Relevant bibliographies by topics / Tourism and the arts Great Britain

Academic literature on the topic 'Tourism and the arts Great Britain'

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Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Tourism and the arts Great Britain"

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Nayler, Georgina. "Public funding in Great Britain." Museum Management and Curatorship 10, no. 2 (June 1991): 143–48. http://dx.doi.org/10.1080/09647779109515258.

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Nistoreanu, Bogdan Gabriel, Liliana Nicodim, and Dan Mihnea Diaconescu. "Gastronomic tourism - stages and evolution." Proceedings of the International Conference on Business Excellence 12, no. 1 (May 1, 2018): 711–17. http://dx.doi.org/10.2478/picbe-2018-0063.

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Abstract On a worldwide level, the dimension of tourism has been sustained and amplified by globalisation. This has facilitated not just easier travel, but also the internationalisation of food from the national kitchens. One of the interesting segments of the immaterial regional cultural heritage is the local gastronomic arts. Each destination has its own cultural vision linked to the area, region, and country which generate corresponding gastronomic identities. The link between local cuisine and national identity is deeply rooted in all ethnicities because food has forever been central to the day to day rituals. A distinctive trait of many cultures is given by the type of food and drinks we associate with them. Currently, many of these are available outside the borders, globalisation being largely responsible to the spread of food and drinks beyond the traditional cultural borders: Mexican and Italian food are very popular in the USA, Indian food in Great Britain, Chinese in the whole world. That is why local gastronomy is considered as being a vital part of culture and community and this is the reason for which it must be kept and protected. The gastronomy is an attribute of the identity of a destination: countries are usually characterised by one or two culinary plates, considered to be emblematic for the nation just like the national flag.
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Moody, Eric. "Collecting activities and perspectives in the 1990s: II: Great Britain." Museum Management and Curatorship 10, no. 2 (June 1991): 132–36. http://dx.doi.org/10.1080/09647779109515255.

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Belozor, Alina F. "Small Historic Town as an Object of Cultural Heritage." Observatory of Culture 15, no. 5 (December 14, 2018): 622–31. http://dx.doi.org/10.25281/2072-3156-2018-15-5-622-631.

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The uniqueness of a historic town lies in its ancient origin (the middle of the 18th century and earlier); in the preserved historical, cultural and architectural environment; in the relationship of the town with significant historical events of the country; in the traditional folk crafts and arts that exist to the present time. It is positioned as a unique heritage site containing the main socio-cultural characteristics of the nation.Since the 1980s, some authors’ works have been attempting to scientifically substantiate the phenomenon of small historic town as a potential of cultural heritage in the context of its socio-cultural significance for the state, society and local community, with its advantages and problems.The purpose of this study is to show the potential of small historic town in the state cultural policy implementation. An analysis of various scientific approaches to the content of the concept of “historic town” is presented. The terminological chain “cultural resource”, “cultural resource of economic activity” and “object of historical and cultural heritage” is also included in the context of the article.The importance of historic towns in the training, education and enlightenment of citizens is invaluable. Scientifically based conclusions and official documents state that the majority of small historic towns cannot solve the accumulated problems on their own. A significant number of historical and cultural monuments require restoration.The inclusion of the potential of small historic town into the socio-cultural space should be carried out on the basis of programs of heritage preservation, development of tourism, folk arts and crafts, publication of the results of historical and cultural studies, creation of a complex of scientific documentaries and TV programs.The experience of Great Britain in protection of cultural heritage is considered.The article analyzes the Russian legislative acts over the past 50 years in relation to architectural monuments, historic towns and settlements. The author focuses on the recent evolution of approaches to the management of historical and cultural heritage of Russia.The obtained data demonstrate that regional executive authorities can become the coordinators of activities in the field of cultural heritage protection and tourism; and local authorities can be the organizers.
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Smith, Alison. "Great Britain." Woman's Art Journal 24, no. 1 (2003): 55. http://dx.doi.org/10.2307/1358827.

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Leask, Stuart J., and Alan A. Beaton. "Handedness in Great Britain." Laterality: Asymmetries of Body, Brain and Cognition 12, no. 6 (November 2007): 559–72. http://dx.doi.org/10.1080/13576500701541936.

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Oxley, Michael J. "Housing policy and tenants' organisations in Great Britain." Property Management 4, no. 3 (March 1986): 217–29. http://dx.doi.org/10.1108/eb006624.

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Buscombe, Edward. "Film and Television Studies in Great Britain." Cinema Journal 24, no. 4 (1985): 48. http://dx.doi.org/10.2307/1224898.

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RADFORD, ROBERT. "HISTORIC ARTS & CRAFTS HOMES OF GREAT BRITAIN." Art Book 13, no. 4 (November 2006): 62. http://dx.doi.org/10.1111/j.1467-8357.2006.00746_2.x.

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Dickason, Renée. "Great Little Britain: Exploring the ‘Other’ Within." Journal of British Cinema and Television 7, no. 2 (August 2010): 248–63. http://dx.doi.org/10.3366/jbctv.2010.0005.

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Dissertations / Theses on the topic "Tourism and the arts Great Britain"

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Chien, Jui-Jung. "Aesthetics, cultural policies and the Arts Council of Great Britain." Thesis, University of Leeds, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.394439.

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Lloyd, David. "Tourism, pilgrimage and the commemoration of the Great War in Great Britain, Australia and Canada, 1919-1939." Thesis, University of Cambridge, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260427.

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Keen, Susan. "Analyses of the English academicvocational divide in physical education an investigation into the claimed parity of esteem between the A-level physical education qualification and the advanced General National Vocational Qualification leisure and tourism." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32918.

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British government introduced a new General National Vocational Qualification (GNVQ) as an alternative to the A-level qualification in response to a low skilled workforce. Although these qualifications are promoted as equivalent to the A-levels, vocational qualifications are considered second best, causing an academic/vocational divide. Some researchers have analyzed the internal and external nature of the qualifications. However, little empirical evidence directly compares the two. This study focused on analyzing the two equivalent qualifications represented in the national framework.
The study used common areas of the A-level Physical Education and the GNVQ Leisure and Tourism curriculum to construct an examination paper consisting of an equal number of A-level and GNVQ-style questions. Two groups of A-level and GNVQ students were randomly selected from Godalming Sixth Form College to take part in the examination, and the performance scores were analyzed. Findings suggest no significant difference in performance scores, t(28) = 0.08, p = 0.94, supporting the need for further research. These results may assist in closing the academic/vocational divide. In turn, this may lead to more opportunities in industry and in universities for those achieving the GNVQ. In order to achieve true parity of esteem between the qualifications, reform needs to focus on the internal structure of the qualifications by combining the two curricular into one course represented as one qualification rather than organising the separate qualifications in a hierarchical external framework that still promotes the academic/vocational divide within the framework.
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Hardiman, Louise Ann. "The firebird's flight : Russian arts and crafts in Britain, 1870-1917." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709085.

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Upchurch, Anna Rosser. "Maynard Keynes, Vincent Massey, and the intellectual origins of the Arts Council of Great Britain." Thesis, University of Warwick, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.502615.

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Rezazadeh-Khamnei, Fariba. "The administration of the arts in Great Britain, the United States of America and Italy." Thesis, City University London, 1990. http://openaccess.city.ac.uk/7764/.

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The following discourse takes three countries, each well known in its for its artistic treasury and arts, looks at the way each handles the administration of its arts, and tries to draw lines of similitude as well as disparity between each and the other two. Reference has been made to as many works of research as available to the writer, but a considerable amount of field work has also been undertaken to find facts and examples at first hand. In the case of each country, specific attention has been paid - in the area of supporting, maintaining and providing for the arts - to the public sector with its various tentacles and the private sector in its different forms and with itsdifferent motives. This has been done in such a manner as to make an overall comparison possible and, where applicable, to show where one country could benefit from a practice prevalent in another or how one country's meat could turn out to be another's poison. The ultimate purpose behind the study is not, however, merely to document statistical facts and figures or to look at the business of administering the arts as a rigid set of rules, regulations or even requirements, but to use the facts and figures obtained in the study and the practical applications observed in the three countries studied to investigate the nature of the quandary in which many seem to find the arts, and to examine the possibility of yet another attempt at resolving it. History is for others to write after the fact; any one generation's contribution to - it can at best be the notation of instances and a description of influences brought to bear upon them. The present work is not trying even to do that. To the writer, the arts are a world unto themselves and even though they have to be made to face. Economic reality and suffer administrative discipline, this should be done in such a manner as not to curb the artist himself; for as Keynes said, the true artist 'walks where the breath of the spirit blows him: he cannot be told his direction.' It is with that attitude that the writer looks at the subject of arts administration and tries to assess its possibilities, and impossibilities.
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Kaat, Jacques. "The reception of Dutch fictional prose in Great Britain : a reception-sociological study of Dutch twentieth century fictional prose in translation in Great Britain (1970-1983) in relation to the Dutch and English literary canon." Thesis, University of Hull, 1987. http://hydra.hull.ac.uk/resources/hull:3099.

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Mercure, Tammy. "Big Rock Candy Mountain: Photographs of the Great Smoky Mountain Tourist Towns." Digital Commons @ East Tennessee State University, 2009. https://dc.etsu.edu/etd/1815.

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The photographer discusses the work in Big Rock Candy Mountain: Photographs from the Great Smoky Mountain Tourist Towns, her Master of Fine Arts exhibition held at the Reece Museum, Johnson City, Tennessee from September 22 to December 18, 2009. The exhibition consists of 17 large-scale color Archival Inkjet Prints edited from a large body of work done in the tourist towns surrounding the Great Smoky Mountains. Topics include the historical and contemporary artistic influences on the work, examining the work of Jacques-Henri Lartigue, Weegee, Martin Parr, and Joel Sternfeld. A short history of the area, the subject of tourism pertaining to the work, and works from the exhibition are also discussed. Included is the complete catalogue of the Big Rock Candy Mountain exhibit.
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Anderson, Caroline W. "Rebranding the Aristocracy: The British Aristocracy in the Twentieth Century as Portrayed in Contemporary Nostalgic Writing." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/266.

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This thesis examines the British aristocracy in the twentieth century as perceived in contemporary writing. It asserts that the image of the aristocracy is heavily marked by and perpetuated by the use of nostalgia. It also explores the idea that the contemporary members of the aristocracy utilize the existence of nostalgia as a way to commodify their past social history for profit.
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Todman, Amy Clare File. "'The draught of a landskip mathematicall' : Britain's landmarks delineated, 1610-1750." Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/4968/.

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This thesis considers the making and circulation of drawn and printed imagery in Britain over the period 1610-1750 with a particular emphasis on the observation and record of place. It takes as its focus the contested position of the visual image in Britain over this period, considering the place of the record of the land, past, present and future, in the making and re-making of the country. It is particularly concerned to elucidate links between different forms of depictive practice: ‘pictorial’ and ‘mathematical’, evident at the time of their making, if often lost in their interpretation in the modern literature. These depictive traditions are explored in order to examine the value of the categories of ‘real’ and ‘ideal’ that have tended to dominate narratives of landscape history. Throughout, drawings and prints are considered as forms of knowledge that combined a number of traditions and practices, aged along with those more recent. Tensions between theories and practices of image-making are central rather than incidental to the study, discovered through an examination of manuals and treatises as well as drawings and prints. There is also a recognition of the importance of collecting practices and patronage over this period, explored through the extended legacies of Lord Thomas Howard, Earl of Arundel. A focus on collections and the legacies of landscape imagery has necessitated that images be brought together from a wide range of regional and metropolitan libraries, archives and art galleries, and reconnected with the wider cultural, political and religious worlds through which they were circulated and enacted at the time of their making. Drawing on a number of disciplinary traditions, this approach offers a new perspective on topographically-informed imagery over this extended period, seeking to expand the parameters of the interpretation of such works.
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Books on the topic "Tourism and the arts Great Britain"

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Harries, Sue. A report for the Arts Council's Touring Department on the work of touring companies and venues in the field of education and audience development. Abergavenny: Centrestruct, 1993.

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Ann, Jones, Johnstone Isobel, South Bank Centre, and Arts Council of Great Britain., eds. Pop prints: From the Arts Council collection : a national touring exhibition from the South Bank Centre. London: The Centre, 1993.

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Arts Council of Great Britain. Library. The Arts Council of Great Britain. London: Arts Council, 1992.

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Service, Arts Council of England Library and Enquiry. Arts Council of England/Arts Council of Great Britain: Bibliography. 3rd ed. London: Arts Council of England, 1997.

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Historic arts & crafts homes of Great Britain. Layton, Utah: G. Smith, 2005.

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Gooding, Caroline. Disability Discrimination Act 1995 and the arts. London: Arts Council of England, 1999.

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Boris, Ford, ed. The Cambridge guide to the arts in Britain. Cambridge [England]: Cambridge University Press, 1988.

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Great Britain. Parliament. House of Commons. Committee of Public Accounts. Office of Arts and Libraries: review of the Arts Council of Great Britain. London: H.M.S.O., 1990.

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McEvoy, Emma. Gothic tourism: Constructing haunted England. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2015.

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Gray, Clive S. The politics of the arts in Britain. Houndmills, Basingstoke, Hampshire: Macmillan, 2000.

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Book chapters on the topic "Tourism and the arts Great Britain"

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Upchurch, Anna Rosser. "The Arts Council of Great Britain: Keynes’s Legacy." In The Origins of the Arts Council Movement, 103–30. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-46163-6_5.

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Brodie, Allan. "[Anon.], An Historical Guide to Great Yarmouth, in Norfolk (1806)." In Travel and Tourism in Britain, 1700–1914, 199–204. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003112990-32.

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Brodie, Allan. "The History of Great Yarmouth by Henry Manship, ed. C. J. Palmer (1854)." In Travel and Tourism in Britain, 1700–1914, 149–52. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003112990-24.

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Barton, Susan. "Rev. W. Macritchie, Diary of a Tour Through Great Britain in 1795 (1897)." In Travel and Tourism in Britain, 1700–1914, 255–61. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003112976-30.

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Thompson, Spurgeon. "Famine Travel: Irish Tourism from the Great Famine to Decolonization." In Travel Writing and Tourism in Britain and Ireland, 164–80. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230355064_11.

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Barton, Susan. "[The Motor Union], The Motor Union of Great Britain and Ireland, British and Irish Handbook (c. 1908)." In Travel and Tourism in Britain, 1700–1914, 201–17. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003112976-24.

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Howes, Anton. "A Society against Ugliness." In Arts and Minds, 200–217. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691182643.003.0009.

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This chapter examines the Great Exhibition of 1851, which is considered an industrial audit of the world that included exhibits from Britain's empire and other foreign nations. It talks about the East India Company, a private company that exercised control over almost all of the Indian subcontinent that provided displays of the products of India in the Great Exhibition. It also explains the aim of the Great Exhibition, which was to reveal to merchants and manufacturers in Britain the kinds of raw materials that might be imported for Englishmen to work upon. The chapter highlights the Royal Society of Arts' activities over the previous century, which focused on the spread of information instead of awarding premiums for exploiting new resources. It describes how the products of Britain's colonies brought attention to merchants and manufacturers in Britain itself.
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Howes, Anton. "A System to Force down the General Throat." In Arts and Minds, 144–71. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691182643.003.0007.

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This chapter begins with the opening of the Great Exhibition on 1 May 1851, which attracted six million visitors, a tenth of the entire population of Great Britain. It recounts how Henry Cole managed to make himself indispensable to the Great Exhibition's organisation, in which he accumulated responsibilities that allowed him to gradually reassert control. It also mentions utilitarian reformers who came to exercise an extraordinary influence over the Royal Society of Arts and promoted the development of enlarged generalisations and comprehensive measures. The chapter discusses how Cole and his allies reformed the entire system on protecting intellectual property in order to look after the creations of inventors and manufacturers. It points out that the campaign for patent reform was one of the Society's most successful lobbying efforts ever.
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"The Political Reasons for State Neutrality in the Sphere of Arts in Great Britain." In The Arts as a Weapon of War. I.B.Tauris, 2006. http://dx.doi.org/10.5040/9780755626267.ch-002.

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"From CEMA to the Arts Council of Great Britain, September 1944 to June 1945 and Beyond." In The Arts as a Weapon of War. I.B.Tauris, 2006. http://dx.doi.org/10.5040/9780755626267.ch-007.

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Conference papers on the topic "Tourism and the arts Great Britain"

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Sergeeva, Irina. "TWITTER AS PHENOMENON OF MASS CULTURE: COMPARATIVE ANALYSIS BETWEEN RUSSIA AND GREAT BRITAIN." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b31/s8.029.

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Mikaelyan, Maria. "POST-WAR HOUSING IN GREAT BRITAIN: HISTORICAL PREMISES, GOVERNMENTAL POLICIES AND CULTURAL TENDENCIES." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb51/s17.026.

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T., Shparaga. "THE USE OF GREAT BRITAIN EXPERIENCE IN ORGANIZING AND PROMOTING TOURISM IN THE BOTANIC GARDENS OF UKRAINE." In TOURISM OF THE XXI CENTURY: GLOBAL CHALLENGES AND CIVILIZATION VALUES. Київський національний торговельно-економічний університет, 2020. http://dx.doi.org/10.31617/k.knute.2020-06-01.09.

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Grishchenko, Nataliia. "COMMERCIAL AND ECONOMIC RELATIONS OF RUSSIA AND ENGLAND / GREAT BRITAIN AS THE MOTIVATIONAL DRIVERS TO THE RUSSIAN LANGUAGE LEARNING." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/3.6/s14.013.

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Dubravská, Mariana, and Elena Širá. "GREENHOUSE GAS EMISSIONS PRODUCED IN AGRICULTURE SECTOR IN EU." In Fourth International Scientific Conference ITEMA Recent Advances in Information Technology, Tourism, Economics, Management and Agriculture. Association of Economists and Managers of the Balkans, Belgrade, Serbia, 2020. http://dx.doi.org/10.31410/itema.2020.257.

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Each economy must adapt its activities to the protection of the environment. It is now an essential part of everyday life, in the face of various climate changes. The Europe 2020 strategy sets out a set of objectives in the EU, including those promoting environmental sustainability, called sustainable growth. The aim of the paper is to determine, if the performance of the country, in the area of greenhouse gas emissions reduction is adequate to the strategy Europe 2020. In the analysis of greenhouse gas emission reductions, we will also focus on the agriculture sector and compare the development over time with the development in other EU countries. The analyzed period is 10 years, from 2009 - 2018. The article investigated the performance of greenhouse gas emissions in the example of EU (including the Great Britain) countries.
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Rutsinskaya, Irina, and Galina Smirnova. "VISUALIZATION OF EVERYDAY SOCIAL AND CULTURAL PRACTICES: VICTORIAN PAINTING AS A MIRROR OF THE ENGLISH TEA PARTY TRADITION." In NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/37.

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"Throughout the second half of the seventeen and the eighteenth centuries, tea remained an expensive exotic drink for Britain that “preserved” its overseas nature. It was only in the Victorian era (1837-1903) that tea became the English national drink. The process attracts the attention of academics from various humanities. Despite an impressive amount of research in the UK, in Russia for a long time (in the Soviet years) the English tradition of tea drinking was considered a philistine curiosity unworthy of academic analysis. Accordingly, the English tea party in Russia has become a leader in the number of stereotypes. The issue became important for academics only at the turn of the twentieth and twenty-first centuries. Currently, we can observe significant growth of interest in this area in Russia and an expansion of research into tea drinking with regard to the history of society, philosophy and culture. Despite this fact, there are still serious lacunas in the research of English tea parties in the Victorian era. One of them is related to the analysis of visualization of this practice in Victorian painting. It is a proven fact that tea parties are one of the most popular topics in English arts of the nineteenth and the twentieth centuries. No other art school in the world referred to the topic so frequently: painting formed the visual image of the English tea party, consolidated, propagandized and spread ideas of the national tea tradition. However, this aspect has been reflected neither in British nor Russian studies. Being descriptive and analytical, the present research refers to the principles of historicism, academic reliability and objectivity, helping to determine the principal trends and social and cultural features and models in Britain during the period. The present research is based on the analysis of more than one hundred genre paintings by British artists of the period. The paintings reflect the process of creating a special “truly English” material and visual context of tea drinking, which displaced all “oriental allusions” from this ceremony, to create a specific entourage and etiquette of tea consumption, and set nationally determined patterns of behavior at the tea table. The analysis shows the presence of English traditions of tea drinking visualization. The canvases of British artists, unlike the Russian ones, never reflect social problems: tea parties take place against the background of either well-furnished interiors or beautiful landscapes, being a visual embodiment of Great Britain as a “paradise of the prosperous bourgeoisie”, manifesting the bourgeois virtues. Special attention is paid to the role of the women in this ritual, the theme of the relationship between mothers and children. A unique English painting theme, which has not been manifested in any other art school in the world, is a children’s tea party. Victorian paintings reflect the processes of democratization of society: representatives of the lower classes appear on canvases. Paintings do not only reflect the norms and ideals that existed in the society, but also provide the set patterns for it."
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Reports on the topic "Tourism and the arts Great Britain"

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McIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Coffs Harbour. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208028.

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Coffs Harbour on the north coast of NSW is a highway city sandwiched between the Great Dividing Range and the Pacific Ocean. For thousands of years it was the traditional land of the numerous Gumbaynggirr peoples. Tourism now appears to be the major industry, supplanting agriculture and timber getting, while a large service sector has grown up around a sizable retirement community. It is major holiday destination. Located further away from the coast in the midst of a dairy farming community, Bellingen has become a centre of alternative culture which relies heavily on a variety of festivals activated by energetic tree changers and numerous professionals who have relocated from Sydney. Both communities rely on the visitor economy and there have been considerable changes to how local government in this region approach strategic planning for arts and culture. The newly built Coffs Harbour Education Campus (CHEC) is an experiment in encouraging cross pollination between innovative businesses and education and incorporates TAFE NSW, Coffs Harbour Senior College and Southern Cross University as well as the Coffs Harbour Technology Park and Coffs Harbour Innovation Centre all on one site. The 250 seat Jetty Memorial Theatre is the main theatre in Coffs Harbour for local and touring productions while local halls and converted theatres are the mainstay of smaller communities in the region. As peak body Arts Mid North Coast reports, there is a good record of successful arts related events which range across all genres of music, art, sculpture, Aboriginal culture, street art, literature and even busking and opera. These are mainly managed by passionate local volunteers.
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