Relevant bibliographies by topics / Tragedy

Academic literature on the topic 'Tragedy'

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Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Tragedy"

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Suwarna, Dadan, and Aquarini Priyatna. "TRAGEDI DALAM LIMA CERPEN KARYA MARTIN ALEIDA (Tragedy in Martin Aleida’s Five Short Stories)." METASASTRA: Jurnal Penelitian Sastra 7, no. 1 (March 11, 2016): 13. http://dx.doi.org/10.26610/metasastra.2014.v7i1.13-22.

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Tulisan ini memaparkan teks tragedi sebagai peristiwa atau keadaan yang dialami tokoh cerita dengan menggunakan pendekatan semiotik guna menjelaskan peristiwa tanda, simbol, serta interpretasi yang menjadi acuan peristiwa kemanusiaan. Tanda, simbol, dan segala ekspresi kebahasaan di dalamnya dipakai sebagai cara teks tragedi dijelaskan. Semioik Eco merupakan model kajian yang menyeluruh karena mengaitkan bahasa, interpretasi maknawi, serta latar belakang yang mengaitkannya dalam kelima cerpen yang dianalisis. Tragedi yang penulis temukan, antara lain (1) tragedi sebagai keadaan, (2) sebagai akibat perbuatan, dan (3) sebagai pilihan sikap. Landasan yang paling kuat atas terjadinya tragedi adalah perbedaan pandangan keyakinan atau ideologi politik yang tidak menguntungkan pihak-pihak yang dikuasainya itu sebagai dampak psikologis dan sosial yang diterimanya.Abstract:The paper attempts to study a tragedy text either as the event or as the situation experi- enced by characters. The research applies semiotic approach. The approach is used to explain events in form of sign, symbol and, interpretation referring to humanity’s. The sign, the symbol, and most language expressions are applied to interpret the tragedy text. Eco semiotic is a model of comprehensive study by connecting language, meaning interpretation, and background existing in the five short stories. From the analysis, the writer concludes three types of tragedy, namely: (1) the tragedy as situation, (2) the tragedy as the result of act, (3)and the tragedy as behavioral choice. The strong background creating the tragedy is different perception on belief or disadvan- tageous political ideology for those who were controlled as the psychological and social effects they should take.
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Bauer, Una. "Postdramatic Tragedy and Fear." Narodna umjetnost 57, no. 1 (June 19, 2020): 217–34. http://dx.doi.org/10.15176/vol57no110.

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This article engages with conceptual constellations which allow a contemporary postdramatic theatre production, specifically Socìetas Raffaello Sanzio’s theatrical series Tragedia Endogonidia (2002 – 2004) to be regarded as a tragedy or a series of tragedies. Particular emphasis is given to the role of fear in understanding Tragedia Endogonidia as a tragedy. My claim is that Tragedia Endogonidia contributed to the modification of contemporary understanding of tragedy to, at the same time, a more abstract and a more explicitly material one, where the anchoring of the tragic into a concrete human destiny and the resolution of a plot is replaced by “plotting of the sensorial” or “plotting of the image”, driven by anticipation directly related to an unspecified feeling of discomfort and fear.
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Kholidah, Umi. "KARAKTERISTIK ANALISIS WACANA KRITIS DALAM WACANA BERITA “PUTRA RAJA DIDUGA BIANG TRAGEDI: ARAB SAUDI MENYEBUT JAMAAH TIDAK PATUH ATURAN HAJI”." JURNAL PESONA 8, no. 1 (January 14, 2022): 106–14. http://dx.doi.org/10.52657/jp.v8i1.1653.

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Abstrak Karakteristik dalam Analisis Wacana Kritis (AWK) meliputi tindakan, konteks, historis, kekuasaan, dan ideologi. Bila dilihat dari pemberitaan kasus tragedi Mina dapat dianalisis menurut kelima karakteristik tersebut. Tujuan penelitian ini adalah mendeskripsikan karakteristik analisis wacana kritis dalam wacana berita “Putra Raja Diduga Biang Tragedi: Arab Saudi Menyebut Jamaah Tidak Patuh Aturan Haji”. Data dikumpulkan menggunakan (a) metode simak bebas libat cakap, (b) catat, (c) wawancara, (d) studi pustaka, dan (e) dokumentasi. Hasil penelitian yang ditemukan berdasarkan kelima karakteristik tersebut yang paling menonjol adalah kekuasaan dan ideologinya. Dalam pemberitaan dijelaskan bahwa Wakil Putra Mahkota Kerajaan Arab Saudi dituding bersalah atas kejadian tragedi Mina telah ditutup-tutupi oleh pihak Arab, walaupun kabar dari negara lain telah menyatakan bahwa tragedi Mina tersebut disebabkan oleh kelalaian dari pemerintahannya yang telah penutup dua jalur ke lokasi pelemparan jumrah tanpa alasan jelas. Kata kunci: analisis wacana kritis, wacana berita, tragedi Mina Abstract Characteristics in Critical Discourse Analysis (AWK) include action, context, history, power, and ideology. When viewed from the coverage of the Mina tragedy, it can be analyzed according to these five characteristics. The purpose of this study is to describe the characteristics of critical discourse analysis in the news discourse "The King's Son Suspected of Tragedy: Saudi Arabia Calls Pilgrims Disobedient to Hajj Rules". The data were collected using (a) free-to-talk-free listening method, (b) notes, (c) interviews, (d) literature study, and (e) documentation. The results of the research found that based on these five characteristics, the most prominent are power and ideology. In the news, it was explained that the Deputy Crown Prince of the Kingdom of Saudi Arabia was accused of being guilty of the Mina tragedy which had been covered up by the Arabs, although news from other countries had stated that the Mina tragedy was caused by the negligence of his government which had closed the two lanes to the location of the throwing of the tombs without clear reasons. Keywords: critical discourse analysis, news discourse, Mina tragedy
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Susanto, Dwi. "NARASI SEJARAH KAUM EKSIL 1965 DALAM NOVEL PULANG (2012) KARYA LEILA S. CHUDORI: KAJIAN SOSIOLOGI SASTRA (Narrative History of Exiled 1965 in Pulang (2012) by Leila S. Chudori: A Study of Literature Sosiology)." Kandai 19, no. 2 (November 30, 2023): 295. http://dx.doi.org/10.26499/jk.v19i2.5145.

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The novel Pulang (2012) by Leila S. Chudori presents the narrative of the victims of the 1965 tragedy. The historical facts presented the mentality of the author who presents the struggles of the exiles as a result of the 1965 tragedy. This paper aims to trace the historical narrative of the victims of the 1965 tragedy, as exiles. political. This paper used a sociological point of view, as expressed by Georg Lukacs. The object of this research is the text Pulang (2012) by Leila S. Chudori and the historical narrative in the text. The kind of data used by researcher are subjective historical narratives, the background of the spirit of the times, and descriptions of historical events. Data interpretation is carried out to find historical authenticity, historical fidelity, and local color. The results obtained are as follows (1) historical narrative from the psychological and traumatic side of the victims of the 1965 tragedy who did not receive justice, (2) historical events in the form of the spirit of the times that accompanied the change of power in Indonesia, and (3) efforts to defend and demand justice for the victims of the 1965 tragedy who were removed and not written in Indonesian conventional history. Novel Pulang (2012) karya Leila S. Chudori ini menampilkan narasi korban tragedi 1965. Fakta sejarah yang ditampilkan merupakan gagasan mentalitas dari pengarang yang menghadirkan perjuangan kaum eksil akibat tragedi 1965. Tulisan ini bertujuan untuk melacak narasi historis para korban tragedi 1965, sebagai kaum eksil politik. Tulisan ini menggunakan sudut pandang sosiologis, seperti ynag diungkapkan oleh Geogry Lukacs. Objek penelitian ini adalah teks Pulang (2012) karya Leila S. Chudori dan narasi sejarah dalam teks tersebut. Data penelitian adalah narasi historis subjektif, latar semangat zaman, dan pendeskripsian peristiwa sejarah. Interpretasi data dilakukan untuk menemukan keaslian sejarah, kesetiaan sejarah, dan warna lokal. Hasil yang diperoleh adalah sebagai berikut (1) narasi sejarah dari sisi psikologis dan traumatis para korban tragedi 1965 yang tidak memperoleh keadilan, (2) peristiwa sejarah yang berupa semangat zaman yang menyertai perubahan kekuasaan di Indonesia, dan (3) upaya pembelaan dan menuntut keadilan bagi korban tragedi 1965 yang disingkirkan dan tidak ditulis dalam sejarah konvensional Indonesia.
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Sukiman, Sukiman, Anang Santoso, and Febri Taufiqurrahman. "Sistem Transitivitas dalam Wacana Berita Tragedi Kanjuruhan Malang." Stilistika: Jurnal Pendidikan Bahasa dan Sastra 16, no. 2 (July 31, 2023): 215. http://dx.doi.org/10.30651/st.v16i2.16184.

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Transitivity System in The Kanjuruhan Malang Tragedy News Discourse ABSTRAKMedia massa menyajikan informasi dari sudut pandang penulis, sehingga cenderung menimbulkan persepsi yang berbeda dari pembaca. Maka, penelitian ini bertujuan untuk mengkaji bentuk ketransitifan dalam wacana berita Tragedi Kanjuruhan dari tiga media massa online. Metode yang digunakan, yaitu kualitatif dengan pendekatan analisis wacana tentang ketransitifan dari Halliday. Data penelitian ini bersumber dari tiga media massa, yaitu Kompas, Detiknews, dan Tempo. Analisis data menggunakan model ketransitifan dari teori Linguistik Sistemik Fungsional. Dari hasil penelitian ditemukan jenis proses, yaitu material, perilaku, mental, dan relasional. Pada berita “Kontras Temukan Kejanggalan Tragedi Kanjuruhan: Aparat Dimobilisasi Pertengahan Babak Ke-dua ” ditemukan 6 proses material, 5 proses perilaku, dan 1 proses mental. Berita “4 Hal Temuan Terkini TGIPF di Tragedi Kanjuruhan” ditemukan 14 proses material, 6 proses perilaku, 1 proses mental, dan 5 proses relasional. Pada berita “8 Fakta Temuan Polri dalam Tragedi Kanjuruhan Malang” ditemukan 4 proses material, 14 proses perilaku, dan 1 proses relasional. Hal ini menunjukkan bahwa dalam penyajian berita, penulis lebih dominan menggunakan proses material dan perilaku untuk membangun narasi kepada pembaca sedangkan sirkumstan yang ditemukan menunjukkan tempat, waktu, penyerta, penyebab, dan masalah.Kata kunci: Transitivitas, Wacana, Berita, Tragedi KanjuruhanABSTRACTThe mass media presents information from the author's point of view, so it tends to generate different perceptions from readers. Thus, this study aims to examine the form of transitivity in the Kanjuruhan Tragedy news discourse from three online mass media. The method used is qualitative with a discourse analysis approach on transitivity from Halliday. The research data comes from three mass media, namely Kompas, Detiknews, and Tempo. Data analysis used the transitivity model of Systemic Functional Linguistics theory. From the research results found the types of processes, namely material, behavioral, mental, and relational. In the news "Contrast Finds Awkwardness in the Kanjuruhan Tragedy: Officials are Mobilized in the Middle of the Second Half" found 6 material processes, 5 behavioral processes, and 1 mental process. The news "4 Things TGIPF's Latest Findings in the Kanjuruhan Tragedy" found 14 material processes, 6 behavioral processes, 1 mental process, and 5 relational processes. In the news "8 Facts of Police Findings in the Kanjuruhan Malang Tragedy" found 4 material processes, 14 behavioral processes, and 1 relational process. This shows that in presenting news, the author is more dominant in using material processes and behavior to build narratives for readers while the circumstance found shows place, time, accompaniment, causes, and problems.Keyword: Transitivity, Discourse, News, Kanjuruhan Tragedi
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Harrop, Stephe. "Greek Tragedy, Agonistic Space, and Contemporary Performance." New Theatre Quarterly 34, no. 2 (April 19, 2018): 99–114. http://dx.doi.org/10.1017/s0266464x18000027.

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In this article Stephe Harrop combines theatre history and performance analysis with contemporary agonistic theory to re-conceptualize Greek tragedy's contested spaces as key to the political potentials of the form. She focuses on Athenian tragedy's competitive and conflictual negotiation of performance space, understood in relation to the cultural trope of the agon. Drawing on David Wiles's structuralist analysis of Greek drama, which envisages tragedy's spatial confrontations as a theatrical correlative of democratic politics, performed tragedy is here re-framed as a site of embodied contest and struggle – as agonistic spatial practice. This historical model is then applied to a recent case study, Aeschylus’ The Suppliant Women as co-produced by Actors Touring Company and the Lyceum, Edinburgh, in 2016–17, proposing that the frictious effects, encounters, and confrontations generated by this production (re-staged and re-articulated across multiple venues and contexts) exemplify some of the potentials of agonistic spatial practice in contemporary re-performance of Greek tragedy. It is contended that re-imagining tragic theatre, both ancient and modern, as (in Chantal Mouffe's terms) ‘agonistic public space’ represents an important new approach to interpreting and creatively re-imagining, interactions between Athenian tragedy and democratic politics. Stephe Harrop is a Lecturer in Drama at Liverpool Hope University, where her research focuses primarily on performances and texts adapted from, or responding to, ancient tragedy and epic. She is co-author of Greek Tragedy and the Contemporary Actor (Palgrave Macmillan, forthcoming).
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Lunn, A. J. "Christ's Passion as Tragedy." Scottish Journal of Theology 43, no. 3 (August 1990): 308–20. http://dx.doi.org/10.1017/s0036930600032713.

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It is clear that the story of Christ's Passion has a certain family resemblance with tragic stories: the presence of moral conflict; the death of a man; a certain inevitability. But there is another resemblance popularly recognised in tragedies which is problematic: the point to which they bring their audience as they conclude; tragedy is thought of as involving an ‘unhappy’ ending. The conclusion of the Passion comes with the resurrection which is seen as contradicting the proper ‘unhappy’ ending expected in a tragedy; yet the resurrection is surely essential to this story of faith. Is it possible to reach this end-point of tragedy while holding to an active and healthy Christian faith? To answer such a question we need to get to grips with both the nature of tragedy, and with the conditions under which Christian faith is lived. Let us consider first some writers on tragedy who have suggested a rather different idea of tragedy's conclusion.
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Euben, J. Peter. "The Tragedy of Tragedy." International Relations 21, no. 1 (March 2007): 15–22. http://dx.doi.org/10.1177/0047117807073765.

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Diamond, Elin. "Churchill's Tragic Materialism; or, Imagining a Posthuman Tragedy." Publications of the Modern Language Association of America 129, no. 4 (October 2014): 751–60. http://dx.doi.org/10.1632/pmla.2014.129.4.751.

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It would seem impossible to wrench dramatic tragedy away from humanism. In their encounters with fate, capricious gods, or a corrupt polis, tragedy's protagonists confront the injustice and futility of existence, and in their suffering and defeat they affirm the “indomitability of the human spirit,” the preeminent value of human life. Certainly this is George Steiner's view in The Death of Tragedy (1961), although his conservative hierarchies (no gods, no tragedy) have been refuted by critics who argue that there is profound tragedy in ordinary life (Williams; Eagleton; Poole) and that tragedy “continually adapts itself to the conditions of experience” (States 199). However, even Steiner's debunkers embrace his notion of tragedy as extremity, as an encounter with extrahuman forces and suffering far exceeding human guilt. So, I argue here, does the British playwright Caryl Churchill, who in 1994 produced a diptych of contemporary tragedy: The Skriker, first mounted in January 1994, and her translation of Seneca's Thyestes, staged just four months later. Taken together these plays absorb the “conditions of experience” of the mid-1990s in the West. Along with the horrors of the Bosnian War and continuing environmental and economic crises, such conditions might well include the widely touted mapping of the human genome, begun in 1990 and concluded in 2003, and, concurrently, a popular and scholarly fascination with affects, intensities, and “the lively immanence of matter” (Coole and Frost 9). What happens to the humanist foundations of tragedy when understandings of the human are subjected to these “new materialisms”? Churchill's The Skriker, along with her translation of Thyestes, invites us to imagine a seeming oxymoron, a posthuman tragedy.
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Diamond, Elin. "Churchill's Tragic Materialism; or, Imagining a Posthuman Tragedy." PMLA/Publications of the Modern Language Association of America 129, no. 4 (October 2014): 751–60. http://dx.doi.org/10.1632/s0030812900115032.

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It would seem impossible to wrench dramatic tragedy away from humanism. In their encounters with fate, capricious gods, or a corrupt polis, tragedy's protagonists confront the injustice and futility of existence, and in their suffering and defeat they affirm the “indomitability of the human spirit,” the preeminent value of human life. Certainly this is George Steiner's view in The Death of Tragedy (1961), although his conservative hierarchies (no gods, no tragedy) have been refuted by critics who argue that there is profound tragedy in ordinary life (Williams; Eagleton; Poole) and that tragedy “continually adapts itself to the conditions of experience” (States 199). However, even Steiner's debunkers embrace his notion of tragedy as extremity, as an encounter with extrahuman forces and suffering far exceeding human guilt. So, I argue here, does the British playwright Caryl Churchill, who in 1994 produced a diptych of contemporary tragedy: The Skriker, first mounted in January 1994, and her translation of Seneca's Thyestes, staged just four months later. Taken together these plays absorb the “conditions of experience” of the mid-1990s in the West. Along with the horrors of the Bosnian War and continuing environmental and economic crises, such conditions might well include the widely touted mapping of the human genome, begun in 1990 and concluded in 2003, and, concurrently, a popular and scholarly fascination with affects, intensities, and “the lively immanence of matter” (Coole and Frost 9). What happens to the humanist foundations of tragedy when understandings of the human are subjected to these “new materialisms”? Churchill's The Skriker, along with her translation of Thyestes, invites us to imagine a seeming oxymoron, a posthuman tragedy.
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Dissertations / Theses on the topic "Tragedy"

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De, Vos Christiaan Frederick Beyers. "Talion: A tragedy." Master's thesis, University of Cape Town, 2017. http://hdl.handle.net/11427/25009.

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Talion is a work of fiction which follows four characters - Freya, whose brother Ben has recently been killed; Slick, a young drug dealer; Abraham, a school teacher; and Nolwazi, a Pretoria police detective - as they deal with the aftermath of a shooting in which they are all involved. Told is short, punchy chapters, the novel follows Freya as she begins to stalk Abraham, who she identifies as her brother's killer, Nolwazi as she tries to solve Ben's murder, a case she cannot give her full attention to, Slick as he tries to maintain his criminality in an increasingly uncontrollable world and Abraham, who must deal with the trauma of his lost family and the desire to protect his only daughter, Sophie. Not a crime novel - Nolwazi will never know the full truth of the case she's been working - but a novel about those who commit crimes and solve them, Talion attempts to capture the dark and messy consequences of grief and revenge, while examining the isolating nature of anger. It is a novel about connections and disconnections, justice and injustice. The novel uses the city as its narrator, hopefully rendering a version of Pretoria not often seen in South African fiction. Written within the spirit of classic tragedy, the tightly controlled plot and heightened tension, as well as the brutal violence, strives to create something more than your average detective novel. A literary and genre hybrid that is both entertaining and unusual, suspenseful and complex.
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Lyons, James Charles. "Image of tragedy /." May be available electronically:, 2007. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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Badue, Alexandre. "Comedy Tomorrow, Tragedy Tonight: Defining the Aesthetics of Tragedy on Broadway." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1342103090.

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Padoongmatvoragool, Arthitaya. "The Tell of Tragedy." Thesis, Konstfack, Ädellab/Metallformgivning, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-179.

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The curiosity of different beliefs to “tragedy” between the two worlds, Eastern where tragedy is unpleasant and Western where tragedy is praised as high art form since Ancient Greek. The reason that they are very different as two ends from one point and how to present them directly to understandable stage in art forms itself are questioned. This essay is a research into philosophical living and belief relates to tragedy in Eastern and Western views toward tragedy in art forms. The way tragedy has been put differently and the way people treat this feeling. There is a border which is deep-seated into each cultures. The relation of time is used to explain tragedy in Ancient Greek. Western tragedy is big enough to play a main role while Eastern tragedy play a part of the whole in one legend or story. The study of Andy Warhol’s method “Traumatic Realism” which is relevant to starting question explains the direction of using repetition as presentation in order to bring viewers get into trauma at its surface. Picasso’s painting “Tragedy”, Edward Gorey’s storytelling illustration “The Hapless Child”, and Marina Abramovic’s performance “Balkan Baroque”, are used to discuss their techniques and statements based on tragedy from different forms. There is a touching point from Warhol’s and Abramovic’s works. Conclusion talks about the method to present tragedy right there in the work. Selections of pictures are used to tell direction of tragedy in the work. Hierarchy of perception and changing of time in works are explained by Ancient Greek tragedy philosophy and Warhol’s repetition. Feeling is gradually changed. Traces can be found. Time is taking it away.
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Martin, Zora. "Choose to Avoid Tragedy." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1135.

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Shakespeare's ideas about free will and moral choice, as illustrated in his play Macbeth, may have been influenced by Dante's Inferno. Dante was known to Shakespeare's contemporaries, and therefore most likely to the Bard himself. Current literature has not conclusively addressed this topic, and a focused examination is important, because it offers both an additional perspective on free will in Inferno, and adds to the understanding of free will in Macbeth. Read at face value, Macbeth seems to bear no responsibility for his actions because they were preordained by the fates. Dante believed in free will, and Macbeth bears more than one similarity to his Commedia. Read through a Dantean lens, Macbeth has free will - even if choosing not to exercise it. Through the mere contemplation of the four reasons for not killing Duncan, Macbeth recognizes that he has the choice whether to become a traitor, with the consequences of suffering contrapasso damnation. But Macbeth elects to disregard the wisdom passed down in Dante's Commedia, and knowingly commits a heinously immoral act. Shakespeare uses his predecessor Dante as a tool to advocate for human agency and moral choices in a text that would otherwise be fatalistic. Both then and now, Shakespeare sought to influence his audiences' understanding of their own free will. One first has to believe in possessing free will, in order to use it to make the best possible choices. Dante and Shakespeare reaffirm our possession of free will to help us avoid individual and societal tragedies.
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Miles, Sarah N. "Strattis, tragedy, and comedy." Thesis, University of Nottingham, 2009. http://eprints.nottingham.ac.uk/10887/.

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This study comprises a translation, textual commentary, and discussion of the fragments of the Old comic dramatist Strattis which engage with tragedy. It forms the centre of a wider examination of the art of paratragedy and tragic parody in Old Comedy because paratragedy represents the earliest reception of tragedy and one that is contemporary with the initial live performances of tragic plays. Ancient and modern scholarship alike has viewed Aristophanes as the dominant figure in the art of paratragedy and tragic parody. Strattis, a contemporary of Aristophanes, was active in the late fifth and early fourth centuries BC and the fragments of his comedies indicate a sustained and wide ranging interaction with contemporary tragedy which is rivalled only by Aristophanic comedy. This is particularly remarkable since the extant corpus of Strattis numbers less than ninety fragments. This work explores the phenomenon of paratragedy beyond Aristophanic paratragedy and raises awareness of the importance of Strattis in this respect. It begins with a survey of paratragedy in other non-Aristophanic fragments of Old Comedy and it examines the various ways that comedy engages with tragedy, indicating the depth and breadth of paratragedy in comic fragments. This provides the foundations on which to examine the fragments of Strattis through a text, translation and commentary on those fragments that engage with tragedy. It leads to a discussion of the works of Strattis overall for their use of tragedy and myth, which allows us to note characteristics of Strattis’ work. This enables a comparison of the paratragedy in the comedies of Strattis and Aristophanes which allows us to reassess the uniqueness of Aristophanic paratragedy and to consider reasons for the popularity of paratragedy in the late fifth century BC.
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Kampourelli, Vassiliki. "Space in Greek tragedy." Thesis, King's College London (University of London), 2002. https://kclpure.kcl.ac.uk/portal/en/theses/space-in-greek-tragedy(bd3d0365-0a17-47b5-a2b0-e7739f9c0255).html.

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Kornarou, Eleni. "Kommoi in Greek tragedy." Thesis, King's College London (University of London), 2002. https://kclpure.kcl.ac.uk/portal/en/theses/kommoi-in-greek-tragedy(92dc04a2-5c8a-4fad-85b0-52423cd328bc).html.

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Lambley, Dorrian Elizabeth. "The necessity for tragedy." Thesis, University of Exeter, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282674.

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Gingrich, Valerie (Valerie J. ). "Balance : Lancaster County's tragedy." Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/39849.

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Thesis (M.C.P.)--Massachusetts Institute of Technology, Dept. of Urban Studies and Planning, 2007.
This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.
Includes bibliographical references (p. 65-67).
Lancaster County, Pennsylvania residents are proud of their agricultural heritage. They do not want to see their farmland disappear. But the County continues to be developed into residential subdivisions. This thesis explores the inconsistency in the perspectives and actions of residents regarding farmland preservation and development. Contrary to what you might expect, those in the County who want to preserve farmland and those who are developing the land are often the same people. Individuals talk about the importance of saving farmland, even though they just bought a home that was built on what was an active farm. Farmers, who have a deep connection with the County's land and know its importance, choose to develop their farms. It's not a complete mystery as to why this is happening, but it is a wonder how these individuals deal with their personal inconsistencies. How do such individuals confront the inconsistencies that they face? Furthermore, how do they justify their actions regarding the development of farmland? How do these groups of people as individuals see themselves in relation to the conflict between farmland preservation and development? Are they simply ambivalent?
(cont.) In an attempt to find out, I interviewed Lancaster County residents in two locations in the County where a farm had been developed into their single family homes. The farmer owners/developers were interviewed as well. The interviewees respond in numerous ways, but they all expressed a desire for balance. They support farmland preservation efforts, but they also believe that growth is necessary. This "balance" is how they expressed their ambivalence towards the subject. The interviews showed specific ways that information can enlighten the balance between development and farmland preservation. The County government is encouraged to take on the provision of information as a tool of intervention in this area. An informed public can then make better choices as to what the "balance" will look like. Local governments are responsible for implementing this balance by using zoning to control and direct development away from the County's agricultural land. Coordinated action in the County is required to avoid the County's farming character tragically disappearing.
by Valerie Gingrich.
M.C.P.
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Books on the topic "Tragedy"

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Dewar-Watson, Sarah. Tragedy. Edited by Nicolas Tredell. London: Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-0-230-39259-5.

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John, Drakakis, and Liebler Naomi Conn 1944-, eds. Tragedy. London: Longman, 1998.

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Baker, Stephanie Alice. Social Tragedy. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137379139.

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Boyle, A. J. Roman tragedy. New York: Routledge, 2005.

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Hare, Cyril. Tragedy atlaw. London: Faber, 1985.

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Bradley, A. C. Shakespearean Tragedy. London: Macmillan Education UK, 2007. http://dx.doi.org/10.1007/978-1-137-09253-3.

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Rabinowitz, Nancy Sorkin, ed. Greek Tragedy. Oxford, UK: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470694053.

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Bradley, A. C. Shakespearean Tragedy. London: Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-22059-5.

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Draper, R. P. Lyric Tragedy. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-17916-9.

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Dollimore, Jonathan. Radical Tragedy. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-08640-2.

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Book chapters on the topic "Tragedy"

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Euben, J. Peter. "The Tragedy of Tragedy." In Tragedy and International Relations, 86–96. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230390331_7.

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Dukore, Bernard F. "Tragedy?" In Death of a Salesman and The Crucible, 60–63. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-08599-6_13.

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Dukore, Bernard F. "Tragedy?" In Death of a Salesman and The Crucible, 33–41. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-08599-6_7.

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Gill, Richard. "Tragedy." In Mastering, 221–35. London: Macmillan Education UK, 2006. http://dx.doi.org/10.1007/978-0-230-20852-0_20.

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Feagin, Susan. "Tragedy." In The Blackwell Guide to Aesthetics, 291–305. Oxford, UK: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470756645.ch16.

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Gill, Richard. "Tragedy." In Mastering Shakespeare, 213–25. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-14551-5_18.

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de Boer, Karin. "Tragedy." In On Hegel, 10–29. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230283282_2.

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Hardy, Samantha. "Tragedy." In Conflict Coaching Fundamentals, 65–79. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003128038-8.

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Shattock, Joanne, Joanne Wilkes, Katherine Newey, and Valerie Sanders. "Tragedy." In Literary and Cultural Criticism from the Nineteenth Century, 221–67. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003199878-44.

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Drakakis, John. "Tragedy." In Tragedy, 115–23. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003178408-6.

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Conference papers on the topic "Tragedy"

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Chuan, Ming-Yuan, and Chun-Wang Sun. "Cubic Tragedy." In the ACM SIGGRAPH 05 electronic art and animation catalog. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1086057.1086152.

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Hester, Josiah, Lanny Sitanayah, and Jacob Sorber. "Tragedy of the Coulombs." In SenSys '15: The 13th ACM Conference on Embedded Network Sensor Systems. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2809695.2809707.

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Gessiou, Eleni, Alexandros Labrinidis, and Sotiris Ioannidis. "A Greek (privacy) tragedy." In the 8th ACM workshop. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1655188.1655203.

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Oganjanyan, Sergey, and Sergey Silantiev. "Sergey Mergelyan: Triumph and Tragedy." In 2017 Fourth International Conference on Computer Technology in Russia and in the Former Soviet Union (SORUCOM). IEEE, 2017. http://dx.doi.org/10.1109/sorucom.2017.00008.

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Hung, Yung-Tse, Paul A. Bosela, and Alicia Saunté Phillips. "Environmental Tragedy of Love Canal." In Fourth Forensic Engineering Congress. Reston, VA: American Society of Civil Engineers, 2006. http://dx.doi.org/10.1061/40853(217)26.

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Chernysheva, Anna, and Anna Kostikova. "Tragedy of the "Absurd Hero"." In Proceedings of the 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iccessh-19.2019.266.

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Banerjee, Vijay, Ryan Rabinowitz, Mark Stidd, Rory Lewis, Philip N. Brown, and Gedare Bloom. "The Tragedy of the Miners." In 2022 IEEE 19th Annual Consumer Communications & Networking Conference (CCNC). IEEE, 2022. http://dx.doi.org/10.1109/ccnc49033.2022.9700705.

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Nada, Arex. "The Prying Eye: A Study On The Adherence Of The Selected National Broadsheets To The Code Of Ethics Of National Press Photographers Association." In 28th Global Conference on Business Management and Economics. Global Conference Alliance, 2022. http://dx.doi.org/10.62510/nafb7812.

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Abstract:
Newspapers use visual components to deliver information more effectively and efficiently and elicit emotional responses from readers. The purpose of the study was to determine whether chosen national broadsheets adhered to the NPPA (National Press Photographers Association) photojournalism code of ethics. It focused on determining the visual contents of photos depicting calamity, crime, and tragedy published in selected national broadsheets using the NPPA Code of Ethics; to analyze the contents and presentation of photos depicting calamity, crime, and tragedy through the analysis of text and subtext; and to determine the level of adherence of the selected national broadsheets to the NPPA photojournalism code of ethics in publishing photos about the tragedy. The results indicate that the crime, tragedy, and calamity photographs published in the selected national broadsheets correspond to the NPPA code of ethics regarding the accuracy of the visual content, but the narratives frame the issues. The photojournalists communicate the story of a subject through the use of emotionally charged photographs. The photographs depicting tragedy, crime, and calamity published in chosen national broadsheets follow the NPPA code of ethics.
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Philippova, D. K. "RUSSIAN TRANSLATIONS OF SHAKESPEARE’S TRAGEDY «HAMLET»." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-67.

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Sharag-Eldin, A., K. Atchison, C. Heller, S. Gharehgozlou, H. Haji, and W. Lucak. "An autopsy of an environmental tragedy." In The 10th EAAE/ARCC International Conference. Taylor & Francis Group, 6000 Broken Sound Parkway NW, Suite 300, Boca Raton, FL 33487-2742: CRC Press, 2017. http://dx.doi.org/10.1201/9781315226255-84.

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Reports on the topic "Tragedy"

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Sparks, Jason. Tragedy at My Lai. Fort Belvoir, VA: Defense Technical Information Center, January 2010. http://dx.doi.org/10.21236/ada537093.

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Copeland, Brian, and M. Scott Taylor. Trade, Tragedy, and the Commons. Cambridge, MA: National Bureau of Economic Research, October 2004. http://dx.doi.org/10.3386/w10836.

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Daley, Shawn. Centralia, Collective Memory, and the Tragedy of 1919. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2574.

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Behrend, Wendy. The Birth of Tragedy in Lars von Trier's "Melancholia". Portland State University Library, June 2014. http://dx.doi.org/10.15760/honors.99.

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Banzhaf, H. Spencer, Yaqin Liu, Martin Smith, and Frank Asche. Non-Parametric Tests of the Tragedy of the Commons. Cambridge, MA: National Bureau of Economic Research, October 2019. http://dx.doi.org/10.3386/w26398.

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Oosterhout, Gretchen. An Evolutionary Simulation of the Tragedy of the Commons. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.1250.

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Scot, Barbara. Hegel and the Concept of Religion in Greek Tragedy. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2260.

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Farrelly, Nicholas. Myanmar tragedy raises troubling questions about a better future. East Asia Forum, February 2024. http://dx.doi.org/10.59425/eabc.1707084000.

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Artadi, Elsa, and Xavier Sala-i-Martin. The Economic Tragedy of the XXth Century: Growth in Africa. Cambridge, MA: National Bureau of Economic Research, July 2003. http://dx.doi.org/10.3386/w9865.

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Nissen, Mark E., Erik Jansen, Carl Jones, and Gail Thomas. Contextual Criticality of Knowledge-Flow Dynamics: The Tragedy of Friendly Fire. Fort Belvoir, VA: Defense Technical Information Center, September 2003. http://dx.doi.org/10.21236/ada417483.

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