Relevant bibliographies by topics / Transcendence in literature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Transcendence in literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Transcendence in literature"

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Craig, Terrence. "“Transcendence” in Post-postmodern Literature." International Journal of Literary Humanities 11, no. 1 (2014): 21–25. http://dx.doi.org/10.18848/2327-7912/cgp/v11i01/43885.

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Jae-Seong Lee. "Non-representative Transcendence, Emptiness, Literature." New Korean Journal of English Lnaguage & Literature 56, no. 4 (November 2014): 119–32. http://dx.doi.org/10.25151/nkje.2014.56.4.007.

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Britt, Brian. "Religion and Literature: Outsider, Tradition, and Transcendence." Religion Compass 8, no. 1 (January 2014): 11–24. http://dx.doi.org/10.1111/rec3.12091.

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Kazanjian, Christopher, and Su-Jin Choi. "Bountiful enlightenment and transcendence." Journal of Global Responsibility 6, no. 1 (May 11, 2015): 113–27. http://dx.doi.org/10.1108/jgr-07-2014-0024.

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Purpose – The purpose of this paper is to offer educators and social workers three innovative tools to engage diverse community environments. Design/methodology/approach – The methodology of this paper comes from extensive research into areas of the 1950s Beat culture, humanistic psychology and Bhuddism. The literature has been synthesized to create the tools. Findings – The result of the literature review is three diverse yet helpful tools that educators and social workers can use for to help them serve diverse communities. Originality/value – This paper is significant because communities around the world are diversifying. Educators and social workers need better tools to help their methods become more effective. The authors offer these three tools as a gateway.
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Wood, David. "Toxicity and Transcendence." Angelaki 16, no. 4 (December 2011): 31–42. http://dx.doi.org/10.1080/0969725x.2011.641343.

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Vattimo, G. "ETHICS WITHOUT TRANSCENDENCE?" Common Knowledge 9, no. 3 (October 1, 2003): 399–405. http://dx.doi.org/10.1215/0961754x-9-3-399.

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Carter, Marybeth. "Painting Transcendence." Jung Journal 13, no. 3 (July 3, 2019): 170–78. http://dx.doi.org/10.1080/19342039.2019.1636364.

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Simpson, Ace V., and Marco Berti. "Transcending Organizational Compassion Paradoxes by Enacting Wise Compassion Courageously." Journal of Management Inquiry 29, no. 4 (January 2, 2019): 433–49. http://dx.doi.org/10.1177/1056492618821188.

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While organizational compassion has attracted increased scholarly interest over the past two decades, inherent paradoxical tensions have been largely overlooked. Transcendence of oppositions is widely recognized as the most effective paradox response. To gain insight about the transcendence of the paradoxical tensions in organizational compassion, we turn to the cultural context of Bhutan, where for centuries compassion has been held as a central virtue informing governance and daily life. Our analysis contributes to the literature on organizational compassion and on organizational paradoxes by (a) theorizing the application of Bhutan’s compassion transcendence strategies to the organizational context, (b) thereby engaging in cross-cultural analysis hereto overlooked in the organizational compassion literature, (c) highlighting paradoxes in compassion relations, and (d) providing a generalizable sociomaterial model for studying paradox transcendence.
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Gourgouris, S. "Transformation, Not Transcendence." boundary 2 31, no. 2 (June 1, 2004): 55–79. http://dx.doi.org/10.1215/01903659-31-2-55.

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Étienne, Marie-France, and Paul Gifford. "Love, Desire and Transcendence in French Literature: Deciphering Eros." Modern Language Review 102, no. 4 (October 1, 2007): 1163. http://dx.doi.org/10.2307/20467591.

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Dissertations / Theses on the topic "Transcendence in literature"

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Shonkwiler, Curt. "Humor as Epiphanic Awareness and Attempted Self-Transcendence." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:14226070.

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The starting premise of this dissertation is that the formal techniques of comedy make the comic novel a distinct form within the category of the novel, not just in terms of content, the way one novelistic genre is distinct from another, but also in terms of form, similar to the way poetry is distinct from prose. The argument is that the formal structures of comedy, such as set-ups, punchlines, and comic rhythm, combine to constitute a formally rigorous, almost rule-bound art form. These techniques are explored through close readings of various 20th century comic novels, in particular Voyage au bout de la nuit by Louis-Ferdinand Céline, Le Sabotage amoureux by Amélie Nothomb, Moskva-Pethushki by Venedikt Erofeev and Catch-22 Joseph Heller. The further extension of this argument is that these formal structures create certain fundamental characteristics the comic novel, which in turn instantiate spiritual and emotional functions of the comedy on a structural level. The most important of these functions are that comedy serves creates a sudden, epiphanic awareness of reality, a sense of self-transcendence, and an instant bond between people. Finally, the dissertation considers the limitations of these functions. For example, comedy creates awareness of that which was previously latently grasped, but rarely substantively new knowledge. The sense of self-transcendence it is real but momentary, fleeting. And the connection it fosters between people is instant but limited by its own basic impersonality.
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Hatt, Graceanne M. "Recreating identity: Acts of transcendence and resistance in Native American literature." Thesis, Wichita State University, 2009. http://hdl.handle.net/10057/2409.

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The Native American novel is inherently a “cross-cultural” device with roots both in the western written tradition and Indigenous oral tradition; a mix that oftentimes makes these novels difficult for readers, especially non-Native ones. What makes these texts particularly challenging is that the need for clarification in what and who an American Indian is becomes central to the text, and the way in which myth is enmeshed within the text plays a crucial role in answering that question. In this thesis essay, I examine two broad reoccurring thematic trends that emerge from Native American literature to help illuminate the ways in which myth is used in the project of recreating identity. Through the use of literary illustrations that represent each of these broad trends or strains, I will examine the means through which movement either away from or towards the larger cultural narrative aids the reader in recognizing the issues connected with each of these strains, and how that movement achieves the ends of either healing or subversion. Next I compare the two strains showing how myth as part of oral tradition is interwoven into a palatable western literary form, or how through the use of postmodern devices it is used as part of historical revisionism. The result of this analysis reveals recreating identity is not just a project for Native Americans, but non-Natives as well, as the reader is confronted with issues about the “other” that is a part and a genesis of our own heritage.
Thesis (M.A.)--Wichita State University, College of Liberal Arts and Sciences, Dept. of English
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Howell, Joanne Elizabeth. "Immanence and transcendence : aesthetic responses to 'madness' in women's literature from 1892." Thesis, Durham University, 2003. http://etheses.dur.ac.uk/1066/.

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Hawkins, Stephen R. ""Recurring in This Body": James Dickey and the Quest for Transcendence." W&M ScholarWorks, 1997. https://scholarworks.wm.edu/etd/1539626115.

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Bould, Mark Douglas. "Cyberpunk in retrospect : postmodernism and transcendence in science fiction after 1980." Thesis, University of Reading, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297701.

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Leo, Amy Lynn. "A Moment of Transcendence: Encountering Each Other In and Beyond the Fiction of Raymond Carver." Oberlin College Honors Theses / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1411138438.

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Aymar, Lindsay Ellyn-Megan. "Performing transcendence| Tracing the evolution of the jazz aesthetic in Ralph Ellison's Invisible Man." Thesis, California State University, Long Beach, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10102591.

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Music has always been an essential part of the African American experience and takes center stage in Ralph Ellison?s Invisible Man. Musicality flows through every line of the novel and the impact the jazz aesthetic has on the text is undeniable. This project seeks to examine the various ways in which specific elements of the jazz aesthetic appear in the text and represent the emotional journey of the novel?s narrator. Focusing specifically on the techniques of vamping, call and response, and improvisation, this project will trace the ways in which these techniques assist the narrator in overcoming the trauma he has suffered as an African American man in a bigoted American society.

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Phillips, Marion Jane. "Charlotte Bronte's concepts of transcendence and of authority in religion as manifested in her correspondence." Thesis, King's College London (University of London), 1991. https://kclpure.kcl.ac.uk/portal/en/theses/charlotte-brontes-concepts-of-transcendence-and-of-authority-in-religion-as-manifested-in-her-correspondence(ce24cb7e-bdbd-4d80-8f6d-989de33888fc).html.

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Sigvardson, Joakim. "Immanence and transcendence in Thomas Pynchon's "Mason & Dixon" : a phenomenological study /." Doctoral thesis, Stockholm : Almqvist & Wiksell, 2002. http://catalogue.bnf.fr/ark:/12148/cb39265658c.

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Page, Rosalyn. "The Marquis de Sade and the cinema of transcendence." Connect to this title online, 2002. http://www.library.unsw.edu.au/~thesis/adt-NUN/public/adt-NUN20021210.152101/index.html.

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Books on the topic "Transcendence in literature"

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The poetics of transcendence. Amsterdam: Rodopi, 2015.

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Rollberg, P. Invisible transcendence: Vladimir Makanin's outsiders. Washington, DC: Kennan Institute for Advanced Russian Studies, 1993.

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Beatina, Mary. Narayan: A study in transcendence. New York: P. Lang, 1993.

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Love, desire and transcendence in French literature: Deciphering Eros. Aldershot, Eng: Ashgate, 2006.

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Logics of separation: Exile and transcendence in aesthetic modernity. New York: Peter Lang, 2010.

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Figuring transcendence in Les Miserables: Hugo's romantic sublime. Carbondale: Southern Illinois University Press, 1994.

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André Malraux: Towards the expression of transcendence. Kingston: McGill-Queen's University Press, 1986.

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Stone-Richards, Michael. Logics of separation: Exile and transcendence in aesthetic modernity. New York: Peter Lang, 2010.

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Divining desire: Tennyson and the poetics of transcendence. Aldershot: Ashgate, 2000.

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Tracing women's romanticism: Gender, history and transcendence. London: Routledge, 2004.

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Book chapters on the topic "Transcendence in literature"

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Leonard, Philip. "Divine Horizons: Levinas, Derrida, Transcendence." In Trajectories of Mysticism in Theory and Literature, 219–38. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230596597_10.

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Olsen, Trenton B. "Thomas Hardy and the Extinction of Transcendence." In Wordsworth and Evolution in Victorian Literature, 131–67. New York, NY : Routledge, 2019. | Series: The nineteenth century: Routledge, 2018. http://dx.doi.org/10.4324/9780367138394-5.

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Pearman, Tory Vandeventer. "Embodied Transcendence: Disability and the Procreative Body in the Book of Margery Kempe." In Women and Disability in Medieval Literature, 113–49. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230117563_5.

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Davis, Todd F., and Kenneth Womack. "Always Becoming: The Nature of Transcendence in the Poetry of Mary Oliver." In Postmodern Humanism in Contemporary Literature and Culture, 37–49. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230599505_3.

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Klein, Scott W. "A Likely Impossibility: The Good Soldier, the Modernist Novel, and Quasi-Familial Transcendence." In Utopianism, Modernism, and Literature in the Twentieth Century, 39–55. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137336620_3.

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Wilson, Bernard. "Mutilation, Metamorphosis, Transition, Transcendence: Revisiting Genderism and Transgenderism in The Little Mermaid Through Gake no Ue no Ponyo." In Asian Children’s Literature and Film in a Global Age, 117–37. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-2631-2_6.

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Olsen, Trenton B. "Matthew Arnold, Artificial Selection, and Transcendent Culture." In Wordsworth and Evolution in Victorian Literature, 29–62. New York, NY : Routledge, 2019. | Series: The nineteenth century: Routledge, 2018. http://dx.doi.org/10.4324/9780367138394-2.

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Roth, Merav. "Transcendence beyond self-identity." In A Psychoanalytic Perspective on Reading Literature, 121–54. Routledge, 2019. http://dx.doi.org/10.4324/9780429422782-11.

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"Janie Crawford—Trial and Transcendence." In Teaching Character Education through Literature, 88–112. Routledge, 2005. http://dx.doi.org/10.4324/9780203299838-15.

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"Primary Literature." In Transfiguring Transcendence in Harry Potter, His Dark Materials and Left Behind, 293. Göttingen: Vandenhoeck & Ruprecht, 2013. http://dx.doi.org/10.13109/9783666604478.293b.

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Conference papers on the topic "Transcendence in literature"

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"Wandering between adherence and transcendence---- A brief talk about Xu Hai’s calligraphic art." In 2017 4th International Conference on Literature, Linguistics and Arts. Francis Academic Press, 2017. http://dx.doi.org/10.25236/iclla.2017.49.

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Mu, Jia. "Paradox and Transcendence of Diasporic Immigrant Literature: Taking Middlesex as an Example." In 2nd International Conference on Education, Management and Social Science (ICEMSS 2014). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icemss-14.2014.47.

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Czemiel-Grzybowska, Wioletta. "PARADIGMS OF READINESS OF NEW VENTURES IN TRANSCENDENCE OF TECHNOLOGICAL PRE-ENTREPRENEURSHIP." In Business and Management 2016. VGTU Technika, 2016. http://dx.doi.org/10.3846/bm.2016.69.

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On the basis of the literature on organizational behavior, strategic changes and technology management this article analyzes readiness of new ventures to function in the framework of technological entrepreneurship. Research findings suggest that objective organizational features are important at the stage of taking decisions, whereas intangible subjective characteristics of a new venture are more important at the stage of taking further decisions. In order to understand the phenomenon of readiness, the research used the data of 112 enterprises applying for establishing their business activity in the project “Academy of Young Businessmen – an opportunity to develop technological entrepreneurship”.
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PAZ, LETICIA, and MARINILSE NETTO. "Os signos simbólicos-mágicos de Rubem Valentim: Sua presença e significação na tradição Nagô e Encantaria do Ilé Asè Aféfé T'Oyá." In Latin American Publicações. lapubl, 2021. http://dx.doi.org/10.47174/lace2021-005.

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Os emblemas e objetos de Rubem Valentim transitam entre a arte e a religião compondo um repertório simbólico-mágico em obras de estética geometrizadas que dialogam com a religiosidade afro-brasileira. Impregnado pelo sincretismo popular, o artista em seus deslocamentos compõe um acervo sígnico enraizado no primitivo prospectando temas que são debatidos na arte contemporânea. As experiências e os sentidos do candomblé são observados na ritualística Nagô e encantaria em entrevista realizada com o sacerdote doterreiro Ilê Asè Aféfé T'Oyá. Este estudo percorre as obras de Rubem Valentim estabelecendo relações com as práticas do terreiro e a literatura, apresentando a presença e o significado da tradição e da encantaria em um terreiro localizado na cidade de Chapecó, em Santa Catarina. Com características singulares, plenos de signos e significados os terreiros se constituem de espaços de preservação, ressignificação e resistência da cultura permitindo a sobrevivência étnica e a continuidade do universo mítico africano. Por sua força e energia transcendentes configuram-se como espaços de luta permanente contra o racismo, a discriminação e a intolerância. A arte no espaço do terreiro carrega identidades e conecta subjetividades.
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Cestari, Glauba Alves do Vale, Alais Souza Ferreira, Larissa Fontoura Berlato, and Luiz Fernando Gonçalves de Figueiredo. "Turismo rural e patrimônio: perspectivas para o design sistêmico." In Systems & Design 2017. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/sd2017.2017.6644.

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O turismo rural surge no Brasil na década de 1990 como interesse do setor nas dinâmicas dos espaços rurais que representam novas experiências a serem oferecidas ao viajante, sendo a principal motivação o contato com comunidades rurais. A potencialidade do turismo rural está no caráter histórico e cultural inerentes as formas de viver e produzir evidenciando a diversidade de grupos sociais e trazendo a tona a imaterialidade do patrimônio. A valorização do patrimônio cultural de um território pode contribuir para o desenvolvimento econômico e social e ainda favorecer o incremento da indústria do turismo. Nesse sentido, entende-se o turismo como uma atividade “complexa” que envolve relações entre o contexto social humano, a influência do setor de produtos e serviços da economia e as dinâmicas socioculturais. Diante do exposto, analisar o fenômeno do turismo é considerar o ambiente como parte integrada a outras áreas em uma abordagem sistêmica, pois o turismo cresce, acompanha as necessidades do mercado, formata o objeto de venda em produto turístico que é intangível e demanda um olhar mais abrangente transcendendo a lógica do produtor e consumidor. Nesse sentido importa reflexões sobre as inter-relações ocorridas em comunidades questionando como se estabelece a relação do turismo com comunidades rurais e o patrimônio cultural local? E onde o Design se insere tendo em vista esse cenário? Este artigo de abordagem teórica qualitativa pretende contextualizar o turismo rural relacionando-o ao patrimônio cultural como norte às perspectivas do Design sistêmico voltado ao desenvolvimento de comunidades rurais com respeito às especificidades socioculturais. Como procedimentos metodológicos foi feita revisão de literatura mediante levantamento bibliográfico e documental de artigos e livros impressos ou na forma de bases de dados eletrônicas com vistas a compor o referencial teórico. Acredita-se que este estudo traz contribuições ao apontar lacunas para ações do Design voltadas às concepções dos espaços rurais na atualidade, sem perder de vista a história que os constituiu, explorando suas atividades não-agrícolas, a forma de participação dos atores sociais desses espaços, em especial, a família agricultora e sua relação na venda de produtos e serviços representativos do território e patrimônio cultural local.Palavras-chave: turismo rural; patrimônio cultural; design sistêmico.
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