Relevant bibliographies by topics / Trios (Oboe

Academic literature on the topic 'Trios (Oboe'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Trios (Oboe"

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Mikolon, Anna. "Piano and chamber works by Jerzy Gablenz (1888-1937)." Notes Muzyczny 2, no. 10 (December 20, 2018): 123–43. http://dx.doi.org/10.5604/01.3001.0012.9815.

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The article is aimed at presenting piano and chamber music written by the forgotten composer of the period of the Young Poland. Born in Cracow to a family with rich music traditions, Jerzy Gablenz learned to play the piano, flute, cello and organ. But his main interest was to write music himself. As early as in his youthful years, he wrote songs and piano miniatures mainly dedicated to Małgorzaa Schoen, his future wife. He graduated from law school, but he also studied composition and theory of music with Władysław Żeleński, Feliks Nowowiejski and Zdzisław Jachimecki. His main occupation was managing the vinegar and mustard factory. Despite that, he found time for writing symphonic, opera, chamber, piano and vocal pieces. His piano works – due to their tunefulness, diversified texture, mysteriousness and ballroom elegance – are unquestionably worth promoting. They include: 4 Small Bagatelles op. 1 no. 1, 4 Improvisations op. 1 no. 3, 3 Improvisations op. 1 no. 4, Intermezzo a la mazurka op. 2, 2 Morceaux op. 3, Two Small Bagatelles op. 8, 2 Skizzen op. 24 Es war niemal…, or Suite op. 35. Gablenz’s chamber works cover: Canzona op. 1 no. 2 for flute and piano, Sonata op. 15 for cello and piano, 5 Waltzes op. 28 for piano 4 hands, Arabesque op. 28 no. 6 for oboe and piano, Trios for three female voices and piano to lyrics by Leopold Staff op. 4 and op. 19. Unfortunately, Gablenz’s tragic death on 11 November 1937 in a plane crash near Piaseczno made the further development of his great talent impossible. I believe that his creative output deserves promoting among music lovers not only in the Dominican Republic and Canada, but first of all in Poland, where some of his works still have not had their premiere performances, despite numerous efforts of Tomasz Gablenz, the composer’s son.
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Dargent, J. "« Nicola Scopinaro et moi », un voyage bariatrique en trois dates." Obésité 15, no. 3-4 (July 2020): 104–7. http://dx.doi.org/10.3166/obe-2021-0101.

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Das Kundu, N. "Continental, Maritime and Aerial Aspect of the‘One Belt One Road’: India’s Perspective." Journal of International Analytics, no. 4 (December 28, 2015): 141–49. http://dx.doi.org/10.46272/2587-8476-2015-0-4-141-149.

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The “One Belt One Road” initiative, is mainly to increase the regional cooperation and develop trade and economic collaboration. Nonetheless, with the OBOR initiatives China is also seen using commerce as a tool to expand its geopolitical and geostrategic influence. This article tries to highlight various aspects on “One Belt One Road”. The article would try to bring forth the insights, which helps in understanding the debates on new geo-political reality and trade and economic development through possible regional cooperation.
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Zhang, Yuan. "The Reform of the Talent Training Model for English Majors Based on OBE." Journal of Contemporary Educational Research 6, no. 1 (January 20, 2022): 72–78. http://dx.doi.org/10.26689/jcer.v6i1.2910.

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Based on the reflection on the traditional teaching model of English majors, this paper points out that language teaching has long been divorced from the cultivation of cultural literacy and social needs; therefore, students’ learning initiative has seriously deteriorated. On this basis, this study focuses on the “student-centered” notion and tries to integrate the four functions of language, which include “instrumental,” “cognitive,” “emotional,” and “literacy,” to establish a “four-three-two” teaching model, so as to explore an effective scheme for the teaching reform of English majors.
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Burtsev, Dmytro. "International Security and Challenges Along “One Belt, One Road” in Central Asia." Journal of Vasyl Stefanyk Precarpathian National University 8, no. 2 (June 1, 2022): 17–27. http://dx.doi.org/10.15330/jpnu.8.2.17-27.

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The concept of international security has numerous dimensions and interpretations, because of a wide scope of threats and challenges, which have various roots and reasons and depend on the region of the development of a particular security issue. This accounts for the choice of the form: the best way to discuss international security is to use particular cases while conducting the research. This method allows us to perceive the issue as a complex notion in particular circumstances while avoiding unnecessary generalization of the researched object. Current research is devoted to the issue of security assets in Central Asian republics (Kazakhstan, Uzbekistan, Turkmenistan, Tajikistan, and Kirgizstan). Moreover, the research does not only take into consideration security threats purely as a notion but also brings in another variable to the discussion: a factor of the Chinese "One Belt, One Road" initiative. This fact allows the research to obtain geopolitical meaning and depth. For China realization of the OBOR initiative means far more than the creation of a mechanism of international logistics, investments, and cooperation. Using the OBOR China tries to promote a scale of values, which is different from the Western one. Moreover, building the OBOR grants China the role of an international superpower as well as a new pole of gravity in international relations. The research also addresses the question of the importance of Central Asia as a geopolitical bridge. The control over it has been a debatable issue among international players since the early 19th century, and it still has not lost its importance because the region has its borders close to the borders of the Russian Federation from the south and China from the west. Central Asia is also a region with numerous internal problems: on one hand, they are very similar for all the five republics of the region, but, on the other hand, they have their peculiarities differing from country to country. First of all, these concerns are related to the newly emerged unconventional security threat like religious radicalism and extremism: particular features of this phenomenon are different from country to country, and it does not have a unified solution. The last fact endangers not only national states of the region, but also countries of the neighboring region of Central Asia. In general, the research discusses the correlation of the OBOR as an international phenomenon with possible security risks for this project in the region of Central Asia.
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Voss, Egon. "Prima e seconda prattica?" Die Musikforschung 58, no. 4 (September 22, 2021): 353–60. http://dx.doi.org/10.52412/mf.2005.h4.639.

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Ludwig van Beethoven hat bis 1801-02 eine ganze Reihe von Werken für Blasinstrumente komponiert, gewiss auch, um die Instrumente und ihre Kombination zu erproben, vor allem aber wohl, weil es entsprechende Anlässe gab oder Modeerscheinungen wie die Trios für zwei Oboen und Englischhorn in den 1790er Jahren in Wien. Mit dem Septett op. 20 bricht die Reihe der Bläsermusik plötzlich ab, obwohl gerade dieses Werk sehr erfolgreich war und denkbar wäre, dass Beethoven statt der neun Symphonien neun Septette geschaffen hätte. Doch Beethoven war, wie es scheint, die Bläsermusik allzu sehr mit dem Adel und dem Divertimento verknüpft, weshalb er andere Gattungen vorzog, in denen er bessere Werke geschaffen zu haben glaubte. Gleichwohl hielt er die Werke für Bläser nicht zurück, sondern publizierte sie oder versuchte sie zu veröffentlichen, was an Claudio Monteverdis Unterscheidung von prima und seconda prattica gemahnt. Mit seiner Abwendung von der Musik für Bläser schrieb Beethoven Musikgeschichte: Sein Vorbild bewirkte, dass sich in den Werkkatalogen der Komponistenelite seitdem Musik für Bläser nur ausnahmsweise findet.
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Lou, Lingling. "Construction and Application of OBE-based Multiple Formative Assessment System in the “Micro-lecture + PAD Class”." English Linguistics Research 10, no. 1 (February 25, 2021): 1. http://dx.doi.org/10.5430/elr.v10n1p1.

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To construct a scientific and effective curriculum assessment system of higher education is an effective measure to improve classroom teaching quality, a powerful guarantee to enhance students’ classroom participation and enthusiasm, and an important way to achieve fair learning evaluation. Based on a brief introduction of OBE and a comprehensive review of the current research situation of formative assessment, this paper analyzes the existing problems in the curriculum evaluation of higher education, constructs an OBE-based multiple formative evaluation system, and tries to apply it in the “micro-lecture + PAD class”. Finally, the author carries out a controlled experiment and makes a quantitative analysis of the relevant data obtained in the experiment. The results of the study show that the OBE-based multiple formative assessment system plays a positive role in promoting students’ academic performance, improving their autonomous learning ability, and enhancing their self-confidence.
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Xiong, Hao, and Muhammad Talha. "A Study on the Optimization Mechanism of the Civic OBE Concept for a Computational Thinking-Oriented Basic Programming Course." Mathematical Problems in Engineering 2022 (February 11, 2022): 1–12. http://dx.doi.org/10.1155/2022/6983942.

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This paper conducts an in-depth study and analysis of the optimization mechanism of the Civic OBE concept through the basic programming course of computational thinking. The connotation, implementation principles, and key points of the OBE concept are thoroughly studied and analyzed, and the new requirements of knowledge, ability, and quality of applied talents are specifically analyzed with the characteristics of applied talents in local undergraduate institutions and demand-oriented; the “top-down” idea is fully considered, and the top-down design is based on the middle school IT learning objectives. The reverse design focuses on the cultivation of skills and emotional goals, satisfies students’ individual needs, and enhances students’ ability to analyze and solve problems, and, second, to adapt to the rapid information society, the development of online open platforms, the use of information technology, the integration of modern learning resources, changing the traditional classroom teaching, and stimulating students’ learning enthusiasm and autonomy, to truly achieve efficient classroom. Based on this, this study tries to provide some new ideas and contribute some strengths to the design and practice research of information technology education in junior high school. In the process of effect analysis, data analysis was conducted on the achievement of the competency index points and related achievements of the research subjects. Oral interviews were also conducted with the teachers and students who participated in the experiment to explore the effectiveness of the project-based learning teaching model based on the OBE concept and to summarize the shortcomings of the model in teaching.
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"Two Trios, Op. 57 for Oboe, Voice, and Piano, I am Very Old Tonight and Tears by John Donald Robb (1898–1989)." College Music Symposium 56 (2016). http://dx.doi.org/10.18177/sym.2016.56.ca.11188.

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Dissertations / Theses on the topic "Trios (Oboe"

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Cheng, Yu-sum Anthony, and 鄭汝森. "An application of Arnold Schoenberg's gedanke manuscript as a blueprint theory for a portfolio of original compositions." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hdl.handle.net/10722/209587.

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Estacio, John Anthony. "Composition recital." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/42040.

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This is a compilation of the music performed at the graduation recital of John Estacio on April 11,1991, at 2.30 p.m. in the U.B.C. Recital Hall. There were four pieces performed that afternoon including Azimuth for viola, clarinet and marimba, written in 1989. Ode on the Death of A Favourite Cat, Drowned in a Tub of Goldfishes for S.A.T.B. choir was written in 1989 and uses the text of Thomas Gray. Moments is a set of three pieces for woodwind quintet written in 1990. Viola Concerto is in three movements and was written in 1991 for Reg Quiring, a former U.B.C. student. The concerto is scored for solo viola and chamber orchestra. A cassette copy of the recital is available with this book.
Arts, Faculty of
Music, School of
Graduate
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Drude, Matthias. "Trio für Oboe, Klarinette und Fagott (1988)." Matthias Drude, 2020. https://slub.qucosa.de/id/qucosa%3A72480.

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Das Trio für Oboe, Klarinette und Fagott entstand kurz nach Beendigung meines Kompositionsstudiums bei Ulrich Leyendecker (Hamburg) im Jahr 1988. Wie das Bläserquintett (1986), jedoch im Unterschied zum Bläseroktett (1988) und den meisten anderen meiner kammermusikalischen Werke ist es nicht ein-, sondern zweisätzig. Die beiden Sätze Allegro und Andante stehen zueinander im Verhältnis des vermittelten Kontrastes. Die Anfänge sind extrem gegensätzlich. Das Allegro beginnt rhythmisch profiliert mit großen Intervallsprüngen, das – geringfügig kürzere - Andante eher diffus mit kleinräumiger Chromatik. Im weiteren Verlauf des Andante kommen aber auch Allegro-Abschnitte vor, durch die sich der Charakter dem Kopfsatz annähert, so wie umgekehrt der 1. Satz auch ruhigere, den Andante-Charakter vorausnehmende Partien aufweist. (Computer-Notensatz (SIBELIUS): August 2020)
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Bretz, Jacqueline Therese. "The Reed Trio: Analysis of Works by Ibert, Francaix and Schreiner with a Representative Repertoire List." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1366236512.

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Normand, Daniel. "Grâce à trois, Revue de presse : 9 septembre 1996 ; Transformations vernales : oeuvres musicales." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq33726.pdf.

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Almeida, Herminio Carlos de. "A canção viver de amor de Toninho Horta e Ronaldo Bastos: aspectos composicionais e de performance em um arranjo para trio de oboé, trompa e piano." Universidade Federal de Minas Gerais, 2005. http://hdl.handle.net/1843/AAGS-7YMLM4.

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Study about compositional and performance aspects yielded by the transposition from the popular to erudite musical styles in the trio arrangement for oboe, horn and piano by Hermínio Carlos de Almeida of the song Viver de Amor (1980) by Brazilian composers Toninho Horta and Ronaldo Bastos. It discusses the legitimacy of this procedure, its importance to the development of the repertory integrating both erudite and popular musical traits and to the development of the repertory for non conventional instrumentations. It also discusses structural elements of the original version and the idiomatic writing employed in the arrangement. The methodological procedures encompass: 1- Historical context of the composers, the work and its recordings; 2- Theoretical considerations about the practice of musical arrangements; 3- The electronic edition of Viver de Amor´s leadsheet, based on the authors manuscript; 4- Formal, harmonic, melodic and rhythmic analysis of the original composition; 5- Comparative analysis between the original work and the trio arrangement, with regard to compositional and performance practices akin to the popular and erudite languages.
Estudo sobre aspectos composicionais e de performance decorrentes da transposição da linguagem popular para a erudita no arranjo musical. A referência analítica é um arranjo, de Hermínio Carlos de Almeida, para trio de oboé, trompa e piano, da canção Viver de amor, dos compositores brasileiros Toninho Horta e Ronaldo Bastos. O objetivo geral é ressaltar a legitimidade dessa técnica, não apenas para a exploração de combinações instrumentais inusitadas, mas também como útil instrumento para a expansão desse tipo de repertório. Os procedimentos metodológicos incluem: 1- Contextualização histórica dos compositores, da obra em questão e de suas gravações; 2- Considerações teóricas sobre a prática de arranjo musical; 3- Edição da leadsheet1 de Viver de Amor, a partir do manuscrito do compositor; 4- Análise formal, harmônica, melódica e rítmica da composição original; 5- Estudo comparativo entre a versão original e a versão do arranjo camerístico, tendo em vista as práticas composicionais e de performance decorrentes das duas linguagens musicais, popular e erudita.
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"Oboe Trios: An Annotated Bibliography." Doctoral diss., 2014. http://hdl.handle.net/2286/R.I.26889.

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abstract: This project is a practical annotated bibliography of original works for oboe trio with the specific instrumentation of two oboes and English horn. Presenting descriptions of 116 readily available oboe trios, this project is intended to promote awareness, accessibility, and performance of compositions within this genre. The annotated bibliography focuses exclusively on original, published works for two oboes and English horn. Unpublished works, arrangements, works that are out of print and not available through interlibrary loan, or works that feature slightly altered instrumentation are not included. Entries in this annotated bibliography are listed alphabetically by the last name of the composer. Each entry includes the dates of the composer and a brief biography, followed by the title of the work, composition date, commission, and dedication of the piece. Also included are the names of publishers, the length of the entire piece in minutes and seconds, and an incipit of the first one to eight measures for each movement of the work. In addition to providing a comprehensive and detailed bibliography of oboe trios, this document traces the history of the oboe trio and includes biographical sketches of each composer cited, allowing readers to place the genre of oboe trios and each individual composition into its historical context. Four appendices at the end include a list of trios arranged alphabetically by composer's last name, chronologically by the date of composition, and by country of origin and a list of publications of Ludwig van Beethoven's oboe trios from the 1940s and earlier.
Dissertation/Thesis
Doctoral Dissertation Music 2014
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Kim, Yeong Su Ko Eunae. "20th century French oboe repertoire from two groups of composers "Le triton" and "Le jeune France"." 2006. http://hdl.handle.net/1903/9756.

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"Three compositions." Chinese University of Hong Kong, 1994. http://library.cuhk.edu.hk/record=b5895456.

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by Lee Chui Ling.
Thesis (M.Mus.)--Chinese University of Hong Kong, 1994.
Preface --- p.1
Chapter I. --- Twinkling --- p.3
Chapter i) --- Analysis-----Introduction --- p.4
Chapter ----- --- Formal structure
Chapter ----- --- Musical elements
Chapter ii) --- Score (with performance notes) --- p.8
Chapter II. --- Emancipation --- p.14
Chapter i) --- Analysis 226}0ؤ Introduction --- p.15
Chapter ----- --- First movement ~ Formal structure
Chapter ~ --- Orchestration
Chapter ----- --- Second movement ~Formal structure
Chapter ~ --- Harmony
Chapter ----- --- Third movement ~ Formal structure
Chapter ~ --- Musical elemets
Chapter ii) --- Score (with 226}0بorchestra' & performance notes) --- p.25
Chapter III. --- Once Upon a Time --- p.105
Chapter i) --- Analysis 226}0´ؤؤIntroduction --- p.106
Chapter ----- --- Formal structure
Chapter ----- --- Scale
Chapter ----- --- Quotation
Chapter ii) --- Score (with performance notes) --- p.111
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Goodner, Robert Lynn. "Chamber music featuring trumpet in three different settings with voice, with woodwinds, with strings." 2007. http://hdl.handle.net/1903/9729.

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Books on the topic "Trios (Oboe"

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Auric, Georges. Trio for oboe, clarinet, and bassoon. Boca Raton, Fla: Masters Music Publications, 1996.

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Carr, Paul. Divertimento for flute or oboe, bassoon, and piano. Bryn Mawr, Pa: Elkan-Vogel, 1988.

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Prévost, André. Triptyque: Hautbois (ou violon), flûte et piano = oboe (or violin), flute and piano = Oboe (oder Violine), Flöte und Klavier. Saint-Nicolas, Qué., Canada: Doberman, 1985.

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Bush, Geoffrey. Trio for oboe, bassoon and piano. London: Novello, 2014.

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Joseph, Haydn. Sechs Trios für Violine oder Oboe (Flöte), Viola und Violoncello =: Six trios for violin or oboe (flute), viola, and violoncello. Winterthur, Schweiz: Amadeus, 1999.

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Foote, Arthur. Sarabande and rigaudon: For oboe (or flute), viola (or violin) and piano. Boca Raton, Fla: Masters Music Publications, 1991.

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Presser, William. Four grounds for oboe or soprano saxophone, horn, and timpani. [United States]: Tenuto, 1991.

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Nancarrow, Conlon. Trio no. 2, oboe, bassoon, and piano. New York: C.F. Peters, 1994.

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Nancarrow, Conlon. Sarabande and scherzo for oboe, bassoon, and piano. Baltimore, MD (2617 Gwynndale Ave., Baltimore 21207): Smith Publications, 1990.

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Riley, Dennis. Fantasia after Orlando Gibbons: Oboe (flute), clarinet in A, and violoncello. New York: C.F. Peters Corp., 1988.

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Book chapters on the topic "Trios (Oboe"

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"Princess Paolina Borghese – Seguito de Ser Marcantonio – Mazzetto di Fiori – Sacerdotessa d’Irminsul – Duos, trios, and quartets for piano, flute, oboe, and bassoon." In Giovanni Pacini, 15–20. 3rd Party UK, 2018. http://dx.doi.org/10.2307/j.ctv1zcm3h1.8.

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Nichols, Roger. "Dreaming of Maturity 1924–1928." In Poulenc, 62–84. Yale University Press, 2020. http://dx.doi.org/10.12987/yale/9780300226508.003.0003.

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This chapter looks at the triumph of Francis Poulenc's Les Biches, in which he took some time to fully absorb it and what it meant for him as a composer. It clarifies the significance of triumphs for composers and how they pose the problem of acting as markers against which anything a composer writes thereafter will be judged. The chapter looks into Poulenc's two new works in the whole of 1924 that was given the title of a piano concerto: Trio for oboe in May and Poèmes de Ronsard in December. It mentions Poulenc's work on the third movement of Napoli and revision of the Impromptus. It also describes the Violin Sonata for Jelly d'Aranyi that ultimately met the familiar fate of most of Poulenc's works for strings.
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Brister, Wanda, and Jay Rosenblatt. "The Lady Composer at the End." In Madeleine Dring, 205–54. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781949979312.003.0008.

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The letters sent to American composer and pianist Eugene Hemmer allow Dring to speak in her own voice for the first time since the early diaries, documents that allow a glimpse into her musical as well as her personal life. There is a brief discussion of The Florida International Music Festival, which featured the US premiere of her most popular instrumental composition, the Trio for Flute, Oboe, and Piano, a work which provides a splendid example of her later musical style. Other works that are discussed include The Real Princess, a ballet written for Mari Bicknell’s Cambridge Ballet Workshop, and four song cycles: Dedications, Love and Time, Five Betjeman Songs, and Four Night Songs. Also documented are the first professional recordings of her compositions and the spiritual journey she undertook in her last years, the latter illustrated by talks that she gave at the Centre for Spiritual and Psychological Studies. Finally, her sudden death from a brain aneurysm is related through letters of Roger Lord and other documents, followed by her memorial service and concerts in her honor at the RCM.
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Conference papers on the topic "Trios (Oboe"

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Štefkovičová, Pavla, and Eva Rajčáková. "Transnárodná a cezhraničná suburbánna migrácia na príklade rakúskej obce Kittsee." In XXIV. mezinárodního kolokvia o regionálních vědách. Brno: Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9896-2021-57.

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Austrian part of the Austrian-Slovak cross-border region in the hinterland of Bratislava is attractive for life to many Slovaks who have decided to move in here in recent years. The aim of the paper is to present the issue of cross-border residential suburbanization and transnational migration on the example of the Slovak population living in the Austrian border municipality of Kittsee. Through a questionnaire survey, we were trying to find out in which of the two countries (Slovakia and Austria) the respondents most often perform selected activities of everyday life, and what the reasons for and intensity of their trips to Slovakia are. The results of the survey showed that the majority of respondents carry out work activities and participate in cultural and sporting events mainly in Slovakia. On the contrary, in the municipality of residence or other Austrian municipalities, they mainly purchase daily consumer goods and their children attend pre-school and school facilities. The most common reason for traveling to Slovakia among the respondents is visiting family, friends and acquaintances. Based on the results, it is possible to state that in the Austrian-Slovak cross-border region there are tendencies of the phenomenon of transnational migration, in which the inhabitants enjoy the benefits of living in the area near the border.
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