Dissertations / Theses on the topic 'Transcendental art'
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1
McDonald, Roger. "Histories of the transcendental in art : Romanticism, Zen and Mark Tobey." Thesis, University of Kent, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311230.
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Bertorello, Adrián, and Julieta Bareiro. "Work of Art and Nature in the Transcendental of Freudian Metapsychology in Paul Ricoeur." Pontificia Universidad Católica del Perú - Departamento de Humanidades, 2016. http://repositorio.pucp.edu.pe/index/handle/123456789/112758.
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The purpose of this article is to investigate the aporia of the epistemological status of Freudian metapsychology as represented by Ricoeur’s hermeneutics. This aporia centers on the concept of psychic nature as the ultimate target of metapsychological speculation. The question this article addresses is whether the psychic apparatus that emerges from metapsychological speculation responds to a conception of nature that belongs to a physical model or a phenomenological model. This question has an ambiguous answer in Ricoeur’s work. In order to show the ambiguity, we begin by examining the transcendental reading Ricoeur makes of metapsychology. Then, we explain the aporia of Freudian naturalism, and following a suggestion by Ricoeur, we indicate a way out of it through the argumentative reconstruction of the relationship between artwork and psychic nature.El presente trabajo tiene como propósito investigar la aporía del estatuto epistemológico de la metapsicología freudiana tal como aparece representado en la hermenéutica de Paul Ricoeur. Dicha aporía se centra en el concepto de naturaleza psíquica como referente último de la especulación metapsicológica. El hilo conductor de la exposición radica en determinar si el aparato psíquico que surge de la especulación metapsicológica da cuenta de una concepción de la naturaleza que se rige o bien por un modelo físico o bien por un modelo fenomenológico. Este problema tiene una respuesta ambigua en Ricoeur. A fin de mostrar esta ambigüedad se aborda, en primer lugar, la lectura trascendental que Ricoeur hace de la metapsicología. Luego, en un segundo momento, se presenta la aporía del naturalismo freudiano y, siguiendo una indicación de Ricoeur, se señala una salida a dicha dificultad mediante la reconstrucción argumentativa del vínculo entre obra de arte y naturaleza psíquica.
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Maeng, Hyeyoung. "Documentation art and Korean Bunche painting : an investigation of Deleuze's Transcendental Realism through the painting process." Thesis, Lancaster University, 2017. http://eprints.lancs.ac.uk/125344/.
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This art practice-based research aims to rediscover Gilles Deleuze’s theory of art as an aesthetics of Transcendental Realism through the process of Korean Bunche painting. Bunche painting, which I have been working on for twenty years, refers to a thousand-yearold traditional Korean painting technique which uses powder pigments mixed with water glue (Agyo) on Korean paper (Hanji) in multiple layers. By means of an action research methodology, a series of my Bunche paintings’ processes were documented with digital photography and film, and reinvented as an independent video art piece which I call Documentation Art. This Documentation Art project challenges the conventional understanding of modern Korean Bunche painting in relation to the influence of Japanese Nihonga and Western abstract painting, and produces a new experimental potentiality, by means of interdisciplinary studies of Deleuze’s theory of art and the Korean art movement of Trueview (Jingyeong) realism. Throughout this research project, I explore how Deleuze’s process ontology and ‘virtuality’ give form to Documentation Art through ‘becoming’ and ‘desubjectification’ associated with transcendental time. Deleuze’s concept of the transcendental field of immanence, as a condition of real experience, radically recasts Plato’s Idea and subverts the notion of representation derived from Kantian transcendental aesthetic. This is the basis of the aesthetics of Transcendental Realism which integrates Deleuze’s ‘transcendental aesthetics of sensation’ with the aesthetics of ‘view from Tao’, based on Deleuze’s ontological position of the univocity of being. As a result, the Documentation Art is provisionally defined as Agencement machines, which operate by connecting different fields, and giving the connected assemblages entirely new sensesthrough the experimental process. In Deleuze’s aesthetics of Transcendental Realism, the Documentation Art project searches for the real in the deepest of Deleuze’s ontological layer, where transcendental time is encountered, underneath conceptual representation and interpretation.
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Lefler, Thomas J. "In Search of a Transcendental Film Style: The Cinematic Art Form and the Mormon Motion Picture." Diss., CLICK HERE for online access, 1996. http://patriot.lib.byu.edu/u?/MTGM,23527.
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Brown, Natalie. "Art and consciousness in light of Maharishi Vedic science." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2011. https://ro.ecu.edu.au/theses/378.
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This research examines the field of art and consciousness in light of Maharishi Vedic Science. Maharishi Vedic Science is a complete science of consciousness and its expressions, based on ancient Vedic knowledge, as elucidated by His Holiness Maharishi Mahesh Yogi, the foremost scholar in the field of consciousness. The research explores the practical application of Maharishi‘s technologies of consciousness― the Transcendental Meditation program and TM-Sidhi program, and simultaneously the theoretical understanding of consciousness through the study of Maharishi Vedic Science. The research examines this knowledge by considering two questions- Question 1―What is the benefit of the practical technologies and theoretical knowledge of Maharishi Vedic Science for the arts and the artist? Question 2―Through my own subjective research into consciousness, how has this knowledge affected the outcome of my creative practice? This research is both an intellectual objective analysis and simultaneously a subjective investigation through my own personal experience in the development of consciousness. The research elucidates Maharishi Vedic Science and verifies it through modern scientific research, art and its foundation in creative intelligence, the history of art and its future potential, and my own personal artwork and creative process that has grown through the understanding and practical application of Maharishi Vedic Science in my daily life.
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Grier, Michelle. "Kant's doctrine of transcendental illusion /." Cambridge : Cambridge university press, 2001. http://catalogue.bnf.fr/ark:/12148/cb40196532z.
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Prado, Júnior Bento. "Presença e campo transcendental : consciência e negatividade na filosofia de Bergson /." São Paulo : Ed. da Universidade de São Paulo, 1989. http://catalogue.bnf.fr/ark:/12148/cb35514098n.
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Talley, Sharon. "A Sensory Tour of Cape Cod: Thoreau's Transcendental Journey to Spiritual Renewal." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2264/.
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Predominantly darker than his other works, Cape Cod depicts Henry David Thoreau's interpretation of life as a struggle for survival and a search for salvation in a stark New England setting. Representing Thoreau's greatest test of the goodness of God and nature, the book illustrates the centrality of the subject of death to Thoreau's philosophy of life. Contending that Thoreau's journey to the Cape originated from an intensely personal transcendental impulse connected with his brother's death, this study provides the first in-depth examination of Thoreau's use of the five senses in Cape Cod to reveal both the eccentricities inherent in his relationship with nature and his method of resolving his fears of mortality. Some of the sense impressions in Cape Cod--particularly those that center around human death and those that involve tactile sensations--suggest that Thoreau sometimes tried to master his fears by subconsciously altering painful historical facts or by avoiding the type of sensual contact that aggravated the repressed guilt he suffered from his brother's death. Despite his personal idiosyncrasies, however, Thoreau persisted in his search for truth, and the written record of his journey in Cape Cod documents how his dedication to the transcendental process enabled him to surmount his inner turmoil and reconfirm his intuitive faith. In following this process to spiritual renewal, Thoreau begins with subjective impressions of nature and advances to knowledge of objective realities before ultimately reaching symbolic and universal truth. By analyzing nature's lessons as they evolve from Thoreau's use of his senses, this dissertation shows that Cape Cod, rather than invalidating Thoreau's faith, actually expands his transcendental perspective and so rightfully stands beside Walden as one of the fundamental cornerstones of his canon. In addition, the study proffers new support for previous psychoanalytical interpretations of Thoreau and his writings, reveals heretofore unrecognized historical inaccuracies in his account of the shipwreck that frames the book's opening, and provides the first detailed consideration of the linguistic implications of Cape Cod.
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Coiculescu, Ion. "Dynamics, Thermodynamic formalism and Perturbations of Transcendental Entire Functions of Finite Singular Type." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4783/.
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In this dissertation, we study the dynamics, fractal geometry and the topology of the Julia set of functions in the family H which is a set in the class S, the Speiser class of entire transcendental functions which have only finitely many singular values. One can think of a function from H as a generalized expanding function from the cosh family. We shall build a version of thermodynamic formalism for functions in H and we shall show among others, the existence and uniqueness of a conformal measure. Then we prove a Bowen's type formula, i.e. we show that the Hausdorff dimension of the set of returning points, is the unique zero of the pressure function. We shall also study conjugacies in the family H, perturbation of functions in the family and related dynamical properties. We define Perron-Frobenius operators for some functions naturally associated with functions in the family H and then, using fundamental properties of these operators, we shall prove the important result that the Hausdorff dimension of the subset of returning points depends analytically on the parameter taken from a small open subset of the n-dimensional parameter space.
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Vincs, Robert, and robert vincs@deakin edu au. "African heart, eastern mind: the transcendent experience through improvised music." Deakin University. School of Communication and Creative Arts, 2002. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20061207.121703.
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Brymer, George Eric. "Extreme dude! a phenomenological perspective on the extreme sport experience /." Access electronically, 2005. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060508.145406/index.html.
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Ran, Chih-Ping, and 冉治平. "The Transcendental in painting-Art Works by Ran,Chih-Ping." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/07767180821152375396.
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碩士國立臺中教育大學
美術學系碩士班
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Abstract The research about The Transcendental in painting take author's creation between 2004 and 2008 as the core. Subject studied as this thesis. By theory analyses with the plural form style .Demonstrate the one's own painting language. The theoretical foundation of this research is in the operation of creating through sense organ and consciousness. Searching the picture building and constructing in Transcendental And with the relevant works on the history of art .Through the Space-time put and compound by mistake、reorganization of the image、simulacra to development a serial create theme such as experience with transcendental、space-time piece together、view-point pluralism. besides the form and material、skill of painting is noted down the course of creation. in the research, creative theme and content are divided into create intension and form with skill two parts. Creation main shaft of this research is not only transformed picture into an image also look for the phenomenon from the reality to build and construct the essence of things. Break the space-time law in works and try to Combine different painting forms and finish works With such artistic research, I express the thought of life in space and time, and expanding the creative style myself.
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Allan, Michele Margaret. "‘LIQUID SPACE’: a visual investigation of the sea as an empirical, experiential and metaphoric space." Phd thesis, 2013. http://hdl.handle.net/1885/13491.
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Artworks produced in this studio-based research (option D) involve exploration
of the ‘liquid space’ of the sea, not just in its physical and sensual nature and the
way the sea looks, but also with what the sea inspires. They explore the spatial
dynamics of underwater terrains, convergences of inner and outer ‘space’, and
question if and how the numinous and immaterial might be made manifest in the
material. References to the traditional story of Jonah and the Whale operate as a
contemporary metaphor for the sea as a site of death and renewal. Through the
creation of series of paintings, works on paper and engraved glass overlays, the sea
is examined as a synthesis of the complex and diverse on many fluidly interacting
levels, including the empirical, experiential and metaphoric. As a poetic space with
many levels of resonance, it becomes ground for exploring the creative process,
the nature of being and processes of transformation and change within each.
Research questions include: What might a contemporary expression of
the interaction of the physical and metaphysical self be like? How might a
synthesis of abstraction and representation be created in the visual language of
painting? How might concepts of unity be reconciled with rhythms of death and
renewal, transformation and change? Does unity necessarily mean uniform?
A significant aspect of this research has been the generation of artworks on or through
field trips to locations by the sea - Cape Leveque in North-east Australia, Heron Island
Research Station on the Great Barrier Reef and South Bruny Island in Tasmania. In
exploring the interface between abstraction and representation, unity and diversity,
and the inner and outer worlds, I have discovered the sea rich ground for reenvisioning
these seeming opposites as co-creative, relational and finally inseparable.
The ‘Wave’ structure of the Exegesis is more than usually organic in form. Conventional
chapters are replaced by multiple and varied sections, each called a WAVE and written
in changing ‘voice’. Echoing the shifting rhythms of the sea, and in order to correspond
more directly to the way practice-driven research creates meaning, the wave structure
reflects the wider concerns of the research to synthesise the unexpected and diverse.
14
Ježek, Rostislav. "Husserl a neurofenomenologie: Epoché, interview, praxe." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-353191.
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Bc. Rostislav Ježek Diploma thesis - Husserl and neurofenomenology: Epoché, interview, practice Abstract The theme of this work is conception of practical usage of epoché in phenomenology, where epoché is carried out by philosopher in his lone meditation, and in the project of neurophenomenology, where epoché is to be found in the situation of interview. The aim of this work is, on the base of reflexion of the general practical framework of epoché, to put a question of the nature of epoché in phenomenology and of possibilities of its usage in neurophenomenology. These question will be anwered during the elaboration of progressive carrying out of epoché of experience of the one, who carries it out. We will see its natural affinity with the common attitude and with neurophenomenological epoché, which otherwise may seem naiv. Then, we will try to show, that Husserl's late theory of transcendental idealismus may be grasped as a conception of the influence, which the epoché exerts upon the experience of the one, who carries it out. At the end, we will try to show, that neurophenomenological research and research of neurophenomenology give phenomenology an oportunity to think deeper about its own methods. We will show, that the conception of dependence of the situation of the practical carrying out of epoché can...
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Barrette, Geneviève. "Les fonctions théoriques de la notion d’acte d’être (actus essendi) chez Thomas d’Aquin." Thèse, 2010. http://hdl.handle.net/1866/4873.
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Nous entendons, dans ce mémoire, préciser le sens d'actus essendi par l’analyse de
l’emploi du terme par Thomas d’Aquin. Bien que la notion d’acte d’être soit sousjacente
à nombre de développements philosophiques et théologiques de l’Aquinate,
elle n’est considérée pour elle-même dans aucun texte du corpus thomasien. En
exposant le cadre théorique des onze unités textuelles dans lesquelles on retrouve
nommément l’expression, nous explicitons les distinctions qu’opère Thomas entre
l’acte d’être et les notions ontologiques corrélatives (étant, quiddité, être du jugement
prédicatif et être commun). Si « actus essendi » désigne en premier lieu un principe
constitutif de l’étant, il peut encore désigner le terme abstrait correspondant à cette
perfection de l’étant. L’acte d’être est ainsi ce par quoi l’étant est étant; il est
cependant, au plan ontologique, propre à chaque étant singulier tandis que, au plan
conceptuel, le même terme exprime ce qui est commun à tous les étants. Une
traduction des extraits du Scriptum super Sententiis, des Quæstiones de quolibet, de
la Summa Theologiæ, des Quæstiones disputatæ De potentia, de l’Expositio libri De
hebdomadibus et de la Expositio libri Metaphysicæ a été produite pour les fins de
cette étude.In this paper, we intend to precise the meaning of actus essendi by analyzing how Thomas Aquinas uses this term. If the notion of the act of being underlies a number of Aquinas’ philosophical and theological developments, it is not treated in itself in any of his writings. By exposing the theoretical framework of the eleven textual units in which the expression namely appears, we explicate how he distinguishes between the act of being and the correlative ontological notions (the being, the essence, the predicamental judgment being and common being). If « actus essendi » first designates a constitutive principle of being, it can also designate the corresponding abstract term of this perfection of being. The act of being is that by which being is being; however, it belongs, at the ontological level, to each particular being whereas at the conceptual level, the same term expresses that which is common to all beings. Extracts of the following texts have been translated in French for this purpose: Scriptum super Sententiis, Quæstiones de quolibet, Summa Theologiæ, Quæstiones disputatæ De potentia, Expositio libri De hebdomadibus and the Sententia libri Metaphysicæ.
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Trnka, Jakub. "Kant a Husserl o transcendentálním charakteru zkušenosti." Doctoral thesis, 2014. http://www.nusl.cz/ntk/nusl-327202.
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The aim of the thesis is to examine both Husserl's and Kant's transcendentalism in a way that would avoid the tendency to put the main accent on Husserl, which is an approach common to almost all literature dealing with this topic so far. Since it is for the most part Husserl's own critique of Kant that inspires such ongoing underestimation of Kant in comparison to Husserl, this work focuss on the question of the legitimacy of this critique. The core of the thesis is an original interpretation of Kant's transcendental philosophy which, instead of taking for granted the phenomenological point of view, attempts to describe Kant's philosophical enterprise from its own perspective and in its own right. In its second part, the thesis provides a brief description of how Husserl, starting initially from the position of descriptive psychology, arrives at a transcendental dimension. When so put side by side, it becomes evident that the two transcendental positions are in fact very different. Husserl's critique of Kant then appears as unjustified, even though quite understandable as an attempt to draw back from certain immature motives of his own philosophy.