Books on the topic 'Transformer Architecture'

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1

Lavigne, Lucie. Construire, rénover, transformer: Les meilleures idées d'architectes pour réussir votre projet. Montréal: La Presse, 2011.

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2

Klanten, Robert. Build-on: Converted architecture and transformed buildings. Berlin: Gestalten, 2009.

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3

The Italian piazza transformed: Parma in the communal age. University Park, Pa: Pennsylvania State University Press, 2012.

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4

Davis, Douglas. The museum transformed: Design and culture in the post-Pompidou age. New York: Abbeville Press, 1990.

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5

France) Centre méridional de l'architecture et de la ville (Toulouse. Rêves de villes: Les habitants transforment leurs quartiers. [Toulouse]: Poïesis-AERA, 2007.

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6

The Highland house transformed: Architecture and identity on the edge of Britain, 1700-1850. Dundee: Dundee University Press, 2009.

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7

Cooper, Guy. Paradise transformed: The private garden for the twenty-first century. New York, N.Y: Monacelli Press, 1996.

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8

1949-, Clement Victoria Chave, ed. Stonlea: A timeworn, gilded age survivor transformed. Peterborough, New Hampshire: Bauhan Publishing, 2014.

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9

Hawes, Elizabeth. New York, New York: How the apartment house transformed the life of the city (1869-1930). New York: Knopf, 1993.

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10

Robinson, Cervin. Architecture transformed: A history of the photography of buildings from 1839 to the present. New York, N.Y: Architectural League of New York, 1987.

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11

Sanz, J. L. C. Radon and projection transform-based computer vision: Algorithms, a pipeline architecture, and industrial applications. Berlin: Springer-Verlag, 1988.

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12

The genius in the design: Bernini, Borromini, and the rivalry that transformed Rome. New York: Morrow, 2005.

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13

Morrissey, J. P. The genius in the design: Bernini, Borromini, and the rivalry that transformed Rome. London: Duckworth, 2005.

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14

Blijdenstijn, Roland. Trafohuisjes. Utrecht: Stichting Matrijs, 1993.

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15

Wrestling with Moses: How Jane Jacobs took on New York's master builder and transformed the American city. New York: Random House, 2009.

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16

Elizabeth, Hawes. New York, New York: How the apartment house transformed the life of the city (1869-1930). New York: Knopf, 1993.

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17

New York, New York: How the apartment house transformed the life of the city (1869-1930). New York: Henry Holt and Co., 1994.

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18

Objetos para transformar el mundo: Trayectorias del arte concreto-invención, Argentina y Chile, 1940-1970 : la Escuela de Arquitectura de Valparaíso y las teorías del diseño para la periferia. Bernal [Argentina]: Universidad Nacional de Quilmes, 2011.

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19

Wayne, Beaty H., ed. Handbook of electric power calculations. 3rd ed. New York: McGraw-Hill, 2001.

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20

Transformer: Reuse, Renewal, and Renovation in Contemporary Architecture. Gingko Press, Incorporated, 2010.

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21

Landscape Transformed. Academy Editions, 1996.

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22

Greer, Nora Richter. Architecture Transformed: New Life for Old Buildings. Rockport Publishers, 1998.

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23

Architecture Transformed: A History of the Photography of Buildings from 1839 to the Present. The MIT Press, 1990.

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24

New York Transformed The Architecture Of Cross Cross. Monacelli Press, 2014.

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25

Exhibit A: Exhibitions That Transformed Architecture, 1948–2000. Phaidon Press, 2018.

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26

Ruggles, D. Fairchild. Tree of Pearls. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190873202.001.0001.

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The woman known as “Tree of Pearls” ruled Egypt in the summer of 1250. A rare case of a woman sultan, her reign marked the shift from the Ayyubid to the Mamluk dynasty, and her architectural patronage of two building complexes had a lasting impact on Cairo and on Islamic architecture. Rising to power from slave origins, Tree of Pearls—her name in Arabic is Shajar al-Durr—used her wealth and power to add a tomb to the urban madrasa (college) that had been built by her husband, Sultan Salih, and with this innovation, madrasas and many other charitably endowed architectural complexes became commemorative monuments, a practice that remains widespread today. This was the first occasion in Cairo in which a secular patron’s relationship to his architectural foundation was reified through the actual presence of his body. The tomb thus profoundly transformed the relationship between architecture and its patron, emphasizing and emblematizing his historical presence. Indeed, the characteristic domed skyline of Cairo that we see today is shaped by such domes that have kept the memory of their named patrons visible to the public eye. This dramatic transformation, in which architecture came to embody human identity, was made possible by the sultan-queen Shajar al-Durr, a woman who began her career as a mere slave-concubine. Her path-breaking patronage contradicts the prevailing assumption among historians of Islam that there was no distinctive female voice in art and architecture.
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27

(Foreword), Paul Smith, and Martine Hamilton Knight (Photographer), eds. Nottingham Transformed: Architecture And Regeneration for the New Millennium. Merrell, 2006.

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28

Parham Park: A Sussex House Transformed. History Press Limited, The, 2009.

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29

Wong, Carey. World Transformed: Scenic Designs by Carey Wong. Design Resource Associates, 2022.

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30

Clear View: How Glass Buildings in the Inner City Transformed a Neighborhood. Oscar Riera Ojeda Publishers Limited, 2017.

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31

B. D. G. architecture + design. Work Transformed: People, Place and Purpose. Lid Editorial Mexicana, 2018.

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32

Timmins, Geoffrey. Built Environment Transformed: Textile Lancashire During the Industrial Revolution. Historic England Publishing, 2021.

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33

Powell, Kenneth. City Transformed: Urban Architecture at the Beginning of the 21st Century (Masterpieces of Architecture). New Line Books, 2005.

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34

Sioli, Angeliki, and Elisavet Kiourtsoglou, eds. The Sound of Architecture. Leuven University Press, 2022. http://dx.doi.org/10.11116/9789461664563.

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Acoustic atmospheres can be fleeting, elusive, or short-lived. Sometimes they are constant, but more often they change from one moment to the next, forming distinct impressions each time we visit certain places. Stable or dynamic, acoustic atmospheres have a powerful effect on our spatial experience, sometimes even more so than architecture itself. This book explores the acoustic atmospheres of diverse architectural environments, in terms of scale, function, location, or historic period—providing an overview of how acoustic atmospheres are created, perceived, experienced, and visualized. Contributors explore how sound and its atmospheres transform architecture and space. Their essays demonstrate that sound is a tangible element in the design and staging of atmospheres and that it should become a central part of the spatial explorations of architects, designers, and urban planners. The Sound of Architecture will be of interest to architectural historians, theorists, students, and practicing architects, who will discover how acoustic atmospheres can be created without complex and specialized engineering. It will also be of value to scholars working in the field of history of emotions, as it offers evocative descriptions of acoustic atmospheres from diverse cultures and time periods.
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35

Anders, Robin Sutton, and Eleanor Spicer Rice. Becoming Durham: Grit, Belief, and a City Transformed. Verdant Word, 2017.

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36

City Transformed: Urban Architecture at the Beginning of the 21st Century. Te Neues Publishing Company, 2000.

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37

City Transformed: Urban Architecture at the Beginning of the 21st Century. Laurence King Publishing, 2000.

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38

Radman, Andrej, and Rosi Braidotti. Ecologies of Architecture. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474483018.001.0001.

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The book stages an architectural encounter between affordance theory, affect theory and process-oriented philosophy. Why Ecologies of Architecture, instead of just Architecture? Why territorialisation? To be worthy of the event. To speak of ecology is to uphold irreducibility, embrace non-entailment and thus make sense. Sense does not come ready-made. Sense making is a matter of ‘technicity’ in Simondonian terms: a force of psychosocial invention and cultural transformation. In a desperate attempt to catch up with forms of contemporary media culture, architects tend to perpetuate earlier notions of culture as representation rather than culture as modes of existence. Architecture has yet to break with culture as reflection still firmly embedded in its parochial concepts. When a society manipulates its matter it is not a reflection of culture, it is culture. To speak of the ecologies of architecture is to break with judgement for experience. Experimentation comes before interpretation. If to think differently we have to feel differently then the design of built environment has no other purpose but to transform us. It qualifies as a major psychotropic practice. While engineering is solution-oriented, architecture stays with the problem so as to tease out a creative potential. After all, problems always get the solution they ‘deserve’.
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39

Decorated Tenement: How Immigrant Builders and Architects Transformed the Slum in the Gilded Age. University of Minnesota Press, 2019.

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40

Violette, Zachary J. Decorated Tenement: How Immigrant Builders and Architects Transformed the Slum in the Gilded Age. University of Minnesota Press, 2019.

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41

Wolmar, Christian. Cathedrals of Steam: How London's Great Stations Were Built - and How They Transformed the City. Atlantic Books, Limited, 2020.

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42

Cathedrals of Steam: How London's Great Stations Were Built - and How They Transformed the City. Atlantic Books, Limited, 2021.

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43

Wolmar, Christian. Cathedrals of Steam: How London's Great Stations Were Built - and How They Transformed the City. Atlantic Books, Limited, 2020.

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44

Cooper, Guy, and Gordon Taylor. Paradise Transformed: The Private Garden for the Twenty-First Century. Monacelli, 1997.

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45

Seo, Mira. Aesthetics of Enlightenment. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190278359.003.0004.

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Among the intellectual and literary elites of Roman Italy in the late first century CE, Christianity had yet to make significant inroads. The Stoicism of Panaetius and Seneca dominated ethical discourse in the imperial capital, whereas in the Hellenic center of Neapolis (Naples) and surrounding Campania, elites maintained the genteel Epicureanism of Philodemus. This chapter explores the innovative regional poetics and philosophy of the Bay of Naples through the architectural poems of Statius’s Silvae. Statius’s remarkable poetic innovation engages a new rhetorical approach to displays of material wealth and their social significance. In creating a new genre of “real estate” poetry imitated through late antiquity into sixteenth-century Rome and seventeenth-century England, Statius transforms earlier condemnations of lavish architecture and its tropes in philosophical and poetic discourses into ethical panegyrics to wealth. This chapter identifies Statius’s architectural poetics as a catalyst in philosophical and literary approaches to class, wealth, and social identity.
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46

Morrissey, Jake. The Genius in the Design: Bernini, Borromini, and the Rivalry That Transformed Rome. Harper Perennial, 2006.

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47

Morrissey, Jake. The Genius in the Design: Bernini, Borromini, and the Rivalry That Transformed Rome. William Morrow, 2005.

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48

Morrissey, Jake. The Genius in the Design: Bernini, Borromini, and the Rivalry That Transformed Rome. William Morrow, 2005.

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49

Hunter, Linda, Matthew Schoenherr, and Wendy Jordan. House Transformed: Getting the Home You Want with the House You Have. Taunton, 2005.

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50

Morrissey, Jake. Genius in the Design: Bernini, Borromini, and the Rivalry That Transformed Rome. HarperCollins Publishers, 2009.

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