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Relevant bibliographies by topics / Travel writing – History – Europe

Academic literature on the topic 'Travel writing – History – Europe'

Author: Grafiati

Published: 10 March 2023

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Journal articles on the topic "Travel writing – History – Europe"

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Mayhew, Robert J. "Richard Hakluyt and Travel Writing in Early Modern Europe." Journal of Historical Geography 41 (July 2013): 65. http://dx.doi.org/10.1016/j.jhg.2013.04.012.

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Malkiel, David. "Palazzo Tè between Science and Imagination." Journal of Early Modern History 20, no. 5 (September 7, 2016): 429–61. http://dx.doi.org/10.1163/15700658-12342507.

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This study focuses on the observations of two eighteenth-century visitors to Mantua’s Palazzo Tè, Rabbis Isaac Lampronti of Ferrara (1679-1756) and Hayyim Yoseph David Azulay of Jerusalem (1724-1806), especially their impressions of the echo in its Chamber of the Giants. The rabbis’ response to Palazzo Tè closely resembles that of dozens other European travelers, whose writings about the echo chamber exhibit the same fascination with recent advances in scientific knowledge, and like them, Lampronti and Azulay labor to synthesize their experience with the traditions and beliefs that make up their worldview. The Palazzo Tè literature emblematizes the explosive increase in the diffusion of knowledge in early modern Europe, in the arts as well as the sciences, and the importance of travel and travel writing in that process.

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Mulligan, Maureen. "The Representation of Francoist Spain by Two British Women Travel Writers." Studia Anglica Posnaniensia 51, no. 4 (December 1, 2016): 5–27. http://dx.doi.org/10.1515/stap-2016-0017.

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Abstract This article offers a discussion of two books by British women which describe travels in Spain during the post-war period, that is, during the dictatorship of General Franco. The aim is to analyse how Spanish culture and society are represented in these texts, and to what extent the authors engage with questions of the ethics of travelling to Spain in this period. Two different forms of travel - by car, and by horse - also influence the way the travellers can connect with local people; and the individual’s interest in Spain as a historical site, or as a timeless escape from industrial northern Europe, similarly affect the focus of the accounts. The global politics of travel writing, and the distinction between colonial and cosmopolitan travel writers, are important elements in our understanding of the way a foreign culture is articulated for the home market. Women’s travel writing also has its own discursive history which we consider briefly. In conclusion, texts involve common discursive and linguistic strategies which have to negotiate the specificity of an individual’s travels in a particular time and place. The authors and books referred to are Rose Macaulay’s Fabled Shore: From the Pyrenees to Portugal (1949) and Penelope Chetwode’s Two Middle-Aged Ladies in Andalusia (1963).

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RUBIÉS, JOAN-PAU, and MANEL OLLÉ. "The Comparative History of a Genre: The production and circulation of books on travel and ethnographies in early modern Europe and China." Modern Asian Studies 50, no. 1 (August 6, 2015): 259–309. http://dx.doi.org/10.1017/s0026749x15000086.

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AbstractContrary to the long-standing idea of a scientific failure in early modern China as compared to Europe, some recent work has emphasized the existence of a tradition of ‘evidential’ research in the natural sciences, antiquarianism, and geography, especially during the Sung, Ming, and Qing periods. This article seeks to develop this new perspective by offering a comparative history of the genres of travel writing and ethnography in early modern Europe and Ming/early Qing China. We argue that there were qualitative as well as quantitative differences in the way that these genres functioned in each cultural area. Even when we find apparent similarities, we note different chronological rhythms and a different position of these genres of travel writing within a wider cultural field—what we might term their ‘cultural relevance’. The specific nature of Chinese state imperialism—or, conversely, the particular nature of European overseas colonialism—played a role in determining the type of ethnographic approach that came to predominate in each cultural area. These parallels and differences suggest a fresh perspective on the cultural origins of the ‘great divergence’.

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Pulkkinen, Oili. "Russia and Euro-Centric Geography During the British Enlightenment." Transcultural Studies 14, no. 2 (December 12, 2018): 150–70. http://dx.doi.org/10.1163/23751606-01402003.

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In this article, I shall examine the European part of the Russian Empire, Russian culture and Russians in eighteenth century handbooks of geography when “the Newtonian turn” took place in that discipline. Thanks to travel literature and history writing, we are used to thinking of the Russians as representing “otherness” in Europe. Still, in handbooks of geography, Russia was the gate between Asia and Europe. This article will explicate the stereotype(s) of the British characterisations of the Russian national character and the European part of the Russian Empire (excluding ethnic minorities in Russia), in order to reconstruct the idea of Russia in the British (and Irish) geography books.

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Fuller, Mary. "Making something of it: Questions of value in the early English travel collection." Journal of Early Modern History 10, no. 1 (2006): 11–38. http://dx.doi.org/10.1163/157006506777525494.

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AbstractIn the second half of the sixteenth century, experiences and narratives of English travel to distant places first began to matter enough to be collected and published. Tracing early accounts of West Africa and Muscovy through the several collections of Richard Eden (1553, 1555) and Richard Hakluyt (1589, 1600) allows for comparison of how different editors handled the same materials at different moments. The evidence suggests that both editors differentiated between the African and Russian materials according to perceptions of these materials' value, or meaning, for their own collecting and publishing projects. Looking at how this was so, and considering why it was so, provides a closer and more detailed look at how travel writing acquired value in the context of print; it also offers an an approach to the larger question of how Englishmen "read" the places and cultures they encountered, actually or virtually, outside of Europe.

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Gabel, Aubrey. "François Maspero, The Journalist." French Politics, Culture & Society 40, no. 3 (December 1, 2022): 28–50. http://dx.doi.org/10.3167/fpcs.2022.400302.

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Abstract François Maspero is best known as the owner of the radical Latin Quarter bookstore La joie de lire and the founder and editor of Éditions Maspero, but he was also a writer, a translator, and a journalist. Maspero published several novels and wrote for media outlets like Le Monde and France Culture. He wrote about his travels throughout Eastern Europe, Israel-Palestine, Algeria, and the Caribbean, and published literature reviews, obituaries, and even his testimony of the events of 17 October 1961. This article is the first comprehensive analysis of his work as a print journalist for Le Monde, notably as a travel writer. While Maspero critiqued journalism in both of his novel-travelogues, Les passagers du Roissy-Express (1990) and Balkans-Transit (1997), this article argues that his journalism was a breeding ground for his novel-writing and vice versa. The intersection between journalism, novel writing, and militancy also allowed him to create a multidirectional activism, which reanimated past militancy to understand contemporary political crises.

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Mustafa Serdar Palabıyık. "The Sultan, the Shah and the King in Europe: The Practice of Ottoman, Persian and Siamese Royal Travel and Travel Writing." Journal of Asian History 50, no. 2 (2016): 201. http://dx.doi.org/10.13173/jasiahist.50.2.0201.

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Karpinski, Eva C. "Postcards from Europe: Dubravka Ugrešić as a Transnational Public Intellectual, or Life Writing in Fragments." European Journal of Life Writing 2 (June 18, 2013): T42—T60. http://dx.doi.org/10.5463/ejlw.2.55.

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The article explores Dubravka Ugrešić's ongoing project of interrogating and challenging different constructions of Europe from the perspective of “minor transnationalism”, focusing on the relationship between European minority cultures and the West. She has developed a hybrid form of political life writing that I call the autobiographical fragment, which mixes autobiography, personal essay, cultural criticism, travel writing, autoethnography, epistolarity, and diary. I argue that the autobiographical fragment is uniquely suited to address the discontinuities and ruptures of history, experience, and memory that have accompaniedEurope’s post-communist transformations. In the texts that I examine, including "Have a Nice Day: From the Balkan War to the American Dream", "The Culture of Lies", "Thank You For Not Reading", and "Nobody’s Home", she confronts the trauma of ethnic and gendered violence and integrates the personal and the “global”, linking the former Yugoslavia, present-day Croatia, the European Union, the United States, and the globalized cultural marketplace.

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Wiendl, Jan. "In search of a shared expression: Karel Čapek’s travel writing and imaginative geography of Europe." Slavonica 25, no. 1 (January 2, 2020): 86–88. http://dx.doi.org/10.1080/13617427.2020.1763644.

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Dissertations / Theses on the topic "Travel writing – History – Europe"

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Chang, Na. "The East and the West in the travel writings of the late medieval East and West." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708975.

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Rege, Adeline. "Les voyages en Europe de l’architecte Simon-Louis Du Ry : Suède, France, Hollande, Italie (1746-1777)." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040173.

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De 1746 à 1756, l’architecte allemand d’origine huguenote Simon-Louis Du Ry voyagea en Suède, en Hollande, en France et en Italie pour apprendre son métier. Il retourna en Italie de 1776 à 1777. Lors de ses périples, Simon-Louis Du Ry a entretenu une intense correspondance avec sa famille. Il a tenu un journal de son second tour d’Italie. Ces manuscrits sont une source très précieuse pour l’histoire de la mobilité des artistes à l’époque Moderne. L’objet de cette thèse est d’analyser et d’éditer les récits de voyage de Simon-Louis Du Ry. Nous considérons le voyage comme une pratique individuelle obéissant à des contraintes sociales et matérielles, et comme un mode de perception du monde, des autres, du savoir et de soi-même. L’enjeu est de prendre en compte le voyageur en tant qu’individu, mais aussi l’environnement dans lequel il organise ses déplacements. Après avoir décrit ces périples (itinéraires, modes de transport et d’hébergement, activités du voyageur…), nous les comparons aux modèles de voyage en vogue à l’époque qu’étaient le Grand Tour, le voyage savant, et le voyage artistique. Nous nous attachons aussi à étudier la manière dont Simon-Louis Du Ry a relaté ses pérégrinations, ainsi que l’influence que ces voyages eurent non seulement sur la carrière de cet architecte, mais aussi sur son milieu d’origine, c’est-à-dire le landgraviat de Hesse-Cassel au siècle des Lumières. L’édition critique des récits de voyage de Du Ry que nous proposons est accompagnée d’un apparat critique constitué de notes et de trois index : toponymique, biographique et thématique
From 1746 to 1756, Simon-Louis du Ry, the German architect with Huguenot roots, traveled to Sweden, Holland, France, and Italy to learn a trade. He returned to Italy from 1776 to 1777. During his travels, Simon-Louis du Ry maintained an intense correspondence with his family. He kept a diary of his second trip to Italy and these manuscripts are a very valuable source for the history of the mobility of artists in the Modern era. The purpose of this thesis is to analyse and edit Simon-Louis Du Ry’s travel writings. We consider travel an individual experience which is limited by material and social issues, and a way of understanding the world, others, knowledge and oneself. Our challenge is to take account of the traveler as a person, but also of the environment in which he organizes his travels. After describing these journeys (including routes, transport and accommodation, and traveler’s activities), we compare them with the travel patterns in vogue at that time: the Grand Tour, the scholar’s travel, and the artist’s travel. We aim to explore how Simon-Louis Du Ry has described his travels and the influence that his journeys have had, not only on his architectural career, but also on his cultural background, i.e. the landgraviate of Hesse-Kassel during the Enlightenment. The critical examination of Du Ry’s travel books that we offer is accompanied by a critical apparatus consisting of notes and of three indexes: geographical names, biographical names, and subjects

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Shaw, Cassandra. "South African travel writing and bias." Master's thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/9011.

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Includes bibliographical references (leaves 92-96).
This thesis spotlights the travel and leisure magazine industry within South Africa. It contends that the travel writing genre is susceptible to a number of biases, both past and present, which ultimately affect the way its overall content is produced and presented to the public. This work was substantiated through a set of qualitative interviews with key professionals within the South African travel and leisure magazine industry, as well as through a theme- based content analysis of a number of local travel writing publications. This study adds to a rather extensive line of research written on the topic of travel writing regarding a number of older criticisms of bias including 'othering', escapism, and gendering. However, it also focuses on a number of more modem biases such as direct advertising, advertorial usage, as well as the acceptance of 'freebies' and barter agreements, none of which has been given much attention in previous research. The sheer existence of these and other biases within the modem South African travel and leisure magazine industry exhibits an absolute necessity of examination into such a topic, especially given the importance and overall influence that the travel writing industry has on a country's economic standing and overall image.

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Labon, Joanna. "English literary response to 1930s Europe in Rebecca West's 'Black lamb and grey falcon: a journey through Yugoslavia in 1937' (1941) and Storm Jameson's 'Europe to let: the memoirs of an obscure man' (1940)." Thesis, Birkbeck (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325548.

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Majchrowicz, Daniel Joseph. "Travel, Travel Writing and the "Means to Victory" in Modern South Asia." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467221.

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This dissertation is a history of the idea of travel in South Asia as it found expression in Urdu travel writing of the nineteenth and twentieth centuries. Though travel has always been integral to social life in South Asia, it was only during this period that it became an end in itself. The imagined virtues of travel hinged on two emergent beliefs: that travel was a requisite for inner growth, and that travel experience was transferable. Consequently, Urdu travel writers endorsed travel not to reach a particular destination but to engender personal development, social advancement and communal well-being. Authors conveyed the transformative power of travel to their readers through accounts that traced out their inner journeys through narratives of physical travel, an ideal echoed in an old proverb that re-emerged at this time: “travel is the means to victory.” This study, which draws on extensive archival research from four countries, represents the most comprehensive examination of travel writing in any South Asian language. Through a diachronic analysis of a wealth of new primary sources, it indexes shifting valuations of travel as they relate to conceptualizations of the self, the political and the social. It demonstrates that though the idea of beneficial travel found its first expression in accounts commissioned by a colonial government interested in inculcating modern cosmopolitan aesthetics, it quickly developed a life of its own in the public sphere of print. This dynamic literary space was forged by writers from across the social spectrum who produced a profusion of accounts that drew inspiration from Indic, Islamic and European traditions. In the twentieth century, too, travel writing continued to evolve and expand as it adapted to the shifting dimensions of local nationalisms and successive international conflicts. In independent India and Pakistan, it broke new ground both aesthetically and thematically as it came to terms with the post-colonial geography of South Asia. Yet, throughout this history,Urdu travel writing continued to cultivate the idea that the journey was valuable for its own sake.
Near Eastern Languages and Civilizations

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Ansell, Richard. "Irish protestant travel to Europe, 1660-1727." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:55b4a741-f840-4d79-b1e8-60a3a78e567b.

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This thesis examines travel to continental Europe as undertaken by several generations of Irish Protestants between 1660 and 1727. Historians draw parallels between the Protestant Ascendancy in Ireland and other polities in ancien régime Europe, but these demand an exploration of contemporary encounters. Research on the Irish in Europe concentrates on Catholics without much regard to Protestant experiences, while work on English or British travel overlooks ways in which Irish Protestant voyages differed. This thesis analyses the experiences of Church-of-Ireland families from the gentry, nobility and aristocracy, especially the Southwells, Percevals, Molesworths, Molyneuxs, Boyles and Butlers. Correspondence, notebooks and financial accounts reconstruct their voyages, mainly to France, Italy, the Low Countries and Germany, and their attitudes towards the practice of travel. Journeys to other destinations are incorporated, as are the voyages of neighbours, acquaintances and employees. Purposes varied, but travel was consistently considered an opportunity for 'improvement'. The thesis follows the successive preoccupations of travellers, beginning with demonstrations of 'fitness to travel'. Wealthy young men were judged according to criteria that privileged anglicisation and Protestantism, though linguistic skill was a more socially-comprehensive standard. Advisors emphasised civil conversation and written observation, but warnings to avoid 'countrymen' were ignored. The company of English-speaking travellers and Irish Catholic expatriates created distinctive European experiences. Foreign hosts often saw uncomplicated Englishmen, though some recognised Irish difference. Anglican travellers held qualified membership of a 'Protestant international', drawing on a cross-confessional 'stock of friends'. Travellers received tuition that complicates perceptions of travel as 'informal' education and they memorialised experiences through souvenirs and gifts. Voyages encouraged some into English residence and identifications, though others brought improvements home to Ireland. 'Improvement', as it related to wealthy Church-of-Ireland families, functioned not as a binary between approved England and disdained Ireland but a triangular exchange in which continental Europe featured prominently.

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Burns, James Robert. "William Lithgow's Totall Discourse (1632) and his 'Science of the World' : a seventeenth-century Protestant traveller's view of Europe and the near East." Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339776.

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Wood, Jennifer Linhart. "Sounding Otherness in Early Modern Theater and Travel Writing." Thesis, The George Washington University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3587221.

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My dissertation explores how sound informs the representation of cross-cultural interactions within early modern drama and travel writing. "Sounding" implies the process of producing music or noise, but it also suggests the attempt to make meaning of what one hears. "Otherness" in this study refers to a foreign presence outside of the listening body, as well as to an otherness that is already inherent within. Sounding otherness enacts a bi-directional exchange between a culturally different other and an embodied self; this exchange generates what I term the sonic uncanny, whereby the otherness interior to the self vibrates with sounds of otherness exterior to the body. The sonic uncanny describes how sounds that are perceived as foreign become familiar through the vibratory touch of the soundwave that attunes a body to its sonic environment or soundscape. Sounds of foreign Eastern and New World Indian otherness become part of English and European travelers; at the same time, these travelers sound their own otherness in Indian spaces. Sounding otherness occurs in the travel narratives of Jean de Lèry, Thomas Dallam, Thomas Coryate, and John Smith. Cultural otherness is also sounded by the English through their theatrical representations of New World and Oriental otherness in masques including The Masque of Flowers, and plays like Robert Greene's Alphonsus, respectively; Shakespeare's The Tempest combines elements of East and West into a new sound—"something rich and strange." These dramatic entertainments suggest that the theater, as much as a foreign land, can function as a sonic contact zone.

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Munoz-Martin, Maria Gloria. "In search of the promised land : the travels of Emilia Pardo Bazan." Thesis, University College London (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.344092.

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Orians, Emily Anne. "A Picture Tells a Thousand Years." Kent State University Honors College / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1304697179.

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Books on the topic "Travel writing – History – Europe"

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Taken for wonder: Nineteenth century travel writing from Iran to Europe. Oxford: Oxford University Press, 2012.

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Richard Hakluyt and travel writing in early modern Europe. Farnham, Surrey, England: Ashgate, 2012.

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Wendy, Bracewell, and Drace-Francis Alex, eds. Under Eastern eyes: Studies in East European travel writing on Europe. Budapest: Central European University Press, 2008.

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Arthur, Paul Longley. Virtual voyages: Travel writing and the antipodes 1605-1837. New York, NY: Anthem Press, 2010.

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Virtual voyages: Travel writing and the antipodes 1605-1837. New York, NY: Anthem Press, 2009.

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Through another Europe: An anthology of travel writing on the Balkans. Oxford, England: Signal Books, 2009.

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Andrew, Hammond, ed. Through another Europe: An anthology of travel writing on the Balkans. Oxford, England: Signal Books, 2009.

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Foundation, Voltaire, ed. History of ideas: Travel writing ; History of the book ; Englightenment and antiquity. Oxford: Voltaire Foundation, 2005.

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Pratt, Mary Louise. Imperial eyes: Travel writing and transculturation. 2nd ed. New York, NY: Routledge, 2008.

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Imperial eyes: Travel writing and transculturation. London: Routledge, 1992.

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Book chapters on the topic "Travel writing – History – Europe"

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Fernández Cifuentes, Luis. "Travel writing." In Comparative History of Literatures in European Languages, 183–210. Amsterdam: John Benjamins Publishing Company, 2010. http://dx.doi.org/10.1075/chlel.xxiv.06fer.

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Dzelzainis, Ella. "Travel Writing." In The History of British Women’s Writing, 1830–1880, 163–77. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-58465-6_10.

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Martin, Alison E. "Travel writing and translation history." In The Routledge Handbook of Translation History, 422–34. London: Routledge, 2021. http://dx.doi.org/10.4324/9781315640129-30.

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Turner, Katherine. "Women’s Travel Writing, 1750–1830." In The History of British Women’s Writing, 1750–1830, 47–60. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230297012_3.

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Mikkeli, Heikki. "Writing European History." In Europe as an Idea and an Identity, 235–44. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780333995419_12.

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Guimon, Timofei V., and Aleksei S. Shchavelev. "History writing." In The Routledge Handbook of East Central and Eastern Europe in the Middle Ages, 500–1300, 443–63. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429276217-26.

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Bolan, Peter. "The History and Influence of Travel Writing." In Contemporary Publishing and the Culture of Books, 225–36. Milton Park, Abingdon, Oxon; New York, NY: Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781315778389-13.

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Drace-Francis, Alex. "Travel Writing from Eastern Europe." In The Cambridge History of Travel Writing, 191–205. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781316556740.013.

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"From the ‘History of Travayle’ to the History of Travel Collections: e Rise of an Early Modern Genre." In Richard Hakluyt and Travel Writing in Early Modern Europe, 49–66. Routledge, 2016. http://dx.doi.org/10.4324/9781315606415-9.

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"e Legacy of Richard Hakluyt: Reections on the History of the Hakluyt Society." In Richard Hakluyt and Travel Writing in Early Modern Europe, 337–46. Routledge, 2016. http://dx.doi.org/10.4324/9781315606415-36.

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Conference papers on the topic "Travel writing – History – Europe"

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Chepelevskaya, Tatyana. "Travel Essays by E.i. Witte at the Beginning of the 20th Century as an Example of Documentary Fiction and an Example of a "Feminine" View of the "Slavic" Theme." In Woman in the heart of Europe: non-obvious aspects of gender in the history and culture of Central Europe and adjacent regions. Institute of Slavic Studies, Russian Academy of Sciences, 2022. http://dx.doi.org/10.31168/0475-6.32.

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Ignjatijević, Svetlana, and Jelena Vapa Tankosić. "ECONOMIC ANALYSIS OF INTERNATIONAL TRADE IN PERSONAL AND BUSINESS TRAVEL SERVICES." In The Sixth International Scientific Conference - TOURISM CHALLENGES AMID COVID-19, Thematic Proceedings. FACULTY OF HOTEL MANAGEMENT AND TOURISM IN VRNJAČKA BANJA UNIVERSITY OF KRAGUJEVAC, 2021. http://dx.doi.org/10.52370/tisc21517si.

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The world today is facing one of the worst pandemics in modern history. Around the world, financial markets are in serious difficulties, the consequences of which have begun to spill over into the tourism sector. Covid-19 has caused sharp contractions in economic development, reduced mobility and has contacted tourism flows as the international tourist arrivals in most world sub-regions recorded declines from -60% to -70%. The aim of this paper is to analyze the international travel in the field of personal and business travel in the period of 2010-2019 exported to and imported from the Republic of Serbia. The findings show that the international travel for personal purposes has achieved the greatest value over the years, the second place is taken by travel for business purposes, whereas education-related travel achieved the third place. Exported and imported values of the category Travel, Personal and Travel, Business has the highest value of exports and imports from Serbia to European Union (EU 28), with Germany, Greece, Austria and Italy having the highest flows of exported and imported values. In 2020 Asia and the Pacific, was the region to suffer the hardest impact of Covid-19. On the second place there is Europe, followed by the Americas, Africa and the Middle East.

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Milovanovic-Bertram, Smilja. "Lina Bo Bardi: Evolution of Cultural Displacement." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.61.

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In recent years much has been written and exhibited regarding Lina Bo Bardi, the Italian/Brazilian architect (1914-1992). This paper aims to look at the phenomenon of cultural displacement and the dissemination of her design thinking as a major female figure in a male dominated profession. This investigation is distinguished from others in that it addresses the importance of regional and cultural influences that formed Lina’s design philosophy in her early years in Italy. Cultural displacement has long played a significant role in the creative process for artists. Often major innovators in literature are immigrants as elements of strangeness, distance, and alienation all contribute to their creativity. The premise is that critical distance is paramount for reflection as a change of context unfolds unforeseen possibilities. Displacement was a consistent element throughout the trajectory of Lina’s architectural career as she moved from Rome to Milan, from Milan to Sao Paolo from Sao Paolo to Bahia and back to Sao Paolo. Viewing this form of detachment and dislocation permits insight into her career and body of work as displacement mediates the paradoxical relationship between time and space. The paper will examine three distinct periods in her career. The first period is set in Rome, where she assimilated the city, showed artistic aptitude and spent her university years studying under Piacentiniand Giovannoni. The second period is set in Milan, where she developed impressive editorial and layout skills in publications work with Gio Ponti and BrunoZevi. and was influenced by Antonio Gramsci’s writings. The third is set in Brazil, where she builds and evolves as an architect via what she absorbed in Rome, wrote in Milan, and finally realized in Brazil. After Italy’s collapse in WWII Lina writes, draws, edits, critiques the plight of the Italians in need of better housing and circumstances. She leaves Milan with her new husband, PM Bardi (a prominent journalist, art critic) for Brazil. In Sao Paolo she absorbs the optimism and positive direction of Brazil. Her early design work in Brazil echoes European modernism, but when she travels to Bahia and becomes aware of the social conditions, she draws from her Italian experiences of and ideas of transforming lives through craft. Her architectural projects become directly responsive to the culture of Bahia and the politics of poverty. Lina’s design thinking evolves and parallels George Kubler’s study, The Shape of Time, and the history of man-made objects by bridging the divide between art and material culture.

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Neumann, Hans-Rudolf, Dirk Röder, and Hartmut Röder. "Diverse and rich fortified cultural heritage of the Iberian Peninsula. Basis for culture tourism with the European Culture Route Fortified Monuments FORTE CULTURA®." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11394.

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Fortresses are architectural pearls, cultural sites, event locations, experience places and memorials, mostly situated at breath-taking places on mountains, rivers or in the under-ground. Fortresses are monuments of common European history, they mirror the past into the present, connect cultures and offer deep insights into the historical conflicts. Fortified monuments are part of what makes Europe unique and attractive. This cultural heritage has to be preserved and made accessible for the culture tourism at the same time. The Iberian fortified heritage has big potential for new culture touristic topics and travel routes away from mass tourism. Therefore, cultural routes are a useful instrument. The European Culture Route Fortified Monuments –FORTE CULTURA®– is the European umbrella brand for fortress tourism. It offers useful instruments for international marketing of fortified monuments. The implementation of the attractive architectura militaris of the Iberian Peninsula into the culture route FORTE CULTURA® makes it possible to network this culture asset touristically, make it visible and experienceable on international tourism markets and market it Europe-wide. By implementing a new touristic regional brand “FORTE CULTURA – Iberian Fortified Heritage” the qualified culture tourism will be addressed. This supports a balance between over and under presented monuments and extends the sphere of activity of local actors onto whole Europe.

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Serban, Mihai, and Serban Ionica. "E-BOOK, MODERN FORM OF DOCUMENT STORAGE AND COMMUNICATION." In eLSE 2012. Editura Universitara, 2012. http://dx.doi.org/10.12753/2066-026x-12-089.

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Undoubtedly writing contributed to the perception of history from other perspectives. Starting from clay tablets from Summer or Tartaria and until so known editing programs for today’s format text , the writing was obviously the most important form of communication of ideas, concepts and theories. One of the most popular concepts to which we refer when we refer to writing, is the book. Books were for centuries the only means of passing on information, regardless of their(religious, scientific, etc..), reflecting their technological evolution of humankind. Therefore, long time, books were written by hand, and then they have multiplied copyists. But the invention of printing (in Europe around 1450, China and Korea it was known long before), the flow of information has been simplified and books have become an accessible element for public, more than hitherto. There was a long pause in the evolution of the concept book that has remained virtually unchanged, despite the fact that printing technology has changed radically. The so-called break ended a few years ago, because books have entered in a new stage of development -the electronic book or eBook. This is the digital version of a work (either already existing in print or broadcast only in digital format) the version whose content can be viewed either through a computer or through other devices that allow the compatibilization of the systems. Several centuries the printing on led to accelerating evolution of the process of social development. This required a rapid and massive development of paper-making industry which led to the emergence and overcome of serious environmental problems. In efforts to replace paper, the technique successfully identified substitutes: radio, television, teletext, fax, computers, Internet, magnetic or optical supports, microfilms and photographs.

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Mihaila, Ramona. "TRANSCULTURAL CONTEXTS: NETWORKS OF LITERARY TRANSLATIONS." In eLSE 2017. Carol I National Defence University Publishing House, 2017. http://dx.doi.org/10.12753/2066-026x-17-167.

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While in the Western societies the act of translating was a phenomenon that had a powerful tradition which started long before the sixteenth century, in the Romanian Principalities the first timid attempts were recorded at the beginning of the nineteenth century. Taking into account the translations accomplished by the nineteenth Romanian women writers and the large range of languages (French, Italian, Greek, Latin, German, English, Spanish) they used, I have tried to “discover” and “revive” as many women writers as I could, first of all by focusing all my attention on the works of the neglected women (writers) translators. The present research, which limits only to Romanian women writers that translated writings of foreign women authors, needs also a special attention to finding biographical data about the translators since a lot of them used pen names (few writers used even more than three pen names) or signed their writing or translations only with the initial letters of their names, especially for the works published in installments. There is a significant amount of research in order to bring to light all the translated works since most of them can be found only in (incomplete) issues of journals, almanacs, literary magazines, theatre’s journals, or manuscripts. By using the international database Women Writers in History we may involve researchers and students from many European countries in contributing with important information concerning their women writers. There are also negotiations with national libraries in 25 countries around Europe in order to get partners for this database which offers open access.

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Tucak, Ivana, and Anita Blagojević. "COVID- 19 PANDEMIC AND THE PROTECTION OF THE RIGHT TO ABORTION." In EU 2021 – The future of the EU in and after the pandemic. Faculty of Law, Josip Juraj Strossmayer University of Osijek, 2021. http://dx.doi.org/10.25234/eclic/18355.

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The COVID - 19 pandemic that swept the world in 2020 and the reactions of state authorities to it are unparalleled events in modern history. In order to protect public health, states have limited a number of fundamental human rights that individuals have in accordance with national constitutions and international conventions. The focus of this paper is the right of access to abortion in the Member States of the European Union. In Europe, the situation with regard to the recognition of women's right to abortion is quite clear. All member states of the European Union, with the exception of Poland and Malta, recognize the rather liberal right of a woman to have an abortion in a certain period of time after conception. However, Malta and Poland, as members of the European Union, since abortion is seen as a service, must not hinder the travel of women abroad to have an abortion, nor restrict information on the provision of abortion services in other countries. In 2020, a pandemic highlighted all the weaknesses of this regime by preventing women from traveling to more liberal countries to perform abortions, thus calling into question their right to choose and protect their sexual and reproductive rights. This is not only the case in Poland and Malta, but also in countries that recognize the right to abortion but make it conditional on certain non-medical conditions, such as compulsory counselling; and the mandatory time period between applying for and performing an abortion; in situations present in certain countries where the problem of a woman exercising the right to abortion is a large number of doctors who do not provide this service based on their right to conscience. The paper is divided into three parts. The aim of the first part of the paper is to consider all the legal difficulties that women face in accessing abortion during the COVID -19 pandemic, restrictions that affect the protection of their dignity, right to life, privacy and right to equality. In the second part of the paper particular attention will be paid to the illiberal tendencies present in this period in some countries of Central and Eastern Europe, especially Poland. In the third part of the paper, emphasis will be put on the situation in Malta where there is a complete ban on abortion even in the case when the life of a pregnant woman is in danger.

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