Academic literature on the topic 'Traditional Irish music'
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Journal articles on the topic "Traditional Irish music"
Vallely, Fintan. "Focus: Irish traditional music." Irish Studies Review 19, no. 2 (May 2011): 238–40. http://dx.doi.org/10.1080/09670882.2011.565957.
Full textKearney, Daithí, and Adèle Commins. "Studio Trad: Facilitating traditional music experiences for music production students." Journal of Music, Technology & Education 11, no. 3 (December 1, 2018): 301–18. http://dx.doi.org/10.1386/jmte.11.3.301_1.
Full textFalc’her-Poyroux, Erick. "Traditional Music and Irish Society." Études irlandaises, no. 40-2 (December 15, 2015): 166–67. http://dx.doi.org/10.4000/etudesirlandaises.4764.
Full textBelibou, Alexandra. "Features of Irish Dance Music." Studia Universitatis Babeş-Bolyai Musica 66, no. 2 (December 30, 2021): 89–98. http://dx.doi.org/10.24193/subbmusica.2021.2.07.
Full textMoran, Angela. "Focus: Irish Traditional Music (Focus on World Music Series)." Ethnomusicology Forum 21, no. 1 (April 2012): 107–9. http://dx.doi.org/10.1080/17411912.2011.641903.
Full textMcDonagh, Luke. "Exploring “ownership” of Irish traditional dance music: Heritage or property?" International Journal of Cultural Property 29, no. 2 (May 2022): 183–200. http://dx.doi.org/10.1017/s094073912200011x.
Full textSOMMERS SMITH, SALLY K. "An Eventful Life Remembered: Recent Considerations of the Contributions and Legacy of Francis O'Neill." Journal of the Society for American Music 4, no. 4 (October 19, 2010): 421–35. http://dx.doi.org/10.1017/s1752196310000362.
Full textHITCHNER, EARLE. "No Yankee Doodling: Notable Trends and Traditional Recordings from Irish America." Journal of the Society for American Music 4, no. 4 (October 19, 2010): 509–20. http://dx.doi.org/10.1017/s1752196310000416.
Full textFujie, Linda. "Fiddle Sticks: Irish Traditional Music from Donegal." Yearbook for Traditional Music 26 (1994): 192. http://dx.doi.org/10.2307/768273.
Full textAhn, Eun Gee. "The Present Orientation of Irish Traditional Music." Journal of Society for Music and Reality 62 (October 15, 2021): 179–219. http://dx.doi.org/10.35441/mnk.62.1.6.179.
Full textDissertations / Theses on the topic "Traditional Irish music"
Fairbairn, Hazel. "Group playing in traditional Irish music." Thesis, University of Cambridge, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282816.
Full textKaul, Adam Robert. "An ethnography of tourism and traditional Irish music in Doolin, Ireland." Thesis, Durham University, 2004. http://etheses.dur.ac.uk/3106/.
Full textSchiller, R. M. "Traditional Irish music in Berlin : musical exchange in a European context." Thesis, Queen's University Belfast, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.419427.
Full textMolloy, Ryan Dominic James. "The traditional-contemporary dichotomy in Irish art music : a new compositional approach." Thesis, Queen's University Belfast, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.602590.
Full textMonaghan, Úna McAlister. "New technologies and experimental practices in contemporary Irish traditional music : a performer-composer's perspective." Thesis, Queen's University Belfast, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678210.
Full textDeSilva, Dominique Carmen. "MUSIC LEARNING THROUGH TRADITION: COUNTY CLARE SINGING SESSIONS AND POTENTIAL BENEFITS OF CLASSROOM ADAPTATION." Master's thesis, Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/591453.
Full textM.M.
The Irish singing session has provided a safe community where singers of all abilities are welcome to share with and learn from one another. Through British occupation and into independence, the Irish session has transformed tremendously from its original form. Still, the session carries on the Irish tradition of music learning and enculturation through oral transmission. Singing sessions provide a unique opportunity for the many songs of Irish history to be sung and learned; passed down from generation to generation! Singers learn new songs through listening to and watching other singers, imitating material, experimenting with new ideas, and discussing musical performances with others. Session leaders may attempt to create an encouraging and accepting environment where singers feel secure, resulting in the unbridled sharing of singers’ deep connections with a song. Such methods, including personal choice and a safe environment, have been observed through field research and have shown to positively affect singers and communities related to singing sessions in County Clare, Ireland. In this study, I pose that the methods used in singing sessions may also be beneficial when adapted for use in the music classroom.
Temple University--Theses
Phillips, Olivia H. "Marine Melodies: Traditional Scottish and Irish Mermaid and Selkie Songs as Performed by Top Female Vocalists in Contemporary Celtic Music." Digital Commons @ East Tennessee State University, 2021. https://dc.etsu.edu/honors/622.
Full textBömer-Schulte, Solveig. "Irländsk musik med rätt teknik : En studie i lärandet av irländsk traditionell musik." Thesis, Karlstads universitet, Institutionen för konstnärliga studier (from 2013), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-73429.
Full textThis study’s purpose is to observe the learning process of studying Irish traditional music. The method used in the study, is to learn repertoire mediating the Irish style from a master in the tradition. As a theoretical basis for the study a socio-cultural perspective with a focus on master-learning is used. The study is based on research questions investigating how tools are used to learn the Irish style and how learning becomes visible and changes during the process. After analysing the material, collected during the process, the results show the use of both material and theoretical tools which often cooperate. Furthermore, the results show, how learning is achieved in the categories: tempo, bowing and understanding of the music. In the discussion some of the conclusions, appearing in the result, are brought up and connected to literature and research presented in the studies background chapter. Some of the topics discussed are how my musical identity develops, how learning takes place in sessions, how my style is affected during the study and what impact the tools have on learning.
McDonagh, Luke Thomas. "Does the law on copyright in the UK and Ireland conflict with the creative practices of Irish tradional musicians? : a study of the impact of law on a traditional music network." Thesis, Queen Mary, University of London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.535764.
Full textStankiewicz, Mariese Ribas. "Tradition and dialogic interactions between William Butler Yeats's poetry andf irish pop music." Florianópolis, SC, 2005. http://repositorio.ufsc.br/handle/123456789/101813.
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Books on the topic "Traditional Irish music"
Carson, Ciaran. Irish traditional music. Belfast: Appletree Press, 1986.
Find full textWilliams, Sean. Focus: Irish Traditional Music. Second edition. | New York: Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429282256.
Full textFocus: Irish traditional music. New York: Routledge, 2009.
Find full textCrossroads Conference (1996 Dublin, Ireland). Tradition and change in Irish traditional music. Dublin, Ireland: Whinstone Music for Crosbhealach an Cheoil-The Crossroads Conference 1996, 1999.
Find full textGrae, Paul De. Traditional Irish guitar. Tralee, Co. Kerry, Ireland: Paul de Grae, 1989.
Find full textMusic, London College of. Irish traditional music examination syllabus. London: London College of Music, 1998.
Find full textQuinn, Bernadette M. Tradition, creativity and change in Irish traditional music. Dublin: Service Industries Research Centre, 1997.
Find full textThe companion to Irish traditional music. 2nd ed. Cork: Cork University Press, 2011.
Find full textRickard, Dave. Traditional Irish music for the bagpipe. Cork: Mercier Press, 1987.
Find full textHarrison, Frank Ll. Irish traditional music: Fossil or resource? [Cork]: Irish Traditional Music Society, U.C.C., 1988.
Find full textBook chapters on the topic "Traditional Irish music"
Williams, Sean. "Irish Instrumental Music." In Focus: Irish Traditional Music, 144–70. Second edition. | New York: Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429282256-8.
Full textWilliams, Sean. "Vocal Music in English." In Focus: Irish Traditional Music, 203–29. Second edition. | New York: Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429282256-11.
Full textWilliams, Sean. "Vocal Music in Irish-Gaelic." In Focus: Irish Traditional Music, 173–202. Second edition. | New York: Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429282256-10.
Full textWilliams, Sean. "New Contexts for Music and Dance." In Focus: Irish Traditional Music, 230–58. Second edition. | New York: Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429282256-12.
Full textWilliams, Sean. "Looking In from the Outside." In Focus: Irish Traditional Music, 3–29. Second edition. | New York: Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429282256-2.
Full textWilliams, Sean. "Roots and Branches of Gaelic Ireland." In Focus: Irish Traditional Music, 30–57. Second edition. | New York: Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429282256-3.
Full textWilliams, Sean. "“Hang All Harpers Where Found”." In Focus: Irish Traditional Music, 58–88. Second edition. | New York: Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429282256-4.
Full textWilliams, Sean. "Musics of the “Celtic” Nations." In Focus: Irish Traditional Music, 91–113. Second edition. | New York: Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429282256-6.
Full textWilliams, Sean. "The Green Fields of America." In Focus: Irish Traditional Music, 114–43. Second edition. | New York: Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429282256-7.
Full textÓ Nualláin, Seán. "On tonality in Irish traditional music." In Advances in Consciousness Research, 303–12. Amsterdam: John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/aicr.35.28onu.
Full textConference papers on the topic "Traditional Irish music"
Kelly, C., M. Gainza, D. Dorran, and E. Coyle. "Audio thumbnail generation of Irish traditional music." In IET Irish Signals and Systems Conference (ISSC 2010). IET, 2010. http://dx.doi.org/10.1049/cp.2010.0504.
Full textCasini, Luca, and Bob L. T. Sturm. "Tradformer: A Transformer Model of Traditional Music Transcriptions." In Thirty-First International Joint Conference on Artificial Intelligence {IJCAI-22}. California: International Joint Conferences on Artificial Intelligence Organization, 2022. http://dx.doi.org/10.24963/ijcai.2022/681.
Full textDuggan, Bryan, Brendan O'Shea, and Padraig Cunningham. "A system for automatically annotating traditional Irish music field recordings." In 2008 International Workshop on Content-Based Multimedia Indexing (CBMI). IEEE, 2008. http://dx.doi.org/10.1109/cbmi.2008.4564923.
Full text"When "Everything" is Information: Irish Traditional Music and Information Retrieval." In iConference 2014 Proceedings: Breaking Down Walls. Culture - Context - Computing. iSchools, 2014. http://dx.doi.org/10.9776/14131.
Full textKöküer, Münevver, Daithí Kearney, Islah Ali-MacLachlan, Peter Jančovič, and Cham Athwal. "Towards the creation of digital library content to study aspects of style in Irish traditional music." In the 1st International Workshop. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2660168.2660188.
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