Relevant bibliographies by topics / Travel writing – Australia

Academic literature on the topic 'Travel writing – Australia'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Travel writing – Australia"

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White, Richard. "Travel, Writing and Australia." Studies in Travel Writing 11, no. 1 (March 2007): 1–14. http://dx.doi.org/10.1080/13645145.2007.9634816.

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EDWARDS, NATALIE, and CHRISTOPHER HOGARTH. "Contemporary French-Australian Travel Writing: Transnational Memoirs by Patricia Gotlib and Emmanuelle Ferrieux." Australian Journal of French Studies: Volume 59, Issue 2 59, no. 2 (April 1, 2022): 171–84. http://dx.doi.org/10.3828/ajfs.2022.14.

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This article focuses on the portrayal of Australia by two female French travel writers at the turn of the twenty-first century. Based upon Charles Forsdick’s theory of a set of uncertainties locatable in Francophone travel writing at the fin de siècle, this article analyzes how such uncertainties are played out in an Australian setting. It argues that while these texts ostensibly exoticize Australia in stereotypical manners, they gradually complicate these views, especially through their representation of rural Australia. Both writers find in rural Australia the means of recovery from the trauma that has spurred them to travel, which they locate in fast-paced, urban European life. Yet their texts are not simple celebrations of Australia as a site of return to simpler or “primitive” lifestyles, as they uncover links between supposedly exotic Australia and long-repressed aspects of their home cultures.
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Huggan, Graham. "Travel writing from black Australia: utopia, melancholia, and aboriginality." Studies in Travel Writing 20, no. 4 (October 2016): 424–25. http://dx.doi.org/10.1080/13645145.2016.1261640.

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McGregor, Russell. "Excursions Through Emptiness: Interwar Travel Writing on Northern Australia." Journal of Australian Studies 41, no. 4 (October 29, 2017): 421–34. http://dx.doi.org/10.1080/14443058.2017.1380684.

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Turner, Stephanie. "Negotiating Nostalgia: The Rhetoricity of Thylacine Representation in Tasmanian Tourism." Society & Animals 17, no. 2 (2009): 97–114. http://dx.doi.org/10.1163/156853009x418055.

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AbstractThe recently extinct thylacine, endemic to Australia, has become a potent cultural icon in the state of Tasmania, with implications for Australian ecotourism and Tasmanian conservation strategies. While the thylacine's iconicity has been analyzed by naturalists and cultural historians, its significance in Tasmanian tourism has yet to be examined. Thylacine representations in tourism-related writings and images, because of their high degree of ambivalence, function as a rich site of conflicting values regarding national identity and native species protection. Drawing on cultural studies of the thylacine and constructivist theories of tourism, this study identifies and documents three polarities in thylacine representation: the thylacine as wild yet domesticated, present yet absent, and an Australian national—yet distinctly regional—subject. A close reading of contradictory textual and visual elements in tourist guides, travel writing, specialized maps, and museum exhibits illuminates ongoing debates about Australian econationalism in the global tourism economy.
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Stevenson, Ana. "Harriet Clisby’s ‘Sketches of Australia’: travel writing and colonial refigurations in Boston’s Woman’s Journal." Women's History Review 27, no. 5 (November 26, 2017): 837–57. http://dx.doi.org/10.1080/09612025.2017.1403094.

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EDWARDS, NATALIE, and CHRISTOPHER HOGARTH. "Resisting Linguistic Rules in French-Australian Writing." Australian Journal of French Studies 59, no. 1 (January 1, 2022): 60–72. http://dx.doi.org/10.3828/ajfs.2022.06.

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Recent scholarship has posited the experience of migration as a source of creative, experimental possibilities that allow writers to contest fixed forms of identity; it has also questioned monolingual, monocultural understandings of national literatures that yoke one language to one nation. Building on such work, this article considers French migrant writing that breaks linguistic rules and challenges the norms of national literatures by analyzing various attitudes testifying to multilingualism and linguistic differences in the works of Paul Wenz, Didier Coste and Catherine Rey—authors who had embarked upon their writing careers before migrating, who have settled in Australia and who write from a position of stability and permanence. While travel writers use English to nuance their texts about journeys through Anglophone regions, they ultimately do not displace the primary importance of French in their texts. By contrast, the texts of the writers considered herein articulate both unique understandings of linguistic identity and resistance to linguistic fixity as well as innovative narrative strategies to communicate both.
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Briggs, David. "Corona Virus (COVID – 19)." Asia Pacific Journal of Health Management 15, no. 1 (March 29, 2020): 2. http://dx.doi.org/10.24083/apjhm.v15i1.371.

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It is difficult while writing an editorial, at this time, to ignore the extensive impact of the Corona virus (COVID-19) and it is probably important for us, as health professionals to give it some considered thought, outside the immediacy of current activity. I say this as someone recently returned from work related overseas travel, with my travel not meeting the government-imposed return deadline by some seven hours. This required my quarantine and/or isolation for some two weeks. After my first week of exclusion from most of my family, friends and working remotely and online it seems that the rest of Australia has caught up with my circumstance, many stood down from work, many businesses closed, a massive effort by the health system and economic rescue or support packages being implemented by government. It seems that I will have little opportunity to relax and celebrate with others at the end of this week.....
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Morris, Meaghan. "Media and popular modernism around the Pacific War: An inter-Asian story." Memory Studies 6, no. 3 (June 28, 2013): 359–69. http://dx.doi.org/10.1177/1750698013482646.

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Across much of the Asia-Pacific today, the smart phone, the tablet and the laptop or home personal computer are vying with the humble TV set not only to promote new models of lifestyle and to distribute communal and national stories but also to circulate other people’s stories and ways of life, complicating notions of heritage and cultural affinity. The proliferation of media technologies and their rapid spread across populations hitherto remote from or hostile to each other has transformed the conditions for the practice as well as the study of memory in this region as elsewhere. Yet, there are precedents for these developments; ‘new waves’ of media culture responded to technological change, colonial conflict, war, revolution and the growing influence of Hollywood across the Asia-Pacific region after the Pacific War. In Australia, one such ‘wave’ was a boom in travel writing from the 1930s to the 1950s, and another was the ‘new Australian cinema’ of the 1970s and early 1980s. Drawing on work in progress about Ernestine Hill, a mid-twentieth-century writer preoccupied with technology, this article suggests that asking how ‘old’ media have circulated ‘new’ memories of community in the past also opens up a way of situating old Australian national stories in a regional frame today.
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Gibson, Chris. "Theorising tourism in crisis: Writing and relating in place." Tourist Studies 21, no. 1 (January 28, 2021): 84–95. http://dx.doi.org/10.1177/1468797621989218.

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Recent headline events – most notably the COVID-19 pandemic – have illustrated the fragility of tourism capitalism, prompting forward-looking analyses among critical scholars. While grappling with political and philosophical implications, commentaries have tended towards the prescriptive and general: contemplating the collapse of tourism as-we-know-it, and foregrounding opportunities to reconstitute more sustainable, resilient and inclusive forms of tourism. Heeding Haraway’s call to ‘stay with the trouble’, I briefly outline three sympathetic critiques, integrating insights from more-than-human theory, disaster studies and climate change adaptation literatures. First, I unsettle temporalities of disruption and change that emphasise singular moments, such as lockdowns, rather than multiple temporalities of vulnerability and resilience. Second, a lurking species exceptionalism, which positions humans as the locus of agency, is contrasted with nonhuman capacities to shape unfurling events. Third, speculations on tourism’s future that rest on normative categories, disembodied from lived experience, are contrasted with First Nations ontologies, and the messiness of tourism’s relatings in place. Theorising tourism, within and beyond crisis, must evolve iteratively from the ethnographic. To illustrate, I ‘write from’ the east coast of Australia, where an otherwise steady-growth tourism economy has experienced profound disruption in 2020, not just from coronavirus-related travel restrictions, but from climate-change-amplified catastrophic bushfires. From this vantage point, multiple traumas refract tourism industry responses, while hope commingles with caution, tempering strident proclamations on the future. The nonhuman, political-economic, and emotional are inextricably entwined in the fabric of tourism. The fraught navigation of lived (more-than-human) experience must figure more prominently in our scholarly reckonings.
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Dissertations / Theses on the topic "Travel writing – Australia"

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Majchrowicz, Daniel Joseph. "Travel, Travel Writing and the "Means to Victory" in Modern South Asia." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467221.

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This dissertation is a history of the idea of travel in South Asia as it found expression in Urdu travel writing of the nineteenth and twentieth centuries. Though travel has always been integral to social life in South Asia, it was only during this period that it became an end in itself. The imagined virtues of travel hinged on two emergent beliefs: that travel was a requisite for inner growth, and that travel experience was transferable. Consequently, Urdu travel writers endorsed travel not to reach a particular destination but to engender personal development, social advancement and communal well-being. Authors conveyed the transformative power of travel to their readers through accounts that traced out their inner journeys through narratives of physical travel, an ideal echoed in an old proverb that re-emerged at this time: “travel is the means to victory.” This study, which draws on extensive archival research from four countries, represents the most comprehensive examination of travel writing in any South Asian language. Through a diachronic analysis of a wealth of new primary sources, it indexes shifting valuations of travel as they relate to conceptualizations of the self, the political and the social. It demonstrates that though the idea of beneficial travel found its first expression in accounts commissioned by a colonial government interested in inculcating modern cosmopolitan aesthetics, it quickly developed a life of its own in the public sphere of print. This dynamic literary space was forged by writers from across the social spectrum who produced a profusion of accounts that drew inspiration from Indic, Islamic and European traditions. In the twentieth century, too, travel writing continued to evolve and expand as it adapted to the shifting dimensions of local nationalisms and successive international conflicts. In independent India and Pakistan, it broke new ground both aesthetically and thematically as it came to terms with the post-colonial geography of South Asia. Yet, throughout this history,Urdu travel writing continued to cultivate the idea that the journey was valuable for its own sake.
Near Eastern Languages and Civilizations
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Clarke, Robert. "The utopia of the senses : white travellers in black Australia, 1980-2002 /." [St. Lucia, Qld.], 2006. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19149.pdf.

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Carson, Susan J. "Seeking a life in the literary position : the writing of Charmian Clift." Thesis, University of Queensland, 1994. https://eprints.qut.edu.au/21031/1/CARSON_CHARMIAN_CLIFT_THESIS.pdf.

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This dissertation is an investigation into and analysis of the literary output of the Australian writer, Charmian Clift. It attempts, primarily, a critical discussion of the novels, short stories and journalism that form the body of Clift's own published and unpublished work. Because of the emphasis in thest texts on the role of women in society, I also assess the changing nature of the reception of Clift's work and its contribution to Australian women's writing. Clift has yet to be generally acknowledged as a writer of substance, yet her work has much to say about the issues which were, and are, important to women's writing. To date, Clift's writing has been discussed in terms of her role as a popular columnist and 'travel writer,' or of her life story--what has become known as the 'Clift phenomenon,' that is, biographically-based commentary which features her role as a flamboyant and bohemain personality who was the wife or writer George Johnston. The result is that Clift has largely been discussed within the boundaries of this 'persona' in the popular press; she has not received similar critical attention to Johnston. As the outpouring of feeling on the news of Clift's death vividly indicated, she had developed a loyal readership. This readership did not dissipate with her death and is, in fact, being consolidated with reissues of her work. To a large extent, therefore, this dissertation is an attempt to assert Clift's literary contribution and to push away the constraints of a pre-existing tendency to a biographical focus on her work. To do this I concentrate on the solo-authored published and unpublished texts, referring only to the collaborative works written with Johnston when this is helpful to an analysis of the solo-authored texts. The issue of collaboration, and the related aspect of inter-textuality, requires a detailed analysis of George Johnston's work as well, an interesting project but one which is beyond the scope of this dissertation. I therefore examine the collaborative work only in terms of my overall aim of development of Clift's own 'writing self.' To do this I employ insights from feminist and other literary theory in order to develop a flexible enough framework in which to assess the diverse range of writing produced by Clift. I discuss the texts in terms of the notion of inversion of 'fact as fiction' and 'fiction as fact,' in order to gain access to the different levels of Clift's work. I also note the evolution of Clift's work, culminating in the autobiographical fiction of her unpublished texts. These texts, written at the end of her career, represent the beginnings of Clift's best work--writing in which she had begun to speak in 'her own voice.' Had this progress contiued, Clift would, I maintain, have received the critical attention she so dearly desired.
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Fouweather, Karen Helen. "Ten Pounds for Adults, Kids Travel Free: An essay on the effects of migration upon the children of the British migrants to Western Australia in the 1960s and 1970s ; and , The red pipe: a novella set in Port Hedland." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/688.

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This study comprises an essay entitled ‘Ten Pounds for Adults, Kids Travel Free’ and a creative component entitled ‘The Red Pipe: a Novella Set in Port Hedland’. The essay focuses upon the children of the ‘golden era’ of British migration to Australia, between 1961 and 1971, when over 300,000 arrived as part of an unprecedented post-war population drive. Most travelled under an assisted passage scheme in which adults paid £10 towards their fare and their children travelled free of charge. Consequently, these assisted British immigrants were known by Australians as the ‘Ten Pound Poms’. Two decades on from the introduction of the scheme, immigration motives had shifted from the desperation born of immediate post-war austerity to the heightened expectations of the increasingly affluent Sixties and Seventies. The vast majority of these later British migrants came in family units, for the future of their children was a major consideration for most of the parents. Many of them faced significant struggle settling in to what was promised to be a ‘British way of life’, whilst, in reality, Australia was becoming an increasingly multicultural and unfamiliar society. This study is distinctive in that it examines the long-term consequences of migration upon the lives of the British children. It seeks to acknowledge, but ultimately to shift the focus from, the decisions and achievements of the parents to their children, the ‘second generation’, who travelled for free. It also considers the ongoing ramifications of the migration decision, as the parents age and pass on and their children, themselves, become parents and grandparents. It does so by utilising the recollections of a focus group of 31 British migrants, who travelled to Australia during this period. Eleven of these participants were parents at the time of migration, whilst the remaining interviewees were aged under eighteen. This thesis has a predominant focus upon Western Australia, for most of the participants originally disembarked in Fremantle. Today, all except two live in this state. The key child protagonists of the creative component are both British child migrants who immigrated to Western Australia with their families during the late 1960s. The novella, entitled The Red Pipe, is loosely based upon the author’s childhood experience of Cyclone Joan’s visit to Port Hedland in 1975. Joan was the most destructive cyclone to affect the Pilbara district in over thirty years. Over eighty-five per cent of the buildings were damaged and the town was left without power and communications for days. The author spent a harrowing night waiting out the storm with her family, narrowly escaping injury when the cyclone breached the family home. Utilizing the perspectives of two pivotal child protagonists, the novella traces the circumstances, severity and aftermath of Cyclone Joan upon the town and its culturally eclectic inhabitants. This little-known, yet significant incident in the history of Western Australia is set in a geographically significant port town, at a time before the mining boom. The ferocity of nature upon an ancient and isolated landscape provides the catalyst for the resultant exploration of the tenacity of childhood, set against the inherent fragility of the nuclear family unit and interwoven with the transient nature of the migrant condition.
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Kagan, Michal Lali. "Wonderer : the life of Bruce Chatwin." Thesis, Queensland University of Technology, 2002.

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Wonderer is a screenplay about the life of writer/traveler Bruce Chatwin. The screenplay examines not only Chatwin's travels and writing, but also the landscape which he never fully explored: his inner-world. This reflective analysis will focus on the relationship between Bruce Chatwin's writing - especially in The Songlines- and the ways in which the book's subject matter and style influenced the choices in content and form which I made in writing Wonderer.
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Duggin, Susan. "Roaming through Australia's diverse lands : an analysis of power relations in selected travel writings /." Title page, contents and abstract only, 1994. http://web4.library.adelaide.edu.au/theses/09AR/09ard866.pdf.

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Clayton, Jeffrey Scott Keirstead Christopher M. "Discourses of race and disease in British and American travel writing about the South Seas 1870-1915." Auburn, Ala., 2009. http://hdl.handle.net/10415/1996.

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Patrick, Trevor. "The form of possibilities : the body remembered and remembering in the built environment." Thesis, 2011. https://vuir.vu.edu.au/19427/.

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I have used the imaginative process of Ideokinesis, as an embodied and performed methodology, where my work is in direct dialogue with a unique system of movement and postural training developed by Mabel Todd, Barbara Clark, and Lulu Sweigard. Its functioning is not with ‘actual’ movement but with virtual and imagined movement – it thus calls on memory and imagining. These processes have resulted in two outcomes: a sequence of narratives arranged as Acts of remembering – a saturation in words, images, and imaginings – and the creation of a theatrical performance, which engages with what language and ideas actually feel like. How they feel and how they look depend not only upon the nature of my own embodied experience but on the remanent embodied experiences of those who view the artefact.
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Simmons, Beverley Ann. "Travel talk: when knowledge and practice collide: tracking gendered discourses in popular texts; in the stories of contemporary Australian women who work in the travel industry; and women who begin international leisiue travel in mid-life." Thesis, 2003. http://hdl.handle.net/1959.13/1312964.

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Research Doctorate - Doctor of Philosophy (PhD)
This narrative analysis of the gendered construction of travel in written, visual and oral travel texts is used to identify textual congruities and incongruities between travel knowledge and practice. Travel and women's magazines reproduce a sovereign tourist within a preferred contemporary travel discourse that is based on a fantasy of tourists' class elitism, masculine exploration and colonialism; sightseeing; a desire for place and its past; and fanciful play. Textually. women are marginalized in travel as if they are men or aligned with romantic fantasies of a colonial or domestic past. Women who work in travel agencies reproduce this discourse when they assume divorcees and widows need the protection of package tours to reduce any fear of travel. This discourse is also dominant for some of the women I interviewed who began travelling abroad when family responsibilities diminished and resources increased. These women would not travel abroad if it were not for package tours and travelling companions. Yet, their travel is not always entirely congruous with this discourse. However, my research also uncovers a group of women whose travel does not fit with dominant media discourses of travel in travel and women's magazines. These are women who work in the tourism industry and some of the women I have interviewed who are beginner mid-life travellers. These self-sufficient tourists are social adventurers and risk-takers who construct their travel in a relational travel discourse. This discourse, which is missing from the magazine texts examined, includes a tourist's subjective experience; a fully sensory engagement with place; a desire for authentic contact with Others, place and everyday domestic life; and practiced interactive social relations with local inhabitants. This travel practice is more likely to be self-transformative than travel within the fantasy discourse. Even though women's travel is diverse, gendered ambiguities are ongoing and central features in women's stories of their travel practices, travelling self-identities and their homecoming.
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Halter, Nicholas. "'To see with their own eyes' : Australian travel writing on the Pacific islands c.1880-1941." Phd thesis, 2015. http://hdl.handle.net/1885/155964.

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From the 1880s onwards, the Pacific Islands became increasingly accessible to the average Australian with improvements in transportation and the growth of trade and business, Christian outreach, and colonial administration in the region. Economic prosperity and social mobility in Australia facilitated their movement abroad, and the development of publishing and literacy encouraged the circulation of texts which generated excitement about travel and exotic foreign destinations. The varied experiences and impressions of Australians travelling to, and through, the Pacific Islands filled diaries, letters, books, magazines, memoirs and travelogues, many of which found a receptive Australian audience. This thesis explores this corpus of Australian travel writing on the Pacific Islands from c.1880 to 1941. In doing so, it examines how representations of the Pacific Islands within travel accounts reflected and contributed to Australian knowledge of the region. By contextualising these sources and their authors, this thesis explores the nuances and complexities of the individual Australian travel experience, whilst also situating them within the broader corpus of Australian travel literature. I discuss several themes which are prevalent in Australian travel writing of this period: the experience of seaboard travel and tourism, commerce and profit, romantic and utopian ideals, gender roles, ideas of nation and empire, theories of race and science, and notions of the 'savage' and 'civilised.' It explores how individual Australians negotiated these concepts whilst abroad in the Pacific Islands, and how their encounters and their texts highlight a diverse set of reactions, at times confirming, challenging or rejecting previous assumptions and expectations. This historical study of a previously neglected body of literature deepens our understanding of the historical engagement and exchange between Australians and Pacific Islanders. This was a relationship that reached beyond the political and economic interests of a select few - it permeated popular literature and public debate. Though European stereotypes of the Pacific Islands persisted well into the twentieth century, travel writing was crucial in familiarising and informing Australians about their close neighbours. These accounts also show that this engagement was not one-sided. The Pacific Islands played an important role in shaping the growth of the Australian nation too, and Australian travel writers recorded much about themselves as they did the exotic 'other' when placed in unfamiliar surroundings. This thesis argues that the diversity of travel writing challenges stereotypes of Australian travellers and readers, at the same time as it undermines stereotypes of the 'South Seas.'
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Books on the topic "Travel writing – Australia"

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Delden, A. J. W. van. A voyage to Australia: A diary written by A. J. W. Van Delden in 1866 while on a mission to establish a steam-ship line between Java and Australia. North Melbourne, Vic: Arcadia, 2013.

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Bowman, Harold. Harold Bowman on tour down under. Beverley: Hutton, 1992.

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Johnston, Susi. Bali chic: Hotels, villas, restaurants, shops, galleries, spas. [Singapore: Editions Didier Millet, 2008.

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Johnston, Susi. Bali chic: Hotels, restaurants, shops, spas. [Singapore]: Archipelago Press, 2004.

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Johnston, Susi. Bali chic: Hotels, restaurants, shops, spas. [Singapore: Editions Didier Millet, 2008.

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Virtual voyages: Travel writing and the antipodes 1605-1837. New York, NY: Anthem Press, 2009.

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author, Ulman Meg, ed. The art of free travel: A frugal family adventure, cycling from Daylesford to Cape York. Sydney, NSW, Australia: NewSouth Publishing, 2015.

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Prosthetic gods: Travel, representation, and colonial governance. St. Lucia, Qld: University of Queensland Press in association with the API Network, 2001.

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Michael, Gordon. Reconciliation: A journey. Sydney, NSW: University of New South Wales Press, 2000.

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The life and myth of Charmian Clift. Sydney: Flamingo, 2001.

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Book chapters on the topic "Travel writing – Australia"

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Halter, Nicholas. "“Cannibals and Convicts”: Australian Travel Writing About New Caledonia." In The Palgrave Handbook of Prison Tourism, 867–84. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-56135-0_41.

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Halter, Nicholas. "Australian travel writing and notions of savagery in Melanesia." In Routledge Handbook on Tourism and Small Island States in the Pacific, 143–53. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429019968-11.

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"AUSTRALIA." In The Routledge Companion to Travel Writing, 424–34. Routledge, 2015. http://dx.doi.org/10.4324/9780203366127-49.

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Dale, Leigh. "George Grey in Australia, New Zealand, and South Africa." In Writing, Travel, and Empire. I.B.Tauris, 2007. http://dx.doi.org/10.5040/9780755624713.ch-002.

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Clarke, Robert. "Chapter 10 An Ordinary Place: Aboriginality and ‘Ordinary’ Australia in Travel Writing of the 1990s." In The Long Journey, 168–87. Berghahn Books, 2022. http://dx.doi.org/10.1515/9781789209372-012.

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Johnston, Anna. "Australian Travel Writing." In The Cambridge History of Travel Writing, 267–82. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781316556740.018.

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Calhoon, Kenneth S. "8. Charming the Carnivore: Bruce Chatwin’s Australian Odyssey." In Writing Travel. Toronto: University of Toronto Press, 2008. http://dx.doi.org/10.3138/9781442689671-009.

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Samuelian, Kristin Flieger. "The Politics and Aesthetics of Extraction: Cultural Interventions in Blackwood’s and the Imperial." In Romantic Periodicals in the Twenty-First Century, 207–26. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474448123.003.0011.

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This chapter contrasts how two late-Romantic periodicals, Blackwood’s and the evangelical Imperial Magazine, extracted and repurposed material from other sources. It focuses first on J. H. Merivale’s 1819 Blackwood’s articles that translates strategic excerpts from Giuseppe Ballardini’s 1608 Italian miscellany, Prato fiorito. These translations suggest that superstition and religious enthusiasm are fundamental components of European Catholicism. o the Catholic cultures of the Continent. In so doing, they illustrate how a discourse composed of extracts can be simultaneously fragmentary and coherent and how extraction can be a practice of both assemblage and disarticulation. Soon thereafter, the Imperial would follow suit, intermixing extracts from older devotional works with contemporary missionary narratives. Because the focus of the travel writing is often the newest worlds of Australia and New Zealand, the Imperial specifically locates evangelicalism within a project of Tory imperialism.
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"Reconciling Strangers: White Australian Travel Narratives and the Semiotics of Empathy." In Travel Writing, Form, and Empire, 177–89. Routledge, 2008. http://dx.doi.org/10.4324/9780203890974-16.

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Wilson, Janet. "(Not) being at home: Hsu Ming Teo’s Behind the Moon (2005) and Michelle de Kretser’s Questions of Travel (2012)." In Mediating Literary Borders: Asian Australian Writing, 19–32. Routledge, 2019. http://dx.doi.org/10.4324/9780203703175-2.

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