Academic literature on the topic 'Tragicomédie anglaise'

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Dissertations / Theses on the topic "Tragicomédie anglaise"

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Muller, Barbara. "Les métaphores dans les romances de William Shakespeare : 'Pericles', 'Cymbeline', 'The Winter’s Tale' et 'The Tempest' : des prescriptions rhétoriques à l’écriture dramatique." Thesis, Strasbourg, 2016. http://www.theses.fr/2016STRAC034.

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L’usage que fait Shakespeare des métaphores dans les romances (Pericles, Cymbeline, The Winter’s Tale et The Tempest) contrevient aux prescriptions des traités de rhétorique anglais du XVIe siècle quant à l’élaboration de cette « figure du transport ». Les métaphores dans les romances sont marquées par une forte promotion de l’hybridité, que ce soit celle de la figure elle-même ou celle que le trope induit. Les métaphores que les rhétoriciens auraient pu qualifier d’inconvenantes et de cherchées trop loin contribuent à enrichir le genre protéiforme des pièces et la palette des émotions suscitées chez le spectateur. Elles ont aussi pour fonction de produire des effets catoptriques, de construire des identités sociales et sexuelles fluctuantes et complexes et de créer une dialectique subtile entre le visuel de la scène et celui de l’œil intérieur. Dès lors, le déploiement des métaphores au-delà des règles érigées par les rhétoriciens permet au dramaturge de révéler au mieux la diaprure du monde et celle des êtres
Shakespeare’s use of metaphors in the romances (Pericles, Cymbeline, The Winter’s Tale and The Tempest) breaks the rules of decorum such as they were prescribed by sixteenth-century rhetoricians concerning the elaboration of this “figure of transport”. Metaphors in the romances tend to promote hybridity in a very powerful way. The figure, which relies on the art of grafting meanings, creates generic hybridity. Metaphors which may well have been deemed inappropriate and far-fetched by Renaissance rhetoricians are a means of strengthening the protean genre of these plays and producing an elaborate affective response in the audience. Moreover, they produce catoptric effects, build complex and fluctuating social and sexual identities and construct a dialectic relation that invites the spectator to approach the plays both with their physical and their inner eyes. Therefore, the development of metaphors beyond strict rhetorical rules enables the playwright to change perspectives and embrace a larger view of the world
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Books on the topic "Tragicomédie anglaise"

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1950-, Ryan Kiernan, ed. Shakespeare, the last plays. London: Longman, 1999.

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Henke, Robert. Pastoral transformations: Italian tragicomedy and Shakespeare's late plays. Newark: University of Delaware Press, 1997.

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3

McMullan, Gordon, and Jonathan Hope. Politics of Tragicomedy: Shakespeare and After. Taylor & Francis Group, 2021.

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Politics of Tragicomedy. Taylor & Francis Group, 2021.

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Politics of Tragicomedy: Shakespeare and After. Taylor & Francis Group, 2023.

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