.hk/record=b5889514.
Full textsubmitted by Tang Pan-hang Benny.
Thesis submitted in: December 1997.
Thesis (M.Mus.)--Chinese University of Hong Kong, 1998.
Abstract also in Chinese.
Abstract --- p.i
摘要 --- p.ii
Acknowledgment --- p.iii
Declaration --- p.iv
Introduction --- p.1
Trombone Concerto (first movement) --- p.2
Programme notes --- p.3
Remarks --- p.5
Instrumentation --- p.6
Seating Plan --- p.7
Scores --- p.8
Post-Zero 零後 --- p.56
Introduction --- p.57
Programme notes --- p.57
Performance direction --- p.61
Instrumentation --- p.62
Seating plan --- p.62
Scores --- p.63
"Trio for Flute, Violin and Cello No.2" --- p.144
Programme notes --- p.145
Performance direction --- p.145
Scores --- p.146
Biography --- p.159
Music Works List --- p.160
YI-CHUAN, TAI, and 戴憶娟. "The Analysis and Interpretation of Poulenc’s Trio for Piano, Oboe and Bassoon." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/69088450763093658323.
Full text輔仁大學
音樂研究所
95
Francis Poulenc is an outstanding composer and pianist on 20th century.The chamber music is one of the representatives in his works. The trio for Piano, Oboe and Bassoon. composed by Poulenc present special tone color, the treatment of phrase and best artistry. I got different cognition in composer’s background, construction and interpretation of this work. I hope enlarge region of music knowledge and improve performing technique in multilevel exploration condition.
Chan, Hao-Yen, and 詹皓巖. "An Analysis and Interpretation of Poulenc Trio for Piano, Oboe and Bassoon." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/11016150599168791624.
Full text國立臺南藝術大學
音樂學系碩士班
104
The research and analyses of this paper are based on Sonata for Piano, Oboe and Bassoon by Francis Poulenc. Poulenc applies his special technique to deal with his compositions. His has not received the traditional music training; as a result, there exist distinct fluency in his works. This trio is few of his chamber music that joins the bassoon, By discussing, analyzing and performing this trio, we can realize this composer’s music features. There are five chapters in this paper. Chapter one is an introduction to investigate the motivation and methods of this research. Chapter two describes Poulenc’s background and his musical style. Chapter three analyzes this trio, from the first movement to the third movement and researches the form, tonal, also the features of his creation method in this work. Chapter four discusses how do the performers truly interpret the musical terms and how do they perform this Trio for Piano, Oboe and Bassoon. The last chapter is a conclusion of all features mentioned above and my own impressions.
Pennington, Anna Ohlsson Eric Paul Pasculli Antonino. "Days of bliss are in store Antonino Pasculli's "Gran trio concertante per violino, oboe, e pianoforte su motivi del Guglielmo Tell di Rossini" /." Diss., 2007. http://etd.lib.fsu.edu/theses/available/etd-06292007-235916/.
Full textAdvisor: Eric Ohlsson, Florida State University, College of Music. Title and description from dissertation home page (viewed 10-8-2007). Document formatted into pages; contains 67 pages. Includes biographical sketch. Includes bibliographical references.
Kang, Lin, and 康琳. "An Analysis and Interpretation of Francis Poulenc''s Trio for Piano, Oboe and Bassoon." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/46648114980608730328.
Full textLin, Chi-Yin, and 林祈吟. "An Analysis and Interpretation of Poulenc's Trio for Piano, Oboe and Bassoon, Op. 43." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/36594211905705749576.
Full text國立高雄師範大學
音樂學系
101
The compositional writing in the twentieth-century was various, Neo-Classical that mainly represented by Igor Stranvinsky was one of the most important music styles. However, Francis Poulenc’s Trio for Piano, Oboe, and Bassoon, Op. 43 departs from the style of Neo-Classical. The use of harmonic language is innovative and colorful. Poulenc is especially talented for his lyricism and his gift for melody, so his music seems familiar yet fresh. It is the purpose of this dissertation to make a complete and thorough analysis from the details of texture, form, phrase, motive, and performance interpretation in the three movements of this trio.