Journal articles on the topic 'Transe – Au cinéma'

In this article, conceived of in an epistemological perspective, film history and history of psychology intersect in order to show how subject models are circulating around 1900 which are impregnated with scientific culture and social modernity.These models have the special quality of being defined first in pathological terms because they result from a diagnosis of the evils caused by the new industrial and capitalist society. However, the position required by the cinematic apparatus produces a spectator who is described as a subject-machine with the particular psychophysiological states that precisely concern the neurotic, the paramnesiac and the sleepwalker. If our point is to show how close the (para)medical and cinematic subjects are, we will also try to see how far cinema interacts with phenomena related to urbanity and other developments of Western civilisation, the latter being considered as a transforming agent of the psychic apparatus.

L’ambition de cet article est de proposer une lecture d’Annihilation à l’orée des théories féministes, et sur la science-fiction populaire, Donna Haraway, Christine Cornea et Vivian Sobchack parmi d’autres, ainsi que d’utiliser la « rime » comme nouvel outil de conceptualisation de la référence au cinéma. Le film d’Alex Garland propose un épissage à la fois de créatures et de thèmes chers aux films à la croisée de la science-fiction et de l’horreur, tels qu’Alien et The Thing. Une lecture de ces références et leur nature unique nous permet de dégager une définition singulière de la science-fiction.

A importância do cinema para os estudos históricos foi, e ainda é, objeto de discussão entre os historiadores, especialmente os que o reconhecem como uma fonte histórica. Considerando tal relevância à História, o objetivo deste artigo é realizar uma análise fílmica de obras que foram submetidas ao exame censório no decurso da ditadura militar brasileira, a saber: i) Terra em Transe (1967), de Glauber Rocha; ii) Iracema, uma Transa Amazônica (1976), de Jorge Bodanzky e Orlando Senna; iii) Pra Frente, Brasil (1982), de Roberto Farias; e iv) Cabra Marcado Para Morrer (1984), de Eduardo Coutinho. Para tanto, nos baseamos metodologicamente na perspectiva da História Comparada (BLOCH, 1998, p. 111 - 118; BARROS, 2007, 2013, p. 156 - 179), a qual nos permite relacionar as dimensões política, econômica, cultural e social, no contexto da ditadura militar, aos filmes selecionados, destacando as semelhanças e as diferenças entre eles e a sociedade em que estão inseridos. Assim, comparamos as produções fílmicas entre si e o regime ditatorial em questão, permitindo-nos compreender não só os filmes per se, mas também a complexidade da conjuntura durante o pós-1964.

This text seeks to explore the Argentine films Castro (Alejo Moguillansky, 2009) and El asaltante (Pablo Fendrik, 2007) from within the displacement of their characters through the city. This transit configures the organising element of the plots, determining the direction and rhythm of events. The escape motto will structure the film analyses, which are also twinned by the sensory apprehension that comes from the spaces they travel through. The notion of escape, as explored by Esteban Dipaola in Argentine cinema of the 1990s, continues to throb in mid-to-late 2000s production, and in these films represents the means by which the protagonists deploy critical attitudes—sometimes radical and explosive, sometimes silent—in the face of fixed notions, suggesting some scepticism about the “stability” and “order” that they (dis)encounter in normality. RESUMEN Este texto busca explorar los largometrajes argentinos Castro (Alejo Moguillansky, 2009) y El asaltante (Pablo Fendrik, 2007) a partir del desplazamiento de sus personajes por la ciudad. El transitar se configura como elemento organizador de las tramas, determinando la dirección y el ritmo de los acontecimientos. El tema de la fuga irá estructurando los análisis de las películas, las cuales también están relacionadas por la aprehensión sensorial que hacen de los espacios que recorren. La noción de fuga, tal y como fue explorada por Esteban Dipaola en el cine argentino de los años 90, continúa vigente en la producción de mediados/fines de la primera década del siglo XXI, y en estas películas es el recurso por medio del cual los protagonistas despliegan actitudes críticas – a veces radicales y explosivas, y a veces silenciosas – frente a nociones convencionales, lo cual hace pensar que existe un cierto escepticismo con relación a la “estabilidad” y al “orden” que ellos (des)encuentran en la normalidad. RESUMO Este texto busca explorar os longas-metragens argentinos Castro (Alejo Moguillansky, 2009) e El asaltante (Pablo Fendrik, 2007) a partir do deslocamento de seus personagens pela cidade. O transitar configura-se como elemento organizador das tramas, determinando a direção e o ritmo dos acontecimentos. O mote da fuga estruturará as análises dos filmes, os quais também se irmanam pela apreensão sensorial que fazem dos espaços que percorrem. A noção de fuga, conforme explorada por Esteban Dipaola no cinema argentino da década de 1990, continua a pulsar na produção de meados/fins dos anos 2000, e é, nestes filmes, o recurso através do qual os protagonistas desdobram atitudes críticas – às vezes radicais e explosivas, às vezes silenciosas – diante de noções fixas, sugerindo certo ceticismo em relação à “estabilidade” e à “ordem” que eles (des)encontram na normalidade.

Discussão da relação entre o discurso estético de Glauber Rocha em dois filmes do Cinema Novo - Terra em transe e Deus e o Diabo na Terra do sol – e sua contribuição no pensar cinematográfico e na busca de uma identidade nacional.

Glauber Rocha se destacou no cenário cinematográfico participando do movimento Cinema Novo. Desde então, o cinema brasileiro produziu milhares de filmes, porém esse diretor continua chamando a atenção de espectadores e estudiosos de diversos campos. Foi a partir de experiências com o filme Terra em Transe, em pleno século XXI, que começamos a deslindar o papel que a produção ocupou em nossa história, em aspectos tanto políticos como estéticos e técnicos. Portanto, neste artigo, analisaremos o filme a partir de uma perspectiva histórica.

O cinema de Glauber Rocha pode ser pensado como um precursor da vídeopoesia e dos espetáculos poéticos multimídia que, como fruto do mercado e das tecnologias finisseculares, preferem estimular uma sensibilidade baseada na recepção coletiva, crítica e reflexiva do discurso poético. Pertencentes à linhagem barroca brasileira, o ceneasta e seus pares da poesia investem na composição de obras que circulam no transe das nações e das linguagens. Nesse trajeto, inventam novos gêneros e formas, e demonstram que há uma relação direta entre a produtividade da tradição literária brasileira e sua abertura ao diálogo com outros objetos culturais.

O cinema de Glauber Rocha pode ser pensado como um precursor da vídeopoesia e dos espetáculos poéticos multimídia que, como fruto do mercado e das tecnologias finisseculares, preferem estimular uma sensibilidade baseada na recepção coletiva, crítica e reflexiva do discurso poético. Pertencentes à linhagem barroca brasileira, o ceneasta e seus pares da poesia investem na composição de obras que circulam no transe das nações e das linguagens. Nesse trajeto, inventam novos gêneros e formas, e demonstram que há uma relação direta entre a produtividade da tradição literária brasileira e sua abertura ao diálogo com outros objetos culturais.

Partindo da programação do 'Foco Marlene', que teve lugar entre 21 e 30 de outubro de 2020, no Teatro Municipal do Porto, pensamos as relações entre a obra coreográfica de Marlene Monteiro Freitas e um certo imaginário cinematográfico onde bebe, imbricando este processo com as ideias de transe e memória.

O foco deste artigo é o uso do cinema enquanto “reflexo” de uma sociedade e encarado enquanto produto cultural brasileiro. Busca-se refletir sobre como o cinema pode funcionar em sala de aula do Ensino Médio enquanto gerador de informações sociais, históricas e culturais de uma época não vivida pelos estudantes. Os objetos de análise deste escrito serão os filme Terra em transe, Macunaima e Bye bye Brasil, já que estes filmes se relacionam diretamente ao movimento Tropicalista, algo que os estudantes do Ensino Médio atual não chegaram a vivenciar. Encarando o cinema enquanto produto da cultura de um país, os estudantes poderão melhor compreender quais os elementos que nos marcam enquanto brasileiros e como o cinema brasileiro pode ajudar no entendimento da formação da identidade cultural de seu próprio país.

O filme Closet Monster, escrito e dirigido por Stephen Dunn, considerado um dos dez melhores filmes canadenses do ano 2015 pelo TIFF (Toronto International Film Festival), apresenta fortes influências do cinema queer e utiliza a música como elemento fundamental para caracterizar o protagonista, acompanhar a trama e conceder à obra um sentido que não seria o mesmo sem ela. Este artigo foca-se em uma cena próxima ao desenlace do filme (71'32"-75'43"), que se serve da peça musical pós-minimalista Trance 4, do compositor americano Michael Gordon, interpretada pelo grupo musical Icebreaker, concebida em 1995. Desse recorte emerge uma análise que tem como objetivos distinguir a contribuição da peça na composição da cena e discutir a influência mútua das linguagens musical e visual, ambas localizadas em tendências com características determinadas, quais sejam o cinema queer e o pós-minimalismo, respectivamente. Para tanto, a análise é apoiada em Román (2008), Leydon (2002) e Chion (2008), dentre outros autores, transitando entre conceitos como linguagem musivisual, pontos de sincronização e pós-minimalismo musical. O artigo inicia com considerações sobre música pós-minimalista, cinema queer e os protagonistas de Trance, à guisa de contextualização, seguidas pela exploração da cena fílmica de Closet Monster ambientada pela faixa musical Trance 4. Como conclusão, ressalta-se o papel da música na composição da cena. Pretende-se contribuir com este artigo para a ampliação dos debates sobre o uso de música pós-minimalista no cinema queer.

Em texto publicado em 1967, o cineasta brasileiro Glauber Rocha (1939-1981) reage aos críticos de seu re-cém-lançado filme Terra em Transe e compara o movimento do Cinema Novo, no qual ele desponta como principal articulador e porta-voz, à Semana da Arte Moderna de 1922. Tal paralelo dispara, nesse artigo, a investigação das leituras e interpretações que Glauber faz do evento fixado como fundador do Modernismo no Brasil e de um dos seus principais desdobramentos, a Antropofagia de Oswald de Andrade. Essa análise concentra-se principalmente no já citado Terra em Transe, bem como no filme inacabado História do Brasil, além de percorrer textos críticos e manifestos escritos pelo cineasta. A Antropofagia é compreendida aqui, por um lado, enquanto uma teoria da leitura, conforme proposição do crítico Raúl Antelo, e, por outro, como define Benedito Nunes, enquanto uma condensação de uma metáfora, um diagnóstico e uma terapêutica

Resumo: Este artigo é um estudo comparado entre Terra em Transe, de Glauber Rocha, e Memórias do subdesenvolvimento, de Gutiérrez Alea. Seu objetivo é discutir os significados das figuras do poeta e do escritor em ambos os filmes, considerando seus papéis nas cenas cultural, social e política latino-americana.Palavras-chave: Glauber Rocha; Gutiérrez Alea; cinema; literatura; cultura latino-americana.Abstract: This article is a comparative study between Glauber Rocha’s Land in Anguish and Gutiérrez Alea’s Memories of Underdevelopment. It aims to discuss the meanings of the poet’s and writer’s figures in these two films, considering their roles in Latin American cultural, social and political scenes.Keywords: Gutiérrez Alea; Glauber Rocha; cinema; literature; Latin American culture.

Em uma encruzilhada de confluências e divergências entre cinema, antropologia e artes visuais, o objeto deste texto se articula com o desenvolvimento de um longa-metragem sobre a rede de filhos e filhas de santo e o terreiro do Pai Jairo, e a fronteira na cidade de Tabatinga (AM), entre Brasil, Peru e Colômbia. Temos como base uma experiência híbrida de pesquisa junto à rede de jovens gays e trans atuantes na produção local de Umbanda mais ou menos próximos do mercado do sexo nesta tríplice fronteira. Apostamos nas potências da imagem e do ato narrativo e fabulativo enquanto chaves para habitar e transitar por mundos hostis e fazer emergir contrapoderes para transformar o real. O território especulativo ocupa um lugar especial na criação de mundos dessa rede, e os espaços de partilha narrativa marcam o seu cotidiano. Os nossos encontros com ela são atravessados pelas performances narrativas das jovens e de suas entidades companheiras. Com base nessas interações, pudemos também inventar e propor dispositivos metodológicos de "contação de estórias". Para sustentar nossas análises, apresentamos aqui algumas das muitas sequências narrativas íntimas que emergiram desses encontros.

O Serviço de Censura e Diversões Públicas foi um importante órgão da burocracia estatal da ditadura civil-militar brasileira exercendo censura prévia de obras artísticas podendo vetar ou liberar sua exibição e execução. O artigo a seguir identifica, analisa e problematiza, nos termos da recepção cinematográfica, oito pareceres de censura dos filmes “Deus e o Diabo na Terra do Sol” (1964) e “Terra em Transe” (1967), ambos dirigidos pelo cineasta Glauber Rocha. Figura importante no que ficou conhecido como Cinema Novo, movimento cinematográfico brasileiro de vanguarda atuante no período de implantação da ditadura, seus filmes geraram repercussão às épocas de lançamento pela crítica político-social, perdurando como ícones até atualidade. Através da estética da recepção, utilizando as percepções de Hans Rober Jauss como parâmetro , objetiva-se compreender as diferentes chaves de leitura fílmica emitida pelos pareceristas do SCDP de modo a entender a relação histórica entre obra, autor, receptor e contexto histórico.

Partimos do filme Deus e o diabo na terra do sol (Glauber Rocha, 1964) para analisar a utilização de obras de Villa-Lobos nele e em outros três filmes do Cinema Novo brasileiro: O desafio (Paulo César Saraceni, 1965), Terra em transe (Glauber Rocha, 1967) e Os herdeiros (Carlos Diegues, 1968-1970). Estes três últimos tanto se relacionam entre si pela sua temática, quanto com o referido longa-metragem anterior de Glauber Rocha em diversas instâncias, como a musical e a suas associações de sentido ao que seria, para esses diretores, a identidade nacional. Mesmo com suas contradições, Villa-Lobos e sua música acabam se tornando muito representativos dessa identidade nos filmes do Cinema Novo, uma “alegoria da pátria”, como propôs Guerrini Júnior (2009).

This article examines the Cuban mobile cinema campaign in the 1960s as a case study for thinking about the relationship between cinema and mobility. I examine the rhetoric around mobile cinema in Cuban journals such as Cine Cubano, and in the documentary film Por primera vez (For the first time, 1967). I argue that cinema is linked with mobility in two primary ways: as a virtual mobility stimulated by onscreen images, and as a more literal mobility expressed by the transportation of film into remote rural sites of exhibition. These two kinds of mobility reflect the hopes and ambitions of filmmakers and critics energized by the resurgent nationalism of the Cuban revolution, and the excitement of cinema as a “new” technology in rural Cuba.

Este artigo busca identificar, na obra de Glauber Rocha, elementos ainda em dispersão de um projeto de teoria semiótica do Terceiro Mundo. Para isso, foram selecionados três tipos de signos que podem caracterizar os termos dessa semiótica: os signos do cinema, do transe e da revolução. Sob a influência de Peirce e de Deleuze acerca da semiótica e do cinema, a obra de Glauber pode ser pensada como um projeto cujo propósito principal é o de engendrar novos processos de significação que tenham a capacidade de significar o Terceiro Mundo em sua singularidade. A partir das semioses que engendra, Glauber se aproxima dos conceitos de opsignos e sonsignos propostos por Deleuze à luz de Peirce e que também caracterizam, sob determinados aspectos, a primeiridade: primazia da imagem pura e dos aspectos qualitativos da significação.

<p>Analisamos o uso da música preexistente de Villa-Lobos em dois filmes de Glauber Rocha dos anos 60, <em>Deus e o diabo na terra do sol </em>(1964) e <em>Terra em transe</em> (1967). Considerada por Guerrini Júnior (2009) como uma “alegoria da pátria” em grande parte dos filmes do Cinema Novo, a música de Villa-Lobos é bastante presente em <em>Deus e o diabo na terra do sol</em>. Porém, a peça musical do final do filme aponta para uma mudança de direção para uma atitude mais antropofágica e tropicalista em <em>Terra em transe</em>, onde a música de Villa-Lobos é parte de uma colcha de retalhos de estilos e gêneros. Consideramos aqui os significados que os trechos preexistentes de Villa-Lobos trazem para os dois filmes, além das relações com os elementos nacionais e populares e com os outros componentes da trilha sonora.</p>

“Where can I see this Vietnamese movie?” Try sitting on board a Vietnamese Airlines jet to Hanoi. In Vietnam, movie theaters have been replaced by multiplexes showing the latest American blockbusters. Foreigners are most likely to encounter Vietnamese cinema for the first time on the move, as they travel to the country, by selecting the World Cinema category of their in-flight entertainment system. Watching a Vietnamese movie will both distract them from the long-haul and give them a taste of their destination culture as they make their way there. Twice the displacement, experiencing Vietnamese cinema has become a vehicle for representations of mobility and an integral part of contemporary travel practices. This review will consider a variety of ways the mutual relationship between cinematic figurations of movement and processes of mobility have shaped Vietnamese cinema.

Este estudo aborda a objetificação da mulher no cinema a partir dos filmes em Iracema, uma transa amazônica (1974) e Iracema, a virgem dos lábios de mel (1979). Valeu-se de pesquisa bibliográfica acerca da teoria do cinema e do contexto sociopolítico do Brasil nos anos de 1970 e trabalhou com análise fílmica a partir da teoria feminista do cinema. Os resultados apontaram que, mesmo tratando-se de dois filmes com propostas distintas, visto que um tem intenção política de denúncia social e o outro reflete uma adaptação fílmica do tipo canônico, ambos apresentam sinais do processo de objetificação da mulher na construção da protagonista, evidenciado por teóricas feministas nos anos de 1970 nos filmes clássicos hollywoodianos. Isto evidencia a preexistência de processos misóginos na produção do cinema contemporâneo. Concluímos que a teoria feminista do cinema segue como um referencial crítico relevante a análises e releituras fílmicas.

Enquanto a personagem Iracema de José de Alencar é tida como mãe mítica do Brasil, surge no cinema uma Iracema mundana, com traços que a virgem dos lábios de mel não teria. Iracema, uma transa amazônica (1974), de Jorge Bodanzky e Orlando Senna, parece negar o mito de fundação alencarino. Interessa-nos discutir aspectos da tradução intersemiótica na adaptação cinematográfica com auxílio do pensamento de Julio Plaza e Marcel Vieira. Relacionamos o filme e o conceito de “imagem-vaga-lume” de Georges Didi-Huberman e abordamos também as relações conflituosas entre homem e natureza a partir do mito do paraíso e de estudos de Sérgio Buarque de Holanda e Vilém Flusser.

Discutimos neste artigo como a obra de Graciliano Ramos apresenta ao leitor atual aspectos potenciais para se pensar a mobilidade cultural na contemporaneidade, seja no campo estético do trânsito intersemiótico na relação entre literatura e cinema; seja no campo ético do transe que amplifica a memória cultural, quando reencenamos a leitura da obra do escritor alagoano como rasura da tradição literária nacional denominada de regionalista, para alcançarmos a amplitude de uma narrativa que transborda para o global e dilui as fronteiras discursivas tradicionais, ao encenar ao leitor e espectador a memória como traço diaspórico, transcultural e nômade.

The Scent of Papaya (Mùi đu đủxanh), 1993, Président Films, written and directed by Tran Anh Hung, starring Tran Nu Yên-Khê, Man San Lu, Thi Loc Truong.Cyclo (Xich Lo), 1995, Les Productions Lazennic, Lumiere, La Sept Cinema, La SFP Cinema (Cinepix Film Properties 2006), written and directed by Tran Anh Hung, starring Le Van Loc, Tony Leung Chiu Wai, Tran Nu Yen Khe.I Come With the Rain, 2009, TF1 International, written and directed by Tran Anh Hung, starring Josh Hartnett, Tran Nu Yen Khe, Byung-hun Lee, Takuya Kimura, Shawn Yue.

<p>Partindo do ensaio “Dialética da malandragem” (1970), de Antonio Candido, que se detém no romance Memórias de um sargento de milícias (1854), de Manuel Antônio de Almeida, este texto procura observar prováveis linhas de coerência que podem fazer repercutir a figura do “malandro” da literatura ao cinema, mais precisamente considerando filmes de estrada brasileiros como Iracema, uma transa amazônica (Jorge Bodanzky e Orlando Senna, 1974), Bye bye Brasil (Carlos Diegues, 1979) e Deus é brasileiro (Carlos Diegues, 2003).</p>

The European Network for Cinema and Media Studies (NECS) held its fifth annual conference “Urban Mediations” from June 24 to 27, 2010 in the European Capital of Culture 2010, Istanbul. A wide variety of scholars and researchers in the field of cinema, film, and media studies, but also archivists or film and media professionals were invited. The broad scope theme of “urban mediations” provided ample opportunity for extensive analysis and discussion of media and urbanity theories by the attendees. In more than 80 panels, with four talks each, various questions could be discussed. For example: How are city spaces represented and created in different media? What urban practices and aesthetics develop when using “media”? To what extent do new media forms influence future urban developments or make them possible in the first place? How does media shape city-human interaction?

Teo Hernández (Ciudad Hidalgo 1939‐Paris 1992) began a prolific career as an experimental filmmaker after entering a self-imposed exile in Paris in 1966. With no formal training, he completed dozens of films on the amateur format of Super 8 before his untimely death at the height of the AIDS epidemic in France. Hernández’s cinema cannot be separated from his postcolonial experience as an undocumented immigrant in Europe. Based on his audio-visual and written work, this article examines how the filmmaker elaborated a unique film theory grounded in an auto-ethnographic appropriation of primitivist tropes. Through this queer exilic cinema, Hernández crafted an authorial persona around the figure of a shamanic filmmaker. I take the films Nuestra senõra de París/Our Lady of Paris (Hernández 1981‐82) and Pas de ciel/No Sky (Hernández 1987) as a point of departure to examine the construction of a cinematic ritual capable of inducing trance in the body of the spectator and the filmmaker.

Resumo: Este artigo, por meio da metodologia da análise comparativa, objetiva fazer uma leitura do romance Iracema (1865), de José de Alencar, para relacioná-lo ao filme Iracema: uma transa amazônica (1981), dirigido por Jorge Bodanzky e Orlando Senna. O referencial teórico abrange os postulados de Antonio Candido, Zilá Bernd, Wayne Booth, Marcel Martin, entre outros. Pelo fato de as obras analisadas corresponderem a mídias e épocas distintas, este estudo estabelece comparações concernentes à intermidialidade e aos contextos socio-históricos dos séculos XIX e XX. Com base nessa associação, é possível constatar que, apesar das diferenças midiáticas, o enredo do filme reflete questões políticas relativas à década de 1970, dando ênfase ao imperialismo, de modo a aprofundar alguns temas que a prosa romântica já utilizava, como, por exemplo, o antagonismo entre próprio e estrangeiro. Diante desses resultados, conclui-se que, no que se refere ao processo de colonização, o filme propõe nova abordagem interpretativa, por privilegiar os ideais modernistas. Dessa forma, este trabalho contempla dois momentos da história e da literatura brasileiras, focalizando nuances fundamentais na formação da identidade nacional. Palavras-chave: Iracema; romantismo; colonização; adaptação fílmica; brasilidade. Abstract: This article, using comparative methodology, aims to review the novel Iracema (1865), by José de Alencar, in order to relate it to the film Iracema: uma transa amazônica (1981), directed by Jorge Bodanzky and Orlando Senna. The theoretical framework includes the postulates by Antonio Candido, Zilá Bernd, Wayne Booth, Marcel Martin, among others. Due to the fact that the analyzed works correspond to different media and historical contexts, this study proposes comparisons about intermediality and 19th and 20th centuries’ socio-historical aspects. Based on these oppositions, it is possible to observe that, despite the media differences, the film’s plot reflects 1970s political issues, mainly the Imperialism, in order to deepen some themes that romanticism prose already used, such as, for example, the antagonism between self and foreigner. With these results, the conclusion is that, with regard to the colonization process, the film offers a new interpretive approach, because it obeys modernist ideals. Thus, this paper covers two moments in Brazilian History and Literature, focusing on essential idiosyncrasies in the formation of national identity. Keywords: Iracema; romanticism; colonization; filmic adaptation; brazilianness.

O autor narra a trajetória do movimento Tropicalismo que mudou a Música Popular Brasileira/MPB, por meio de uma reconstituição histórica fundamentada em memórias da infância, referências bibliográficas e material iconográfico. O leitor enveredar-se-á pela cultura musical e pop dos anos 60, a sobressair a canção Tropicália, os Festivais da Canção (anos 60), a Bossa Nova, a Jovem Guarda, o Cinema Novo e a montagem teatral de O Rei da Vela. As capas dos LPs marcaram o movimento tropicalista, cujo conteúdo visual fala por si. Afinados com as ideias de Oswald de Andrade, Caetano e Gil assimilaram as novidades associadas aos movimentos de massa e juventude e as pesquisas no campo da música popular.

<p>A “forma objetiva” pode ser considerada como central nas análises literárias e cinematográficas de Schwarz (2012d). Assim, revisando seus estudos e estabelecendo conexões com a contemporaneidade, este trabalho percorre discussões feitas pelo autor sobre <em>Memórias Póstumas de Brás Cubas </em>(Machado de Assis, 1881), “Pobre Alimária” (Oswald de Andrade, 1925), <em>Os Fuzis </em>(Ruy Guerra, 1964) e <em>Terra em transe </em>(Glauber Rocha, 1967). Depois apontamentos são feitos a respeito de <em>O som ao redor </em>(Kleber Mendonça Filho, 2012), buscando identificar também nela sua forma objetiva e sua respectiva dinâmica relacionada ao Brasil. Entretanto, o problema local jamais é visto como desassociado do âmbito global. Logo, em direção às considerações finais, associações são feitas com estudos do crítico norte americano Jameson (2000), especialmente no que concernem ao conceito de “mapeamento cognitivo”. Sendo assim, ao fim, demonstra-se o sentido pretendido por Schwarz ao se referir a certas ideias como estando fora do lugar (2012c).</p>

In July 1791, the story goes, a small voodoo gathering in Santo Domingo sparked the Haitian Revolution, the first black anti-colonial revolution in history. The glorious history of the “Republic of the black Jacobins” was often celebrated by Surrealist artists in New York and Paris in their exposé of the decadent state of colonial powers in the aftermath of the Second World War. For instance, Haiti is central to André Breton's anti-colonial manifesto, Aimé Cesaire's idea of negritude, Rudy Burckhardt's lyric film symphonies, and Zora Neale Hurston's novels on creole culture. In New York, negritude did not have quite the same revolutionary appeal as in Paris, where Josephine Baker was hailed as a Surrealist goddess of “natural” beauty and power. But the electric Haitian voodoo performances of dancer and choreographer Katherine Dunham attracted a diverse community of African-American artists, émigrés, intellectuals, and communist sympathizers in the off-limits clubs, cafés, and private parties in Harlem. In its uncontainable, carnivalesque power, open forms, and sexual energy, Haitian voodoo captured an attraction to the “primitive” that affected American intellectuals and popular culture alike. Before becoming a Hollywood star, Dunham, of mixed West African and Native American roots, traveled to Haiti to study voodoo rituals for an anthropology degree at the University of Chicago. Fusing American dance, European ballet, and voodoo movements, she became a symbol of the black diaspora. In a recent film interview, Dunham recalls how her young assistant (or “girl Friday,” in the parlance of the time) Maya Deren was fascinated by Haitian dance and would use it to steal the show in rehearsals, public performances, and glitzy parties. The daughter of Russian Jewish émigrés and Trotskyite activists, Deren was struck by the power of this syncretic dance, which blended different cultural backgrounds and formed political consciousnesses while always providing entertainment and energizing dinner parties and giving voice to invisible deities. In her experimental filmmaking, Deren infused this magnetic power of dance into cinema.

Iracema, uma transa amazônica é uma ficção-documental que busca retratar as consequências sociais e ambientais do período de crescimento acelerado e modernização que marcou o início da década de 1970 no Brasil. A narrativa é construída por meio de aspectos de linguagem fílmica do cinema verdade, em que a câmera na mão e as cenas não ficcionais intencionam reproduzir um efeito do real para denunciar a exploração predatória na Amazônia com a construção da rodovia Transamazônica. A problematização que este artigo busca levantar parte da compreensão de pesquisadores sobre a história e a teoria de filmes documentários que consideram as produções cinematográficas com caráter de denúncia como uma produção também exploratória - sendo que o tema desses cineastas é, também, a desgraça da vida de seus objetos -, e de alguns conceitos do filósofo Jacques Derrida para melhor fundamentar uma desconstrução do maniqueísmo que coloca a resistência intelectual e artística como heroica na denúncia das barbáries cometidas pelos militares.

Estudo sobre como a Divisão de Censura e Diversões Públicas (DCDP) tratou o documentário brasileiro produzido nos anos de 1960/70 e 1980. Ao analisar os pareceres de censura de 23 filmes – documentos disponíveis no site do projeto Memória da censura no cinema brasileiro 1964-1988 – optou-se por estudar os casos de O país de São Saruê e Iracema, uma transa amazônica. Nas décadas de 1960/70 presenciamos o surgimento de um novo documentarismo que buscava retratar o “Brasil profundo”, o país das desigualdades que tanto se conflitava com a imagem desenvolvimentista que a propaganda da ditadura difundia. Ao analisar a censura a estes filmes constatou-se que as dinâmicas censórias se valeram tanto de questões morais quanto de posicionamentos políticos-ideológicos.

In the contemporary society, media heroes are one of the most influential reference groups, which determines our perception of our own life in terms of happiness, success, justice, well-being, or, on the contrary, in opposite terms. The article is a review of two books: Salakhieva-Talal T. Psychology in Cinema: How to Make Heroes and Stories . Moscow: Alpina non-fiction; 2019. 349 p.; and Lilti A. The Invention of Celebrity. Transl. from French by P.S. Kashtanova. Saint Petersburg: Ivan Limbakh Publishing House; 2018. 496 p. The author believes that such works are necessary to broaden the horizons of the sociologist focusing on the development of social representations of happiness, justice and well-being: these works explain psychological and visual (the first book) and historical and media (the second book) prerequisites and tools for creating heroes as role models.

Resumo: Orfeu, de 1999, dirigido por Carlos Diegues, um dos raros filmes atuais a falar do negro, retoma a tradicional apologia do afro-descendente por seus dotes musicais. Vinicius de Moraes, com sua peça Orfeu da Conceição, que deu base ao filme Orfeu negro (1959) e ao Orfeu de Diegues, pretendeu universalizar a música negra (e, portanto, a música brasileira), ampliando-a de seu reduto de classe baixa, ligada às orgias do carnaval e aos transes de terreiro, para a experiência sublime do amor absoluto. Para tanto, recorreu ao mito órfico do poder encantatório da música, recurso claramente anti-realista. Ao adaptar Vinicius, Diegues acrescentou uma dimensão realista à história, tentando não perder os aspectos míticos e trágicos. De fato, no filme, a utopia do paraíso negro desenvolve-se pari passu com a dura realidade da favela.Palavras-chave: cinema brasileiro; negro; Orfeu.Abstract: Carlos Diegues’s Orpheus, 1999, one of the few contemporary films to focus on blacks, makes the traditional panegyric of the African descendents for their musical skills. Vinicius de Moraes, with his play Orfeu da Conceição, on which Black Orpheus (1959) and Diegues’s Orpheus were based, intended to universalise black music (therefore Brazilian music), upgrading it from its low class niche associated with carnival orgies and voodoo trances, to the sublime experience of absolute love. To that end, he resorted to the enchanting power of music contained in the Orphic myth, in a clearly anti-realistic attitude. When he adapted de Moraes, Diegues added a realistic dimension to the story, while trying to keep the mythic and tragic ones. Indeed, in the film, the utopia of black paradise merges with the hard reality of Rio slums.Keywords: Brazilian cinema; black; Orpheus.

Ophiuroids are well known called brittle star which is one member of the Phylum Echinodermata. Brittle stars have an important ecological role in the food chain that can support marine ecosystem. Brittle star are currently have no economic importance. However, the genus ophioderma can be used as aquarium decoration because it has an attractive color. This research aims to determine the level of diversity of brittle stars in Mokupa waters, Tombariri District, Minahasa Regency using the Shannon-Wiener diversity index. This research was conducted in June 2018 applying quadrant transect method. Species of brittle stars found there are 7 types of Macrophiothrix longipeda, Ophiomastix janualis, Ophiocoma brevipes, Ophiocoma schoenleinii, Ophiomastix annulosa, Ophiocoma scolopendrina and Ophiolepis cincta. Ophiomastix janualis is dominant species but not for Ophiocoma brevipes. Ophiuroids diversity in the Mokupa waters was classified into moderate class with a diversity index of 1,475 Keywords: Brittle Star, Diversity, Minahasa Regency. ABSTRAK Bintang mengular (Ophiuroidea) merupakan salah satu kelas yang tergolong dalam filum Echinodermata. Fungsi ekologis bintang mengular yaitu memegang peran penting dalam rantai makanan yang menopang suatu bentuk ekosistem di laut. Dari sudut ekonomi belum diketahui nilai ekonomis dari bintang mengular namun khususnya dari genus Ophioderma bisa dijadikan sebagai hiasan aquarium karena memiliki warna yang menarik. Penelitian ini bertujuan untuk menentukan tingkat keanekaragaman bintang mengular di perairan Desa Mokupa, Kecamatan Tombariri, Kabupaten Minahasa berdasarkan nilai indeks Shannon-Wiener. Penelitian ini dilaksanakan pada bulan Juni 2018 dengan menggunakan metode transek kuadrat. Berdasarkan hasil penelitian terdapat 7 jenis yang ditemukan yaitu, Macrophiothrix longipeda, Ophiomastix janualis, Ophiocoma brevipes, Ophiocoma schoenleinii, Ophiomastix annulosa, Ophiocoma scolopendrina dan Ophiolepis cincta. Bintang mengular yang paling banyak ditemukan adalah Ophiomastix janualis dan yang paling sedikit adalah Ophiocoma brevipes. Indeks keanekaragaman dari bintang mengular yang diamati termasuk dalam kategori sedang yaitu 1,475. Kata kunci: Bintang mengular, Keanekaragaman, Kabupaten Minahasa.

The non-confirmation to vexed societal gender norms places trans identities in an abjected state. Media, mainly cinema, plays an indispensable role in shaping, shunning, and promulgating such ideologies. To understand this discourse, the Malayalam films Ardhanaari (2015) and Njan Marykutty (2018) are taken to examine the question of “abjection”, a concept by Kristeva, and “doing gender”, by West and Zimmerman. The study argues that the abjection trans identities face forces them to perform their gender in accordance with cisnormative femininity. The study further argues that trans identities should embrace abjection and employ it as a political tool to disrupt the established hegemonic traditional gender structure and its definitions.

Abstract In this article, we briefly present the results of a multifaceted investigation of the book Ce que le jour doit à la nuit. We examine the effects produced on the novel by the transgression of multiple frontiers: identity, geographic, interlinguistic, translation, semiotic, etc. These are frontiers that both the writer, Yasmina Khadra, and her novel transgress. A necessary look at the circumstances in which the book was created will allow us to survey the types of frontier transgression: of the self, of the civilian and artistic identity, in order to concentrate on the crossing of interlinguistic frontiers (the translation into Romanian of the novel Ce que le jour doit à la nuit in this case), semiotic (its cinema adaptation and its subtitles).

As the COVID-19 pandemic emerged, everyone’s attention was brought to the topic of the health and safety of the entire human population. It has been proven that wearing a face mask can help limit the spread of the virus. Despite the enormous efforts of people around the world, there still exists a group of people that wear face masks incorrectly. In order to provide the best level of safety for everyone, face masks must be worn correctly, especially indoors, for example, in shops, cinemas and theaters. As security guards can only handle a limited area of the frequently visited objects, intelligent sensors can be used. In order to mount them on the shelves in the shops or near the cinema cash register queues, they need to be capable of battery operation. This restricts the sensor to be as energy-efficient as possible, in order to prolong the battery life of such devices. The cost is also a factor, as cheaper devices will result in higher accessibility. An interesting and quite novel approach that can answer all these challenges is a TinyML system, that can be defined as a combination of two concepts: Machine Learning (ML) and Internet of Things (IoT). The TinyML approach enables the usage of ML algorithms on boards equipped with low-cost, low-power microcontrollers without sacrificing the classifier quality. The main goal of this paper is to propose a battery-operated TinyML system that can be used for verification whether the face mask is worn properly. To this end, we carefully analyze several ML approaches to find the best method for the considered task. After detailed analysis of computation and memory complexity as well as after some preliminary experiments, we propose to apply the K-means algorithm with carefully designed filters and a sliding window technique, since this method provides high accuracy with the required energy-efficiency for the considered classification problem related to verification of using the face mask. The STM32F411 chip is selected as the best microcontroller for the considered task. Next, we perform wide experiments to verify the proposed ML framework implemented in the selected hardware platform. The obtained results show that the developed ML-system offers satisfactory performance in terms of high accuracy and lower power consumption. It should be underlined that the low-power aspect makes it possible to install the proposed system in places without the access to power, as well as reducing the carbon footprint of AI-focused industry which is not negligible. Our proposed TinyML system solution is able to deliver very high-quality metric values with accuracy, True Positive Ratio (TPR), True Negative Ratio (TNR), precision and recall being over 96% for masked face classification while being able to reach up to 145 days of uptime using a typical 18650 battery with capacity of 2500 mAh and nominal voltage of 3.7 V. The results are obtained using a STM32F411 microcontroller with 100 MHz ARM Cortex M4, which proves that execution of complex computer vision tasks is possible on such low-power devices. It should be noted that the STM32F411 microcontroller draws only 33 mW during operation.

NOTICIAS / NEWS (“Transfer”, 2015) 1) CONGRESOS / CONFERENCES: 1. First Forlì International Workshop – Corpus-based Interpreting Studies: The State of the Art University of Bologna at Forlì, 7-8 May 2015. http://eventi.sslmit.unibo.it/cis1/<file:///owa/redir.aspx 2. 5th IATIS Conference – Innovation Paths in Translation and Intercultural Studies, Belo Horizonte, Brazil, 7-10 July 2015. www.iatis.org/index.php/iatis-belo-horizonte-conference/itemlist/category/168-call-for-communication-proposals-within-the-general-conference 3. POETRY/TRANSLATION/FILM – POÉSIE/TRADUCTION/FILM PoeTransFi, Paul Valéry University, Montpellier, France, 18-19 June 2015. http://pays-anglophones.upv.univ-montp3.fr/?page_id=1795 4. 6th International Maastricht-Lodz Duo Colloquium on “Translation and Meaning”, Maastricht School of Translation & Interpre-ting, Zuyd University of Applied Sciences, Maastricht, Netherlands 21-22 May 2015. www.translation-and-meaning.nl 5. MiddleWOmen. Networking and cultural mediation with and between women (1850-1950). Centre for Reception Studies (CERES), HERA Travelling TexTs project and Huygens ING KU Leuven campus Brussels 7-8 May 2015. www.receptionstudies.be 6. 5th International Symposium: Respeaking, Live Subtitling and Accessibility, Università degli Studi Internazionali di Roma, Italy, 12 June 2015. www.unint.eu/it/component/content/article/8-pagina/494-respeaking-live-subtitling-and-accessibility.html 7. Conference on Law, Translation and Culture (LTC5) and Legal and Institutional Translation Seminar, University of Geneva, Switzerland 24-26 June 2015. www.unige.ch/traduction-interpretation/recherches/groupes/transius/conference2015_en.html 8. 6th International Conference Media for All – Audiovisual Translation and Media Accessibility: Global Challenges, University of Western Sydney, Australia, 16-18 September 2015. http://uws.edu.au/mediaforall 9. Translation in Exile, Vrije Universiteit Brussel, 10-11 December 2015. www.cliv.be 10. Literary Translation as Creation, Université d’Avignon et des Pays de Vaucluse, 20-21 May 2015. laurence.belingard@univ-avignon.fr marie-francoise.sanconie@univ-avignon.fr 11. 4th International Conference on Language, Medias and Culture (ICLMC 2015) 9-10 April 2015. Kyoto, Japan, www.iclmc.org 12. 9th International Colloquium on Translation Studies in Portugal – Translation & Revolution, Universidade Católica Portuguesa, Lisbon, 22-23 October 2015. ix.translation.revolution@gmail.com 13. Translation as Collaboration: Translaboration?, University of Westminster, London, 18 June 2015 Contact: Alexa Alfer (A.Alfer01@westminster.ac.uk), Steven Cranfield (S.Cranfield@westminster.ac.uk), Paresh Kathrani (P.Kathrani@westminster.ac.uk) 14. Translation/Interpreting Teaching and the Bologna Process: Pathways between Unity and Diversity, FTSK Germersheim, Germany 27–29 November 2015. www.fb06.uni-mainz.de/did2015/index_ENG.php 15. Atlantic Communities: Translation, Mobility, Hospitality, University of Vigo, Spain, 17-18 September 2015. http://translating.hypotheses.org/551 16. Exploring the Literary World III: Transgression and Translation in Literature Chulalongkorn University, Bangkok, Thailand 23-24 April 2015. www.arts.chula.ac.th/~complit/complite/?q=conference 17. Authenticity and Imitation in Translation and Culture, University of Social Sciences and Humanities, Warsaw, Poland, 7 – 9 May 2015. www.swps.pl/english-version/news/conferences/12164-authenticity-and-imitation-in-translation-and-culture 18. Translation in Transition, Barnard College, New York City, USA 1-2 May 2015. barnard.edu/translation/translation-in-transition 19. First Forlì International Workshop – Corpus-based Interpreting Studies: The state of the art, University of Bologna at Forlì, Italy, 7-8 May 2015. http://eventi.sslmit.unibo.it/cis1 20. Translation and Meaning. The Lodz Session of the 6th International Maastricht-Lodz Duo Colloquium, University of Lodz, Poland, 18-19 September 2015. http://duo.uni.lodz.pl 21. TAO-CAT-2015, Université Catholique de l’Ouest, Angers, France 28-30 May 2015. www.tao2015.org/home-new 22. English Language and Literary Studies (ELLS 2015), Chulalongkorn University, Bangkok, Thailand, 3-4 August 2015. http://ells2015.com 23. Talking to the World 2: The Relevance of Translation and Interpreting – Past, Present and Future, Newcastle University, UK, 10-11 September 2015. www.ncl.ac.uk/sml/study/postgraduate/T&I/2015conference/main.htm 24. 6th International Symposium for Young Researchers in Translation, Interpreting, Intercultural Studies and East Asian Studies Universitat Autònoma de Barcelona, Spain, 3 July 2015. www.fti.uab.es/departament/simposi-2015/en/index.htm 25. Portsmouth Translation Conference: Border Crossing or Border Creation?, University of Portsmouth, UK, 14 November 2015. www.port.ac.uk/translation/events/conference 26. New Perspectives in Assessment in Translation Training: Bridging the Gap between Academic and Professional Assessment, University of Westminster, London, UK, 4 September 2015. www.westminster.ac.uk/news-and-events/events/humanities/archive/2014/mlc/new-perspectives-in-assessment-in-translation-training-bridging-the-gap-between-academic-and-professional-assessment 27. III Congreso Internacional de Neología en las Lenguas Románicas University of Salamanca, 22-24 October 2015. http://diarium.usal.es/cineo2015 28. Some Holmes and Popovič in all of us? The Low Countries and the Nitra Schools in the 21st century, Constantine the Philosopher University, Nitra, Slovakia, 8-10 October 2015. Contact: igor.tyss@gmail.com 29. The Cultural Politics of Translation, Cairo, Egypt, 27-29 October 2015. https://culturalpoliticstranslation2015.wordpress.com 30. Journée d’étude « le(s) figure(s) du traducteur », Mount Royal University, Calgary, Canada, 30 April 2015. http://mrujs.mtroyal.ca/index.php/cf/index 31. Mediterranean Editors and Translators Annual Meeting —Versatility and readiness for new challenges, University of Coimbra, Portugal, 29-31 October 2015. www.metmeetings.org/en/preliminary-program:722 32. Lengua, Literatura y Traducción “liLETRAd”, University of Seville, Spain, 7-8 July 2015. http://congreso.us.es/liletrad. 33. Meta: Translators' Journal is celebrating its 60th anniversary in 2015! For the occasion, an anniversary colloquium will be held on August 19th to 21st, 2015 at the Université de Montréal (Montréal, Canada). Colloquium for the 60th Anniversary of META – 1955-2015: Les horizons de la traduction: retour vers le futur. Translation’s horizons: back to the future. Los horizontes de la traducción: regreso al futuro, August 19-21, 2015 – Université de Montréal. Please send your proposal to this address: meta60e@gmail.com, to the attention of Georges L. Bastin or Eve-Marie Gendron-Pontbrian 2) CURSOS DE POSGRADO / MASTERS: 1. Legal Translation, Master universitario di II livello in Traduzione Giuridica University of Trieste, Italy. http://apps.units.it/Sitedirectory/InformazioniSpecificheCdS/Default.aspx?cdsid=10374&ordinamento=2012&sede=1&int=web&lingua=15 2. Traducción Especializada, Universitat Oberta de Catalunya (UOC), Spain. http://estudios.uoc.edu/es/masters-posgrados-especializaciones/master/artes-humanidades/traduccion-especializada/presentacion 3. Online course: La Traducción Audiovisual y el Aprendizaje de Lenguas Extranjeras, Universidad Nacional de Educación a Distancia, Madrid, 1st December 2014 to 31st May 2015. http://formacionpermanente.uned.es/tp_actividad/idactividad/7385 https://canal.uned.es/mmobj/index/id/21174 Contact: Noa Talaván (ntalavan@flog.uned.es), José Javier Ávila (javila@flog.uned.es) 4. Online course: Audio Description and Its Use in the Foreign Language Classroom, UNED, Madrid, Spain http://formacionpermanente.uned.es/tp_actividad/idactividad/7492 5. Online course: Curso de Formación de Profesorado, La Traducción Audiovisual y el Aprendizaje de Lenguas Extranjeras UNED, Madrid, Spain. http://formacionpermanente.uned.es/tp_actividad/idactividad/7385 6. EST Training Seminar for Translation Teachers, Kraków, Poland 29 June – 3 July 2015. www.est-translationstudies.org/events/2015_seminar_teachers/index.html 7. Train the Trainer -Teaching MT: EAMT-funded Workshop, Dublin City University, 30 April- 1 May 2015. https://cttsdcu.wordpress.com/eamt-workshop-on-teaching-mt-to-translator-trainers-30-april-1-may 3) CURSOS DE VERANO / SUMMER COURSES: 1. 2015 Nida School of Translation Studies, Leading Edges in Translation: World Literature and Performativity, San Pellegrino University Foundation campus, Misano Adriatico, Italy, 18-29 may 2015. http://nsts.fusp.it/Nida-Schools/NSTS-2015 2. EMUNI Translation Studies Doctoral and Teacher Training Summer School, University of Turku, Finland, 1-12 June 2015. www.utu.fi/en/units/hum/units/languages/EASS/Pages/home.aspx 3. Chinese-English Translation and Interpretation, School of Translation and Interpretation, University of Ottawa, Canada, 13th July – 7th August 7 2015. http://arts.uottawa.ca/translation/summer-programs 4. Summer Program in Translation Pedagogy, University of Ottawa 13 July – 7 August 2015. http://arts.uottawa.ca/translation/summer-programs 4) LIBROS / BOOKS: 1. Audio Description: New Perspectives Illustrated, Edited by Anna Maszerowska, Anna Matamala and Pilar Orero, John Benjamins, 2014. https://benjamins.com/#catalog/books/btl.112/main 2. Call for papers: Translation Studies in Africa and beyond: Reconsidering the Postcolony, Editors: J Marais & AE Feinauer Contacts: Kobus Marais (jmarais@ufs.ac.za) or Ilse Feinauer (aef@sun.ac.za). 4. Measuring live subtitling quality: Results from the second sampling exercise, Ofcom, UK. http://stakeholders.ofcom.org.uk/consultations/subtitling/sampling-results-2 5. A Training Handbook for Legal and Court Interpreters in Australia by Mary Vasilakakos, ISBN 978-0-9925873-0-7, Publisher: Language Experts Pty Ltd. www.interpreterrevalidationtraining.com www.languageexperts.com.au 6. Call for papers: Opera and Translation: Eastern and Western Perspectives, Edited by Adriana Serban and Kelly Kar Yue Chan http://pays-anglophones.upv.univ-montp3.fr/?page_id=1908 7. The Known Unknowns of Translation Studies, Edited by Elke Brems, Reine Meylaerts and Luc van Doorslaer, Amsterdam/Philadelphia: John Benjamins, 2014. https://benjamins.com/#catalog/books/bct.69/main 8. Translating the Voices of Theory/ La traduction des voi de la théorie Edited by Isabelle Génin and Ida Klitgård, 2014. www.hf.uio.no/ilos/english/research/groups/Voice-in-Translation/ 9. Authorial and Editorial Voices in Translation 1 - Collaborative Relationships between Authors, Translators, and Performers, Eds. Hanne Jansen and Anna Wegener, 2014. http://editionsquebecoisesdeloeuvre.ca/data/documents/AEVA-Flyer-1-190895-Vita-Traductiva-Vol-2-Flyer-EN-100413.pdf 10. Authorial and Editorial Voices in Translation 2 - Editorial and Publishing Practices, Eds. Hanne Jansen and Anna Wegener, 2014. www.editionsquebecoisesdeloeuvre.ca/accueil 11. Call for papers: Achieving Consilience. Translation Theories and Practice. https://cfpachievingconsilience.wordpress.com 12. Framing the Interpreter. Towards a visual perspective. Anxo Fernández-Ocampo & Michaela Wolf (eds.), 2014, London: Routledge. http://routledge-ny.com/books/details/9780415712743 13. Multilingual Information Management: Information, Technology and Translators, Ximo Granell, 2014. http://store.elsevier.com/Multilingual-Information-Management/Ximo-Granell-/isbn-9781843347712/ 14. Writing and Translating Francophone Discourse: Africa, The Caribbean, Diaspora, Paul F. Bandia (ed.), 2014, Amsterdam, Rodopi www.brill.com/products/book/writing-and-translating-francophone-discourse 15. Call for papers (collective volumen): Translation studies in Africa and beyond: Reconsidering the postcolony www.facebook.com/notes/mona-baker/translation-studies-in-africa-and-beyond-reconsidering-the-postcolony/743564399051495 16. Audiovisual Translation in the Digital Age - The Italian Fansubbing Phenomenon, By Serenella Massidda, Palgrave Connect, 2015. www.palgrave.com/page/detail/audiovisual-translation-in-the-digital-age-serenella-massidda/?k=9781137470362 17. Video: First International SOS-VICS Conference - Building communication bridges in gender violence, University of Vigo, Spain 25-26 September 2014. http://cuautla.uvigo.es/CONSOS/ 18. Camps, Assumpta. Traducción y recepción de la literatura italiana, Publicacions i Edicions UB, 2014. ISBN: 978-84-475-3776-1. 19. Camps, Assumpta. Italia en la prensa periódica durante el franquismo, Publicacions i Edicions UB, 2014. ISBN: 978-84-475-3753-2. 5) REVISTAS / JOURNALS: Call for papers: “Altre Modernità – Rivista di studi letterarie e culturali” Special Issue: Ideological Manipulation in Audiovisual Translation, Contact: irene.ranzato@uniroma.it. http://riviste.unimi.it/index.php/AMonline/announcement/view/381 2. Call for papers: “Between, Journal of the Italian Association of Comparative Literature”. Special issue on censorship and self-censorship. http://ojs.unica.it/index.php/between/pages/view/CFP9_censura_auto-censura 3. Open access journal, “Hieronymus, A Journal of Translation Studies and Terminology”, Croatia. www.ffzg.unizg.hr/hieronymus 4. “DIE SCHNAKE. Zeitschrift für Sprachkritik, Satire, Literatur”, Number 39+40, Kleines ABC des Literaturübersetzens. www.rainer-kohlmayer.de 5. Call for papers: “MonTI” 8 (2016) - Economic, Financial and Business Translation: from Theory to Training and Professional Practice. http://dti.ua.es/es/monti-english/monti-authors.html daniel.gallego@ua.es 6. Call for papers: “LINGUISTICA ANTVERPIENSIA”, NEW SERIES -Themes in Translation Studies (15/2016). Interpreting in Conflict Situations and in Conflict Zones throughout History. https://lans.ua.ac.be/index.php/LANS-TTS/announcement 7. Call for papers: “CULTUS: The Journal of Intercultural Mediation and Communication” (8/2016). The Intercultural Question and the Interpreting Professions. www.cultusjournal.com 8. Call for papers: “The Journal of Specialised Translation” Non-thematic issue, Issue 26, July 2016. www.jostrans.org 9. “TranscUlturAl: A journal of Translation and Culture Studies”, Special issue Translating Street Art. http://ejournals.library.ualberta.ca/index.php/TC/issue/view/1634 10. “Przekładaniec 28: Audiodeskrypcja [Audio Description]”, edited by Anna Jankowska and Agnieszka Szarkowska. All papers are published in Polish, with English abstracts. www.ejournals.eu/Przekladaniec/zakladka/66/ 11. Call for papers: “Lingvisticæ Investigationes”, Special issue on Spanish Phraseology: Varieties and Variations. http://dti.ua.es/es/documentos/li-call-for-papers-spanish-phraseology-varieties-and-variations.pdf Further details: Pedro.mogorron@ua.es; xblancoe@gmail.com 13. Call for papers: “Revista de Lenguas para Fines Específicos”, Special issue on The Translation of Advertising. Contact: Laura Cruz (lcruz@dis.ulpgc.es). Deadline: 20th July 2015. www.webs.ulpgc.es/lfe 14. “The AALITRA Review”. www.nla.gov.au/openpublish/index.php/ALLITRA 15. “Current Trends in Translation Teaching and Learning E” www.cttl.org/cttl-e-2014.html 16. Call for papers: “Current Trends in Translation Teaching and Learning E”. www.cttl.org 18. Call for papers: “Translation and Translanguaging in Multilingual Contexts”, Volume 1, Number 2, 2015 Deadline: 10-Jan-2015. https://benjamins.com/#catalog/journals/ttmc/main 19. Call for book reviews: “TRANS. Revista de Traductología,” vol.19, 2015. Deadline: Friday, 30th January 2015. www.trans.uma.es trans@uma.es 20. Call for papers: “a journal of literature, culture and literary Translation”. Special volume – Utopia and Political Theology Today Deadline: 15th January 2015. Contact: sic.journal.contact@gmail.com https://owl.english.purdue.edu/owl/resource/747/01 21. “trans-kom”. www.trans-kom.eu 22. “Linguistica Antverpiensia” NS-TTS 13/2014: Multilingualism at the cinema and on stage: A translation perspective, Edited by Reine Meylaerts and Adriana Şerban. https://lans-tts.uantwerpen.be/index.php/LANS-TTS/issue/current 23. Call for papers: 5th issue (2015) of “Estudios de Traducción”, Deadline: 20 February 2015. www.ucm.es/iulmyt/revista 24. Call for papers: “Journal of Translation Studies” - special issue on Translator & Interpreter Education in East Asia. KATS (Korean Association of Translation Studies), www.kats.or.kr (Go to 'English' page). Contact: Won Jun Nam (wonjun_nam@daum.net, wjnam@hufs.ac.kr). 25. “The Journal of Specialised Translation”, 23, January 2015. www.jostrans.org 26. Call for papers: “TranscUlturAl: A Journal of Translation and Cultural Studies”. Deadline: 15 March 2015. http://ejournals.library.ualberta.ca/index.php/TC/announcement 27. “New Voices in Translation Studies”, Issue 11 (Fall 2014). www.iatis.org/index.php/publications/new-voices-in-translation-studies/item/1034-issue11-2014 28. “The Interpreter and Translator Trainer”, 8:3 (2014). Special issue: Dialogue Interpreting in practice: bridging the gap between empirical research and interpreter education E. Davitti and S. Pasquandrea (eds.) www.tandfonline.com/toc/ritt20/current#.VLQHuyvF-So 6) WEBS DE INTERÉS / WEBSITES OF INTEREST: 1. Support Spanish interpreters to secure the right to translation and interpreting in criminal proceedings: www.change.org/p/pablo-casado-retiren-el-proyecto-de-ley-org%C3%A1nica-que-modifica-la-lecrim

“Transfer” XII: 1-2 (mayo 2017), pp. 212-225. ISSN: 1886-554 212 NOTICIAS / NEWS (“transfer”, 2017) 1) CONGRESOS / CONFERENCES: 1. 8th Asian Translation Traditions Conference: Conflicting Ideologies and Cultural Mediation – Hearing, Interpreting, Translating Global Voices SOAS, University of London, UK (5-7 July 2017) www.translationstudies.net/joomla3/index.php 2. 8th International Conference of the Iberian Association of Translation and Interpreting (AIETI8), Universidad de Alcalá, Madrid, Spain (8-10 March 2017) www.aieti8.com/es/presentation 3. MultiMeDialecTranslation 7 – Dialect translation in multimedia University of Southern Denmark, Odense, Denmark (17-20 May 2017) https://mmdtgroup.org 4. Texts and Contexts: The Phenomenon of Boundaries Vilnius University, Lithuania (27-28 April 2017) www.khf.vu.lt/aktualijos/skelbimai/220-renginiai/1853-texts-andcontexts- the-phenomenon-of-boundaries 5. 21st FIT World Congress: Disruption and Diversification Australian Institute of Interpreters and Translators (AUSIT), Brisbane, Australia (3-5 August 2017) www.fit2017.org/call-for-papers 6. 6th International Conference on PSIT (PSIT6) - Beyond Limits in Public Service Interpreting and Translating: Community Interpreting & Translation University of Alcalá, Spain (6-8 March 2017) www.tisp2017.com “Transfer” XII: 1-2 (mayo 2017), pp. 212-225. ISSN: 1886-554 213 7. International Conference: What Grammar Should Be Taught to Translators-to-be? University of Mons, Belgium (9-10 March 2017) Contact: gudrun.vanderbauwhede@umons.ac.be; indra.noel@umons.ac.be; adrien.kefer@umons.ac.be 8. The Australia Institute of Interpreters and Translators (AUSIT) 2016 National Conference Monash University, Melbourne, Australia (18-19 November 2017) www.ausit.org/AUSIT/Events/National_Miniconference_2016_Call_ for_Papers.aspx 9. 1st Congrès Mondial de la Traductologie – La traductologie : une discipline autonome Société Française de Traductologie, Université de Paris Ouest- Nanterre-La Défense, France (10-14 April 2017) www.societe-francaise-traductologie.com/congr-s-mondial 10. Working Our Core: for a Strong(er) Translation and Interpreting Profession Institute of Translation & Interpreting, Mercure Holland House Hotel, Cardiff (19-20 May 2017) www.iti-conference.org.uk 11. International conference T&R5 – Écrire, traduire le voyage / Writing, translating travel Antwerp , Belgium (31 May - 1 June 2018) winibert.segers@kuleuven.be 12. Retranslation in Context III - An international conference on retranslation Ghent University, Belgium (7-8 February 2017) www.cliv.be/en/retranslationincontext3 “Transfer” XII: 1-2 (mayo 2017), pp. 212-225. ISSN: 1886-554 214 13. 11th International Conference on Translation and Interpreting: Justice and Minorized Languages under a Postmonolingual Order Universitat Jaume I, Castelló de la Plana, Spain (10-12 May 2017) http://blogs.uji.es/itic11 14. 31è Congrès international d’études francophones (CIÉF) : Session de Traductologie – La francophonie à l’épreuve de l’étranger du dedans Martinique, France (26 June – 2 July 2017) https://secure.cief.org/wp/?page_id=913 15. Complexity Thinking in Translation Studies: In Search of Methodologies KU Leuven, Belgium (1-2 June 2017) www.ufs.ac.za/humanities/unlistedpages/ complexity/complexity/home-page 16. 1st International Conference on Dis/Ability Communication (ICDC): Perspectives & Challenges in 21st Century Mumbai University, India (9-11 January 2017) www.icdc2016-universityofmumbai.org 17. Lost and Found in Transcultural and Interlinguistic Translation Université de Moncton, Canada (2-4 November 2017) gillian lane-mercier@mcgill.ca; michel.mallet@umoncton.ca; denise.merkle@umoncton.ca 18. Translation and Cultural Memory (Conference Panel) American Comparative Literature Association's 2017 Annual Meeting University of Utrecht, The Netherlands (6-9 July 2017) www.acla.org/translation-and-cultural-memory 19. Media for All 7 – A Place in Between Hamad bin Khalifa University, Doha, Qatar (23-25 October 2017) http://tii.qa/en/7th-media-all-international-conference “Transfer” XII: 1-2 (mayo 2017), pp. 212-225. ISSN: 1886-554 215 20. Justice and Minorized Languages in a Postmonolingual Order. XI International Conference on Translation and Interpreting Universitat Jaume I, Castellón, Spain (10-12 May 2017) monzo@uji.es http://blogs.uji.es/itic11/ 21. On the Unit(y) of Translation/Des unités de traduction à l'unité de la traduction Paris Diderot University, Université libre de Bruxelles and University of Geneva (7 July 2017 (Paris) / 21 October 2017 (Brussels) / 9 December 2017 (Geneva) www.eila.univ-paris-diderot.fr/recherche/conf/ciel/traductologieplein- champ/index?s[]=traductologie&s[]=plein&s[]=champ 22. The Translator Made Corporeal: Translation History and the Archive British Library Conference Centre, London, UK (8 May 2017) deborah.dawkin@bl.uk 23. V International Conference Translating Voices Translating Regions - Minority Languages, Risks, Disasters and Regional Crises Europe House and University College London, UK (13-15 December 2017) www.ucl.ac.uk/centras/translation-news-and-events/vtranslatingvoices 24. 8th Annual International Translation Conference - 21st Century Demands: Translators and Interpreters towards Human and Social Responsibilities Qatar National Convention Centre, Doha, Qatar (27-28 March 2017) http://tii.qa/en/8th-annual-international-translation-conference 25. Complexity Thinking in Translation Studies: In Search of Methodologies KU Leuven, Belgium (1-2 June 2017) www.ufs.ac.za/humanities/unlistedpages/ complexity/complexity/home-page “Transfer” XII: 1-2 (mayo 2017), pp. 212-225. ISSN: 1886-554 216 26. 15th International Pragmatics Conference (IPrA 2017) – Films in Translation – All is Lost: Pragmatics and Audiovisual Translation as Cross-cultural Mediation (Guillot, Desilla, Pavesi). Conference Panel. Belfast, Northern Ireland, UK (16-21 July 2017) http://ipra.ua.ac.be/main.aspx?c=*CONFERENCE2006&n=1296 2) CURSOS, SEMINARIOS, POSGRADOS / COURSES, SEMINARS, MA PROGRAMMES: 1. MA in Intercultural Communication in the Creative Industries University of Roehampton, London, UK www.roehampton.ac.uk/postgraduate-courses/Intercultural- Communication-in-the-Creative-Industries 2. Máster Universitario en Comunicación Intercultural, Interpretación y Traducción en los Servicios Públicos Universidad de Alcalá, Spain www3.uah.es/master-tisp-uah 3. Máster Universitario de Traducción Profesional Universidad de Granada, Spain http://masteres.ugr.es/traduccionprofesional/pages/master 4. Workshop: History of the Reception of Scientific Texts in Translation – Congrès mondial de traductologie Paris West University Nanterre-La Défense, France (10-14 April 2017) https://cmt.u-paris10.fr/submissions 5. MA programme: Traduzione audiovisiva, 2016-2017 University of Parma, Italy www.unipr.it/node/13980 “Transfer” XII: 1-2 (mayo 2017), pp. 212-225. ISSN: 1886-554 217 6. MA in the Politics of Translation Cairo University, Egypt http://edcu.edu.eg 7. Research Methods in Translation and Interpreting Studies University of Geneva, Switzerland (Online course) www.unige.ch/formcont/researchmethods-distance1 www.unige.ch/formcont/researchmethods-distance2 8. MA programme: Investigación en Traducción e Interpretation, 2016-2017 Universitat Jaume I, Castellón, Spain monzo@uji.es www.mastertraduccion.uji.es 9. MA programme: Traduzione Giuridica - Master di Secondo Livello University of Trieste, Italy Italy http://apps.units.it/Sitedirectory/InformazioniSpecificheCdS /Default.aspx?cdsid=10374&ordinamento=2012&sede=1&int=web &lingua=15 10. Process-oriented Methods in Translation Studies and L2 Writing Research University of Giessen, Germany (3-4 April 2017) www.uni-giessen.de/gal-research-school-2017 11. Research Methods in Translation and Interpreting Studies (I): Foundations and Data Analysis (Distance Learning) www.unige.ch/formcont/researchmethods-distance1 Research Methods in Translation and Interpreting Studies (II): Specific Research and Scientific Communication Skills (Distance Learning) www.unige.ch/formcont/researchmethods-distance2 University of Geneva, Switzerland “Transfer” XII: 1-2 (mayo 2017), pp. 212-225. ISSN: 1886-554 218 3) LIBROS / BOOKS: 1. Carl, Michael, Srinivas Bangalore and Moritz Schaeffer (eds) 2016. New Directions in Empirical Translation Process Research: Exploring the CRITT TPR-DB. Cham: Springer. http://link.springer.com/book/10.1007/978-3-319-20358-4 2. Antoni Oliver. 2016. Herramientas tecnológicas para traductores. Barcelona: UOC. www.editorialuoc.com/herramientas-tecnologicas-para-traductores 3. Rica Peromingo, Juan Pedro. 2016. Aspectos lingüísticos y técnicos de la traducción audiovisual (TAV). Frakfurt am Main: Peter Lang. www.peterlang.com?432055 4.Takeda, Kayoko and Jesús Baigorri-Jalón (eds). 2016. New Insights in the History of Interpreting. Amsterdam: John Benjamins. https://benjamins.com/#catalog/books/btl.122/main 5. Esser, Andrea, Iain Robert Smith & Miguel Á. Bernal-Merino (eds). 2016. Media across Borders: Localising TV, Film and Video Games. London: Routledge. www.routledge.com/products/9781138809451 6. Del Pozo Triviño, M., C. Toledano Buendía, D. Casado-Neira and D. Fernandes del Pozo (eds) 2015. Construir puentes de comunicación en el ámbito de la violencia de género/ Building Communication Bridges in Gender Violence. Granada: Comares. http://cuautla.uvigo.es/sos-vics/entradas/veruno.php?id=216 7. Ramos Caro, Marina. 2016. La traducción de los sentidos: audiodescripción y emociones. Munich: Lincom Academic Publishers. http://lincom-shop.eu/epages/57709feb-b889-4707-b2cec666fc88085d. sf/de_DE/?ObjectPath=%2FShops%2F57709feb“ Transfer” XII: 1-2 (mayo 2017), pp. 212-225. ISSN: 1886-554 219 b889-4707-b2cec666fc88085d% 2FProducts%2F%22ISBN+9783862886616%22 8. Horváth , Ildikó (ed.) 216. The Modern Translator and Interpreter. Budapest: Eötvös University Press. www.eltereader.hu/media/2016/04/HorvathTheModernTranslator. pdf 9. Ye, Xin. 2016. Educated Youth. Translated by Jing Han. Artarmon: Giramondo. www.giramondopublishing.com/forthcoming/educated-youth 10. Martín de León, Celia and Víctor González-Ruiz (eds). 2016. From the Lab to the Classroom and Back Again: Perspectives on Translation and Interpreting Training. Oxford: Peter Lang. www.peterlang.com?431985 11. FITISPos International Journal, 2016 vol.3: A Retrospective View on Public Service Translation and Interpreting over the Last Decade as well as the Progress and Challenges that Lie Ahead www3.uah.es/fitispos_ij 12. Dore, Margherita (ed.) 2016. Achieving Consilience. Translation Theories and Practice. Newcastle: Cambridge Scholars Publishing. www.cambridgescholars.com/achieving-consilience 13. Antonini, Rachele & Chiara Bucaria (eds). 2016. Nonprofessional Interpreting and Translation in the Media. Frankfurt am Main: Peter Lang. www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detai lseiten&seitentyp=produkt&pk=82359&cid=5&concordeid=265483 14. Álvarez de Morales, Cristina & Catalina Jiménez (eds). 2016. Patrimonio cultural para todos. Investigación aplicada en traducción accesible. Granada: Tragacanto. www.tragacanto.es/?stropcion=catalogo&CATALOGO_ID=22 “Transfer” XII: 1-2 (mayo 2017), pp. 212-225. ISSN: 1886-554 220 15. Poznan Studies in Contemporary Linguistics, special issue on Language Processing in Translation, Volume 52, Issue 2, Jun 2016. www.degruyter.com/view/j/psicl.2016.52.issue-2/issuefiles/ psicl.2016.52.issue-2.xml?rskey=z4L1sf&result=6 16. Translation and Conflict: Narratives of the Spanish Civil War and the Dictatorship Contact: alicia.castillovillanueva@dcu.ie; lucia.pintado@dcu.ie 17. Cerezo Merchán, Beatriz, Frederic Chaume, Ximo Granell, José Luis Martí Ferriol, Juan José Martínez Sierra, Anna Marzà y Gloria Torralba Miralles. 2016. La traducción para el doblaje. Mapa de convenciones. Castelló de la Plana: Publicacions de la Universitat Jaume I. www.tenda.uji.es/pls/www/!GCPPA00.GCPPR0002?lg=CA&isbn=97 8-84-16356-00-3 18. Martínez Tejerina, Anjana. 2016. El doblaje de los juegos de palabras. Barcelona: Editorial UOC. www.editorialuoc.com/el-doblaje-de-los-juegos-de-palabras 19. Chica Núñez, Antonio Javier. 2016. La traducción de la imagen dinámica en contextos multimodales. Granada: Ediciones Tragacanto. www.tragacanto.es 20. Valero Garcés, Carmen (ed.) 2016. Public Service Interpreting and Translation (PSIT): Training, Testing and Accreditation. Alcalá: Universidad de Alcalá. www1.uah.es/publicaciones/novedades.asp 21. Rodríguez Muñoz, María Luisa and María Azahara Veroz González (Eds) 2016. Languages and Texts Translation and Interpreting in Cross Cultural Environments. Córdoba: Universidad de Córdoba. www.uco.es/ucopress/index.php/es/catalogo/materias- 3/product/548-languages-and-texts-translation-and-interpreting“ Transfer” XII: 1-2 (mayo 2017), pp. 212-225. ISSN: 1886-554 221 in-cross-cultural-environments 22. Mereu, Carla. 2016. The Politics of Dubbing. Film Censorship and State Intervention in the Translation of Foreign Cinema in Fascist Italy. Oxford: Peter Lang. www.peterlang.com/view/product/46916 23. Venuti, Lawrence (ed.) 2017. Teaching Translation: Programs, Courses, Pedagogies. New York: Routledge. www.routledge.com/Teaching-Translation-Programs-coursespedagogies/ VENUTI/p/book/9781138654617 24. Jankowska, Anna. 2015. Translating Audio Description Scripts. Translation as a New Strategy of Creating Audio Description. Frankfurt: Peter Lang. www.peterlang.com/view/product/21517 25. Cadwell, Patrick and Sharon O'Brien. 2016. Language, culture, and translation in disaster ICT: an ecosystemic model of understanding. Perspectives: Studies in Translatology. www.tandfonline.com/doi/full/10.1080/0907676X. 2016.1142588 26. Baumgarten, Stefan and Chantal Gagnon (eds). 2016. Translating the European House - Discourse, Ideology and Politics (Selected Papers by Christina Schäffner). Newcastle: Cambridge Scholars Publishing. www.cambridgescholars.com/translating-the-european-house 27. Gambier, Yves and Luc van Doorslaer (eds) 2016. Border Crossings – Translation Studies and other disciplines. Amsterdam: John Benjamins. www.benjamins.com/#catalog/books/btl.126/main 28. Setton, Robin and Andrew Dawrant. 2016. Conference Interpreting – A Complete Course. Amsterdam: John Benjamins. https://benjamins.com/#catalog/books/btl.120/main “Transfer” XII: 1-2 (mayo 2017), pp. 212-225. ISSN: 1886-554 222 29. Setton, Robin and Andrew Dawrant. 2016. Conference Interpreting – A Trainer’s Guide. Amsterdam: John Benjamins. https://benjamins.com/#catalog/books/btl.121/main 5) REVISTAS / JOURNALS: 1. Technology and Public Service Translation and Interpreting, Special Issue of Translation and Interpreting Studies 13(3) Contact: Nike Pokorn (nike.pokorn@ff.uni-lj.si) & Christopher Mellinger (cmellin2@kent.edu) www.atisa.org/tis-style-sheet 2. Translator Quality – Translation Quality: Empirical Approaches to Assessment and Evaluation, special issue of Linguistica Antverpiensia, New Series (16/2017) Contact: Geoffrey S. Koby (gkoby@kent.edu); Isabel Lacruz (ilacruz@kent.edu) https://lans-tts.uantwerpen.be/index.php/LANSTTS/ announcement 3. Special Issue of the Journal of Internationalization and Localization on Video Game Localisation: Ludic Landscapes in the Digital Age of Translation Studies Contacts: Xiaochun Zhang (xiaochun.zhang@univie.ac.at) and Samuel Strong (samuel.strong.13@ucl.ac.uk) 4. mTm Translation Journal: Non-thematic issue, Vol. 8, 2017 www.mtmjournal.gr Contacts: Anastasia Parianou (parianou@gmail.com) and Panayotis Kelandrias (kelandrias@ionio.gr) “Transfer” XII: 1-2 (mayo 2017), pp. 212-225. ISSN: 1886-554 223 5. CLINA - An Interdisciplinary Journal of Translation, Interpreting and Intercultural Communication, Special Issue on Interpreting in International Organisations. Research, Training and Practice, 2017 (2) revistaclina@usal.es http://diarium.usal.es/revistaclina/home/call-for-papers 6. Technology and Public Service Translation and Interpreting, Special Issue of Translation and Interpreting Studies, 2018, 13(3) www.atisa.org/call-for-papers 7. Literatura: teoría, historia, crítica, special issue on Literature and Translation www.literaturathc.unal.edu.co 8. Tradumàtica: Journal of Translation Technologies Issue 14 (2016): Translation and mobile devices www.tradumatica.net/revista/cfp.pdf 9. Ticontre. Teoria Testo Traduzione. Special issue on Narrating the Self in Self-translation www.ticontre.org/files/selftranslation-it_en.pdf 10. Terminology, International Journal of Theoretical and Applied Issues in Specialized Communication Thematic issue on Food and Terminology, 23(1), 2017 www.benjamins.com/series/term/call_for_papers_special_issue_23 -1.pdf 11. Cultus: the Journal of Intercultural Communication and Mediation. Thematic issue on Multilinguilism, Translation, ELF or What?, Vol. 10, 2017 www.cultusjournal.com/index.php/call-for-papers 12. Translation Spaces Special issue on No Hard Feelings? Exploring Translation as an Emotional Phenomenon “Transfer” XII: 1-2 (mayo 2017), pp. 212-225. ISSN: 1886-554 224 Contact: severine.hubscher-davidson@open.ac.uk 13. Revista electrónica de didáctica de la traducción y la interpretación (redit), Vol. 10 www.redit.uma.es/Proximo.php 14. Social Translation: New Roles, New Actors Special issue of Translation Studies 12(2) http://explore.tandfonline.com/cfp/ah/rtrs-si-cfp 15. Translation in the Creative Industries, special issue of The Journal of Specialised Translation 29, 2018 www.jostrans.org/Translation_creative_industries_Jostrans29.pdf 16. Translation and the Production of Knowledge(s), special issue of Alif 38, 2018 Contact: mona@monabaker.com,alifecl@aucegypt.edu, www.auceg ypt.edu/huss/eclt/alif/Pages/default.aspx 17. Revista de Llengua i Dret http://revistes.eapc.gencat.cat/index.php/rld/index 18. Call for proposals for thematic issues, Linguistica Antverpiensia New Series https://lans-tts.uantwerpen.be/index.php/LANSTTS/ announcement/view/8 19. Journal On Corpus-based Dialogue Interpreting Studies, special issue of The Interpreters’ Newsletter 22, 2017 www.openstarts.units.it/dspace/handle/10077/2119 20. Díaz Cintas, Jorge, Ilaria Parini and Irene Ranzato (eds) 2016. Ideological Manipulation in Audiovisual Translation, special issue of “Altre Modernità”. http://riviste.unimi.it/index.php/AMonline/issue/view/888/show Toc “Transfer” XII: 1-2 (mayo 2017), pp. 212-225. ISSN: 1886-554 225 21. PUNCTUM- International Journal of Semiotics, special issue on Semiotics of Translation, Translation in Semiotics. Volume 1, Issue 2 (2015) http://punctum.gr 22. The Interpreters' Newsletter, Special Issue on Dialogue Interpreting, 2015, Vol. 20 www.openstarts.units.it/dspace/handle/10077/11848 23. Gallego-Hernández, Daniel & Patricia Rodríguez-Inés (eds.) 2016. Corpus Use and Learning to Translate, almost 20 Years on. Special Issue of Cadernos de Tradução 36(1). https://periodicos.ufsc.br/index.php/traducao/issue/view/2383/s howToc 24. 2015. Special Issue of IberoSlavica on Translation in Iberian- Slavonic Cultural Exchange and beyond. https://issuu.com/clepul/docs/iberoslavica_special_issue 26. The AALITRA Review: A Journal of Literary Translation, 2016 (11) www.lib.latrobe.edu.au/ojs/index.php/AALITRA/index 27. Transcultural: A Journal of Translation and Cultural Studies 8.1 (2016): "Translation and Memory" https://ejournals.library.ualberta.ca/index.php/TC/issue/view/18 77/showToc 28. JoSTrans, The Journal of Specialised Translation, issue 26 www.jostrans.org 29. L’Écran traduit, 5 http://ataa.fr/revue/archives/4518

Understanding how acting bridges the emotional bond between spectators and films is essential to depict how humans interact with this rapidly growing digital medium. In recent decades, the research community made promising progress in developing facial expression recognition (FER) methods. However, no emphasis has been put in cinematographic content, which is complex by nature due to the visual techniques used to convey the desired emotions. Our work represents a step towards emotion identification in cinema through facial expressions’ analysis. We presented a comprehensive overview of the most relevant datasets used for FER, highlighting problems caused by their heterogeneity and to the inexistence of a universal model of emotions. Built upon this understanding, we evaluated these datasets with a standard image classification models to analyze the feasibility of using facial expressions to determine the emotional charge of a film. To cope with the problem of lack of datasets for the scope under analysis, we demonstrated the feasibility of using a generic dataset for the training process and propose a new way to look at emotions by creating clusters of emotions based on the evidence obtained in the experiments.

The numerical study of relativistic magnetohydrodynamics (MHD) plays a crucial role in high-energy astrophysics but unfortunately is computationally demanding, given the complex physics involved (high Lorentz factor flows, extreme magnetization, and curved spacetimes near compact objects) and the large variety of spatial scales needed to resolve turbulent motions. A great benefit comes from the porting of existing codes running on standard processors to GPU-based platforms. However, this usually requires a drastic rewriting of the original code, the use of specific languages like CUDA, and a complex analysis of data management and optimization of parallel processes. Here, we describe the porting of the ECHO code for special and general relativistic MHD to accelerated devices, simply based on native Fortran language built-in constructs, especially do concurrent loops, few OpenACC directives, and straightforward data management provided by the Unified Memory option of NVIDIA compilers. Thanks to these very minor modifications to the original code, the new version of ECHO runs at least 16 times faster on GPU platforms as compared to CPU-based ones. The chosen benchmark is the 3D propagation of a relativistic MHD Alfvén wave, for which strong and weak scaling tests performed on the LEONARDO pre-exascale supercomputer at CINECA are provided (using up to 256 nodes corresponding to 1024 GPUs, and over 14 billion cells). Finally, an example of high-resolution relativistic MHD Alfvénic turbulence simulation is shown, demonstrating the potential for astrophysical plasmas of the new GPU-based version of ECHO.

Terra em Transe de Glauber Rocha (1967) mostra a realidade da política brasileira “em transe” há 50 anos. Em ano de lembrança e luta dos 50 anos do AI-5 buscamos nesta pesquisa discutir o filme Terra em Transe, como obra central do período do Cinema Novo, que cumpriu e cumpre um papel revelador do período militar, caracterizado pelo estado de exceção e, principalmente, seguindo o pensamento de Giorgio Agamben, pela permanência do estado de exceção em meio ao estado democrático de direito.

Este artigo oferece um estudo do filme Aquarius(AQUARIUS, 2016), de Kleber Mendonça Filho, em comparação com Terra em Transe(TERRA, 1967), de Glauber Rocha. O interesse em analisar os dois filmes de forma comparativa decorre da recepção polêmica que Aquariusrecebeu quando seu diretor e elenco utilizaram o lançamento internacional, no Festival de Cannes em 2016, para protestar publicamente contra o impeachment da presidente Dilma Rousseff, interpretado como golpe brando. Terra em Transe (TERRA, 1967), por outro lado, é um filme canônico do cinema brasileiro, considerado uma alegoria de outro golpe, o duro golpe militar de 1964. Devido aos contextos políticos de ambos os filmes, perguntarei se eles podem ser entendidos como diagnósticos do Brasil e, se este for o caso, como estes diagnósticos são desenvolvidos e se podem ser interpretados como potencial emancipatório. Minhas análises, e a comparação, serão guiadas pela definição antropológica de filme de ficção do filósofo alemão Martin Seel. Ele entende a mídia como aquela forma de arte que mais fortemente é capaz de mover-nos emocionalmente para eventualmente mover-nos intelectualmente. Ao aliar a definição da política do filósofo francês Jacques Rancière, argumentarei que isso pode desdobrar-se também, mas não necessariamente, em fazer-nos agir. Discutirei, portanto, o potencial de Aquarius (AQUARIUS, 2016)e de Terra em Transe(TERRA, 1967) em mover-nos e fazer-nos mover, no sentido de nos fazer compreender a estrutura sociopolítica do Brasil para atuar, eventualmente, nela.