Academic literature on the topic 'Trio Concertante for guitar'
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Journal articles on the topic "Trio Concertante for guitar"
Ophee, Matanya. "Elsa Just’s Ständchen for Guitar Trio." Soundboard Scholar 8, no. 1 (2022): 1–7. http://dx.doi.org/10.56902/sbs.2022.8.17.
Full textConway, Paul. "John McCabe CD round-up." Tempo 58, no. 229 (July 2004): 53–54. http://dx.doi.org/10.1017/s0040298204290222.
Full textHensley, Douglas. "Guitar Forum: The Flute, Viola, Guitar Trio: Its History, Literature and Performance." American String Teacher 36, no. 4 (November 1986): 73–76. http://dx.doi.org/10.1177/000313138603600433.
Full textGurgul, Wojciech. "Adam Franciszek Epler (1902–1940): A Forgotten Musician of Interwar Lviv." Kwartalnik Młodych Muzykologów UJ, no. 45 (2) (2020): 23–58. http://dx.doi.org/10.4467/23537094kmmuj.20.029.13902.
Full textZwally, Randall. "The Super Guitar Trio and Friends in Concert (review)." Notes 63, no. 1 (2006): 182–83. http://dx.doi.org/10.1353/not.2006.0131.
Full textVERMAZEN, BRUCE. "“Those Entertaining Frisco Boys”: Hedges Brothers and Jacobson." Journal of the Society for American Music 7, no. 1 (February 2013): 29–63. http://dx.doi.org/10.1017/s1752196312000478.
Full textOphee, Matanya. "Carlos Pedrell’s Al atardecer en los jardines de Arlaja." Soundboard Scholar 8, no. 1 (2022): 1–8. http://dx.doi.org/10.56902/sbs.2022.8.14.
Full textYates, Stanley. "Matanya Ophee’s Contributions to Soundboard Magazine: A Retrospective." Soundboard Scholar 8, no. 1 (2022): 1–5. http://dx.doi.org/10.56902/sbs.2022.8.12.
Full textRickards, Guy. "Icarus Soaring: the music of John Pickard." Tempo, no. 201 (July 1997): 2–5. http://dx.doi.org/10.1017/s0040298200005763.
Full textOphee, Matanya. "Rudolph Süss’s Lyrische Suite no. 2, op. 24." Soundboard Scholar 8, no. 1 (2022): 1–10. http://dx.doi.org/10.56902/sbs.2022.8.16.
Full textDissertations / Theses on the topic "Trio Concertante for guitar"
Pulido, Cordoba Pablo Arturo. "O bambuco Florecita del camino para violão solo de Jaime Romero : uma análise para a interpretação a partir da versão original para trio típico colombiano." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/141344.
Full textThe purpose of this study is to investigate the interpretation of the bambuco Florecita del camino by the Columbian composer Jaime Romero (b. 1966) for solo guitar. It was originally composed for the Columbian trío típico, by the same composer, for three stringed instruments. The bambuco is the most representative of Columbian music of the Andes. Information about the form and structure of the bambuco were presented, as well as an analysis and comparison of the original version with the guitar solo version. Two articles by the composer and an interview served as the basis of this work. As for the interpretation of the bambuco, I created exercises and microstudies to overcome the technical difficulties I encountered, including fingering, as well as expressive difficulties in the piece. This material may be used to help those learning to perform the bambuco, making this genre of Columbian music of the Andes more accessible to listeners, as well.
Bittencourt, Alexis da Silveira. "A guitarra Trio inspirada em Johnny Alf e João Donato : uma abordagem do estilo de interpretação de Johnny Alf e João Donato ao piano, direcionada a performance da guitarra em contexto instrumental trio (guitarra, contra-baixo e bateria/percussão)." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284740.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-07T17:47:31Z (GMT). No. of bitstreams: 1 Bittencourt_AlexisdaSilveira_M.pdf: 1695226 bytes, checksum: 92231c6957e04d697fa545b4571049d8 (MD5) Previous issue date: 2006
Resumo: Este trabalho parte da tese de que o estilo interpretativo ao piano, em contexto instrumental Trio (piano, contra-baixo e seção rítmica), de Johnny Alf e João Donato, constitui uma espécie de elo norteador à interpretação da música popular brasileira a partir da segunda metade do século passado, com raízes no samba e forte influência jazzista. Tem, portanto, o objetivo de definir esse elo e demonstrar como esse pode ser uma valiosa referência ao guitarrista, servindo de fonte para este reavaliar sua prática interpretativa da música popular brasileira
Abstract: This research is based on the thesis, that the piano playing style, of Johnny Alf and João Donato, in the piano instrumental trio performance (with double-bass and drums and/or percussion), can be defined as a link, that could be perceived as a guide of how to play the Brazilian Popular Music from the second half of the last century to our days. This kind of music finds its roots in samba, however is strongly affected by the jazz influences. Our goal is to define the link among Alf and Donato, and demonstrate how it can provide valuable references to the guitarist, within the guitar trio situation, as a source for a reevaluation of his directions on playing the Brazilian Popular Music
Mestrado
Mestre em Música
Pennington, Anna Ohlsson Eric Paul Pasculli Antonino. "Days of bliss are in store Antonino Pasculli's "Gran trio concertante per violino, oboe, e pianoforte su motivi del Guglielmo Tell di Rossini" /." Diss., 2007. http://etd.lib.fsu.edu/theses/available/etd-06292007-235916/.
Full textAdvisor: Eric Ohlsson, Florida State University, College of Music. Title and description from dissertation home page (viewed 10-8-2007). Document formatted into pages; contains 67 pages. Includes biographical sketch. Includes bibliographical references.
Books on the topic "Trio Concertante for guitar"
Paganini, Nicolò. Terzetto concertante for viola, guitar, and violoncello. Miami Lakes, Fla: Masters Music Publications, 1989.
Find full textDevienne, François. A favourite trio concertante (1787) for the pianoforte, flute, & bassoon or violoncello. Lemars, Ia: Medici Music Press, 1989.
Find full text1954-, Di Meola Al, Lagrène Biréli 1966-, Super Guitar Trio (Musical group), Montreux Sounds, and Eagle Eye Media (Firm), eds. Super Guitar Trio: Live at Montreux 1989. [s.l.]: Eagle Eye Media, 2007.
Find full textVivaldi, Antonio. Trio in G minor for lute (guitar), violin, and basso continuo, RV 85. Bryn Mawr, Pa: T. Presser, 1991.
Find full textBach, Johann Sebastian. Bach for relaxation. New York, NY: RCA Victor, 1998.
Find full textGranados, Enrique. Cinco Piezas Populares for Guitar Trio. Clear Note Publications, 2021.
Find full textMetheny, Pat. Pat Metheny - Trio 99-00 (Tab). Hal Leonard Corporation, 2005.
Find full textCall, Leonard Von. Easy Trio in C Major for Three Guitars, Op. 26. Alfred Publishing Company, Incorporated, 1985.
Find full textAlbéniz, Isaac. Suite from the Magic Opal Arranged for Guitar Trio. Clear Note Publications, 2021.
Find full textLopez, Victor. Flex-ability Pops: Solo-duet-trio-quartet With Optional Accompaniment (Flex-Ability Series). Alfred Publishing Company, 2001.
Find full textBook chapters on the topic "Trio Concertante for guitar"
van Delden, Ate. "Postwar Trio Years." In Adrian Rollini, 365–86. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496825155.003.0020.
Full textBolick, Harry, Tony Russell, T. DeWayne Moore, Joyce A. Cauthen, and David Evans. "The Collier Trio." In Fiddle Tunes from Mississippi, 98–110. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496835796.003.0013.
Full textRussell, Tony. "“Home Again Medley”." In Rural Rhythm, 101–3. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190091187.003.0027.
Full textvan Delden, Ate. "A Shop and a Trio." In Adrian Rollini, 317–31. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496825155.003.0018.
Full textvan Delden, Ate. "Trio Years: Before and during the War." In Adrian Rollini, 332–64. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496825155.003.0019.
Full textFriedwald, Will. "Entr’acte." In Straighten Up and Fly Right, 210–60. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190882044.003.0006.
Full textBolick, Harry, Tony Russell, T. DeWayne Moore, Joyce A. Cauthen, and David Evans. "Mumford Bean and his Itawambians." In Fiddle Tunes from Mississippi, 62–65. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496835796.003.0008.
Full textKrakauer, Ben. "Distinctive Qualities of Southwestern Ohio Bluegrass." In Industrial Strength Bluegrass, 175–88. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043642.003.0011.
Full textCrow, Bill. "Garner & Monk." In From Bird land to Broadway, 144–48. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195069884.003.0031.
Full textFriedwald, Will. "Interlude." In Straighten Up and Fly Right, 145–78. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190882044.003.0004.
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