Academic literature on the topic 'Traditional architectural landscape'
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Journal articles on the topic "Traditional architectural landscape"
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Maisuradze, Roman, Tamar Khardziani, and Tea Eradze. "Landscapes, Settlements and Traditional Housing in Samtskhe-Javakheti, Georgia." Quaestiones Geographicae 40, no. 1 (March 1, 2021): 85–95. http://dx.doi.org/10.2478/quageo-2021-0007.
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Abstract A change in livelihood and folk architecture is an indicator of cultural landscape transformation, which is often the result of changes occurring in the natural and socio-political realms. The diversity of architectural types of buildings as an element of landscape diversity distinguishes our research region. The presented study deals with a long-term change of housing and architectural types of settlements. Our goal was to identify, geolocalise, and classify the vernacular architecture of Samtskhe-Javakheti within the different types of natural landscapes. For this purpose, we used the HGIS (Historical Geoinformation System) approach, which comprises the application of both historic sources and GIS technologies. We identified seven types of buildings in the study area, the characteristics of which depended on the natural landscape features. The following factors had been determining the geography of the construction: geology, seismicity, terrain, climate, access to building materials and defence. Dominant architectural types of buildings in the study region were as follows: fortress Rabat with stone houses, stone houses, semi-underground houses mixed with stone houses, semi-underground houses, terraced semi-underground houses, cave dwellings and wooden log houses. In modern times, it is quite rare to come across these kinds of architectural buildings, and there is a tendency of their disappearance.
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Hu, Tian, and Ya Rui Wu. "Initial Analysis on the Chinese Traditional Symbol and the Contemporary Regional Architecture." Advanced Materials Research 368-373 (October 2011): 3459–64. http://dx.doi.org/10.4028/www.scientific.net/amr.368-373.3459.
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The Chinese traditional architectural symbols are on behalf of Chinese outstanding traditional culture and inheritance of value.Chinese traditional architectural symbol's refine and expression should be combined with some metropolitan aspects, such as landscape, environmental design, space shape design and architectural single body design.On the analysis of Chinese traditional architectural symbols and the comparison between the modern creating techniques and the characteristics of modern building material,five principles were creatived through the harmonious symbiosis view between modern architecture and Chinese traditional architecture. Meanwhile,taking the design of office area of Xi'an city administrative center as example, it was discussed how to embodying Chinese traditional cultural and regional culture connotation in a deep level in the design methods of architectural components.
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Xiong, Ying, and Feng Peng. "A Gene-Genetics-Based Study on the Inheritance Law of Traditional Architectural Culture." Applied Mechanics and Materials 584-586 (July 2014): 266–71. http://dx.doi.org/10.4028/www.scientific.net/amm.584-586.266.
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With the rapid development of social economy, a new wave of environmental renewal and old city reconstruction will be stirred. conserving and inheriting traditional and its historical culture is not only an issue but also a challenge. This paper tries to extend the concept of menes to the conservation and inheritance of traditional architectural culture from the perspective of biological gene genetics and by means of analogy and deduction. It aims at conserving and inheriting the historical culture of architecture and preserving the historical architectural heritage so as to promote the sustainable and harmonious development of architectures, landscape and environment.
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Samalavičius, Almantas, and Dalia Traškinaitė. "Traditional Vernacular Buildings, Architectural Heritage and Sustainability." Journal of Architectural Design and Urbanism 3, no. 2 (April 15, 2021): 49–58. http://dx.doi.org/10.14710/jadu.v3i2.9814.
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The article is focused on vernacular dwellings in different parts of Europe: southern Italy and Lithuania that have their own traditions. The authors note that the attitude towards traditional vernacular architecture has largely changed due to ongoing research in this domail. Nevertheless, despite persistent continuity of traditional architecture, vernacular architecture was affected by the rise and development of modernist ideology that neglected the realm of tradition. The authors discuss some tyoes of vernacular buildings and their relation to local landscape, especially focusing on the traditional vernacular dwelling of Kuršių nerija (coastal regionbordering with Curonian spit and the Baltic Sea. This region was originally an area of fishermen villages and though some of the settlements ceasedf to exist there are a number of vernacula houses that belong to architectural heritage. The issues of dwellings, authenticity, survival and protection as well as some ambiguous issues of sustainability of traditional dwellings arer discussed. The authors conclude by suggesting that multiple assesment perspective should be employed while dealign with vernacular buildings suggesting that buildings of this type can perform functions extending the tourist consumption.
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Dukhniak, Iryna. "ANALYSIS OF THE ELEMENTS OF ARCHITECTURAL LANDSCAPE OF THE RIVER VALLEY SPACES IN UKRAINIAN CARPATHIANS." Current problems of architecture and urban planning, no. 60 (April 26, 2021): 117–27. http://dx.doi.org/10.32347/2077-3455.2021.60.117-127.
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The results of the analysis of architectural and landscape interactions in the valley spaces of the rivers in Ukrainian Carpathians are presented in the article. The analysis was made at the scale level of elements of the architectural landscape. It was the next step after preliminary studies at the two highest scale levels - the level of settlement systems and at the level of settlements. The goal is to create a scientific basis for the methodical bases of the architectural and landscape arrangement of river valley spaces in Ukrainian Carpathians.
Architectural and landscape interactions at a lowest scale level (level of an architectural landscape elements) are most clearly manifested in the aesthetic aspects. Elements of the architectural landscape are divided into natural and anthropogenic. The last ones were studied, which in turn are divided into urban elements, architectural objects and engineering structures. 30 elements were analyzed by functional-planning and aesthetic characteristics, of which 7 are presented in the article.
It was revealed, that the large buildings, which visually dominate the relief, spoil aesthetics and identity of the valley landscape. When the traditional superficiality is exceeded, the feeling of the dominant influence of natural components on the local architectural environment is lost. The use of artificial finishing materials or too bright colors distorts the image and disintegrates the environment.
It was established, that the best aesthetic effect in the relationship of architecture and landscape is achieved by applying traditional local styles in construction, in which there is an organic unity of nature and architecture through scale and form, as well as the use of natural materials in decoration.
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Żychowska, Maria, Yulia Ivashko, Peng Chang, Andrii Dmytrenko, Nataliia Kulichenko, and Xin Mu Zhang. "The influence of traditional Chinese landscape architecture on the image of small architectural forms in Europe." Landscape architecture and art 18 (October 7, 2021): 59–68. http://dx.doi.org/10.22616/j.landarchart.2021.18.06.
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The article analyzes the influence of traditional Chinese landscape architecture on the shaping of European small architectural forms and the influence of European architecture on contemporary Chinese architectural practice. The purpose of the article is to identify the features of the architectural mutual influences of Chinese and European cultures. The method of historical analysis, the method of comparative analysis and the graphoanalytical method are used. The lack of identity between the Chinese and European gardens and the park with the pavilions is proved at the different hierarchical levels. Two groups of European Chinoiserie style pavilions have been identified: which give a false idea of Chinese architectural traditions and which represent a simplified version of those traditions. There is noticed the influence of the traditional Chinese approach to the architectural objects placement in the natural environment on the development of the contextualism concept in Western architecture (since the 1960s) which proclaims its purpose to preserve the natural beauty of the site through careful design that relates to its surroundings. The concept of contextualism is now widely used in the design of small architectural forms in the urban environment and in the design of the architectural environment in general, both in Europe and in China. This is a clear example of mutual enrichment with the ideas of two civilizations, each of which preserves its own culture.
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Wibowo, Danang Harito, and Muhammar Khamdevi. "KARAKTERISTIK ARSITEKTUR DESA MEKARWANGI, CISAUK." NALARs 16, no. 2 (July 12, 2017): 155. http://dx.doi.org/10.24853/nalars.16.2.155-160.
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Mekarwangi Village is in Banten Province area. It has its own architectural uniqueness, which distincts from Baduy and Java-Banten. However, its uniqueness became faded and abandoned. The Mekarwangi people started to adopt western buildings. On the other hand, most of the area became formal and modern housing development of Serpong. Conservation effort should be initiated, by starting a study about its architectural characteristics. How is the characteristics of the traditional architecture in Desa Mekarwangi? This study is a qualitative research, which is aimed to study the architectural characteristics in Desa Mekarwangi. The results showed, that the stylistic, spatial, physics and figural quality characters is sunda and banten.Keywords: traditional architecture, vernacular, conservation, cultural landscape heritage, local wisdom
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Usov, Aleksei Aleksandrovich. "Peculiarities of the formation and transformation of cultural landscape of the historical settlements of Onezhskoye Pomorye." Культура и искусство, no. 11 (November 2021): 1–21. http://dx.doi.org/10.7256/2454-0625.2021.11.36850.
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The object of this research is the historical,-cultural and natural environment of historical settlements of the Russian North. The subject of this research is the traditional dwelling as a factor of formation and transformation of the cultural landscape of Onezhskoye Pomorye. The goal lies in studying the peculiarities of formation and transformation of cultural landscape of the rural settlements Onezhskoye Pomorye based on the material of traditional dwelling. The research relies on the empirical data acquired in the course of expedition of the Scientific Center for Traditional Culture and Museum Practices of the Ural Branch of the Russian Academy of Sciences to Onezhsky District of Arkhangelsk Region (2018–2021);archival sources of A.V. Shchusev State Museum of Architecture (Moscow), experience of exploring the monuments of wooden architecture of the open-air museum “Malye Korely” (Arkhangelsk Region). The data were obtained by photofixation of the architectural monuments, schematic measurements, and ethnographic survey conducted among local residents using the method of interview. The research employs the original methodology developed by the Doctor of Culturology A. B. Permilovskaya on the architectural-ethnographic exploration of the sites of wooden architecture. Cultural landscape of Onezhskoye Pomorye (and the Russian North overall) primarily is the landscape of rural historical settlements. Northern settlements emerged in close connection with the natural landscape and transformed it into a cultural one. Special role in this process was played by the local population – the Pomors, who were guided by the principles of creating compact settlements, with closed type of dwelling to due to the harsh climate. The adaptive capabilities of traditional dwelling, reflected in its architectural design, allowed the people to survive in the severe conditions of the North. The dwelling is a reflection of natural space of the Russian North and the Arctic, passed through the “prism” of local mentality and carpenter's culture, coexistence of man and the surrounding natural environment, special marker of the North Russian identity, and intrinsic part of the North Russian cultural landscape.
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Pora, Maria Parni, Irawan Setyabudi, and Rizki Alfian. "Study of Architecture and Cultural Landscape of the Dhawe Tribe, East Nusa Tenggara." Local Wisdom : Jurnal Ilmiah Kajian Kearifan Lokal 14, no. 1 (January 15, 2022): 1–17. http://dx.doi.org/10.26905/lw.v14i2.6226.
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The Dhawe Tribe cultural area, better known as the Ola Dhawe Traditional Village, is currently the center of attention of the government and the local community because the site has changed the activity pattern of the Dhawe Tribe community both in terms of culture and in terms of culture and landscape. These changes occur in community activities that can damage the environment, such as logging activities around customary forest areas, converting customary land into residential areas, natural exploitation around the Dhawe Tribe area, and replacing traditional house structure materials from raw into modern materials. The changes that occur are feared to impact the preservation of the landscape and culture of the Dhawe Tribe community. Therefore, it is necessary to conduct a study on human interaction with the landscape, which is now called the cultural landscape, as the primary material for sustainable development and efforts to preserve the various values. This study aims to identify the architectural characteristics and cultural landscapes of the Dhawe Tribe and determine the public's perception of its conservation efforts. Primary data was obtained using focus group discussions, while the analysis method was carried out in a descriptive-qualitative manner and continued with quantitative analysis. The results and discussion obtained can be developed on recommendations for preserving the architecture and cultural landscape of the Dhawe Tribe. The conclusion is that efforts to identify architecture and cultural landscapes and public understanding of culture are needed as conservation efforts.
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Wang, Shuhua, and Anhua Qin. "Extraction of Spatial Distribution Characteristics of Jiangnan Urban Landscape under the Influence of Geomorphology." Complexity 2021 (June 16, 2021): 1–12. http://dx.doi.org/10.1155/2021/5545112.
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This paper presents an in-depth study and analysis of the spatial distribution of urban landscapes in Jiangnan cities under the influence of geomorphology and extracts the characteristics to explore the construction mechanism from the perspective of spatial functionality based on the analysis of the process and content of landscape construction. The construction of cities and ponds originated from political influence, environmental constraints, and architectural techniques; the landscape pattern of the combined shape and complementary potential originated from the creation of various types of gardens in various dynasties; the complementary planning of landscape, the traffic creation of the plain and water network, and the production factors of agriculture and sanitation influenced the construction of the countryside landscape; the traditional view of feng shui, poetry and painting, the eight scenes of the city and countryside, and other humanistic intentions influenced the overall situation of the town and the landscape. This paper extracts and analyzes the spatial distribution characteristics of Jiangnan city landscape from several perspectives, and the results can clearly show the distribution of landscape features under the influence of geomorphology and can give the best layout suggestions. From the perspective of spatial variability, the main features of traditional landscape construction in Jiangnan are analyzed through three levels: the characteristics of the process of humanized landscapes evolving into natural landscapes, the comparative analysis of similarities and differences in the construction of cities and towns, and the characteristics of the system of regional landscape construction. Finally, the changes in the landscape pattern of the region under the influence of globalization are analyzed through the changing characteristics of landscape architecture.
Dissertations / Theses on the topic "Traditional architectural landscape"
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Steele, Thomas C. Jr. "An exploration of architectural theory and architectural devices of the English landscape tradition 1715-1748." Thesis, Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/23021.
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De, Silva Wasana. "Performing place : natural landscape, cultural place, performances of Sri Lankan traditional settlements : Kandy and Lankathilaka." Thesis, University of Nottingham, 2014. http://eprints.nottingham.ac.uk/28213/.
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Traditional settlement patterns in Sri Lanka reflect a sense of harmony between built forms, architecture and their natural landscape context. In contrast to this, many new developments neglect or overpower natural landscape features. In traditional societies a range of sites are celebrated through the performance of ritual activities which create significant distinctive places and dwelling patterns. This research focuses on traditional settlements of Sri Lanka to examine emerging architecture and built space, focusing on the relationships between natural landscape, cultural place and the role of ritual and performance. A number of pilot case studies followed by an in depth comparative case study of a city and a village - Kandy and Lankathilaka respectively - address the topic by examining how common narratives perform in contrasting landscape locations. The thesis develops the theoretical concept of the ‘Performative phenomenon’ as a means of understanding the dynamic nature of cultural place and landscape in the Sri Lankan context. A theoretical framework and case study method is established by combining aspects of phenomenology, anthropology, psychology, ethnography, landscape theory, and architectural interpretation. A wide range of literature review draws on key concepts such as chora and topos, dwelling, ideal forms, Mitte and actor-network-theory to theorise how ‘place’ emerges through cultural practices in space and time. Fieldwork and archival research provide detailed evidence of site specific practices, most notably in the Asala perahera festivals which are repeated at both case study locations. A pattern matching technique is applied for analysing data, presented in tables, diagrams, maps and illustrations. In both case studies, the experience of ideal forms and dwelling is evident throughout the performing process of Asala perahera. Place is produced by repeated events, such as, parading, marking geometrical patterns, sound performing, narrating, body performing and so on, producing and sustaining an inter-related network of performers and landscape. It is concluded that Kandy city is experienced as an ‘inside’ enclosed within three mountains, while Lankathilaka village is experienced as a divine centre. Through locally specific performative processes, common ideal forms continue to flourish, shaped by the natural landscape and architecture, which reflect the chora of the place.
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Zandieh, Mahdi. "Transformation of urban landscape architecture in Iran : a comparative analysis of traditional & modern approach to urban landscape architecture in the Safavid (1501-1725) & the Pahlavi (1921-1979) periods (case study, The city of Isfahan)." Thesis, Birmingham City University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.404062.
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The study is structured to trace how socio-economic and cultural order, as a process, shaped the traditional Iranian urban landscape as a product over the time. The study then examines how the socio-political disorder interrupted the evolutionary process of traditional environment resulting in a functional urban product in the Pahlavi period. The historical evolution ofthe Iranian urban landscape and its integration to the fabric of the city of Isfahan as a key example is studied and examined. This develops a further argument on the relationship between the physical shape of environment as the urban product and socio-economic structure as the process. The study is divided into four historical periods of Pre-Safavid, Safavid, Qajarid and Pahlavi. This developed an argument on the historical relationship between the evolutionary process and the product, analysing the impact of changing order in shaping cityscape in different periods. It outlines the sudden socio-economic changes, which brought about new physical production in Iranian urban landscape, and argues efficiency of the traditional pattern in response to socio-culture needs of the people in accordance with the environmental conditions. The city of Isfahan is chosen for the case study to assess the impact of socioeconomic and cultural characteristics on the urban landscape architecture in the old (traditional) and new (modern) urban fabrics of the city. This is focused on the detailed analysis, both in micro and micro levels in the traditional neighbourhoods of Jouybareh and Bid-Abad and the modern neighbourhood of Kouleh Parcheh. These are compared in the following orders: Urban design; Land-use; Communication system; Development process; Neighbourhood characteristics; Neighbourhood centre; Commercial (Bazaar) and House.
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Vogel, David L. "A change in perspective : new priorities for neighborhood design in Johnson County, Kansas." Manhattan, Kan. : Kansas State University, 2009. http://hdl.handle.net/2097/1467.
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Zeng, Zhe. "Pour une application du Feng shui dans la conception de l’architecture contemporaine et son environnement : contribution à la recherche de l’origine de ses fondements." Thesis, Toulouse 2, 2015. http://www.theses.fr/2015TOU20017.
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Le Feng shui regroupe les connaissances des Chinois sur les notions de temps, d’espace, d’environnement et lieu de vie (ville et habitation). C’est en effet le Feng shui qui a guidé, dès son « avènement » presque toutes les constructions édifiées pour les vivants et pour les morts en Chine. Aujourd’hui l’écologie et la protection de l’environnement sont les premières questions à prendre en compte dans la conception architecturale. Face à l’idée transmise par le Feng shui , nous ne pouvons pas nous empêcher de penser qu’une telle discipline si ancienne, très centrée sur l’environnement et l’habitation, peut servir de référence et d’inspiration au design de l’architecture moderne et au traitement de l’environnement . La question fondamentale de cette recherche est de savoir quelle est, ou quelles sont, la ou les véritable(s) source(s) de la pensée Feng shui. Au travers de nos recherches, nous tenons à prendre un certain recul vis-à-vis de la multitude de méthodes du Feng shui pour pouvoir pleinement nous concentrer sur leur philosophie transversale et ainsi tenter de synthétiser les différentes approches que l’on peut avoir de l’ensemble du monde Feng shui. Nous avons trouvé deux grands « fils rouges » de la doctrine Feng shui .Premier fil : le « qi 气» est la matière fondamentale de la composition du monde. Deuxième fil : La temporalité et l’action du Ciel comprise comme une puissance impersonnelle et ordonnatrice s’exerçant sur le monde au travers des régularités naturelles. Cette recherche est dans le but de construire une structure de recherche sur le sujet de « l’application du FENG SHUI dans la conception architecturale contemporaine et son environnement »The Feng shui brings together the knowledge of the Chinese on the notions of time, space, environment and all the building infrastructures. It is indeed Feng shui has guided, from its "coming" almost all the buildings constructed for the living and for the dead in China. Modern ecology and environmental protection are the top priorities to be considered in architectural design. Faced with the idea transmitted by the Feng shui, we can’t help thinking that such ancient discipline, very focused on the environment and housing, can serve as a reference and inspiration in the design of contemporary architecture and treatment of the environment. The basic question of this research is to know what was, or what were, the true (s) source (s) of the doctrine of Feng shui. Through our research, we want to take a step back to the multitude of methods of Feng Shui, and intended to fully concentrate on their cross philosophy, and try to synthesize the different approaches that can have globally of the Feng shui. We have found two major "red threads" of Feng shui .First thread: the "qi 气" is the basic material of the composition of the world. Second thread: Temporality and action of Heaven understood as an impersonal power and instructing exerted on the world through natural regularities. This research is in order to build a research facility on the topic of "the application of Feng Shui in contemporary architectural and environment design" and we hope that this first step will be considered important to the continued reflection
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Korčáková, Alžběta. "Zhodnocení objektů Kurialova archivu na Uherskohradišťsku /rozšířené o památkově chráněné objekty/." Doctoral thesis, Vysoké učení technické v Brně. Fakulta architektury, 2014. http://www.nusl.cz/ntk/nusl-233263.
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The goal of this doctoral thesis is to map and evaluate the current situation of folk architecture in the region around the city of Uherské Hradiště on the example of selected villages. Later, these findings will be compared with the archive of prof. Antonin Kurial. The text has been extended to include currently listed buildings and output of this work is a new catalogue of buildings of folk architecture in the above mentioned region.
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Zelenková, Jitka. "Stavba v krajině - Winery." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2016. http://www.nusl.cz/ntk/nusl-240897.
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The project designs a small family winery near Strachotín, on the bank of Nové Mlýny. The land area is 35,9 hectares and the height difference is about 30 metres. There are a beautiful views of the Pálava Hills. One of the basic ideas was to link the vineyards with the embankment. Therefore, the proposed buildings are divided into two parts - the Wine Center ( including production, presentation and sales) and a restaurant with a pension. The buildings are based on the traditional archetypal shape - a rectangle and a gable roof. The asymmetrical roofs evoke panorama of Palava. Offset the production hall and the visitor centre allows free passage and the building does not act as a barrier.
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Wade, Richard Peter. "A systematics for interpreting past structures with possible cosmic references in Sub-Saharan Africa." Diss., Pretoria : [s.n.], 2009. http://upetd.up.ac.za/thesis/available/etd-05052009-174557/.
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Chuan-Hsiung, Cheng, and 鄭全雄. "On the Relationship between the Thoughts of Feng Shul In I-Ching, Traditional Architecture, Landscape and Architecture Planning." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/84203171945907499026.
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碩士國立臺灣大學
農業工程學研究所
89
This study plans to examine the between Chinese Feng Shui and traditional architecture, landscape and environmental planning. Though the process and analysis of “cleansing” and “demystification,” I intend to clarify the ambiguous and stereotypic understanding of feng Shui system, to remove the superstitious elements in the theoretical framework constructed with the fuzzy logic in Feng Shui, return it to its original features. In I-Ching, the rare book among the books and the first book among the Ching (literary and philosophical writings in Chinese), it is possible to locate the basic theoretical framework of Feng Shui, adding certain mystic elements to the subject. Similar to herb medicine, Feng Shui is constructed with Yin/Yang, the Five Elements, and qi (the spirit). In this project, I dare to propose that if Chinese herb medicine, originated from Yin/Yang, the Five Elements, and qi, can be prove to meet the criteria of western science, then Feng Shui, which bears similar origins to herb medicine, can also be proved to be scientific, at least to be scientifically practical. However, there are many elements in Feng Shui that have not been proved scientifically. Base on this assumption, this study aspire to prove if the above-mentioned thesis to be valid. Although no satisfactory result is achieved, I hope to throw out the brick to attract the jade (to light up the path leading more people to discover the terrain), returning the truth to the truth and to filter the dregs that are not truth, leaving the abyss of superstitions. This project begins with the treatment of the basic theory and schools in Feng Shui, in order to analyze its operation, theory, and practice. Further, I try to locate the convergence between western science and Feng shui in the aspects of qi field, the spiral nature of the cosmos, and the electromagnetic field. From such perspective, I would like to examine the impact of and the relationship between Feng Shui on traditional architecture, landscape, and the environment. However, this project has encountered some barriers. Some scholars point out that in addition to the features, such as voluminous, difficult, and chaotic in Feng Shui literature, it is extremely difficult to gather useful materials in the study of mysterious subject, like riding a horse in the wildemess and rowing a boat amidst the open sea. This is indecd the words from the heart. How to make the mysterious subject comprehensible from a macro view and to transform the garbage into gold is the difficult task I have when writing this thesis. After finishing, I hope it can be valuable experience for my future life, and the inspiration for the researchers to come. Feng Shui is the dogma followed by Chinese people in traditional architecture. Basically, it is the principle to evaluate fortune and misfortune. It has been a subject scorned by people from the appearance. But actually most people believe it to be valid, affecting the thought and everyday life of the Chinese people for centuries.
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Chan, Hsing-Chuan, and 詹幸娟. "A Design Study of Local Landscape Architecture Detail in Kinmen: A Case Study, Restorative Construction of Chen Jing-Lan Traditional & Western Style House and Garden." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/78395201219958300641.
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碩士臺灣大學
園藝學研究所
95
Abstract The research theme of this thesis is concerned with the relationship between the local architecture detail and the representation of landscape design in terms of culture geography, the design of landscape and globalization. Lots of design researches nowadays have explored the relationship between forms, formation and meanings, applying various theoretical discourse. However, there has long been a lack of related case study on the way of how architecture detail of Taiwan locality being used in localized landscape design and kinds of construction. As the influence of globalization and the development tendency of design industrialization has quickly spawned a wide range of similar, mass-produced standardized landscape, the government attempts to renovate the development features of local culture through “Townscape Renaissance Project”. Dividing landscape elements into six categories, namely landform, water, plant materials, pavement, site structures and buildings, this research explores how culture has been impacted on the transformation of Jin-Men landscape in historical context. By taking “Rebirth of Overseas Hometown and Battlefield ：A Landscape Preservation Design about Time and Memory” as the particular case, this thesis also records the patterns of design detail and construction process, as well as recognize the representative form of local landscape, which has been re-interpreted, through the phased interviews from planning to construction details. The issues studied and the anticipated results are intended to establish the cultural autonomy of local landscape design, explore how it will be used in various representations of landscape architecture detail and construction forms, as well as examine the way by which public projects achieve localized scenery through the process of localizing construction details.
Books on the topic "Traditional architectural landscape"
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Hakhoe, Hanʼguk Chŏntʻong Chogyŏng, ed. Korean traditional landscape architecture. Elizabeth, NJ: Hollym, 2007.
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(Firm), Pneu Michelin, ed. Michelin France: Landscape, architecture, tradition. Boston: Little, Brown, 1995.
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Yŏng-bin, Kim, and '92 IFLA Hanʼguk Chojik Wiwŏnhoe., eds. Hanʼguk chŏntʻong chogyŏng: Traditional landscape architecture of Korea. Sŏul: Chogyŏng, 1992.
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Johnson, Matthew. Housing culture: Traditional architecture in an English landscape. London: UCL Press, 1993.
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Johnson, Matthew. Housing culture: Traditional architecture in an English landscape. Washington, D.C: Smithsonian Institution Press, 1993.
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1938-, Chŏng Chae-hun, ed. Hanʼguk chŏntʻong chogyŏng: Traditional landscape architecture of Korea. Kyŏnggi-do Sŏngnam-si: Chogyŏng, 2005.
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Hanʾguk chŏntʻong chogyŏng kujomul: Korea traditional object. Sŏul-si: Chogyŏng, 1997.
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Traditional rural landscapes in island topography in East Asia. Hauppauge, N.Y: Nova Science Publishers, 2011.
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Landscape tradition of Sri Lanka: Philosophy, principles, and practices. Colombo, Sri Lanka: Deveco Designers & Publishers, 1996.
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1954-, Kuma Kengo, and Simmons Ben, eds. Traditional Japanese architecture: An exploration of elements and forms. Tokyo: Tuttle, 2010.
Find full textBook chapters on the topic "Traditional architectural landscape"
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Abdel-Lateef, Rasha Said. "Medinet Habu and Western Thebes’s Sacred Landscape: Traditional Identity Multifaceted Through Time." In Conservation of Architectural Heritage (CAH), 143–55. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95564-9_10.
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Fontana, Mauro. "Another Sicily, tuna-fishing structures and landscape: a diachronic and contemporary photographic journey along the Sicilian western coast." In Proceedings e report, 69–78. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-147-1.08.
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The research investigates the Sicilian western coast contemporary landscapes starting with an historical study about tonnare, architectural heritage and physical expression of the tuna-fishing’s tradition. The aim is to demonstrate that the Sicilian coastal landscape has undergone changes whose meaning is to be investigated to recover the coast ualities for the purposes of targeted actions of preservation and enhancement of architectural and landscape heritage. The research includes a diachronic photographic comparison between a reportage taken in 1986-1987 and photos taken in 2018.
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Latai-Niusulu, Anita, Susana Taua’a, Gabriel Luke Kiddle, Maibritt Pedersen Zari, Paul Blaschke, and Victoria Chanse. "Traditional nature-based architecture and landscape design." In Creating Resilient Landscapes in an Era of Climate Change, 194–216. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003266440-13.
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Formato, Enrico. "New Urbanization Phenomena and Potential Landscapes: Rhizomatic Grids and Asymmetrical Clusters." In Regenerative Territories, 135–45. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78536-9_8.
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AbstractMore and more nowadays, the Circular Economy is at the heart of European public policies. As a result of the “Next Generation EU” Recovery Plans, a huge amount of financial resources will be available in the coming years to give shape the concept of “ecological transition". For that purpose, radical vision and operational concreteness are needed.In order to strengthen the territorial dimension of public policies aimed at ecological transition, the paper points to consider the status quo of the European territory, looking for recurring elements and differences. In this perspective, a return of “hard” urban studies, focusing on the issues of land ownership, land parcelling, infrastructural and urbanization procedures (and their relationships with the environment and the landscape) should be conducted at the European scale.A central role for the future of contemporary territories is recognized in the so-called “fringe area”, the part of the urban region where patterns of building development and unbuilt space interwave: its intermediary character, as a place between the compact city and the suburban countryside, makes this zone favourable to the collaboration between the two worlds. In addition, its easy accessibility from both the denser contexts and the outer areas makes it the perfect place to locate the equipment required to create short supply chains, so relevant for the circular economy and the ecological transition.These transition areas need to be rethought as new collective spaces of the contemporary city, areas for the proliferation of biodiversity, inhibited from settlement increase and subject to restrictions on car traffic. In them, the circular dimension of the new green economy could give shape to certain spatial conditions and new landscapes.Two main spatial models can describe this sustainable reform of the peri-urban territories. The first one assumes the figure of the “cluster”: a territorially and functionally defined region with one or more reference centres and an edge marking the discontinuity from other clusters. The second model is based on the figure of the “grid”: an unlimited mesh, which gives measure and organizes space according to a replicable and open system. This spatiality is built on a redundant and weak infrastructure, devoid of hierarchy, which can give rise to a sponge rich in pores, with neither internal nor external boundaries.The concept of the materiality also deals with the physical status of each context where the clusters of shortening flows would define local metabolisms, self-sufficient, marked by the use and recycling of what can be produced or “extracted” in the cluster itself. The closing of short supply chains for the use and recycling of materials, also with reference to the construction cycle and CDW recycling, would have direct consequences on the architectural character of the new arrangements: a kind of hyper-contextualism in which the landscape takes on grains, colours, materiality, closely linked to the local condition.Finally, a reflection on the rationales of the project is outlined. What is proposed, in fact, requires going beyond the traditional way in which the project has been conceived. In fact, these urban reconfiguration processes, structurally open to uncertainty, would take advantage of a programmatic choice of spatial incompleteness: a condition of “unfinished”, open to the accumulation over time of functions, forms, aggregations and densifications.
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Carli, Giovanni. "Urban Domestic Landscape. Architecture and Design of the Bourgeois House: A Cultural Heritage of the Act of Dwelling." In Putting Tradition into Practice: Heritage, Place and Design, 1371–78. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-57937-5_141.
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Orlandi, Luca. "Lost Highways. Sinan’s Architectural and Urban Transformations in Thrace as Traces of the Ottoman Civilization and as Possible Cultural Landscape for the Future." In Putting Tradition into Practice: Heritage, Place and Design, 938–48. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-57937-5_96.
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Laurìa, Antonio, Valbona Flora, and Kamela Guza. "Three villages of Përmet: Bënjë, Kosinë and Leusë." In Studi e saggi, 39–156. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-175-4.01.
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Part I of the book focusses on three villages in the Municipality of Përmet: Bënjë, Kosinë and Leusë. Bënjë, which lies entirely within the "Bredhi i Hotovës - Dangëlli" National Park, has undergone anthropization processes since prehistoric times. Due to its landscape and architectural value, it was recognised in 2016 as a “historical centre” and as such has come under the protection of the National Institute for the Cultural Heritage. There is little information concerning the history of Kosinë. The inhabitants show a strong connection with the Byzantine Church of the Dormition of Mary, but regrettably, it was impossible to go back to the origins of the current settlement. The village of Leusë, instead, existed before 1812, the year in which the Church of the Dormition of Mary was built. Today, the image of the village is a consequence of the partial reconstruction occured after the severe damage suffered during World War II. In the first chapters, the importance of the intangible heritage is stressed. Përmet’s food heritage is well-known on a national scale for its typical products (spirits, fruit preserves, dairy, meat, honey and bakery products), which result from the favourable climatic conditions and the rich biodiversity of the area. The tradition of the Tosk iso-polyphony, the hospitality of Përmet inhabitants and their historical devotion to religion, knowledge and study emerge with great strength together with the craftsmanship traditions and the exceptional skills of the itinerant and seasonal master builders. In the following chapters, the multiple aspects of the tangible heritage are analysed. The landscape in Përmet includes a vast variety of habitats, which have preserved to a large extent their original qualities. It is deeply marked by the Vjosa River and other several minor watercourses that crisscross the territory. A special attention is given to the historical built heritage of the villages, and specifically to three architectural assets (all listed as category I Cultural Monuments): the Katiu Bridge in Bënjë (an Ottoman bridge of the 18th century), the Church of the Dormition of Mary in Leusë (a Post-Byzantine building of the 19th century), and the Church of the Dormition of Mary in Kosinë (a Byzantine building of the end of the 12th century). For each of the aforementioned issues, the theoretical and historical analysis are closely bound to an evaluation of those features of the cultural heritage that could be enhanced to guarantee a sustainable tourism development of the area. Each chapter ends with a consistent set of specific intervention strategies. They are substantive tools for action aimed at public and private local actors.
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Németh, Károly. "Volcanic Geoheritage in the Light of Volcano Geology." In Geoheritage, Geoparks and Geotourism, 1–24. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-07289-5_1.
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AbstractVolcanic geoheritage relates to the geological features of a region that are associated with the formation of a volcanic terrain in diverse geoenvironmental conditions. These features include the volcanic processes, volcanic landforms and/or the eruptive products of volcanism that form the geological architecture of that region. Volcanic geoheritage is expressed through the landscape and how it forms and evolves through volcanic processes on various spatio-temporal scales. In this sense it is directly linked to the processes of how magma released, transported to the surface and fragmented, the styles of eruption and accumulation of the eruptive products. Volcanic geoheritage is directly linked to the natural processes that generated them. Geocultural aspects are treated separately through volcanic geosite identification and their valorization stages. Identification of volcanic geosites, based on various valorization techniques, have been applied successfully in the past decades to many geological heritage elements. Volcanism directly impacts societal, cultural, and traditional development of communities, hence the “living with volcanoes” concept and indigenous aspects and knowledge about volcanism can and should play important roles in these valorization methods through co-development, transdisciplinary approaches by including interconnected scientists in discussions with local communities. Elements of volcanism and volcanic geoheritage benefit of the geoculture of society so volcanic geoheritage sites are ideal locations for community geoeducation where resilience toward volcanic hazard could be explored and applied more effectively than it is done today. Geoparks within volcanic terrains or volcanism-influenced regions should be the flagship conservation, education and tourism sites for this message. Volcanism can be an integral part of processes operating in sedimentary basins. Here volcanic eruptive products and volcanic processes contribute to the sediment fill and geological features that characterize the geoheritage of that region.
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"Modern Enlightenment of Traditional Chinese Landscape Architectural Forms." In International Conference on Green Buildings and Optimization Design (GBOD 2012), 145–52. ASME Press, 2012. http://dx.doi.org/10.1115/1.860137_ch19.
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Corsi, Cristina. "GIS Use in Landscape Archaeology." In Encyclopedia of Information Communication Technology, 341–49. IGI Global, 2009. http://dx.doi.org/10.4018/978-1-59904-845-1.ch045.
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Information technologies (ITs) entered and irreversibly changed the discipline of archaeology during the last 20 years of the second millennium. The first experiments involved databases and alphanumeric data processing, then in the late 1980s GPS technologies, associated with spatial data processing, were first tested to locate archaeological objects in the geographical space. Computer-aided design (CAD) software has progressively replaced the traditional procedures of topographical and architectural design, while “New Archaeology” and “Processual Archaeology” focusing their attention on the quantitative aspects of phenomena (Binford, 1989; Binford & Binford, 1968; Clarke, 1968; Clarke, 1977) adopted “spatial technologies”, consisting of computer-based applications concerned with the acquisition, storage and manipulation of spatial information (Wheatley & Gillings, 2002).
Conference papers on the topic "Traditional architectural landscape"
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Chen Chen and Daping Liu. "Chinese traditional architectural landscape and ecological consciousness." In 2011 International Conference on Multimedia Technology (ICMT). IEEE, 2011. http://dx.doi.org/10.1109/icmt.2011.6002830.
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Cai, Yifan, Ruihuan Ding, and Qiang Li. "An improved geographic modeling method to the vulnerability of the traditional village architectural landscape." In International Conference on Geographic Information and Remote Sensing Technology (GIRST 2022), edited by Yang Wang. SPIE, 2023. http://dx.doi.org/10.1117/12.2667412.
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Farina, Stefania. "Proposals for the sustainable recovery of dry stone buildings in Puglia, Italy." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15638.
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Rural architecture in Puglia (south of Italy) is characterized by the mutual relationship between buildings and environment, typical of the spontaneous architecture of the Mediterranean basin. In fact, traditional rural buildings are an example of sustainable development, and their construction features respond to three fundamental issues: climate, building materials and morphology of the territory. Currently, the state of abandonment of the rural areas and the lack of awareness of their heritage have brought about irreparable degradation, followed by interventions incompatible with the identity of the territory. Through the conservation and recovery of sociocultural and environmental identity and the protection of biodiversity, the Puglia Region aims to protect and enhance the architectural and landscape heritage in a sustainable way with the implementation of a regional landscape plan. This study focuses on the small town of Ostuni (Brindisi), in the Apulian area of Murgia dei Trulli, known for its typical dry stone constructions. The different architectural typologies are examined and described, listing the intrinsic bioclimatic peculiarities of their components and specifying the different bioecological actions suitable for any kind of intervention: restoration, recovery, reuse, or even ordinary and extraordinary maintenance. The aim of the project is to develop guidelines for the sustainable recovery of different types of rural buildings in order to suggest minimally invasive technological systems, oriented to the use of renewable energy sources and the maintenance of traditional elements. The proposals aims to respect green building principles, using locally sourced bio-sustainable materials and finishes belonging to the local construction tradition. But also, merging traditional construction techniques with modern technologies and following the principle of "minimum impact" on the existing constructions.
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Michaliszyn, Jennifer Lee. "Housing Prototypes for a Landscape of Change." In 2017 ACSA Annual Conference. ACSA Press, 2017. http://dx.doi.org/10.35483/acsa.amp.105.15.
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Qing Cun is one hour to the south of downtownShanghai. Shanghai has gone through a period of rapid urbanization in the last 25 years, and while seemingly the opposite, Qing Cun is as much a landscape of change as the city center. Most of the working age population has left to find jobs elsewhere, leaving behind the elderly and migrant workers who rent the cheap housing. Qing Cun is a modest example of a traditional Jiangnan “water town”, which dot the region just south of the Yangtze River. The town government has replaced some of the historic structures with new ones, and while they are an improvement for the inhabitants, they represent a tremendous loss of architectural and material richness.
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Grisoni, Michela Marisa. "Modern attitudes towards vernacular architecture. Works by the Italians Luigi Angelini, Alberto Alpago Novello, Ottavio Cabiati, Alessandro Minali." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15687.
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Among the many architects practicing between the two world wars, some looked at the so-called vernacular architecture - then referred to as traditional or local, primitive, and spontaneous - as a model of genuine functionality. For some of them, its revival also stands for a solid and reliable solution for preserving the continuity between past and present, local communities and their traditions, society and its generations, a place, and its materials. Architectural historians have widely explored the theme, highlighting figures, subjects, and currents. Nevertheless, investigation of the role of history and historic culture is still far from exhausted, not only for Modernists but also among the Avantgardes and the International Style too. As a response to this conference’s topics, some of the architects working in and around Milan the 20th century focused on the relationships between tradition and modernity. Here we look at some of their works to open a discussion on different scales: the landscape, the town, the building. We shall examine their proposals for a functionalist and modern design concept in traditional terms: the Mediterranean colonial house will illustrate the research by Alberto Alpago Novello and Ottavio Cabiati on local architecture; the modern pre-Alpine house proposed by the engineer Luigi Angelini for the Bergamo valleys and the building materials chosen by the architect Alessandro Minali show their respect for each place. The conclusions will – one hopes - lead to talking about typological and constructive building features, materials, and traditional techniques as a tool for preservation.
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Saeedi, Azin. "Community Participation in Conservation Proposals of Islamic Pilgrimage Sites." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4025pfdgv.
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There is increasing pressure on urban landscapes surrounding Islamic pilgrimage sites to accommodate growing numbers of pilgrims. Recent developments have responded to this issue with comprehensive clearance of historic urban landscapes, constructing grand open spaces and dislocating local residents. The traditional expansion of Islamic pilgrimage sites was characterised by a layering of interconnected structures with continuous functions that merged gradually over time into the surrounding landscape. The rift between the traditional urban growth and the recent expansion approach across the Muslim world is inconsistent with international developments that seek to incorporate sustainable development into urban heritage conservation. To achieve sustainability, developments should meet intergenerational equity and protect the interests of stakeholders including the community. Literature has established two operational characteristics for sustainable development that helps gauging the extent to which it is integrated into practice: Stakeholder participation and strategic planning. Participatory processes create shared visons among stakeholders and facilitate long-term directions. However, in non-Western contexts where decision-making power and financial control reside in the central state, participation is either considered a threat to the state or its potential benefit is unrecognised. This paper argues where conservation objectives are determined by experts in isolation from the community’s interests, the plans fail to be achieved. This will be demonstrated by undertaking a comparative analysis of conservation proposals prepared by international heritage experts for Islamic pilgrimage sites of Mecca, Medina, Kāzimayn and Shiraz. Visited by millions of pilgrims annually, the four sites have similar clearance and expansion patterns. This paper analyses the extent of community participation integrated into these proposals as one of the significant operational dimensions of sustainable development and a crucial link that enhances strategic planning. Finally, by reflecting on site specifics and social methods, this paper recommends participatory methods to enhance community engagement.
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Testa, Maria Pia. "Between landscape and fortified architecture: traces and memory of rural civilization in the territory of Pesche in Molise." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14314.
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The small village of Pesche in Molise extends along the slopes of Monte San Marco, in a perfect symbiosis between architecture and nature. Pesche’s origins date back already between the 5th and 6th century, when the steep natural slope was chosen as a place for the construction of a safe village, consisting of many small houses side by side and built using local limestone. Its position, guarding the Isernia valley, characterized at the top by the ruins of the castle-enclosure, supports the idea that Pesche may have played a dominant role in the passage along the ancient Pescasseroli-Candela sheep track. The castle-enclosure itself is evidence of the traditional medieval building site, but also of a rural civilization which until the beginning of the 20th century probably continued to live in these places, used as houses, stables and barns. This contribution focuses on the architectural and material characteristics of the buildings in the territory of Pesche, which, despite the current state of decay and neglect, are evidence of the use of local materials and the use of construction techniques that have characterized the traditional Molise building site
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Juzwa, Nina, Tomasz Konior, and Jakub Świerzawski. "Architecture on the Edge of a City." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002334.
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The topic concerns the revitalization of a place by the introduction of a new building whose functionality and architectural uniqueness renew and/or develop the place. To put the problem in a broader perspective - the introduction of a building with a non-threatening function and an attractive form makes a declining or stagnant place suddenly appealing again. This applies to both, the built and natural environment. The restauration of both often requires similar revitalization activities and supporting elements.The presented issue is a part of a broader study that concerns architecture as the fine art of building, covering the topic of sustainability in architectural and urban design. The so-called “human factor” is an essential element for shaping a place. It is an element of urban and architectural design of new places. By creating new and different workplaces in declining or stagnant districts, also by introducing unusual architectural forms or materiality, a place can become attractive to users. Previously declining built or natural environment - suddenly become a desirable, growing place. Contemporary international research conducted by neuroscientists confirms the importance of the desire for beauty in ones surroundings. Thus, architectural beauty becomes a vital and economically significant factor in the shaping of the built and natural environment.Present processes of revitalization are usually supported by emphasising elements that make up the “human factor”. It involves balancing the functionality and beauty of an object as important in creating a PLACE in architecture.The topic is presented on the example of architecture of the following buildings:-Gymnasium and Cultural Center in Białołęka, 2006 is located on the edge between urban and landscape areas, on the right bank of the Vistula escarpment. The architectural form reflects the natural landscape. Traditional materiality blends with the context nearly perfectly. -The small buildings of the Cultural Center, 2013, on the outskirts of Warsaw, create a contrast of geometry and materiality to the high-rise blocks of flats. In its shape and material there is a longing for tradition expressed in a balanced, non-intrusive way.-The Krzysztof Kieślowski Film School in Katowice, 2017. The university building for artistic education was tasked to create a PLACE in a declining district. It impresses with its simplicity and its materiality of the traditional material – brick that is presented in a new, changed form. - Stone Pavilion Golędzinow, 2020 is a small building that tells Warsaw residents about nature conservation. The buildings form was created in the image of a post-glacial fossil. It is an object which shape and materiality seems as if taken directly from the natural world. - Press Glass offices in Konopiska, 2021, built in an unexpected place for this type of building. It is located in a former wasteland which was turned into a golf course. The building is intended to promote the excellence of glass - it reflects the green surroundings, and its form builds the uniqueness and beauty of architecture.The co-author of this publication is the designer of the first and fifth example.
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Pancorbo, Luis, Alex Wall, and Iñaki Alday. "Architecture as a System: Urban Catalysts for Lynchburg, Virginia." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.25.
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This paper proposes a critical analysis of “ARCH 2010 Introduction to Urban Architecture” at the School of architecture of the University of Virginia. The studiois part of an overall strategy that tries to subvert the traditional method of teaching in architectural design. In a conventional linear process, students start withthe design of a small-scale architectural object and continue to design buildings in progressively larger scales. Provided with a strong urban context, the 2010 Studio follows a sinusoidal transition of scale, moving from small to large and back again. The ultimate goal of the studio is to put forward/produce an urban architectural project by linking the architectural object with the urban landscape as catalysts for the change within the city. The architectural proposals should be a strategic and thoughtful response to previous research on existing urban systems, and should support the revitalization of public life in their immediate environment and in the whole city. The course was divided in four parts: Elements and infrastructures of the urban environment, developed at Charlottesville Down Town Mall, Urban systems and networks, strategic development plan for 9th street, and design of a mixed-use building and public space (The last 3 parts took place in Lynchburg, Virginia). To connect these four main “problems” there were “transitional exercises” inserted in between them. With the same critical attention, this paper will analyze the final results, the various stages of the course as well as the areas of overlap between different phases, specially designed to ensure the student’s awareness of the consistency of the complete process.
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Naranjo, Lourdes Royo. "Strategies to value the dispersed heritage of rural Andalusia. Lagares, paseros and vineyards: the architecture of the raisin." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14372.
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The United Nations Food and Agroindustry Organization (FAO) declared in 2018 the Malaga raisin pro-duction system as an Important World Agricultural Heritage System (SIPAM). There are 62 SIPAM world-wide, five of them in Spain and Malaga is the only one in the entire Andalusian autonomous community. The value of this declaration resides in the recognition of a cultural heritage capable of combining agri-cultural biodiversity with resilient ecosystems and a valuable cultural landscape where its architecture remains linked to artisan production. The SIPAM of Malaga has an area of 280 km², it ranges from the cultivation of the Moscatel grape to its transformation into raisins through drying in the sun, favoring the conservation of the landscape, avoiding erosion or desertification processes and constituting an element of linkage of the population with its territory.Since the 18th century, the production coexisted with other forms of elaboration that complemented it. Said structures associated with this industry were located on agricultural properties following various construc-tion models, ranging from rudimentary forms of sunlight such as the almijares in the paved ring of the press, to buildings of higher production. After the phylloxera crisis and the process of constant production decline, we would end up with the destruction of a large part of Malaga's payments. The wineries, paseros and warehouses were transformed into ruins or were reconverted to other lower-yield agricultural activi-ties.Of that material wealth we recognize scattered examples in the current rural landscape of the mountains of Malaga, whose architectural qualities deserve to be rescued and valued as an example of the unique and representative traditional architecture of a declared cultural landscape. These results are directly linked to the work strategies and objectives that we follow in the Transnational research project SIN-PAR (Inno-vation System for the Heritage of Rural Andalusia)
Reports on the topic "Traditional architectural landscape"
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Saad, Saed, Sonja Read, and Ben Mountfield. Linking Cash and Voucher Assistance with Social Protection: A case study in Gaza. Oxfam, August 2022. http://dx.doi.org/10.21201/2022.9387.
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In the Gaza Strip, 80% of the population receives humanitarian assistance. The level of need is overwhelming, and the political and socio-economic context has crippled the traditional social protection system. Efforts to build a stronger social protection system are under way, and cash interventions are on the rise. This report explores the humanitarian cash assistance landscape in the Gaza Strip and how it interacts with social protection. It sets out a vision for a social protection architecture that supports coherence, protection, accountability and the building of resilient systems, and achieves complementarity between actors and programmes. The report also provides recommendations on how the implementation of programmes can be improved.