Relevant bibliographies by topics / Trauma film

Academic literature on the topic 'Trauma film'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Trauma film"

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Landry, Olivia. "A Body Without a Face: The Disorientation of Trauma in Phoenix (2014) and New Holocaust Cinema." Film-Philosophy 21, no. 2 (June 2017): 188–205. http://dx.doi.org/10.3366/film.2017.0043.

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This article analyses Christian Petzold's exemplary 2014 film Phoenix, tracking a new development in Holocaust cinema that focuses on phenomenological narratives of embodied experience of trauma. It examines the film through the cinematic representation of the traumatised body. While there is no dearth of scholarly inquiries into the relationship of trauma and the body and how it is mediated through film, these are often more concerned with the way in which the body becomes a projection screen for repressed or collective trauma and less about the lived conditions of individual trauma. The present analysis offers a rethinking of the traumatised body as one beset by the condition of disorientation. As a methodological guide, it turns to Sara Ahmed's pivotal phenomenological study Queer Phenomenology (2006).
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Laine, Tarja. "Traumatic Horror Beyond the Edge: It Follows and Get Out." Film-Philosophy 23, no. 3 (October 2019): 282–302. http://dx.doi.org/10.3366/film.2019.0117.

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Within cinematic horror, trauma as a concept has often been used as an allegorical strategy to work through collective anxieties. This article on It Follows (David Robert Mitchell, 2014) and Get Out (Jordan Peele, 2017) strikes another note. It argues that, by their aesthetic qualities, both films are rendered traumatic in their affective orientation, both toward the cinematic world and toward the spectator. It analyses the two films through trauma as an affective-aesthetic strategy that puts emphasis on the edge of the frame as well as on the offscreen space. This strategy evokes a sinister mood that exists independently of the protagonists, allowing us to meaningfully feel the effects of their trauma as we engage with the film. Especially the use of the offscreen space in both films contributes to the “traumatic mood” of the films, but it also functions to immerse the spectator in the invisible filmic world. In this way, It Follows and Get Out embody trauma as a denial of relief from dread, which we both recognize in the characters' experience, and feel in our own bodies through the effective creation of ever-present threat.
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Kršinić Lozica, Ana. "New Memory of the Old Trauma?" Politička misao 59, no. 4 (December 23, 2022): 88–115. http://dx.doi.org/10.20901/pm.59.4.05.

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Recently, there has been a significant rise in the production of films on the ‎Jasenovac camp and related Ustasha crimes, taking their share in the mnemonic‎ politics. The paper focuses on the two most recent films, The Diary of‎ Diana B., a docufiction filmed in Croatia, and Dara of Jasenovac, a feature‎ film which was Serbia’s candidate for an Oscar. The memory of traumatic ‎events is remediated in each film differently and used for representing diverse‎ group identities through temporal relation with the difficult past. Comparison ‎between the two films focuses on subject positions and regimes of historicity ‎as categories that make the production of meaning mechanism visible. The‎ main questions that guide the analysis are: how are victims and perpetrators ‎portrayed, who is witnessing traumatic events, and to whom is the trauma attributed?‎ Do they bring something new to the cultural memory of the Holocaust‎ and genocide in the Independent State of Croatia?‎
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Pedro, Dina. "Fictionalising the unspeakable: Guillermo del Toro’s Crimson Peak (2015) as a trauma narrative." Revista de Filología de la Universidad de La Laguna, no. 43 (2021): 213–32. http://dx.doi.org/10.25145/j.refiull.2021.43.11.

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Neo-Victorian narratives of trauma display a temporal duplicity in addressing nineteenthcentury traumas that still prevail at present, including natural catastrophes, wars, or more personal and insidious traumas, such as domestic violence and oppression, or child and sexual abuse. In this article, I argue that Guillermo del Toro’s neo-Victorian film Crimson Peak (2015) is constructed as a trauma narrative that exploits the trope of «the uncanny» (Freud 1919) and its main representations –i.e. the double, the return of the dead and repetition compulsion– to address the traumatic experience of gender violence and its impact on both Victorian and contemporary women. Furthermore, I contend that the film functions as a symbolical space where the audience can bear witness to and reflect on the multitemporal trauma of gender violence. That way, viewers can bear witness and develop empathy towards survivors of this traumatic experience.
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Arnaudova, Inna, and Muriel A. Hagenaars. "Lights … action: Comparison of trauma films for use in the trauma film paradigm." Behaviour Research and Therapy 93 (June 2017): 67–77. http://dx.doi.org/10.1016/j.brat.2017.02.007.

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Koontz, Emma. "Reopening Wounds: Processing Korean Cultural Trauma in Park Chan-wook’s Oldboy and Sympathy for Lady Vengeance." Oregon Undergraduate Research Journal 20, no. 2 (November 16, 2022): 99–107. http://dx.doi.org/10.5399/uo/ourj/20.2.7.

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In 1988, South Korean president Roh Tae-woo implemented democratic reforms in order to host the Olympic Games. These reforms opened the floodgates for Korean New Wave films. The reforms repealed censorship regulations and gave Korean filmmakers the autonomy to actualize their creative visions for the first time since they were colonized by Japan in 1910. The results of this newfound artistic freedom were films that grappled with the trauma of eighty years of colonialism, war, and authoritarian dictatorship through biting political commentary. This study explores Park Chan-wook’s representation of 한 (han) Korean cultural trauma in his New Wave films Oldboy and Sympathy for Lady Vengeance. Using literature on trauma, film, and Korean history combined with original film analysis, this study works to explain the criticisms embedded in Chan-wook’s films. The films critique revenge fantasies and both conscious and unconscious ignorance of traumatic events by demonstrating they are ineffective methods of processing한. His films show that the only way to heal 한 is to acknowledge and accept all wrongdoing, even one's own, and mourn the consequences of the atrocities. While 한 is specific to Koreans, cultural trauma is not. The ubiquity of cultural trauma makes the lessons in Chan- wook’s works of paramount importance and global relevance. While resolution of trauma is never final, Chan-wook’s films serve both as a guideline for and a performance of cultural healing in the face of moral atrocities.
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C. Simon, John. "MEMORI TRAUMA DALAM FILM G30S/PKI: SEBUAH INTERPRETASI TEOLOGIS." Abrahamic Religions: Jurnal Studi Agama-Agama 1, no. 2 (September 30, 2021): 129. http://dx.doi.org/10.22373/arj.v1i2.10689.

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This article is motivated by the polemic surrounding watching the G30S/PKI film. The purpose of writing is to find new insights from film as one of the artifacts of popular culture: where film is a mirror of oneself, even a mirror of a nation. Through an effort to analyze the film Peng betrayan G30S/PKI, we capture a moral message about the gripping culture of a society that has suffered from chronic and traumatic historical wounds for so long. Through this film, we find a picture of power that appears as an “interpretation regime”, which monopolizes and controls the interpretation of the world of signs and symbols, namely the G30S/PKI film, so that the truth is bent for the sake of political propaganda. With a qualitative method, this paper intends to construct emancipatory meanings through reading films that speak of small narratives that function as trauma healers, and whose presence becomes an opponent for the domination of the big narratives of a nation's history. The results of this study confirm that the trauma passed down from generation to generation is faced not by running from it, but rather by facing it, re-watching it, making it a mirror of our own modesty in the past. It can be concluded that the narrative of a film is a means to restore spiritual shame, so that we can appreciate the shame of failing before God, to be restored and empowered again as a new human being.
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Sachschal, Juliane, Elizabeth Woodward, Julia M. Wichelmann, Katharina Haag, and Anke Ehlers. "Differential Effects of Poor Recall and Memory Disjointedness on Trauma Symptoms." Clinical Psychological Science 7, no. 5 (May 23, 2019): 1032–41. http://dx.doi.org/10.1177/2167702619847195.

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Clinical theories of posttraumatic stress disorder (PTSD) suggest that trauma memories are disorganized. In the present study, we examined how trauma-film exposure affects two aspects of memory disorganization, poor memory recall and memory disjointedness, and their relationship to PTSD-like symptoms. In Session 1, 90 healthy participants were exposed to a trauma ( n = 60) or a neutral film ( n = 30). Cognitive processing styles, memory characteristics, and intrusive memories of the film were assessed. The trauma-film group reported greater memory disjointedness of the worst moments of the film but better memory recall of the film than the neutral-film group. In the trauma-film group, cognitive processing and memory disjointedness were related to intrusive memories and PTSD-like symptoms in the week after film exposure. Memory disjointedness but not poor memory recall mediated the relationship between cognitive processing and intrusions. The findings suggest that different aspects of memory disorganization need to be distinguished to explain PTSD symptoms.
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Ramírez, Gracia. "Retrieving trauma, overcoming trauma: Erice’s cinematic poetics." Short Film Studies 9, no. 2 (April 1, 2019): 203–6. http://dx.doi.org/10.1386/sfs.9.2.203_1.

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This article examines Haunted Memory’s overall structure and how the voice-over commentary both caresses the images as treasured objects and inscribes new meaning. Thus, the video essay goes beyond paying homage to the celebrated film director and considers the universality of the experiences of trauma and cinema.
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Kristensen, Lars, and Christo Burman. "Painful Neutrality: Screening the Extradition of the Balts from Sweden." Baltic Screen Media Review 6, no. 1 (December 1, 2018): 72–92. http://dx.doi.org/10.2478/bsmr-2018-0005.

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Abstract The article deals with the extradition of Baltic soldiers from Sweden in 1946 as represented in Per Olov Enquist’s novel The Legionnaires: A Documentary Novel (Legionärerna. En roman om baltutlämningen, 1968) and Johan Bergenstråhle’s film A Baltic Tragedy (Baltutlämningen. En film om ett politiskt beslut Sverige 1945, Sweden, 1970). The theoretical framework is taken from trauma studies and its equivalent within film studies, where trauma is seen as a repeated occurrence of a past event. In this regard, literature and moving images become the means of reaching the traumatic event, a way to relive it. What separates the extradition of the Baltic soldiers from other traumas, such as the Holocaust, is that it functions as a guilt complex related to the failure to prevent the tragedy, which is connected to Sweden’s position of neutrality during World War II and the appeasement of all the warring nations. It is argued that this is a collective trauma created by Enquist’s novel, which blew it into national proportions. However, Bergenstråhle’s film changes the focus of the trauma by downplaying the bad conscience of the Swedes. In this way, the film aims to create new witnesses to the extradition affair. The analysis looks at the reception of both the novel and film in order to explain the two different approaches to the historical event, as well as the two different time periods in which they were produced. The authors argue that the two years that separate the appearance of the novel and the film explain the swing undergone by the political mood of the late 1960s towards a deflated revolution of the early 1970s, when the film arrived on screens nationwide. However, in terms of creating witnesses to the traumatic event, the book and film manage to stir public opinion to the extent that the trauma changes from being slowly effacing to being collectively ‘experienced’ through remembrance. The paradox is that, while the novel still functions as a vivid reminder of the painful aftermath caused by Swedish neutrality during World War II, the film is almost completely forgotten today. The film’s mode of attacking the viewers with an I-witness account, the juxtaposition and misconduct led to a rejection of the narrative by Swedish audiences.
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Dissertations / Theses on the topic "Trauma film"

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Dudley, Alexandra, and Amanda Pierson. "Blunt Trauma." Digital Commons at Loyola Marymount University and Loyola Law School, 2018. http://www.kaltura.com/tiny/hm6bw.

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Elliott, Emma M. "Damn Spot: Navigating Emotional Trauma in the Body." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1252.

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I researched the history of emotional trauma and its portrayal in modern media and Shakespearean plays and created a film based on my personal experience with the topic. This film utilizes Shakespearean song and monologue from Hamlet and Macbeth to narrate the inner journey of a girl working through emotional trauma. We follow her as she feels the impact of her trauma in her body and as she tries to hide it from her friends and maintain a normal facade. This film does contain a fictionalized portrayal of an anxiety attack, so viewer discretion is advised. This project does not claim to be a comprehensive and complete narrative for anyone dealing with emotional trauma: it is a deeply personal experience and affects every person differently. I drew inspiration from my own struggles with emotional trauma for this film and the reflection of my experience that I found in these Shakespearean monologues.
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Hillman, Adam. "The Sick Room: A Docudrama - Psychological trauma and film aesthetic." Thesis, Hillman, Adam (2011) The Sick Room: A Docudrama - Psychological trauma and film aesthetic. Honours thesis, Murdoch University, 2011. https://researchrepository.murdoch.edu.au/id/eprint/7382/.

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A screenwriter’s background of experiences and past psychological trauma can be integral to a film’s success if utilised to inform and define the filmmaker’s approach to storytelling. It is identified in this paper that The Sick Room, as a short film text, is constructed in this way. The story evolved from the filmmaker’s difficulties in dealing with a childhood trauma involving the uneasiness he felt about his uncle’s mental illness. By grounding the film’s narrative in his own circumstances the filmmaker seeks to find solutions to new understandings about the stigmatization of victims of mental illness and advocate for an increase in the level of patient care from mental health institutions in contemporary society. Acknowledging the personal and prejudiced nature of his story the filmmaker endeavours to find an appropriate aesthetic style for The Sick Room to justify his perspective on the issue to the viewer. The filmmaker explores how the docudrama film, due to its correlations with the realist and Dogme95 movements of filmmaking, possesses the appropriate aesthetic qualities required to achieve the telling of his personal story in an entertaining way, but also one that provides the viewer with a more apparently unmediated experience.
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Rombold-Brühl, Felicitas [Verfasser]. "Neuropsychoendocrinological and Psychophysiological Aspects of Trauma Memory : An examination with a trauma film paradigm / Felicitas Rombold-Brühl." Berlin : Freie Universität Berlin, 2018. http://d-nb.info/1156265185/34.

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Sutandio, Anton. "Historical Trauma and the Discourse of Indonesian-ness in Contemporary Indonesian Horror Films." Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1395861044.

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Hauser, Brian Russell. "Haunted Detectives: The Mysteries of American Trauma." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1227020699.

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Asadipour, Saeedeh. "5 Broken Cameras: Landscape, Trauma, and Witnessing." University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1459439752.

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Peck, Rowan. "Detachment Versus Compartmentalisation: Priming and Intrusion Levels after Listening to an Anxiety-Arousing Auditory Report." Thesis, University of Canterbury. Psychology, 2013. http://hdl.handle.net/10092/8850.

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During traumatic events, individuals can experience dissociative symptoms related to changes in cognitively processing; these changes are suggested to impact on the development of posttraumatic stress disorder (PTSD) symptoms. Past literature has proposed two forms of peritraumatic dissociation (compartmentalisation and detachment), however little quantitative research has focussed on separately manipulating these experiences in order to further our understanding of their aetiology. The current study addressed this knowledge gap and additionally sought to understand the role of cognitive processing in the dissociation-intrusion relationship. Using an audio-only adaption of the trauma film paradigm, 60 participants were divided into three conditions and presented with different visual tasks - mirror staring, dot-staring or neutral images – that were hypothesised to induce the two forms of dissociation. Post-audio, a number of factors were assessed, including state dissociation, perceptual priming and conceptual priming, as well as intrusions over the following days. As hypothesised, participants in the dissociation conditions displayed an increase in perceptual priming compared the control conditions, and reported more severe intrusions. However, no differences were found in conceptual priming, in the overall number of intrusions between conditions, or in dissociative symptoms between the dissociation conditions. The current study utilised new techniques in the analysis of PTSD and its origins, and showed their potential in the experimental study of dissociation and analogue trauma techniques. The findings also contributed to the growing body of knowledge investigating the impact that dissociation and cognitive processing has on the aetiology of PTSD.
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Smith, Kira. "Inflicted Viewing: Examining Moral Masochism, Empathy, and the Frustration of Trauma Cinema." Chapman University Digital Commons, 2019. https://digitalcommons.chapman.edu/film_studies_theses/6.

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The contemporary turn of psychoanalytic film analysis has opened a new mode of understanding cinematic language. However, rejecting classical psychoanalysis would be premature. This thesis will place the two in conjunction, specifically through Sigmund Freud’s conceptualization of moral masochism and Wilfred Bion’s theory of thinking. Through four films: Una, The Tale, The Tribe, and Son of Saul I explore the affective nature of films that depict trauma and why one would gravitate towards such upsetting material. The spectator who seeks to be frustrated is not looking to harm oneself but to process this frustration in order to expand their emotional experience.
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Butler, Christopher. "Spectatorial Shock and Carnal Consumption: (Re)envisaging Historical Trauma in New French Extremity." Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4648.

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New French Extremity films are violent, transgressive, and break many social taboos in their narratives. However, this genre's directors are intelligent and construct these films with clues to France's past and how it still has implications in the present. This thesis was written to point out how New French Extremity films offer spectators the potential to reincorporate traumatic moments in French history by juxtaposing them against present day social, political, and economic ideologies. The purpose for this course of study was to investigate historical encounters that are present in New French Extremity filmmaking, something that has yet to be addressed by other scholars in any great detail. The general approach taken was to use Walter Benjamin's theory of allegory to secure connections between the past and present and illustrate how they could be interpreted by the film's spectators. The outcome of this research indicates how a spectator can potentially change his or her relationship with history and work towards reassessing his or her relationship with the present under certain social, political, or economic structures.
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Books on the topic "Trauma film"

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Trauma im Film: Psychoanalytische Erkundungen. Giessen: Psychosozial-Verlag, 2010.

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Cohen, Joshua L. Film/Video-Based Therapy and Trauma. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781315622507.

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Afterimage: Film, trauma, and the Holocaust. Philadelphia: Temple University Press, 2004.

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A history of pain: Trauma in modern Chinese literature and film. New York: Columbia University Press, 2008.

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Shocking representation: Historical trauma, national cinema, and the modern horror film. New York: Columbia University Press, 2005.

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Trotter, David. The uses of phobia: Essays on literature and film. Malden, MA: Blackwell Pub., 2010.

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The uses of phobia: Essays on literature and film. Malden, MA: Blackwell Pub., 2010.

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Stahl, David C. Imag(in)ing the war in Japan: Representing and responding to trauma in postwar literature and film. Leiden: Brill, 2010.

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Stahl, David C. Imag(in)ing the war in Japan: Representing and responding to trauma in postwar literature and film. Leiden: Brill, 2010.

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Firestorm: American film in the age of terrorism. New York: Columbia University Press, 2009.

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Book chapters on the topic "Trauma film"

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Brand, Roy. "Witnessing Trauma on Film." In Media Witnessing, 198–215. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230235762_10.

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Pausch, Markus J., and Sven J. Matten. "Trauma and PTSD in Film and Literature." In Trauma and Trauma Consequence Disorder, 103–7. Wiesbaden: Springer Fachmedien Wiesbaden, 2022. http://dx.doi.org/10.1007/978-3-658-38807-2_9.

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Pausch, Markus J., and Sven J. Matten. "Trauma und PTBS in Film und Literatur." In Trauma und Traumafolgestörung, 103–7. Wiesbaden: Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-17886-4_9.

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Cowie, Elizabeth. "Mourning, Loss and Trauma, and the Ambiguities of Proper and Improper Desire in Exotica (1994)." In Film Moments, 140–43. London: British Film Institute, 2010. http://dx.doi.org/10.1007/978-1-349-92455-4_31.

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Hodgin, Nick, and Amit Thakkar. "Introduction: Trauma Studies, Film and the Scar Motif." In Scars and Wounds, 1–29. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-41024-1_1.

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Crowder-Taraborrelli, Tomas. "Documentary film and trauma in the Pacific Basin." In The Pacific Basin, 204–12. Abingdon, Oxon ; New York, NY : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315537276-21.

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Pheasant-Kelly, Frances. "The Aesthetics of Trauma: Temporality and Multidirectional Memory in Pan’s Labyrinth." In Fantasy Film Post 9/11, 99–113. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9780230392137_6.

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Joy, Stuart. "Time travel, trauma, and the futility of revenge in Looper (2012)." In Contemporary American Science Fiction Film, 91–108. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003189961-6.

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Tonerini, Michele, Francesco Ruschi, Alessandra Scionti, and Umberto Tani. "Imaging Bone Injuries with Plain Film X-Ray." In Imaging Trauma and Polytrauma in Pediatric Patients, 101–24. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-14780-2_5.

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Bruzzi, Stella. "Re-enacting Trauma in Film and Television: Restaging History, Revisiting Pain." In Therapy and Emotions in Film and Television, 89–98. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137546821_6.

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Conference papers on the topic "Trauma film"

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Morais, Inês. "Women’s Narratives on COVID-19 Trauma." In The European Conference on Media, Communication & Film 2022. The International Academic Forum(IAFOR), 2022. http://dx.doi.org/10.22492/issn.2188-9643.2022.5.

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Liu, Yuqing. "GHOST FROM THE FUTURE: HONG KONG TEMPORALITIES IN THE FILM ROUGE." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.22.

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This paper explores how the film Rouge (1987) adapts and transforms traditional ghost narratives and how the cinematic anxiety of time is associated with the countdown temporality of Hong Kong in the 1980s. I argue that Rouge transforms two narrative structures of traditional Chinese literature — Caizi-jiaren (scholar-beauty) and the “historical ghost tale” — to foreground the particular temporality of Hong Kong. Firstly, the returning of the female ghost and her failure in pursuit of love intensifies the conflict between the modern linear time and the cosmological ghostly time and poignantly manifests the impossibility of a fifty-year unchanged commitment. Secondly, unlike traditional “historical ghost tales” in which ghosts were called back by traumas of the collapse of old dynasties, the revenant of the heroin in this film returns to the living world for the prearranged trauma of the future, due to the particular temporality of countdown Hong Kong has confronted since 1982. The countdown forced Hong Kong to enter a circular time and to experience the prearranged calamity in the future. Thus, I contend that this film rehearses a demise of Hong Kong, which exacerbates, rather than alleviates, the anxiety and pain associated with the traumatic experience.
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Ferreira, Fernanda Katiana Campos, and Andreara De Almeida E. Silva. "O ENFERMEIRO FRENTE AO TRAUMA MAMILAR DURANTE O ALEITAMENTO MATERNO." In II Congresso Nacional Multidisciplinar em Enfermagem On-line. Revista Multidisciplinar em Saúde, 2021. http://dx.doi.org/10.51161/rems/2519.

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Introdução: Dentre os problemas da mama mais frequentes que levam ao desmame precoce está o trauma mamilar, que se deve ao posicionamento e pega inadequada do lactente no seio materno. Nesse contexto, o profissional enfermeiro se torna fundamental para a prevenção do trauma mamilar, a fim de manter, por maior tempo possível, o aleitamento materno exclusivo. Objetivos: Levantar a atuação do enfermeiro frente à puérpera com trauma mamilar durante aleitamento materno; Identificar os principais fatores que levam ao trauma mamilar e propor intervenções de enfermagem direcionadas à essas puérperas. Material e método: Trata-se de uma pesquisa de revisão integrativa da literatura, realizada por meio da coleta de publicações na bases de dados LILACS, PubMed, BIREME e na biblioteca virtual SciELO, com os descritores: Enfermeiro, Amamentação, Lesão Mamilar, Lactente. O corte temporal foi de 2011 a 2021, selecionando-se artigos em inglês e português. A amostra foi constituída de 24 artigos. Resultados: O principal fator identificado que leva ao trauma mamilar é a pega incorreta do recém-nascido no momento da amamentação. Outros fatores identificados são: tipo do mamilo da puérpera, a sucção que o recém-nascido promove, excesso de mamadas, falta de orientações, saliva do lactente, bebê afoito, temperatura ambiental fria, ingurgitamento mamário e primiparidade. Constata-se a importância do enfermeiro nas medidas de educação em saúde sobre aleitamento materno no pré-natal e puerpério, corrigindo a prega, pega e posicionamentos errados, com vistas à prevenção e redução de possíveis traumas mamilares. Conclusão: Conclui-se que o enfermeiro, como multiplicador de conhecimentos, tem importante papel na promoção, prevenção, identificação e reabilitação das condições que causam o trauma mamilar, atuando por meio de educação em saúde e orientações no período pré-natal e no puerpério.
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Gayzik, F. Scott, Melissa Daly, and Joel Stitzel. "A Method to Discriminate Pulmonary Contusion Severity Through Analysis of Hounsfield Unit Frequency." In ASME 2007 Summer Bioengineering Conference. American Society of Mechanical Engineers, 2007. http://dx.doi.org/10.1115/sbc2007-176906.

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This study presents a novel approach for the quantification and classification of pulmonary contusion (PC). PC is a common thoracic injury, affecting up to 25% of patients sustaining blunt chest trauma. [1] Contusion volume at the time of hospitalization has been shown to be an independent predictor for the development of Acute Respiratory Distress Syndrome (ARDS), with the risk of ARDS increasing sharply with PC in excess of 20% by volume. [1] Despite the frequency of the injury and strong positive correlation between contusion volume and outcome, there are relatively few contusion quantification methods in the current literature. One such study utilized chest x-ray film to score PC according the amount of lung appearing to be damaged. [2] The study concluded that despite the limitations in using chest x-rays, a PC scoring system may be of value in determining the need for ventilator assistance and predicting outcome. A potentially more accurate approach to quantifying the severity of PC is through the use of computed tomography (CT) chest scans. CT is the preferred modality for obtaining volumetric pulmonary contusion data since the complete three-dimensional lung anatomy is captured. In this work a semi-automated approach is used to analyze PC in an isolated model of lung contusion in the rat. [3, 4] The CT-based approach enables the PC to be precisely quantified as the lesion progresses in time. The technique distinguishes the severity of the contusion by analyzing the composition of bands in the Hounsfield Unit (HU) range of lung image masks.
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Mendes, Ligia Helena, Andre Ambrosio Pires Oliveira, Marcela Barbosa Pereira Coeli, Lucas Parma Caputo, and Marcos Augusto De Carvalho. "PERFURAÇÃO DE INTESTINO DELGADO NO TRAUMA ABDOMINAL FECHADO: A IMPORTÂNCIA DO DIAGNÓSTICO PRECOCE." In I Congresso Brasileiro de Saúde Pública On-line: Uma abordagem Multiprofissional. Revista Multidisciplinar em Saúde, 2021. http://dx.doi.org/10.51161/rems/2797.

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Introdução: Trauma é uma das causas líderes de morte e incapacidade. Cerca de 30% das mortes ocorrem poucas horas após o trauma. Lesões de intestino delgado são pouco frequentes, sendo o mecanismo de trauma e o alto grau de suspeita clínica os melhores guias para o diagnóstico precoce. Objetivos: Conscientizar sobre a importância do diagnóstico precoce no trauma abdominal fechado a fim de se obter um bom prognóstico. Material e métodos: Atendida em Hospital de Pronto Atendimento uma paciente feminina, 55 anos, trazida pelo Samu, vítima de acidente automobilístico com colisão frontal, em uso de cinto de segurança. Glasgow 15 e estabilidade hemodinâmica. Abdômen doloroso à palpação difusamente, com sinais de irritação peritoneal. TC evidenciando pneumoperitônio e líquido livre na cavidade abdominal. Em laparotomia exploradora, encontradas lacerações em meso e delgado em três locais, com perfuração completa em uma delas. Realizada enterectomia com duplo grampeamento e lavagem da cavidade com soro fisiológico aquecido. Assistida em Centro de Terapia Intensivo (CTI) e enfermaria, apresentou boa evolução, com alta hospitalar após sete dias. Resultados: Embora perfurações de delgado sejam raras em Trauma Abdominal Fechado (TAF), a suspeita diagnóstica deve ser prévia em casos de colisão. A desaceleração pode acarretar em estiramento nos pontos de fixação de vísceras, ângulo de Treitz e região ileocecal, além de abrupta compressão localizada por uso de cinto de segurança. Sinais de irritação peritoneal contribuíram para a suspeita diagnóstica, com possível investigação através de TC. Pneumoperitônio e líquido livre em cavidade foram determinantes para elucidação diagnóstica. A agilidade entre a avaliação clínica inicial e a abordagem cirúrgica possibilitou uma melhor condição metabólica para a recuperação completa da paciente. Conclusão: Na abordagem de pacientes de traumas de alta energia cinética, é preciso investigar a possibilidade de lesões abdominais graves, ainda que pouco frequentes. A suspeita diagnóstica deve ser precoce e complementada por exame de imagem quando possível e indicado. A abordagem cirúrgica imediata é relevante para a reabilitação do paciente.
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Fawkner-Corbett, Joanna, Clinton PL Jones, and Simon J. Mercer. "O18 Follow the file: using a major incident simulation to train undergraduates in complex trauma management." In Abstracts of the Association for Simulated Practice in Healthcare 9th Annual Conference, 13th to 15th November 2018, Southport Theatre and Convention Centre, UK. The Association for Simulated Practice in Healthcare, 2018. http://dx.doi.org/10.1136/bmjstel-2018-aspihconf.16.

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Dyephart, Anouchka. "Concevoir aujourd’hui un film sur la villa Savoye." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.652.

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Résumé: Si de nombreuses images de la villa Savoye existent, par contre peu de films sont centrés sur elle. Je souhaite présenter ici un projet de film documentaire que je développe depuis 2012. Sur cette villa considérée comme une icône de l’architecture moderne, et déjà tant étudiée, je propose un regard un peu décalé, nourri à la fois par ma formation d’architecte et mon expérience de réalisatrice. J’aborde en particulier la question de l’impact de cette architecture ; comment est-elle perçue au XXIème siècle, en quoi peut-elle influer sur notre façon d’envisager l’espace ? Je développerai un aspect de ma démarche qui touche au rapport entre architecture et cinéma: comment montrer la villa par un film ? autrement dit comment traduire ce qu’elle représente par des images animées, des sons, mais aussi des ‘évènements’ qui dévoilent les contrastes de lumière et d’ambiances ? De quoi cette architecture est-elle le récit ? Ou, comme le proclame une des questions-slogans de Bernard Tschumi : “Et si l’architecture était autant une question de mouvement et d’évènement que d’espace ?”1. Resumen: Si existen numerosas imágenes de la Villa Savoye, escasos son, en cambio, los films que traten de ella. Deseo presentar aquí un proyecto de film documenta, sobre el que estoy trabajando desde el año 2012. Propongo una vision un poco desfasada, nutrida al mismo tiempo por mi formación de arquitecta y mi experiencia de cineasta, sobre esta obra ya tan estudiada, icono de la arquitectura moderna. Abordo especialmente la cuestión del impacto de esta arquitectura; ¿cómo es percibida en el siglo XXI?, ¿qué influencia puede tener en nuestra manera de considerar el espacio? Desarrollaré un aspecto de mi trabajo que trata de la relación entre la arquitectura y el cine: como mostrar la Villa Savoye en un film ? Es decir, como traducir lo que ella representa a través de imágenes animadas, sonido y “acontecimientos” que rebelen los contrastes de luces y de ambientes? ¿ De qué da cuenta esta arquitectura? O, como lo proclama una de las preguntas-eslogan de Bernard Tschumi: “¿Y si la arquitectura fuera tanto cuestión de movimiento y de acontecimiento como de espacio?” Mots-clés: villa Savoye ; film documentaire ; transmission ; création ; recherche formelle. Palabras clave: villa Savoye, película documental, transmisión, creación, investigación formal. DOI: http://dx.doi.org/10.4995/LC2015.2015.652
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Andrade, Murilo Ferreira, Isabela Cristina da Silva, Mariana Andrade Nunes, Victória Silva, and Apolliane Xavier Moreira dos Santos. "OS FILMES E SEU PAPEL NA EDUCAÇÃO AMBIENTAL NO ÂMBITO DA EDUCAÇÃO INFANTIL: UMA FERRAMENTA LÚDICA PARA O APRENDIZADO." In I Congresso Brasileiro On-line de Estudos Ecológicos. Revista Multidisciplinar de Educação e Meio Ambiente, 2022. http://dx.doi.org/10.51189/rema/3234.

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Introdução: O Projeto de extensão “Educação Ambiental no Núcleo de Educação da Infância (Nedi): brincando com coisa séria”, visa o desenvolvimento de novas eco práticas vivenciais na instituição de educação infantil da Universidade Federal de Lavras (UFLA/MG), propostas de maneira remota pelos estudantes de graduação participantes do projeto. Isso posto, em meio ao período pandêmico foi criado o perfil @econediufla na rede social Instagram, onde foi elaborado o momento de indicação de filmes. Objetivos: O objetivo da feitura desse momento foi produzir reflexões sobre a educação ambiental a partir de animações que tratam de temáticas ambientalistas, tais como: exploração de animais e insetos, poluição, desmatamento, dentre outras. Material e métodos: O momento de indicação de filmes foi disposto em 3 etapas, sendo elas: o bolsista voluntário assistiu ao filme e fez um levantamento geral sobre a questão ambiental abordada; elaborou textos breves para a postagem e com linguagem compreensível para as famílias explicando o motivo pelo qual o filme é interessante para a popularização de uma educação com foco na questão ambiental e, por fim, produziu a arte que foi postada no Instagram junto com os storys interativos que continham enquetes com perguntas sobre o filme. Resultados: Os resultados obtidos até agora foram 3 indicações de filmes, sendo eles: “Os Sem Florestas”, “Bee Movie” e “O Espanta Tubarões”. O número total de engajamentos que as três indicações tiveram foram de 852 contas alcançadas e mais de 100 curtidas. Ademais, já foram postados 11 storys com enquetes perguntando sobre o entendimento do filme abordado, que contam com mais de 56 participações. Conclusão: a indicação de filme, traz, de forma geral, a sensibilização por parte das famílias em relação as questões que tratam das problemáticas sobre a degradação do meio ambiente, junto com sua fauna e flora. Somado a isso, ao indicar filmes, estimulamos uma vivência que pode ser prazerosa para a família.
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ANDRADE, GIOVANI LUZ, IAN LIMA SANTANA, and CARLOS TAKIYA. "O CONCEITO DA ENERGIA LIVRE DE HELMHOLTZ EM LIVROS DIDÁTICOS E UMA NOVA ABORDAGEM DE SUA DEFINIÇÃO." In Brazilian Congress. brazco, 2020. http://dx.doi.org/10.51162/brc.dev2020-00040.

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Sabe-se que a termodinamica, assim como qualquer outra ciencia, e caracterizada por principios fundamentais, nela foram introduzidos pelos fundadores dessa ciencia, entre os quais citamos Carnot, Clausius, Kelvin e Maxwell, estudando as leis que regem os fenomenos relacionados ao calor, temperatura, trabalho e outras formas de energia. Neste trabalho e feita uma revisao bibliografica das definicoes dadas a Energia Livre de Helmholtz em livros didaticos, buscando analisar os conceitos fisicos e identificar possiveis contradicoes envolvidas, considerando diversos outros conceitos envolvidos nas formas de definir essa grandeza. De acordo as referencias consultadas, ha diversas formas de definir, ou pelo menos tentar, tal grandeza como uma funcao potencial, potencial termodinamico, ou mesmo como uma energia livre em si. Foi possivel analisar que de fato ha alguns autores que tenta inteiramente definir de maneira mais rebuscada e intensa a grandeza, enquanto que outros fazem apenas uma descricao matematica dela e nao trata dos conceitos envolvidos e, quando tratam, ha equivocos conceituais. Por fim, buscamos ainda da uma interpretacao a essa grandeza em que procuramos evitar erros de interpretacao entre os conceitos termodinamicos envolvidos. ,
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Almeida, Virgílio Augusto Fernandes, José Nagib Cotrim Árabe, Adriana de Andrade Oliveira, and Marco Aurélio de Souza Mendes. "Um Esquema de Escalonamento em Dois Níveis para Jobs Paralelos em uma Rede de Estações de Trabalho." In Simpósio de Arquitetura de Computadores e Processamento de Alto Desempenho. Sociedade Brasileira de Computação, 1995. http://dx.doi.org/10.5753/sbac-pad.1995.19873.

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Redes de estações de trabalho são um ambiente adequado para processamento paralelo. Ambientes de computação distribuída como o PVM provêm integração entre máquinas heterogêneas a fim de suportar a execução de vários jobs paralelos. Embora estes sistemas permitam que programas paralelos executem num conjunto de estações de trabalho, eles não tratam questões relativas ao gerenciamento e coordenação da distribuição do trabalho pela rede. Este trabalho trata o problema do escalonamento de jobs paralelos numa rede heterogênea de estações de trabalho. Heterogênea significa nesse contexto uma gama de arquiteturas de processadores e um amplo conjunto de jobs paralelos, com graus de paralelismo diferentes e mutáveis, co-existindo com jobs seqüenciais. O artigo consiste de duas partes. A primeira apresenta o projeto e a implementação de um escalonador distribuído para jobs paralelos, cujos objetivos são manter uma carga de trabalho balanceada e reduzir o tempo médio de execução dos jobs. A segunda parte analisa o impacto de jobs paralelos globais na performance de jobs interativos locais e propõe mecanismos para minimizar este impacto.
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Reports on the topic "Trauma film"

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Bueno Júnior, César, Maurilo Monteiro Terra, Erasmo José Paioli Pires, Renato Vasconcelos Botelho, Mara Fernandes Moura, Marco Antonio Tecchio, and Jorge Manuel Esteves Carvalho Sofia. Doenças e pragas em videiras. Instituto Biológico, 2022. http://dx.doi.org/10.31368/2594-6080b33002022.

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O boletim sobre “DOENÇAS E PRAGAS EM VIDEIRAS”, elaborado por especialistas de universidades e de institutos de pesquisa, apresenta informações atualizadas sobre doenças causadas por fungos, bactérias, vírus, viroides e nematoides e ainda dos ácaros fitófagos. Trata-se de publicação ricamente ilustrada, podendo auxiliar o viticultor e demais interessados no reconhecimento dos principais problemas fitossanitários da videira no próprio campo, bem como relato de medidas de manejo para minimizar estes problemas. Esperamos que o boletim seja uma contribuição efetivamente útil àqueles envolvidos na vitivinicultura, a fim de reduzir as perdas e assegurar bons rendimentos e qualidade das uvas colhidas
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