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Dissertations / Theses on the topic 'Trios (Oboe'

Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

Cheng, Yu-sum Anthony, and 鄭汝森. "An application of Arnold Schoenberg's gedanke manuscript as a blueprint theory for a portfolio of original compositions." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hdl.handle.net/10722/209587.

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2

Estacio, John Anthony. "Composition recital." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/42040.

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This is a compilation of the music performed at the graduation recital of John Estacio on April 11,1991, at 2.30 p.m. in the U.B.C. Recital Hall. There were four pieces performed that afternoon including Azimuth for viola, clarinet and marimba, written in 1989. Ode on the Death of A Favourite Cat, Drowned in a Tub of Goldfishes for S.A.T.B. choir was written in 1989 and uses the text of Thomas Gray. Moments is a set of three pieces for woodwind quintet written in 1990. Viola Concerto is in three movements and was written in 1991 for Reg Quiring, a former U.B.C. student. The concerto is scored for solo viola and chamber orchestra. A cassette copy of the recital is available with this book.<br>Arts, Faculty of<br>Music, School of<br>Graduate

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3

Drude, Matthias. "Trio für Oboe, Klarinette und Fagott (1988)." Matthias Drude, 2020. https://slub.qucosa.de/id/qucosa%3A72480.

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Das Trio für Oboe, Klarinette und Fagott entstand kurz nach Beendigung meines Kompositionsstudiums bei Ulrich Leyendecker (Hamburg) im Jahr 1988. Wie das Bläserquintett (1986), jedoch im Unterschied zum Bläseroktett (1988) und den meisten anderen meiner kammermusikalischen Werke ist es nicht ein-, sondern zweisätzig. Die beiden Sätze Allegro und Andante stehen zueinander im Verhältnis des vermittelten Kontrastes. Die Anfänge sind extrem gegensätzlich. Das Allegro beginnt rhythmisch profiliert mit großen Intervallsprüngen, das – geringfügig kürzere - Andante eher diffus mit kleinräumiger Chromatik. Im weiteren Verlauf des Andante kommen aber auch Allegro-Abschnitte vor, durch die sich der Charakter dem Kopfsatz annähert, so wie umgekehrt der 1. Satz auch ruhigere, den Andante-Charakter vorausnehmende Partien aufweist. (Computer-Notensatz (SIBELIUS): August 2020)

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4

Bretz, Jacqueline Therese. "The Reed Trio: Analysis of Works by Ibert, Francaix and Schreiner with a Representative Repertoire List." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1366236512.

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5

Normand, Daniel. "Grâce à trois, Revue de presse : 9 septembre 1996 ; Transformations vernales : oeuvres musicales." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq33726.pdf.

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6

Almeida, Herminio Carlos de. "A canção viver de amor de Toninho Horta e Ronaldo Bastos: aspectos composicionais e de performance em um arranjo para trio de oboé, trompa e piano." Universidade Federal de Minas Gerais, 2005. http://hdl.handle.net/1843/AAGS-7YMLM4.

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Study about compositional and performance aspects yielded by the transposition from the popular to erudite musical styles in the trio arrangement for oboe, horn and piano by Hermínio Carlos de Almeida of the song Viver de Amor (1980) by Brazilian composers Toninho Horta and Ronaldo Bastos. It discusses the legitimacy of this procedure, its importance to the development of the repertory integrating both erudite and popular musical traits and to the development of the repertory for non conventional instrumentations. It also discusses structural elements of the original version and the idiomatic writing employed in the arrangement. The methodological procedures encompass: 1- Historical context of the composers, the work and its recordings; 2- Theoretical considerations about the practice of musical arrangements; 3- The electronic edition of Viver de Amor´s leadsheet, based on the authors manuscript; 4- Formal, harmonic, melodic and rhythmic analysis of the original composition; 5- Comparative analysis between the original work and the trio arrangement, with regard to compositional and performance practices akin to the popular and erudite languages.<br>Estudo sobre aspectos composicionais e de performance decorrentes da transposição da linguagem popular para a erudita no arranjo musical. A referência analítica é um arranjo, de Hermínio Carlos de Almeida, para trio de oboé, trompa e piano, da canção Viver de amor, dos compositores brasileiros Toninho Horta e Ronaldo Bastos. O objetivo geral é ressaltar a legitimidade dessa técnica, não apenas para a exploração de combinações instrumentais inusitadas, mas também como útil instrumento para a expansão desse tipo de repertório. Os procedimentos metodológicos incluem: 1- Contextualização histórica dos compositores, da obra em questão e de suas gravações; 2- Considerações teóricas sobre a prática de arranjo musical; 3- Edição da leadsheet1 de Viver de Amor, a partir do manuscrito do compositor; 4- Análise formal, harmônica, melódica e rítmica da composição original; 5- Estudo comparativo entre a versão original e a versão do arranjo camerístico, tendo em vista as práticas composicionais e de performance decorrentes das duas linguagens musicais, popular e erudita.

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7

"Oboe Trios: An Annotated Bibliography." Doctoral diss., 2014. http://hdl.handle.net/2286/R.I.26889.

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abstract: This project is a practical annotated bibliography of original works for oboe trio with the specific instrumentation of two oboes and English horn. Presenting descriptions of 116 readily available oboe trios, this project is intended to promote awareness, accessibility, and performance of compositions within this genre. The annotated bibliography focuses exclusively on original, published works for two oboes and English horn. Unpublished works, arrangements, works that are out of print and not available through interlibrary loan, or works that feature slightly altered instrumentation are not included. Entries in this annotated bibliography are listed alphabetically by the last name of the composer. Each entry includes the dates of the composer and a brief biography, followed by the title of the work, composition date, commission, and dedication of the piece. Also included are the names of publishers, the length of the entire piece in minutes and seconds, and an incipit of the first one to eight measures for each movement of the work. In addition to providing a comprehensive and detailed bibliography of oboe trios, this document traces the history of the oboe trio and includes biographical sketches of each composer cited, allowing readers to place the genre of oboe trios and each individual composition into its historical context. Four appendices at the end include a list of trios arranged alphabetically by composer's last name, chronologically by the date of composition, and by country of origin and a list of publications of Ludwig van Beethoven's oboe trios from the 1940s and earlier.<br>Dissertation/Thesis<br>Doctoral Dissertation Music 2014

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8

Kim, Yeong Su Ko Eunae. "20th century French oboe repertoire from two groups of composers "Le triton" and "Le jeune France"." 2006. http://hdl.handle.net/1903/9756.

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9

"Three compositions." Chinese University of Hong Kong, 1994. http://library.cuhk.edu.hk/record=b5895456.

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by Lee Chui Ling.<br>Thesis (M.Mus.)--Chinese University of Hong Kong, 1994.<br>Preface --- p.1<br>Chapter I. --- Twinkling --- p.3<br>Chapter i) --- Analysis-----Introduction --- p.4<br>Chapter ----- --- Formal structure<br>Chapter ----- --- Musical elements<br>Chapter ii) --- Score (with performance notes) --- p.8<br>Chapter II. --- Emancipation --- p.14<br>Chapter i) --- Analysis 226}0ؤ Introduction --- p.15<br>Chapter ----- --- First movement ~ Formal structure<br>Chapter ~ --- Orchestration<br>Chapter ----- --- Second movement ~Formal structure<br>Chapter ~ --- Harmony<br>Chapter ----- --- Third movement ~ Formal structure<br>Chapter ~ --- Musical elemets<br>Chapter ii) --- Score (with 226}0بorchestra' & performance notes) --- p.25<br>Chapter III. --- Once Upon a Time --- p.105<br>Chapter i) --- Analysis 226}0´ؤؤIntroduction --- p.106<br>Chapter ----- --- Formal structure<br>Chapter ----- --- Scale<br>Chapter ----- --- Quotation<br>Chapter ii) --- Score (with performance notes) --- p.111

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10

Goodner, Robert Lynn. "Chamber music featuring trumpet in three different settings with voice, with woodwinds, with strings." 2007. http://hdl.handle.net/1903/9729.

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11

"A portfolio of four original music compositions." 1998. http://library.cuhk.edu.hk/record=b5889514.

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Trombone concerto (first movement) -- Post-Zero -- Trio for flute, violin and cello, no. 2.<br>submitted by Tang Pan-hang Benny.<br>Thesis submitted in: December 1997.<br>Thesis (M.Mus.)--Chinese University of Hong Kong, 1998.<br>Abstract also in Chinese.<br>Abstract --- p.i<br>摘要 --- p.ii<br>Acknowledgment --- p.iii<br>Declaration --- p.iv<br>Introduction --- p.1<br>Trombone Concerto (first movement) --- p.2<br>Programme notes --- p.3<br>Remarks --- p.5<br>Instrumentation --- p.6<br>Seating Plan --- p.7<br>Scores --- p.8<br>Post-Zero 零後 --- p.56<br>Introduction --- p.57<br>Programme notes --- p.57<br>Performance direction --- p.61<br>Instrumentation --- p.62<br>Seating plan --- p.62<br>Scores --- p.63<br>"Trio for Flute, Violin and Cello No.2" --- p.144<br>Programme notes --- p.145<br>Performance direction --- p.145<br>Scores --- p.146<br>Biography --- p.159<br>Music Works List --- p.160

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12

YI-CHUAN, TAI, and 戴憶娟. "The Analysis and Interpretation of Poulenc’s Trio for Piano, Oboe and Bassoon." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/69088450763093658323.

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碩士<br>輔仁大學<br>音樂研究所<br>95<br>Francis Poulenc is an outstanding composer and pianist on 20th century.The chamber music is one of the representatives in his works. The trio for Piano, Oboe and Bassoon. composed by Poulenc present special tone color, the treatment of phrase and best artistry. I got different cognition in composer’s background, construction and interpretation of this work. I hope enlarge region of music knowledge and improve performing technique in multilevel exploration condition.

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13

Chan, Hao-Yen, and 詹皓巖. "An Analysis and Interpretation of Poulenc Trio for Piano, Oboe and Bassoon." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/11016150599168791624.

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碩士<br>國立臺南藝術大學<br>音樂學系碩士班<br>104<br>The research and analyses of this paper are based on Sonata for Piano, Oboe and Bassoon by Francis Poulenc. Poulenc applies his special technique to deal with his compositions. His has not received the traditional music training; as a result, there exist distinct fluency in his works. This trio is few of his chamber music that joins the bassoon, By discussing, analyzing and performing this trio, we can realize this composer’s music features. There are five chapters in this paper. Chapter one is an introduction to investigate the motivation and methods of this research. Chapter two describes Poulenc’s background and his musical style. Chapter three analyzes this trio, from the first movement to the third movement and researches the form, tonal, also the features of his creation method in this work. Chapter four discusses how do the performers truly interpret the musical terms and how do they perform this Trio for Piano, Oboe and Bassoon. The last chapter is a conclusion of all features mentioned above and my own impressions.

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14

Pennington, Anna Ohlsson Eric Paul Pasculli Antonino. "Days of bliss are in store Antonino Pasculli's "Gran trio concertante per violino, oboe, e pianoforte su motivi del Guglielmo Tell di Rossini" /." Diss., 2007. http://etd.lib.fsu.edu/theses/available/etd-06292007-235916/.

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Treatise (D.M.A.) Florida State University, 2007.<br>Advisor: Eric Ohlsson, Florida State University, College of Music. Title and description from dissertation home page (viewed 10-8-2007). Document formatted into pages; contains 67 pages. Includes biographical sketch. Includes bibliographical references.

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15

Kang, Lin, and 康琳. "An Analysis and Interpretation of Francis Poulenc''s Trio for Piano, Oboe and Bassoon." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/46648114980608730328.

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16

Lin, Chi-Yin, and 林祈吟. "An Analysis and Interpretation of Poulenc's Trio for Piano, Oboe and Bassoon, Op. 43." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/36594211905705749576.

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碩士<br>國立高雄師範大學<br>音樂學系<br>101<br>The compositional writing in the twentieth-century was various, Neo-Classical that mainly represented by Igor Stranvinsky was one of the most important music styles. However, Francis Poulenc’s Trio for Piano, Oboe, and Bassoon, Op. 43 departs from the style of Neo-Classical. The use of harmonic language is innovative and colorful. Poulenc is especially talented for his lyricism and his gift for melody, so his music seems familiar yet fresh. It is the purpose of this dissertation to make a complete and thorough analysis from the details of texture, form, phrase, motive, and performance interpretation in the three movements of this trio.

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