Journal articles on the topic 'Traditional Irish music'
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Vallely, Fintan. "Focus: Irish traditional music." Irish Studies Review 19, no. 2 (May 2011): 238–40. http://dx.doi.org/10.1080/09670882.2011.565957.
Full textKearney, Daithí, and Adèle Commins. "Studio Trad: Facilitating traditional music experiences for music production students." Journal of Music, Technology & Education 11, no. 3 (December 1, 2018): 301–18. http://dx.doi.org/10.1386/jmte.11.3.301_1.
Full textFalc’her-Poyroux, Erick. "Traditional Music and Irish Society." Études irlandaises, no. 40-2 (December 15, 2015): 166–67. http://dx.doi.org/10.4000/etudesirlandaises.4764.
Full textBelibou, Alexandra. "Features of Irish Dance Music." Studia Universitatis Babeş-Bolyai Musica 66, no. 2 (December 30, 2021): 89–98. http://dx.doi.org/10.24193/subbmusica.2021.2.07.
Full textMoran, Angela. "Focus: Irish Traditional Music (Focus on World Music Series)." Ethnomusicology Forum 21, no. 1 (April 2012): 107–9. http://dx.doi.org/10.1080/17411912.2011.641903.
Full textMcDonagh, Luke. "Exploring “ownership” of Irish traditional dance music: Heritage or property?" International Journal of Cultural Property 29, no. 2 (May 2022): 183–200. http://dx.doi.org/10.1017/s094073912200011x.
Full textSOMMERS SMITH, SALLY K. "An Eventful Life Remembered: Recent Considerations of the Contributions and Legacy of Francis O'Neill." Journal of the Society for American Music 4, no. 4 (October 19, 2010): 421–35. http://dx.doi.org/10.1017/s1752196310000362.
Full textHITCHNER, EARLE. "No Yankee Doodling: Notable Trends and Traditional Recordings from Irish America." Journal of the Society for American Music 4, no. 4 (October 19, 2010): 509–20. http://dx.doi.org/10.1017/s1752196310000416.
Full textFujie, Linda. "Fiddle Sticks: Irish Traditional Music from Donegal." Yearbook for Traditional Music 26 (1994): 192. http://dx.doi.org/10.2307/768273.
Full textAhn, Eun Gee. "The Present Orientation of Irish Traditional Music." Journal of Society for Music and Reality 62 (October 15, 2021): 179–219. http://dx.doi.org/10.35441/mnk.62.1.6.179.
Full textSmyth, Gerry. "‘Amateurs and Textperts’: Studying Irish traditional music." Irish Studies Review 3, no. 12 (September 1995): 2–10. http://dx.doi.org/10.1080/09670889508455497.
Full textAdrian Scahill. "Riverdance: Representing Irish Traditional Music." New Hibernia Review 13, no. 2 (2009): 70–76. http://dx.doi.org/10.1353/nhr.0.0086.
Full textSommers Smith, Sally K. "Irish Traditional Music in a Modern World." New Hibernia Review 5, no. 2 (2001): 111–25. http://dx.doi.org/10.1353/nhr.2001.0036.
Full textMcCann, Anthony. "Opportunities of Resistance: Irish Traditional Music and the Irish Music Rights Organisation 1995–2000." Popular Music and Society 35, no. 5 (December 2012): 651–81. http://dx.doi.org/10.1080/03007766.2012.709665.
Full textSLOMINSKI, TES. "Policing Space and Defying the Mainstream: Gender and the Creation of a Traditional Music Public Sphere in Twentieth-Century Ireland." Yearbook for Traditional Music 51 (November 2019): 247–68. http://dx.doi.org/10.1017/ytm.2019.11.
Full textCommins, Verena. "From Milan to Kilbaha: Bronzing Irish Traditional Music." Éire-Ireland 54, no. 1-2 (2019): 275–96. http://dx.doi.org/10.1353/eir.2019.0011.
Full textDoherty, Liz, Iseult M. Wilson, and Laura McKeown. "Practicing Safe Trad: Why Existing Approaches to Playing-related Musculoskeletal Disorders May Not Help the Irish Traditional Music Community." Medical Problems of Performing Artists 28, no. 4 (December 1, 2013): 181–87. http://dx.doi.org/10.21091/mppa.2013.4037.
Full textKaul, Adam. "Music on the edge: Busking at the Cliffs of Moher and the commodification of a musical landscape." Tourist Studies 14, no. 1 (December 29, 2013): 30–47. http://dx.doi.org/10.1177/1468797613511684.
Full textKaul, Adam R. "The limits of commodification in traditional Irish music sessions." Journal of the Royal Anthropological Institute 13, no. 3 (September 2007): 703–19. http://dx.doi.org/10.1111/j.1467-9655.2007.00451.x.
Full textVeblen, Kari. "The Teacher's Role in Transmission of Irish Traditional Music." International Journal of Music Education os-24, no. 1 (November 1994): 21–30. http://dx.doi.org/10.1177/025576149402400103.
Full textSPENCER, SCOTT. "Wheels of the World: How Recordings of Irish Traditional Music Bridged the Gap between Homeland and Diaspora." Journal of the Society for American Music 4, no. 4 (October 19, 2010): 437–49. http://dx.doi.org/10.1017/s1752196310000374.
Full textPorter, Mark, and Iseult M. Wilson. "Extent of Playing-Related Musculoskeletal Problems in the Irish Traditional Music Community: A Survey." Medical Problems of Performing Artists 33, no. 1 (March 1, 2018): 47–55. http://dx.doi.org/10.21091/mppa.2018.1008.
Full textCOLLINS, TIM. "'Tis Like They Never Left: Locating “Home” in the Music of Sliabh Aughty's Diaspora." Journal of the Society for American Music 4, no. 4 (October 19, 2010): 491–507. http://dx.doi.org/10.1017/s1752196310000404.
Full textWard, Francis. "Technology and the transmission of tradition: An exploration of the virtual pedagogies in the Online Academy of Irish Music." Journal of Music, Technology and Education 12, no. 1 (August 1, 2019): 5–23. http://dx.doi.org/10.1386/jmte.12.1.5_1.
Full textO'Hagan, Lauren Alex. "'Rory Gallagher's Leprechaun Boogie': Irish Stereotyping in the International Music Press." Review of Irish Studies in Europe 5, no. 2 (January 6, 2023): 38–72. http://dx.doi.org/10.32803/rise.v5i2.3099.
Full textCarrico, Alexandria. "From Craic to Communitas: Furthering disability activism through traditional Irish song." Journal of Interdisciplinary Voice Studies 4, no. 2 (October 1, 2019): 257–63. http://dx.doi.org/10.1386/jivs_00009_1.
Full textFanning. "Eleanor Kane Neary and the Piano in Irish Traditional Music." American Music 30, no. 4 (2012): 453. http://dx.doi.org/10.5406/americanmusic.30.4.0453.
Full textWhite, Harry. "Traditional Music and Irish Society: Historical Perspectives. By Martin Dowling." Music and Letters 97, no. 1 (February 2016): 182–85. http://dx.doi.org/10.1093/ml/gcw012.
Full texthAllmhuráin, Gearóid Ó. "Soundscape of the Wintermen: Irish Traditional Music in Newfoundland Revisited." Canadian Journal of Irish Studies 34, no. 2 (2008): 33. http://dx.doi.org/10.2307/25515718.
Full textSmith, Sally Sommers. "The Origin of Style: The Famine and Irish Traditional Music." Éire-Ireland 32, no. 1 (1997): 121–35. http://dx.doi.org/10.1353/eir.1997.0007.
Full textO'Callaghan, Katherine. "Traditional Music and Irish Society: Historical Perspectives by Martin Dowling." James Joyce Quarterly 52, no. 2 (2015): 456–59. http://dx.doi.org/10.1353/jjq.2015.0020.
Full textMichael D. Nicholsen. "Identity, Nationalism, and Irish Traditional Music in Chicago, 1867–1900." New Hibernia Review 13, no. 4 (2009): 111–26. http://dx.doi.org/10.1353/nhr.0.0112.
Full textWilliams, Sean. "Traditional Music and Irish Society: Historical Perspectives by Martin Dowling." New Hibernia Review 18, no. 4 (2014): 154–57. http://dx.doi.org/10.1353/nhr.2014.0057.
Full textMorton, Frances. "Performing ethnography: Irish traditional music sessions and new methodological spaces." Social & Cultural Geography 6, no. 5 (October 2005): 661–76. http://dx.doi.org/10.1080/14649360500258294.
Full textSLOTTOW, STEPHEN P. "Ornamentation in Irish Fiddling: Eileen Ivers as a Case Study." Journal of the Society for American Music 1, no. 4 (November 2007): 485–510. http://dx.doi.org/10.1017/s1752196307070435.
Full textValleley, Fintan. "Authenticity to Classicisation: The Course of Revival in Irish Traditional Music." Irish Review (1986-), no. 33 (2005): 51. http://dx.doi.org/10.2307/29736270.
Full textCowdery, James, Patrick Mullins, and Rebecca Miller. "From Shore to Shore: Traditional Irish Music in New York City." Ethnomusicology 39, no. 2 (1995): 357. http://dx.doi.org/10.2307/924453.
Full textDennehy, Donnacha. "OWNING OVERTONES: GRÁ AGUS BÁS AND SPECTRAL TRADITIONS." Tempo 69, no. 271 (January 2015): 24–35. http://dx.doi.org/10.1017/s0040298214000904.
Full textFalc'her-Poyroux, Erick. "Thérèse Smith (ed.), Ancestral Imprints – Histories of Irish Traditional Music and Dance." Études irlandaises, no. 40-1 (June 30, 2015): 370–71. http://dx.doi.org/10.4000/etudesirlandaises.4668.
Full textO'Shea, Helen. "‘Good man, Mary!’ Women musicians and the fraternity of Irish traditional music." Journal of Gender Studies 17, no. 1 (March 2008): 55–70. http://dx.doi.org/10.1080/09589230701838438.
Full textVan Tuyll, Debra Reddin, and Carl Purdy. "‘Artful communicators’ at the Tobar an Cheoil: Traditional Irish music and the transmission of Irish cultural identity." Journal of European Popular Culture 8, no. 1 (April 1, 2017): 21–38. http://dx.doi.org/10.1386/jepc.8.1.21_1.
Full textWELLS, PAUL F. "Elias Howe, William Bradbury Ryan, and Irish Music in Nineteenth-Century Boston." Journal of the Society for American Music 4, no. 4 (October 19, 2010): 401–20. http://dx.doi.org/10.1017/s1752196310000350.
Full textPietrzak, Wit. "Shibboleths of Grief: Paul Muldoon’s “The Triumph”." Text Matters: A Journal of Literature, Theory and Culture, no. 11 (November 22, 2021): 51–63. http://dx.doi.org/10.18778/2083-2931.11.04.
Full textFox, Christopher. "‘THE BRIGHT PLACES OF LIFE AS CLEARLY AS THE DARK’: THE MUSIC OF LINDA BUCKLEY." Tempo 72, no. 284 (March 20, 2018): 22–34. http://dx.doi.org/10.1017/s0040298217001218.
Full textWaldron, Janice L., and Kari K. Veblen. "The medium is the message: cyberspace, community, and music learning in the Irish traditional music virtual community." Journal of Music, Technology and Education 1, no. 2 (November 26, 2008): 99–111. http://dx.doi.org/10.1386/jmte.1.2and3.99_1.
Full textLove, Timothy M. "Irish Nationalism, Print Culture and the Spirit of the Nation." Nineteenth-Century Music Review 15, no. 2 (February 7, 2017): 189–208. http://dx.doi.org/10.1017/s1479409817000015.
Full textKaul, Adam R. "On ‘Tradition’: Between the Local and the Global in a Traditional Irish Music." Folk Life 45, no. 1 (January 2006): 49–59. http://dx.doi.org/10.1179/flk.2006.45.1.49.
Full textFinnerty, Michelle. "Turning the Tune: Traditional Music, Tourism, and Social Change in an Irish Village." Ethnomusicology Forum 21, no. 3 (December 2012): 429–31. http://dx.doi.org/10.1080/17411912.2012.721512.
Full textKaul, Adam R. "On ‘Tradition’: Between the Local and the Global in a Traditional Irish Music." Folk Life - Journal of Ethnological Studies 45, no. 1 (January 1, 2006): 49–59. http://dx.doi.org/10.1179/043087706798236569.
Full textSnape, Bob. "Turning the tune: traditional music, tourism, and social change in an Irish village." Leisure Studies 31, no. 2 (April 2012): 258–59. http://dx.doi.org/10.1080/02614367.2011.589208.
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