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Journal articles on the topic 'Travis'

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Published: 4 June 2021
Last updated: 29 July 2024

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1

Walker, Samuel, and Molly Brown. "Rejoinder to Travis." Journal of Criminal Justice Education 7, no. 2 (November 1996): 353–54. http://dx.doi.org/10.1080/10511259600096191.

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2

Vicente, Agustin. "On Travis cases." Linguistics and Philosophy 35, no. 1 (February 2012): 3–19. http://dx.doi.org/10.1007/s10988-012-9109-x.

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3

Zickgraf, Catherine. "Daydream for Travis." JAMA 301, no. 21 (June 3, 2009): 2190. http://dx.doi.org/10.1001/jama.2009.686.

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4

Travis, Frank. "Professor F. W. Travis." International Journal of Mechanical Sciences 29, no. 5 (January 1987): xxix—xxx. http://dx.doi.org/10.1016/0020-7403(87)90110-x.

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5

Bogen, Jim. "Occasion-Sensitivity - Charles Travis." Philosophical Quarterly 61, no. 242 (December 14, 2010): 196–201. http://dx.doi.org/10.1111/j.1467-9213.2011.685_4.x.

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6

Millar, Alan. "TRAVIS' SENSE OF OCCASION." Philosophical Quarterly 55, no. 219 (April 2005): 337–42. http://dx.doi.org/10.1111/j.0031-8094.2005.00403.x.

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7

Balendra, R. "Professor Frank W. Travis." Journal of Materials Processing Technology 167, no. 2-3 (August 2005): 144–50. http://dx.doi.org/10.1016/j.jmatprotec.2005.06.021.

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8

Hurst, Clive. "Album of Eliza Travis." Bodleian Library Record 27, no. 2 (October 2014): 204–5. http://dx.doi.org/10.3828/blr.2014.27.2.204a.

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9

Nader, Michael A., Mark Egli, and Jack Henningfield. "Obituary: Travis Thompson—Editorial." Journal of Pharmacology and Experimental Therapeutics 389, no. 1 (March 15, 2024): 32–33. http://dx.doi.org/10.1124/jpet.124.002088.

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10

Putnam, Hilary. "Reply to Charles Travis." Revue internationale de philosophie 218, no. 4 (December 1, 2001): 525–33. http://dx.doi.org/10.3917/rip.218.0525.

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11

Kuper, Paul. "Austin-Travis County STAR Flight." Air Medical Journal 24, no. 5 (September 2005): 192–94. http://dx.doi.org/10.1016/j.amj.2005.06.003.

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12

Ciavarra, Nicholas. "Travis Curtright, Shakespeare's Dramatic Persons." Moreana 55 (Number 210), no. 2 (December 2018): 251–54. http://dx.doi.org/10.3366/more.2018.0044.

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13

McCoy, Timothy J., Arthur J. Ehlmann, and Klaus Keil. "The Travis County, Texas, meteorites." Meteoritics 30, no. 3 (May 1995): 348–51. http://dx.doi.org/10.1111/j.1945-5100.1995.tb01134.x.

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14

Connors, Ginny Lowe. "Poem: Trying to Teach Travis." English Journal 99, no. 6 (July 1, 2010): 32. http://dx.doi.org/10.58680/ej201011528.

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15

Badarevski, Bobi, and Lindita Ahmeti. "Кон Cheryl Brown Travis (Ed.), Evolution, Gender, and Rape." Identities: Journal for Politics, Gender and Culture 3, no. 1 (January 1, 2004): 231–32. http://dx.doi.org/10.51151/identities.v3i1.121.

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Author(s): Bobi Badarevski | Боби Бадаревски Title (Macedonian): Кон Cheryl Brown Travis (Ed.), Evolution, Gender, and Rape Title (Albanian): Për Cheryl Brown Travis (Ed.), Evolution, Gender, and Rape Translated by (Macedonian to Albanian): Lindita Ahmeti Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 3, No. 1 (Summer 2004) Publisher: Research Center in Gender Studies - Skopje and Euro-Balkan Institute Page Range: 231-232 Page Count: 2 Citation (Macedonian): Боби Бадаревски, „Кон Cheryl Brown Travis (Ed.), Evolution, Gender, and Rape“, Идентитети: списание за политика, род и култура, т. 3, бр. 1 (лето 2004): 231-232. Citation (Albanian): Bobi Badarevski, „Për Cheryl Brown Travis (Ed.), Evolution, Gender, and Rape“, përkthim nga Maqedonishtja Lindita Ahmeti, Identities: Journal for Politics, Gender and Culture, Vol. 3, No. 1 (Summer 2004): 231-232.
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16

Enzmann, Dirk. "Michael R. Gottfredson and Travis Hirschi." International Criminology 2, no. 1 (February 25, 2022): 98–101. http://dx.doi.org/10.1007/s43576-022-00048-z.

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17

Demasi, James. "Shakespeare's Dramatic Persons by Travis Curtright." Theatre History Studies 38, no. 1 (2019): 213–15. http://dx.doi.org/10.1353/ths.2019.0013.

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18

Lindsley, Donald B. "Obituary: Lee Edward Travis (1896–1987)." American Psychologist 44, no. 11 (1989): 1414. http://dx.doi.org/10.1037/h0091911.

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19

Wallage, Martijn. "Charles Travis on Truth and Perception." Canadian Journal of Philosophy 50, no. 7 (September 21, 2020): 878–89. http://dx.doi.org/10.1017/can.2020.36.

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AbstractCharles Travis has developed a distinction between “the historical” (the sensible world) and “the conceptual” (thoughts and concepts), which underlies his influential contributions to the philosophy of language and perception. The distinction is based on the observation that there are, for any thought, indefinitely many different circumstances that would render it true. The generality of thoughts and concepts contrasts with the particularity of the sensible world. I challenge the assumption that what exhibits such generality cannot belong to the sensible world. I also defend a version of the claim that perception involves the exercise of conceptual capacities.
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20

Luggen, Ann Schmidt. "President Shirley Travis receives national award." Geriatric Nursing 23, no. 5 (September 2002): 279–80. http://dx.doi.org/10.1067/mgn.2002.128794.

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21

Bursik,, Robert J. "Positive Criminology.Michael R. Gottfredson , Travis Hirschi." American Journal of Sociology 94, no. 4 (January 1989): 909–11. http://dx.doi.org/10.1086/229091.

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22

Siegel, Susanna. "Replies to Campbell, Prinz, and Travis." Philosophical Studies 163, no. 3 (August 26, 2012): 847–65. http://dx.doi.org/10.1007/s11098-012-0012-7.

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23

Loy, Gareth, and John Snell. "Stephen Travis Pope: Ritual and Memory." Computer Music Journal 34, no. 3 (September 2010): 78–79. http://dx.doi.org/10.1162/comj_r_00010.

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24

Smukler, David. "Making Sense of Autism, by Travis Thompson." Intellectual and Developmental Disabilities 46, no. 1 (February 2008): 80–81. http://dx.doi.org/10.1352/0047-6765(2008)46[80:msoabt]2.0.co;2.

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25

French, C. "Objectivity and the Parochial, by Charles Travis." Mind 124, no. 494 (April 1, 2015): 693–96. http://dx.doi.org/10.1093/mind/fzv020.

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26

Genone, James. "Perception: Essays after Frege, by Charles Travis." Mind 125, no. 497 (January 2016): 235–40. http://dx.doi.org/10.1093/mind/fzv106.

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27

Garriott, William. "Travis Linnemann, Meth Wars: Police, Media, Power." Punishment & Society 21, no. 3 (February 23, 2018): 367–69. http://dx.doi.org/10.1177/1462474518761620.

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28

Revier, Kevin. "Travis Linnemann: Meth Wars: Police, Media, Power." Critical Criminology 25, no. 3 (March 11, 2017): 475–77. http://dx.doi.org/10.1007/s10612-017-9353-z.

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29

Perske, Robert. "The Troubling Interrogation of Travis Lee Wright." Mental Retardation 39, no. 3 (June 2001): 233–36. http://dx.doi.org/10.1352/0047-6765(2001)039<0233:ttiotl>2.0.co;2.

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30

Coats, Karen. "Travis and Freddy's Adventures in Vegas (review)." Bulletin of the Center for Children's Books 59, no. 11 (2006): 502. http://dx.doi.org/10.1353/bcc.2006.0484.

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31

Coulson, Robert N. "Beck, Travis. Principles of ecological landscape design." Landscape Ecology 29, no. 4 (February 22, 2014): 759–60. http://dx.doi.org/10.1007/s10980-014-0001-7.

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32

Gronouski, John A., and James L. Mercer. "A consolidation model: Austin/Travis county, Texas." National Civic Review 76, no. 5 (September 1987): 450–56. http://dx.doi.org/10.1002/ncr.4100760512.

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33

Qin, Yi. "In memory of Prof. Frank W. Travis." Manufacturing Review 10 (2023): 14. http://dx.doi.org/10.1051/mfreview/2023012.

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34

Toledo, Amanda. "Just One Flake by Travis Jonker (review)." Bulletin of the Center for Children's Books 77, no. 3 (2023): 105. http://dx.doi.org/10.1353/bcc.2023.a909625.

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35

Inscoe, J. "Lonely miles of wasteland: Radiating failure in Fallout 4." Radio Journal:International Studies in Broadcast & Audio Media 19, no. 1 (April 1, 2021): 7–22. http://dx.doi.org/10.1386/rjao_00031_1.

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In this article, I analyse a radio voice in a post-apocalyptic video game, Fallout 4, set in the future ruins of Boston, Massachusetts. In the quest ‘Confidence Man’, players participate in the heteromasculinization of a failing radio disc jockey, Travis Miles, engaging him in the violence and relations of the post-nuclear war wasteland. Despite the ludic elements at play, Fallout 4 teleologically curtails player agency in Travis’ vocal puberty. I argue that Fallout 4’s ‘Confidence Man’ circulates gendered, nationalistic and capitalistic discourses, which assume an idealized confident radio voice as the natural, preferred intimate aesthetic and which reject the awkward, queer intimate aesthetic. Travis’ transformation into the confidence man Travis ‘Lonely’ Miles fulfils the sonic pleasure ethos of a capitalist formation, one that demands an appropriate aesthetic for a game-world centred on a neocolonial settler imperative.
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36

Nissen, Bradley D., Thomas J. Devitt, Nathan F. Bendik, Andrew G. Gluesenkamp, and Randy Gibson. "New occurrence records for stygobiontic invertebrates from the Edwards and Trinity aquifers in west-central Texas, USA." Subterranean Biology 28 (November 1, 2018): 1–13. http://dx.doi.org/10.3897/subtbiol.28.29282.

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We report new occurrence records for stygobiontic invertebrates from the Edwards and Trinity aquifers in Blanco, Hays, and Travis counties of central Texas, USA. Our collection includes seven species from four families: Caecidoteareddelli (Steeves, 1968), Asellidae; Crangonyxnr.pseudogracilis Bousfield, 1958, Stygobromusbalconis (Hubricht, 1943), Stygobromusbifurcatus (Holsinger, 1967), and Stygobromusrusselli (Holsinger, 1967), Crangonyctidae; Sphalloplanamohri Hyman, 1938, Kenkiidae; and Cirolanides sp., Cirolanidae. Specimens of Caecidoteareddelli and Crangonyxnr.pseudogracilis are new records for Hays County and Travis county, respectively. Specimens of an undescribed species of Cirolanides were collected from a well in Hays County and from two localities in Travis County.
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37

Schlote, Elke, Daniel Klug, and Klaus Neumann-Braun. "Mittendrin statt nur dabei." MedienPädagogik: Zeitschrift für Theorie und Praxis der Medienbildung 17, Jahrbuch Medienpädagogik (August 14, 2020): 507–29. http://dx.doi.org/10.21240/mpaed/jb17/2020.05.20.x.

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In diesem Artikel wird der digitale Wandel an Schulen zum Ausgangspunkt genommen, um die Konsequenzen des Einsatzes von digitalen Lernwerkzeugen für die Interaktionsstrukturen im schulischen Unterricht aus einer praxeologischen Perspektive zu reflektieren. Es wird für die Entwicklung von digitalen Lernwerkzeugen argumentiert, welche Partizipation und Kollaboration im Unterricht fördern und das strukturierende Lehrerhandeln unterstützen. Als Fallbeispiel dient die Web-App TRAVIS GO und ihr Entwicklungsprozess, in welchen Lehrpersonen aus den Sekundarstufen I und II als Co-Researcher eingebunden waren. TRAVIS GO ist eine App zur kollaborativen Re- und Dekonstruktion von audiovisuellen Medienprodukten. Im didaktischen Design von TRAVIS GO wurden die Anforderungen an problemlösendes, forschendes Lernen und kooperatives Arbeiten erfüllt und die Möglichkeit zum strukturierenden Lehrerhandeln gegeben. TRAVIS GO wird mit Fokus auf die programmseitig angebotenen Möglichkeiten zur Partizipation erstmals systematisch beschrieben und mit den Erfahrungen von Lehrpersonen im Unterrichtseinsatz zusammengebracht, welche im Forschungs- und Entwicklungsprojekt im Rahmen einer empirischen Bildungsforschung gewonnen wurden.
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38

Peebles, Graham. "Looks Indexing." Grazer Philosophische Studien 94, no. 1-2 (June 14, 2017): 138–52. http://dx.doi.org/10.1163/18756735-000006.

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Charles Travis influentially argued in “The Silence of the Senses” that the representational theory of perceptual experience is false. According to Travis, the way that things look cannot index the content of experience as the subject of the experience cannot read the content off from the way things look. This looks indexing is a central commitment of representationalism. The main thrust of Travis’ argument is that the way things look is fundamentally comparative, and this prevents the subject from reading a single content off from the way things look. If content were looks indexed, the subject would be able to do this. I argue that Travis’ argument rests on an illicit transition from an argument about the way objects look in themselves—i.e. an argument about the visible properties that they have—to a conclusion about the way that objects look to subjects in experience.
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39

Gutiérrez Noriega, Mariana. "El cine personal y político de Travis Wilkerson." Interpretatio. Revista de hermenéutica 3, no. 2 (September 13, 2018): 299. http://dx.doi.org/10.19130/irh.3.2.2018.141.

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En el marco de la octava edición del ficunam, que se realizó del 28 de febrero al 6 de marzo de 2018, la Cátedra Ingmar Bergman organizó una clase magistral con el cineasta estadounidense Travis Wilkerson, considerado por algunos como el creador del Tercer Cine. Además de esta clase magistral, el ficunam dedicó una retrospectiva a su trabajo fílmico.
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40

Mercier, Laurie. "Reviews of Books:An Injury to One Travis Wilkerson." American Historical Review 110, no. 1 (February 2005): 173–74. http://dx.doi.org/10.1086/531207.

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41

Linares, Rebecca. "Give Me Back My Book! by Travis Foster." Bulletin of the Center for Children's Books 71, no. 2 (2017): 70. http://dx.doi.org/10.1353/bcc.2017.0694.

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42

May, Madeth, Sébastien George, and Patrick Prévôt. "TrAVis to enhance online tutoring and learning activities." Interactive Technology and Smart Education 8, no. 1 (April 19, 2011): 52–69. http://dx.doi.org/10.1108/17415651111125513.

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43

Love, Steven R. "Travis Thompson: Dr. Thompson’s Straight Talk on Autism." Journal of Autism and Developmental Disorders 40, no. 9 (September 1, 2009): 1169–70. http://dx.doi.org/10.1007/s10803-009-0855-8.

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44

Butler, J. Michael. "The Country Music Reader by Travis D. Stimeling." Journal of Southern History 83, no. 3 (2017): 755–56. http://dx.doi.org/10.1353/soh.2017.0238.

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45

Pepper, Andrew. "Travis Linnemann, The Horror of Police." American Literary History 36, no. 1 (February 1, 2024): 368–70. http://dx.doi.org/10.1093/alh/ajad219.

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46

Miguens, Sofia, and Naomi Osorio-Kupferblum. "The Thing before Us." Grazer Philosophische Studien 98, no. 4 (November 19, 2021): 584–99. http://dx.doi.org/10.1163/18756735-00000150.

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Abstract In this article the authors identify and analyse points of agreement and disagreement between Michael Ayers and Charles Travis, starting from their views on ‘things before us’. The authors then try to spell out what separates these philosophers in matters concerning perception, knowledge and language. In spite of their both being self-professed realists, equally critical of conceptualism and representationalism, Ayers’ empiricism and Travis’ anti-empiricism lead them to different positions in these three areas. It is shown that in the case of Ayers they hinge on “ordinary” objects and a KK principle (knowledge that and how we know), whereas in the case of Travis they are articulated around occasion-sensitivity and anti-psychologism.
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47

Ko, Chantelle, and Lora Oehlberg. "Construction and Performance Applications of an Augmented Violin: TRAVIS II." Computer Music Journal 44, no. 2-3 (2020): 55–68. http://dx.doi.org/10.1162/comj_a_00563.

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Abstract We present the second iteration of a Touch-Responsive Augmented Violin Interface System, called TRAVIS II, and two compositions that demonstrate its expressivity. TRAVIS II is an augmented acoustic violin with touch sensors integrated into its 3-D printed fingerboard that track left-hand finger gestures in real time. The fingerboard has four strips of conductive PLA filament that produce an electric signal when fingers press down on each string. Although these sensors are physically robust, they are mechanically assembled and thus easy to replace if damaged. The performer can also trigger presets via four sensors attached to the body of the violin. The instrument is completely wireless, giving the performer the freedom to move throughout the performance space. Although the sensing fingerboard is installed in place of the traditional fingerboard, all other electronics can be removed from the augmented instrument, maintaining the aesthetics of a traditional violin. Our design allows violinists to naturally create music for interactive performance and improvisation without requiring new instrumental techniques. The first author composed two compositions to highlight TRAVIS II: “Dream State” and “Kindred Dichotomy.” Both of these compositions involve improvisation in their creative process and include interactive visuals. In this article we describe the design of the instrument, experiments leading to the sensing fingerboard, performative applications of the instrument, and compositional considerations for the resultant pieces.
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48

Arambage, Abesinghe, James Garner, and J. L. Silva. "Fatty Acid Composition of Plasmalemma Lipids Associated with Cold Tolerance of Sweetpotato (Ipomoea batatas L. Lam.)." HortScience 30, no. 4 (July 1995): 849G—850. http://dx.doi.org/10.21273/hortsci.30.4.849g.

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Plasmalemma lipid fatty acid changes due to low temperature (12C) were observed in M521-1 and `Travis', chilling-tolerant and -sensitive, respectively, genotypes. Lipid fatty acid changes found in both genotypes after exposure to chilling included decreased palmitic acid (16:0) and an increased unsaturated: saturated fatty acid ratio. Changes detected only in the tolerant genotype were increased linoleic (18:2), linolenic (18:3) and erucic (22:1). Monogalactosyldiglyceride and phosphatidylglycerol were the only lipids with >50% of their fatty acids unsaturated; therefore, it was concluded that these lipids were involved in the chilling tolerance of M521-1. A reduction in arachidonic (20:4) on phosphatidylinositol from `Travis' exposed to 12C resulted in <50% unsaturation of this lipid. This change could be associated with the chilling sensitive response of `Travis'.
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49

Arambage, Abesinghe, James Garner, and J. L. Silva. "Fatty Acid Composition of Plasmalemma Lipids Associated with Cold Tolerance of Sweetpotato (Ipomoea batatas L. Lam.)." HortScience 30, no. 4 (July 1995): 849G—850. http://dx.doi.org/10.21273/hortsci.30.4.849.

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Plasmalemma lipid fatty acid changes due to low temperature (12C) were observed in M521-1 and `Travis', chilling-tolerant and -sensitive, respectively, genotypes. Lipid fatty acid changes found in both genotypes after exposure to chilling included decreased palmitic acid (16:0) and an increased unsaturated: saturated fatty acid ratio. Changes detected only in the tolerant genotype were increased linoleic (18:2), linolenic (18:3) and erucic (22:1). Monogalactosyldiglyceride and phosphatidylglycerol were the only lipids with >50% of their fatty acids unsaturated; therefore, it was concluded that these lipids were involved in the chilling tolerance of M521-1. A reduction in arachidonic (20:4) on phosphatidylinositol from `Travis' exposed to 12C resulted in <50% unsaturation of this lipid. This change could be associated with the chilling sensitive response of `Travis'.
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50

Clark, Jr., John W. "Archeological Testing at Pflugerville Bottling Works, Travis County, Texas." Index of Texas Archaeology: Open Access Gray Literature from the Lone Star State 1996, no. 1 (1996): Article 7. http://dx.doi.org/10.21112/ita.1996.1.7.

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