Relevant bibliographies by topics / TRADITIONAL AND DIGITAL MEDIA

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'TRADITIONAL AND DIGITAL MEDIA'

Author: Grafiati
Published: 11 September 2023

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Journal articles on the topic "TRADITIONAL AND DIGITAL MEDIA"

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Gantz, Walter, and Nicky Lewis. "Sports on Traditional and Newer Digital Media." Television & New Media 15, no. 8 (April 8, 2014): 760–68. http://dx.doi.org/10.1177/1527476414529463.

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Rozehnal, Aleš. "Digital Media Ethics." Law, Identity and Values 2, no. 1 (2022): 161–73. http://dx.doi.org/10.55073/2022.1.161-173.

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This paper provides an understanding of immediate and interactive standards of media ethics that should be applied to digital media. Digital media are partly based on amateur journalism, and most principles of media ethics were developed over the last century. The question then is whether it is possible to create media ethics whose standards apply to social and traditional media platforms or whether we will have different standards for different media platforms.
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Chung, Yessica C. Y., Hung-Hao Chang, and Yukinobu Kitamura. "Digital and traditional media advertising and business performance of agribusiness firms – Empirical evidence in Japan." Agricultural Economics (Zemědělská ekonomika) 67, No. 2 (February 25, 2021): 51–59. http://dx.doi.org/10.17221/393/2020-agricecon.

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Can digital media advertising strategies benefit agribusiness farms? This study addresses this issue by investigating the extent to which digital and traditional media advertising strategies affect agribusiness performance and the underlying factors associated with agribusiness farms' adoption decisions. We estimate a non-linear simultaneous equation system and use a population-based survey data of agricultural processing farms in Japan. We find that female and younger farm operators', as well as incorporated agribusiness farms, are more likely to adopt digital media advertising. The sales value of digital media advertising users is higher by 51% than that of non-users. Moreover, the effect of digital advertising is not equally distributed among farms. Family farms and farms located in rural areas benefit more from the adoption of digital media advertising.
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Olsson, Eva-Karin. "Media Crisis Management in Traditional and Digital Newsrooms." Convergence: The International Journal of Research into New Media Technologies 15, no. 4 (October 30, 2009): 446–61. http://dx.doi.org/10.1177/1354856509342780.

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ILYICHEVA, MARIA. "NEW MEDIA IN THE DIGITAL REALITY." Sociopolitical Sciences 11, no. 1 (February 28, 2021): 19–26. http://dx.doi.org/10.33693/2223-0092-2021-11-1-19-26.

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The article examines the problem of the dependence of the articulation of civil society interests and their satisfaction on the quality of non-state media, their development, the degree of independence. Now that something has caught on electronic information and communication technologies (ICT), traditional media began to seek for their niche in the digital reality, and now almost all of them have analogues in the latter. At the same time, the digital reality itself has led to the emergence of new media and communication channels, which have become to a certain extent competitors for traditional media. The emergence of digital ICT has led not only to a change in the technologic aspect of the media functioning, but also to their content changes (the emergence of new forms, styles of material presentation, for example, infotainment, etc.). The goal of the research is to uncover by means of politological analysis the prerequisites for the formation, forms and role of new media, their correlation with traditional media, as well as to uncover trends in the development of new media and traditional media in the digital reality. The results achieved: 1. The prerequisites for the formation, forms and role of new media (including in influencing on civil society) in the digital reality are uncovered. 2. The correlation of new media with traditional media is determined from the legal viewpoint, as well as from the point of view of theoretic understanding. 3. Public-opinion polls showing a fairly high level of trust and positive assessment of the role of the media in the modern life of society are analyzed. 4. The results of ratings indicating the great potential of traditional media in the Network are analyzed. 5. The advantages and risks of using the Network for traditional media and new media are determined. 6. Changes and trends in the development of new media and traditional media in the digital reality are identified.
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Mohammad Alzub, Ahmad. "Navigating the Disruption of Digital and Conventional Media in Changing Media Consumption Landscape in Digital Era." Journal of Engineering, Technology, and Applied Science (JETAS) 5, no. 1 (April 27, 2023): 38–48. http://dx.doi.org/10.36079/lamintang.jetas-0501.517.

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The landscape of media consumption has undergone a significant transformation as a direct result of the proliferation of digital media in our century. This research study investigates the impact that digital media has had on traditional media formats, such as print, broadcast, and advertising. Specifically, the author investigates how the proliferation of digital platforms has had an effect on traditional media formats. This article examines the numerous ways in which digital media has disrupted traditional media by doing a thorough assessment of the available literature and conducting an analysis of the various ways in which digital media has changed consumer behaviour, business models, content generation, and distribution. Additionally, this article explores the difficulties and possibilities that traditional media confront in this age of digital technology and offers suggestions for how scholars and practitioners in the field of media might adapt to and succeed in this shifting environment.
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Wijfjes, Huub. "Digital Humanities and Media History." TMG Journal for Media History 20, no. 1 (June 26, 2017): 4. http://dx.doi.org/10.18146/2213-7653.2017.277.

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Digital humanities is an important challenge for more traditional humanities disciplines to take on, but advanced digital methods for analysis are not often used to answer concrete research questions in these disciplines. This article makes use of extensive digital collections of historical newspapers to discuss the promising, yet challenging relationship between digital humanities and historical research. The search for long-term patterns in digital historical research appropriately positions itself within previous approaches to historical research, but the digitization of sources presents many practical and theoretical questions and obstacles. For this reason, any digital source used in historical research should be critically reviewed beforehand. Digital newspaper research raises new issues and presents new possibilities to better answer traditional questions.
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UYSAL, Dudu. "DIGITAL TURN OF MATERIAL OBJECTS IN THE TEXTUAL WORKS OF DIGITAL HERMENEUTIC." SOCIAL SCIENCE DEVELOPMENT JOURNAL 7, no. 30 (March 15, 2022): 331–42. http://dx.doi.org/10.31567/ssd.605.

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Since the beginning of the 21st century, the digital turn of new media such as computers and the Internet has significantly impacted the traditional humanities and hermeneutics. When the traditional humanities are updated as the digital humanities, the traditional hermeneutics are also updated as digital. Disciplines such as literary studies and philology turn into digital literary studies and computer philology. Digital texts also replace printed ones because the literary and philological information obtained from digital textual works has a significant function as an essential competence of digital interpretation. At this point, the material objects of the printed textual works appear as immaterial objects of the digital media. The material and non-material impacts of the print media and the digital media on the textual works of digital interpretation in digital literary studies and computer philology are dealt with as the central topic of this work. Finally, answers are searched for these questions: Are the methods of traditional interpretation directly incorporated into the practices of digital hermeneutics? Or are the forms of digital interpretation determined independently of the methods of traditional hermeneutics according to the properties of digital media?
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Li, Hongni. "Visual Communication Design of Digital Media in Digital Advertising." Journal of Contemporary Educational Research 5, no. 7 (July 29, 2021): 36–39. http://dx.doi.org/10.26689/jcer.v5i7.2312.

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With the continuous development of modern science and technology, great changes have taken place in the advertising media industry where the traditional form of advertising has gradually changed into digital ones. Compared with the traditional advertising, digital advertising has more flexibility and has a variety of forms in its advertising creation according to product itself. In addition, visual communication design plays a critical role where it is an important way to improve digital advertising. Therefore, it is necessary to optimize visual communication design in order to improve the quality of digital advertising. In this way, this article carries out an in-depth research and analysis on the visual communication design of digital media in digital advertising and put forward some reasonable suggestions and measures, aiming to further promote the development of China’s advertising media industry.
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Mohammad Alzubi, Ahmad. "Impact of New Digital Media on Conventional Media and Visual Communication in Jordan." Journal of Engineering, Technology, and Applied Science 4, no. 3 (December 23, 2022): 105–13. http://dx.doi.org/10.36079/lamintang.jetas-0403.383.

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The purpose of the present research was to assess the impact of new digital media on conventional media and visual communication has been significant. Digital media has transformed how information is created, distributed, and consumed, and has profoundly affected traditional forms of media such as print newspapers, magazines, and television. One of the main ways that new digital media has affected traditional media is through the emergence of online platforms and social media. These platforms have allowed individuals and organizations to publish and share content with a global audience, often bypassing traditional gatekeepers such as editors and broadcasters. This has led to the democratization of media, as anyone with an internet connection can now potentially reach a large audience. Digital media has also led to the rise of new forms of visual communication, such as digital graphics, video, and animation. These forms of media allow for more interactive and immersive experiences and have become increasingly popular with audiences. In addition, digital media has also had an impact on the business models of traditional media organizations. Many have struggled to adapt to the shift towards digital advertising and subscriptions, leading to a decline in revenues and layoffs in some cases. It may be the case that the impact of new digital media on conventional media and visual communication has been significant and wide-reaching and will likely continue to shape the media landscape for years to come.
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Dissertations / Theses on the topic "TRADITIONAL AND DIGITAL MEDIA"

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Ghari, Shima. "Towards Merging Digital Technology with Traditional Acting Methods." Thesis, Malmö universitet, Fakulteten för teknik och samhälle (TS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-20927.

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Society is relying more and more on computer-generated information due to the online abilities provided by current information and telecommunication technologies in a variety of ways such as social networks, learning systems, shopping, quality-of-life improvements. Multimodal Learning Analytics (MMLA) is a method in learning analytics research that makes it possible to capture large amounts of data on human activity. This study aims to provide a deeper understanding of physical movement challenges for training performers in open-ended, practice based learning settings. Moreover, it discusses how multi-modal analytics systems can provide support for performers. This study identifies ten important requirements that a prototype should have in order to fulfill the performer’s needs. These requirements are implemented in a low fidelity prototype that provides modeling movement followed by Laban Movement Analysis theory, capture user data with MMLA tools, and provide personalized feedback. The results indicated there is a potential within the usage of a multi-modal system to support and improve the motor skill learning process through personalized help and feedback.
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Zoran, Amit (Amit Shlomo). "Hybrid re Assembage : bridging traditional craft and digital design." Thesis, Massachusetts Institute of Technology, 2013. http://hdl.handle.net/1721.1/91860.

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Thesis: Ph. D., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2013.
Title as it appears in MIT degrees awarded booklet, September 18, 2013: Hybrid reAssembage: introducing traditional practice into contemporary design Cataloged from PDF version of thesis. Title as it appears in MIT degrees awarded booklet, September 18, 2013: Hybrid reAssembage: introducing traditional practice into contemporary design.
Includes bibliographical references.
Hybrid reAssemblage is a design gestalt that lies at the cross-section of digital design practice and the tactile qualities of traditional craft. It spans a territory in which the value of artifacts is produced through automated production as well as human subjectivity. This work is an exploration of two divergent realms: that of emerging computational technologies, and traditional hand-hewn practice. Hybrid reAssemblage proposes a new way of thinking about the machine, as generator of control and efficiency, and the unpredictable and singular nature of the raw and the manual. I illustrate Hybrid reAssemblage through three diverse projects: FreeD is a digital handheld milling device for carving, guided and monitored by a computer while preserving the maker's freedom to manipulate the work in many creative ways. It reintroduces craft techniques to digital fabrication, proposing a hybrid human-computer interaction experience. In addition to the technology, I present a user study, demonstrating how FreeD enables personalization and expression as an inherent part of the fabrication process. Chameleon Guitar exploits a selection of acoustic properties via a set of replaceable resonators and by a simulated shape, merging real-wood acoustic qualities with a simulated guitar body. It marries digital freedom with the uniqueness of acoustic instruments, and demonstrates a hybrid functionality platform. Focusing on the production of sonic qualities, this project is evaluated acoustically, pointing to the significance of attention to detail such as craft and wood qualities. Finally, Fused Crafts is a collection of artifacts that are part handcrafted and part 3D printed, visually demonstrating the potential of combining these practices to create hybrid aesthetics. I illustrate this visual concept with two examples: intentionally broken ceramic artifacts with 3D printed restoration, and 3D printed structure that is designed to allow the application of hand-woven patterns. This project is a search for an approach where both technologies can benefit from each other aesthetically, enriching the final product with new qualities. This dissertation begins with a contextual background, leading to the presentation of the projects. In the last part, I evaluate the work through feedback received from a panel of design, craft, and HCI experts.
Amit Zoran.
Ph. D.
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Maxwell, Deborah. "Traditional storytelling in a digital world : the transformative power of storytelling across media." Thesis, University of Dundee, 2010. https://discovery.dundee.ac.uk/en/studentTheses/90780ca7-da73-47e0-9c45-fd5cc27d4d93.

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I see stories. At the bus stop, in the pub, even on Twitter. It's how we communicate. This thesis is no different. It tells lots of stories, how you hear them depends on the reader as much as the writer. One of the stories in this book is of my own personal journey from a lowly PhD student to a fully fledged member of the storytelling community in Scotland. The personal narrative is woven throughout the text as a series of reflections and diary extracts. Another story is the development of Blether Tay-gither, the local Dundee-based storytelling group which was set up during the course of my research and continues to grow in leaps and bounds. Blether Tay-gither gave me my ticket into the storytelling world, validating my credentials.The main tale however, is that of storytelling in contemporary, technological society. What does it mean to be a storyteller? Why would someonebecome a storyteller? And what possible relevance could it have to today's society? These questions are answered largely by the tellers themselvesthrough a series of interview snapshots and discussions. What is not addressed by them, though, is the relationship between storytelling and digital technology, or new media. Whilst storytellers are not inherently anti-technology, they are not in general, avid consumers of digital media. Yet by comparing a set of characteristics for storytelling and new media (generated through extensive participant observation), and developing a lens for reflection, the connections between them can be probed. These connections are proof in and of themselves of the continued relevance and need for engaging stories and strongly suggest that creative technology-enabled storytelling experiences would be well received. A set of such creative hybridised storytelling environments was developed by introducing young designers to traditional stories and storytelling techniques, allowing them to generate a range of innovative prototypes. This case study is examined in some detail and the reflection tool used to consider the success of each conceptual idea.
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Thomas, Lubi. "Curating in uncharted territories: An examination of a programming model & communicative platform for curation in non-traditional art spaces." Thesis, Queensland University of Technology, 2015. https://eprints.qut.edu.au/84621/1/Lubi_Thomas_Thesis.pdf.

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This thesis articulates and examines public engagement programming in an emerging, non¬-traditional site. As a practice-led research project, the creative work proposes a site responsive, engagement centric, agile model for curatorial programming that developed out of the dynamic, new media/digital, curatorial practice at QUT's Creative Industries Precinct. The model and its accompanying exegetical framework, Curating in Uncharted Territories, offer a theoretically informed approach to programming, delivering and reporting for curatorial practices in a non¬-traditional sites of public engagement. The research provides the foundation for full development of the model and the basis for further research.
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Firmannamal, Akhmad. "The engagement of social media and traditional news media in Joko Widodo’s communication strategy for the 2019 Indonesian presidential election." Thesis, Queensland University of Technology, 2021. https://eprints.qut.edu.au/225929/1/Akhmad_Firmannamal_Thesis.pdf.

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This research explored the nature of political campaigning in the digital era through a case study of the 2019 Indonesian presidential election campaign. The project studied how the incumbent President attempted to set the discussion agenda through his engagements with both Facebook and traditional news media, and the implications of the dynamics of this campaigning strategy for Indonesian democracy. The research showed that the President could use Facebook’s technological features and audience reach to influence public discussion and traditional news media agendas. It also found that journalists would act independently and often followed different agendas that influenced social media.
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Johnson, Leah Marie. "Hungry for More? An Analysis of Bon Appétit’s Digital Brand Extension Strategies and their Potential Uses and Gratifications." Thesis, Virginia Tech, 2017. http://hdl.handle.net/10919/78214.

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This thesis examines one magazine's transition from print to digital media in order to shine a spotlight on one successful magazine brand and its attempts to navigate the digital revolution while also maintaining a successful magazine. Through a systematic descriptive analysis of communication strategies, a case analysis of Bon Appétit magazine is the focus of this thesis. Guided by the uses and gratifications theoretical perspective and informed by a systematic descriptive analysis, this thesis offers a rich examination of the Bon Appétit magazine brand and the ways the brand has been extended in the evolving digital media environment. The unique approach implemented in this thesis provides the opportunity to observe uses and gratifications from the organization's standpoint, instead of the consumer's. This unique approach was designed to reveal how Bon Appétit is attempting to fulfill consumer needs and gratifications through the digital media brand extensions, specifically its website, social media, and podcast. Analysis of Bon Appétit brand extensions indicate that six of Parham Santana's ten brand extension strategies are being implemented by Bon Appétit, including shift the form, transfer a component, transfer a benefit, leverage a special expertise, leverage your consumer base, and leverage a lifestyle. Another significant finding indicates that Bon Appétit implemented communication strategies centered on accessibility and convenience, surveillance, diversion, and interaction gratifications on its digital media platforms. Findings from this study suggest that future researchers would benefit from adding convenience and accessibility as gratifications considered in the uses and gratifications theoretical approach when researching digital media. Additionally, replication of the systematic method in this thesis, especially if applied to other magazine brands, could help reveal the types of brand extensions at play in digital platforms and whether other magazines use similar strategies to build and maintain relationships with consumers.
Master of Arts
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Gyllenskepp, Jimmy, and Jacob Jönsson. "Digital marknadsföring : framväxten av nya verktyg för marknadsföring." Thesis, Högskolan i Gävle, Avdelningen för ekonomi, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-17649.

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Syfte Syftet med arbetet är att söka förståelse för utvecklingen från traditionell till digital marknadsföring samt att analysera hur företag praktiskt arbetar med detta. Studien använder en kvalitativ metod och data har inhämtats från både primära och sekundära källor. Empirin har samlats in genom 10 intervjuer, vilket har analyserats med hjälp av teori och det har sedan lett till studiens slutsatser. Studien visar varför det finns en övergång från traditionella marknadsföringsmetoder till digitala marknadsföringsmetoder, hur de kompletterar varandra och vilka verktyg som främst används av företagen i studien. Förslag till fortsattforskning är Facebook-annonsering, mätinstrument, SEO och Web 3.0. Dessa termer går att arbeta vidare med och det är något som vår studie har påvisat vara viktigt. I vår studie bidrar vi till en förståelse av vägen från de traditionella marknadsföringsmetoderna till de digitala marknadsföringsmetoderna. Vi visar att det ena inte utesluter det andra utan att de kompletterar varandra. Studien belyser de olika verktygen företagen använder för en framstående digital marknadsföring.
The purpose of this study is to seek an understanding of the development from traditional to digital marketing and to analyze how it ́s done in practice. Method: The study uses a qualitative approach and data was collected from both primary and secondary sources. The empirical data were collected through 10 interviews, which have been analyzed using the theory and it has led to the study's conclusions. The study shows why there is a shift from traditional marketing methods to digital marketing methods, how they complement each other and what tools that are mainly used by the companies in the study. Suggestions for future research is Facebook advertising, measuring instruments, SEO and Web 3.0. These terms have a potential for future research and it's something that our study has shown to be important. In our study, we contribute to an understanding of the way from the traditional marketing methods to the digital marketing methods. We show that the one does not exclude the other, but that they are complementary to eachother. The study highlights the various tools used by companies for a prominent digital marketing.
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Agyeman, Cynthia A. "Artists' Perception of the Use of Digital Media in Painting." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1443101832.

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Bartone, Christopher A. "News Media Narrative and the Iraq War, 2001-2003: How the Classical Hollywood Narrative Style Dictates Storytelling Techniques in Mainstream Digital News Media and Challenges Traditional Ethics in Journalism." Ohio : Ohio University, 2006. http://www.ohiolink.edu/etd/view.cgi?ohiou1149531650.

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Wellman, Mariah. "Gold’s Gym as a “home”: exploring the tensions between traditional bodybuilders and fitness influencers in a commercially branded space." Thesis, University of Iowa, 2018. https://ir.uiowa.edu/etd/6336.

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Bodybuilding “mecca” Gold’s Gym Venice is a popular hotspot for athletes, celebrities, and their fans. Traditional and new media celebrities inhabit the space together and use it for a variety of purposes. Social media influencers often congregate within the walls of Gold’s Gym, using the commercial space to film, host meet-ups with fans, and socialize with other social media stars. Recently, Gold’s Gym Venice has placed restrictions on when, where, and how the influencers can film. This study explores fitness influencers in relation to their environment, the commercial space of Gold’s Gym Venice, through the strategies and tactics (De Certeau, 2011) implemented by different social groups and the self-work (Banet-Weiser, 2012) done by influencers to construct authenticity for their followers and fans. Influencers have often been studied separately from their surroundings, and this thesis analyzes the social media personalities in connection with their surroundings in order to understand how new digital workers navigate creative work in a traditional commercial space.
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Books on the topic "TRADITIONAL AND DIGITAL MEDIA"

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Are traditional media dead?: Can journalism survive in the digital world? New York: International Debate Education Association, 2012.

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Volmar, Axel, and Kyle Stine, eds. Media Infrastructures and the Politics of Digital Time. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463727426.

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In a crucial sense, all machines are time machines. The essays in Media Infrastructures and the Politics of Digital Time develop the central concept of hardwired temporalities to consider how technical networks hardwire and rewire patterns of time. Digital media introduce new temporal patterns in their features of instant communication, synchronous collaboration, intricate time management, and continually improved speed. They construct temporal infrastructures that affect the rhythms of lived experience and shape social relations and practices of cooperation. Interdisciplinary in method and international in scope, the volume draws together insights from media and communication studies, cultural studies, and science and technology studies while staging an important encounter between two distinct approaches to the temporal patterning of media infrastructures, a North American strain emphasizing the social and cultural experiences of lived time and a European tradition, prominent especially in Germany, focusing on technological time and time-critical processes.
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Online journalism ethics: Traditions and transitions. Armonk, NY: M.E. Sharpe, 2008.

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Elias, Rimon. Digital Media. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-05137-6.

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Jenny, Chapman, ed. Digital media tools. New York: John Wiley, 2002.

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De Prato, Giuditta, Esteve Sanz, and Jean Paul Simon, eds. Digital Media Worlds. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137344250.

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James, Daniel. Crafting Digital Media. Berkeley, CA: Apress, 2010. http://dx.doi.org/10.1007/978-1-4302-1888-3.

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Packard, Ashley. Digital Media Law. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444318197.

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Chapman, Nigel P. Digital media tools. 3rd ed. Chichester, England: John Wiley, 2007.

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Kavoori, Anandam P. Digital media criticism. New York: P. Lang, 2010.

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Book chapters on the topic "TRADITIONAL AND DIGITAL MEDIA"

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Hu, Yuan-Hui. "Independent Media, Social Movements, and the Traditional News Media in Taiwan." In Digital Technology and Journalism, 215–35. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55026-8_10.

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Wang, David W. "From Traditional to Digital Media – Freedom and Its Boundaries." In Reaching Your New Digital Heights, 225–31. Boca Raton: CRC Press, 2023. http://dx.doi.org/10.1201/9781003305187-36.

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Sommier, Mélodine, Jacco van Sterkenburg, and Joep Hofhuis. "Color-Blind Ideology in Traditional and Online Media." In Mediated Intercultural Communication in a Digital Age, 7–21. New York, NY: Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780203731611-2.

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Firdaus, Amira. "Network newswork within traditional contexts of news production." In Media Globalization and Digital Journalism in Malaysia, 40–83. New York : Routledge, 2018. | Series: Routledge research on media in Asia: Routledge, 2017. http://dx.doi.org/10.4324/9781315562391-3.

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Luengo, Óscar G., and Belén Fernández-García. "Digital (and Traditional) Media Usage in Spanish Electoral Campaigns." In Studies in Digital Politics and Governance, 43–56. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71815-2_4.

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Hampe, J. Felix, Silke Schönert, Christian Dietze, and Nhiem Lu. "Distribution of Internet community knowledge based on traditional Communication Media." In Informatics and the Digital Society, 225–32. Boston, MA: Springer US, 2003. http://dx.doi.org/10.1007/978-0-387-35663-1_23.

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Bashir, Abdullahi Saleh, and Herbert E. Batta. "Digital media and the transformation of traditional medical communication in Nigeria." In Media and Communication in Nigeria, 149–60. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003208747-14.

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García-Marín, Javier. "YouTube and Traditional Media: Polarization in the Catalan Political Conflict." In Studies in Digital Politics and Governance, 31–41. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71815-2_3.

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Luz, Filipe Costa. "Digital Animation: Repercussions of New Media on Traditional Animation Concepts." In Entertainment for Education. Digital Techniques and Systems, 562–69. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-14533-9_57.

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Ebrahimi, Tahereh. "Effect of Technology on Education in Middle East: Traditional Education Versus Digital Education." In Digital Transformation in Journalism and News Media, 519–31. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-27786-8_38.

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Conference papers on the topic "TRADITIONAL AND DIGITAL MEDIA"

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Rahayu, Nuryani Tri, and Joko Suryono. "Traditional and Digital Media; Cultural Communication Mix in Sekaten Tradition." In International Conference on Community Development (ICCD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201017.125.

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Pereira, Selma, Ana Mena, and Neel Vipinchandra Naik. "Rethinking traditional arts through contemporary digital media." In 2022 Third International Conference on Digital Creation in Arts, Media and Technology (ARTeFACTo). IEEE, 2022. http://dx.doi.org/10.1109/artefacto57448.2022.10061242.

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Blaney, Christine. "Rumpelstiltskin in Traditional and New Digital Media." In Nordes 2005: In the Making. Nordes, 2005. http://dx.doi.org/10.21606/nordes.2005.009.

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Belačić, Aleksandra, and Slavko Alčaković. "Political Communication in Serbia – Digital Versus Traditional Media." In Sinteza 2023. Beograd, Serbia: Singidunum University, 2023. http://dx.doi.org/10.15308/sinteza-2023-110-115.

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Qelemeni, Brikela, and Mariglen Bita. "Digital Media - Competition or Cooperation with The Traditional TV." In University for Business and Technology International Conference. Pristina, Kosovo: University for Business and Technology, 2018. http://dx.doi.org/10.33107/ubt-ic.2018.236.

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Chaudhry, Huma, Karim Tabia, Shafry Abdul Rahim, and Salem BenFerhat. "Automatic annotation of traditional dance data using motion features." In 2017 International Conference on Digital Arts, Media and Technology (ICDAMT). IEEE, 2017. http://dx.doi.org/10.1109/icdamt.2017.7904972.

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Ciptandi, Fajar. "The Ability to Adapt jBatik Software Technology for Traditional Batik Craftsmen." In 2020 6th International Conference on Interactive Digital Media (ICIDM). IEEE, 2020. http://dx.doi.org/10.1109/icidm51048.2020.9339671.

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Tasli Pektas, Sule. "Cognitive Styles and Performance in Traditional Versus Digital Design Media." In eCAADe 2009: Computation: The New Realm of Architectural Design. eCAADe, 2009. http://dx.doi.org/10.52842/conf.ecaade.2009.769.

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Hüllmann, Joschka Andreas. "Media Choice in the Digital Era: A Replication Study Using Digital Traces." In Digital Restructuring and Human (Re)action. University of Maribor Press, 2022. http://dx.doi.org/10.18690/um.fov.4.2022.17.

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In recent years, the use of communication and collaboration media tools has increased manifold due to a rise in spatially distributed work. Which media tools individuals choose for their communication activities has been a research question of lasting interest. Established research focused on traditional media, for example, face-to-face, phone, or email. Moving the focus from traditional media towards digital tools requires rethinking previous findings. It is unclear whether the factors influencing digital tools’ choice changed or stayed the same. This paper replicates if the traditional hypothesized relationships and constructs of media choice still hold in the digital era. In response to a surge in interest, digital traces—activity logs from routine technology use—are analyzed for conceptual replication. The conceptual replication revises the boundary conditions of established media choice theory and shows that the supervisor remains a positive influence, whereas physical location becomes negligible, and the coworkers’ influence is inconclusive.
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Mukai, Hibiki. "An Interactive and Digital Puppeteering Interface for new musical expression (IDPI)." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.115.

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Puppetry is the oldest form of the virtual reality and has a strong tradition as a theatrical art. The aim of this research project is to create digital puppeteering system which translates gestural acts into live and expressive control of virtual 3D models including in real-time 3D sound. I will devise a model of practice that extends our understanding and notion of the digital puppet. It seeks to establish new practical and conceptual relations between the puppet and new technologies in the framework of puppet theatre. The practical aim is to focus on the special spirit of animated 3D models and silhouettes and to contribute to cultural preservation and fixing of the tradition(s) of puppet theatre. This project will explore the potential of puppetry as a musical expressive medium by new media, including the sensor, 3D sound system, digital projection, and 3D simulation. The conceptual aim of the project is to integrate traditional and new forms of puppetry through different interfaces that will advance traditional forms of cultural expressions. This project focuses on analogies and differences between different puppet theatre traditions. A key aspect is the relationship between the Western puppetry and the Eastern puppetry traditions, and the impact of the resulting cross- cultural dialogue in dramatic performances with figures. In seeking to identify the potential effects of digital puppetry, I will obtain a new vocabulary for gestural musical performance and can develop guidelines that can be used for future creative theatrical practice in the field of digital puppetry. The aim of my research project is to design an interactive digital puppetry system which is sensitive to gestural acts of puppeteers and enriches the performances as a musical expressive medium on its own right. Such a system will serve creative possibilities using digitalisations of old forms by puppet restoration and preserving its instructions. Through analyses of European and Japanese traditional puppet theatres, I will achieve a new cross-cultural form of puppetry. Thus, I investigate how acts and music of puppetry can be restored from not only actual traditional. puppet theatre, but also archives and documents, then performed and remediated with digital performance technology. Furthermore, my investigation includes in transitioning layers between old and new media — objects of puppet theatre and digital simulation – alternative action and transformation. I believe that the digital re-presentation of traditional puppetry is one of the most efficient and effective ways to impart to later generations and also to revitalise the arts of puppet theatres. An orientation toward new medias will enable me to explore 'tradition' and the puppet as a technological media object. Through my digital practice and an encounter with old, lost, forgotten puppet theatre, I set out to create something new.
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Reports on the topic "TRADITIONAL AND DIGITAL MEDIA"

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Ertanowska, Delfina. Media offer for Ukrainian children and teenagers in former Yugoslavia countries. Ivan Franko National University of Lviv, February 2022. http://dx.doi.org/10.30970/vjo.2022.51.11403.

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The article discusses the media offer addressed to children and youth from the Ukrainian national minority in the former Yugoslavia countries. The content, languages of publications and forms of publication were analyzed. In addition to traditional paper press and periodicals, the content published in digital form, in social media such as Facebook, Instagram, were also analyzed.
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Rathinam, Francis, P. Thissen, and M. Gaarder. Using big data for impact evaluations. Centre of Excellence for Development Impact and Learning (CEDIL), February 2021. http://dx.doi.org/10.51744/cmb2.

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The amount of big data available has exploded with recent innovations in satellites, sensors, mobile devices, call detail records, social media applications, and digital business records. Big data offers great potential for examining whether programmes and policies work, particularly in contexts where traditional methods of data collection are challenging. During pandemics, conflicts, and humanitarian emergency situations, data collection can be challenging or even impossible. This CEDIL Methods Brief takes a step-by-step, practical approach to guide researchers designing impact evaluations based on big data. This brief is based on the CEDIL Methods Working Paper on ‘Using big data for evaluating development outcomes: a systematic map’.
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Gibbs, K., and C. Carol Kestin. TRADITIONAL AND DIGITAL AUTORADIOGRAPHY TECHNIQUES: A COMPARISON STUDY. Office of Scientific and Technical Information (OSTI), August 2006. http://dx.doi.org/10.2172/893947.

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Campos Freire, Francisco. The impacts of social networks on the traditional media. Revista Latina de Comunicación Social, 2008. http://dx.doi.org/10.4185/rlcs-63-2008-768-294-302-eng.

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Dudek, Diane, and Sparks. Digital West-African-Inspired Batik Meets Traditional European Crochet. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1235.

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Silin, Dmitriy. Digital Rock Studies of Tight Porous Media. Office of Scientific and Technical Information (OSTI), August 2012. http://dx.doi.org/10.2172/1174160.

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Goodwin, Gregory A., Jennifer S. Tucker, Richard L. Wampler, Amanda N. Gesselman, and Vanessa Johnson. The Retention of Digital Skills Following Distributed and Traditional Training. Fort Belvoir, VA: Defense Technical Information Center, April 2011. http://dx.doi.org/10.21236/ada542513.

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Martinez, Mario J., Hongkyu Yoon, Alec Kucala, Thomas Dewers, and Hector Mendoza. Digital rock physics and 3D printing for fractured porous media. Office of Scientific and Technical Information (OSTI), September 2017. http://dx.doi.org/10.2172/1603850.

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Danaher, Brett, Samita Dhanasobhon, Michael Smith, and Rahul Telang. Understanding Media Markets in the Digital Age: Economics and Methodology. Cambridge, MA: National Bureau of Economic Research, November 2013. http://dx.doi.org/10.3386/w19634.

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Bang, Minji, Lucie L'Heude, Andrew Postlewaite, and Holger Sieg. Access and Exposure to Local News Media in the Digital Era: Evidence from U.S. Media Markets. Cambridge, MA: National Bureau of Economic Research, July 2023. http://dx.doi.org/10.3386/w31436.

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