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Journal articles on the topic 'Tourism and the arts Australia'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Butler, Sally. "Inalienable Signs and Invited Guests: Australian Indigenous Art and Cultural Tourism." Arts 8, no. 4 (December 6, 2019): 161. http://dx.doi.org/10.3390/arts8040161.

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Australian Indigenous people promote their culture and country in the context of tourism in a variety of ways but the specific impact of Indigenous fine art in tourism is seldom examined. Indigenous people in Australia run tourism businesses, act as cultural guides, and publish literature that help disseminate Indigenous perspectives of place, homeland, and cultural knowledge. Governments and public and private arts organisations support these perspectives through exposure of Indigenous fine art events and activities. This exposure simultaneously advances Australia’s international cultural diplomacy, trade, and tourism interests. The quantitative impact of Indigenous fine arts (or any art) on tourism is difficult to assess beyond exhibition attendance and arts sales figures. Tourism surveys on the impact of fine arts are rare and often necessarily limited in scope. It is nevertheless useful to consider how the quite pervasive visual presence of Australian Indigenous art provides a framework of ideas for visitors about relationships between Australian Indigenous people and place. This research adopts a theoretical model of ‘performing cultural landscapes’ to examine how Australian Indigenous art might condition tourists towards Indigenous perspectives of people and place. This is quite different to traditional art historical hermeneutics that considers the meaning of artwork. I argue instead that in the context of cultural tourism, Australian Indigenous art does not convey specific meaning so much as it presents a relational model of cultural landscape that helps condition tourists towards a public realm of understanding Indigenous peoples’ relationship to place. This relational mode of seeing involves a complex psychological and semiotic framework of inalienable signification, visual storytelling, and reconciliation politics that situates tourists as ‘invited guests’. Particular contexts of seeing under discussion include the visibility of reconciliation politics, the remote art centre network, and Australia’s urban galleries.

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2

Halim, Hengky Sumitso, Zhang Qian nan, and Miraj Ahmed Bhuiyan. "Developing green marketing tourism in Perak, Malaysia." E3S Web of Conferences 251 (2021): 03019. http://dx.doi.org/10.1051/e3sconf/202125103019.

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Perak is the second largest state in Malaysia. Meanwhile, the trend of tourists to Perak has declined. The local government is working with the Ministry of Tourism, Arts and Culture to increase the number of tourists for the Visit Malaysia 2020 program. They focus on campaigning for markets: Europe, Australia, the Middle East, Central and East Asia. Meanwhile, environmental health problems worsen the quality of tourist destinations in Perak. To respond to this program, they are trying to increase a tourist visits by conducting a Silver Tourism promotion campaign that uses English and Chinese as part of its marketing strategy. The aim is to increase the attractiveness of tourists from Europe and China. We recommend paying attention to social influences, environmental awareness, pro-environment behavior, and awareness of pro-environment behavior. By paying attention and building this empathy, it will prepare the application of green marketing strategy.

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3

Phillips, Louise Gwenneth, and Catherine Montes. "Walking Borders: Explorations of Aesthetics in Ephemeral Arts Activism for Asylum Seeker Rights." Space and Culture 21, no. 2 (September 11, 2017): 92–107. http://dx.doi.org/10.1177/1206331217729509.

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Australia’s Operation Sovereign Borders vehemently enforces closed borders to asylum seekers arriving by boat to Australia. Policed urban borders were enforced in Brisbane, Australia, during the G20 Summit in 2014, to protect visiting dignitaries from potential violent protest. The ephemeral arts intervention Walking Borders: Arts activism for refugee and asylum seeker rights symbolically confronted border politics by peacefully protesting against Australian immigration policy. Rather than focusing on the direct effects of the ephemeral arts intervention, this article attends to the affective workings of the aesthetic elements of the project through sensory ethnography and storying. Informed by Ranciere’s aesthetics of politics, this article explores the affective experience and potential educative gains of the ethical turn attended to in participatory arts such as ephemeral arts interventions.

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4

Hofmeister, Burkhard. "Department of Arts, Sports, the Environment and Territories (1992): Cultural Tourism in Australia." Zeitschrift für Australienstudien / Australian Studies Journal 09 (1995): 96–97. http://dx.doi.org/10.35515/zfa/asj.09/1995.12.

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5

Anderson, Margot. "Dance Overview of the Australian Performing Arts Collection." Dance Research 38, no. 2 (November 2020): 149–67. http://dx.doi.org/10.3366/drs.2020.0305.

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The Dance Collection at Arts Centre Melbourne traces the history of dance in Australia from the late nineteenth century to today. The collection encompasses the work of many of Australia's major dance companies and individual performers whilst spanning a range of genres, from contemporary dance and ballet, to theatrical, modern, folk and social dance styles. The Dance Collection is part of the broader Australian Performing Arts Collection, which covers the five key areas of circus, dance, opera, music and theatre. In my overview of Arts Centre Melbourne's (ACM) Dance Collection, I will outline how the collection has grown and highlight the strengths and weaknesses associated with different methods of collecting. I will also identify major gaps in the archive and how we aim to fill these gaps and create a well-balanced and dynamic view of Australian dance history. Material relating to international touring artists and companies including Lola Montez, Adeline Genée, Anna Pavlova and the Ballet Russes de Monte Carlo provide an understanding of how early trends in dance performance have influenced our own traditions. Scrapbooks, photographs and items of costume provide glimpses into performances of some of the world's most famous dance performers and productions. As many of these scrapbooks were compiled by enthusiastic and appreciative audience members, they also record the emerging audience for dance, which placed Australia firmly on the touring schedule of many international performers in the early decades of the 20th century. The personal stories and early ambitions that led to the formation of our national companies are captured in collections relating to the history of the Borovansky Ballet, Ballet Guild, Bodenwieser Ballet, and the National Theatre Ballet. Costume and design are a predominant strength of these collections. Through them, we discover and appreciate the colour, texture and creative industry behind pivotal works that were among the first to explore Australian narratives through dance. These collections also tell stories of migration and reveal the diverse cultural roots that have helped shape the training of Australian dancers, choreographers and designers in both classical and contemporary dance styles. The development of an Australian repertoire and the role this has played in the growth of our dance culture is particularly well documented in collections assembled collaboratively with companies such as The Australian Ballet, Sydney Dance Company, and Chunky Move. These companies are at the forefront of dance in Australia and as they evolve and mature under respective artistic directors, we work closely with them to capture each era and the body of work that best illustrates their output through costumes, designs, photographs, programmes, posters and flyers. The stories that link these large, professional companies to a thriving local, contemporary dance community of small to medium professional artists here in Melbourne will also be told. In order to develop a well-balanced and dynamic view of Australian dance history, we are building the archive through meaningful collecting relationships with contemporary choreographers, dancers, designers, costume makers and audiences. I will conclude my overview with a discussion of the challenges of active collecting with limited physical storage and digital space and the difficulties we face when making this archive accessible through exhibitions and online in a dynamic, immersive and theatrical way.

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6

BOLLEN, JONATHAN. "‘As Modern as Tomorrow’: Australian Entrepreneurs and Japanese Entertainment, 1957–1968." Theatre Research International 43, no. 2 (July 2018): 147–64. http://dx.doi.org/10.1017/s0307883318000275.

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This article compares the efforts of two Australian entrepreneurs to import Japanese entertainments for theatres in mid-twentieth-century Australia. David N. Martin of the Tivoli Circuit and Harry Wren, an independent producer, were rivals in the business of touring variety-revue. Both travelled to Japan in 1957, the year that the governments of Australia and Japan signed a landmark trade agreement. Whereas Martin's efforts were hampered by the legacy of wartime attitudes, Wren embraced the post-war optimism for trade. Wren became the Australian promoter for the Toho Company of Japan, touring a series of Toho revues until 1968. These Toho tours have been overlooked in Australian histories of cultural exchange with Japan. Drawing on evidence from archival sources and developing insights from foreign policy of the time, this article examines why Australian entrepreneurs turned to Japan, what Toho sent on tour, and how Toho's revues played in Australia. It analyses trade in touring entertainment as a form of entrepreneurial diplomacy that sought to realize the prospects of regional integration.

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7

Mitchell, Tony. "Doppio: a Trilingual Touring Theatre for Australia." New Theatre Quarterly 8, no. 29 (February 1992): 70–75. http://dx.doi.org/10.1017/s0266464x00006333.

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Doppio is a theatre company which uses three languages – English, Italian, and a synthetic migrant dialect it calls ‘Emigrante’ – to explore the conditions of the large community of Italian migrants in Australia. It works, too, in three different kinds of theatrical territory, all with an increasingly feminist slant – those of multicultural theatrein-education; of community theatre based in the Italian clubs of South Australia; and of documentary theatre, exploring the roots and the past of a previously marginalized social group. The company's work was seen in 1990 at the Leeds Festival of Youth Theatre, but its appeal is fast increasing beyond the confines of specialisms, ethnic or theatric, and being recognized in the ‘mainstream’ of Australian theatrical activity. Tony Mitchell – a regular contributor to NTQ, notably on the work of Dario Fo – who presently teaches in the Department of Theatre Studies in the University of Technology in Sydney, here provides an analytical introduction to the company's work, and follows this with an interview with one of its directors and co-founders, Teresa Crea.

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8

Vett. "Australian Indigenous Art Centres Online: A Multi-Purpose Cultural Tourism Framework." Arts 8, no. 4 (October 26, 2019): 145. http://dx.doi.org/10.3390/arts8040145.

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In early 2019, Australia’s Northern Territory (NT) government announced the $106 million funding and promotion of a new state-wide Territory Arts Trail featuring Indigenous art and culture under the banner “The World’s biggest art gallery is the NT.” Some of the destinations on the Arts Trail are Indigenous art centres, each one a nexus of contemporary creativity and cultural revitalisation, community activity and economic endeavour. Many of these art centres are extremely remote and contend with resourcing difficulties and a lack of visitor awareness. Tourists, both independent and organised, make their travelling decisions based upon a range of factors and today, the availability of accessible and engaging online information is vital. This makes the quality of the digital presence of remote art centres, particularly their website content, a critical determinant in visitor itineraries. This digital content also has untapped potential to contribute significant localised depth and texture to broader Indigenous arts education and comprehension. This article examines the context-based website content which supports remote Indigenous art centre tourism and suggests a strategic framework to improve website potential in further advancing commercial activities and Indigenous arts education.

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9

Sobocinska, Agnieszka, and Jemma Purdey. "Enduring Connections?" Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 175, no. 2-3 (July 12, 2019): 225–51. http://dx.doi.org/10.1163/22134379-17502001.

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Abstract Since 2013, the Australian government has funded Australian students to undertake short periods of study abroad with an emphasis on Asia, including Indonesia. Universities, too, have been enhancing their study-abroad options as part of broader internationalization campaigns. In a short time, the number of Australian higher-education students undertaking study abroad as part of their undergraduate degrees has doubled, to one in five students. This significant investment follows from two beliefs: that Australia’s relations with Asia are significantly impacted by people-to people relations; and that formal, experiential learning is a particularly effective pedagogical method. But is this investment warranted? Do periods of short-term study in Indonesia enrich students’ understanding of the region, and of Australia’s relations with Asia? And do current undergraduates, who have unprecedented access to mobility through travel and tourism, gain anything from a formal and guided people-to-people experience? This article explores these questions through an in-depth investigation of the intensive-mode undergraduate unit ‘Australia and Asia’ run by the Faculty of Arts at Monash University from 2014 to 2017. It suggests that, for many students, study tours facilitate a short-term period of emotional involvement and self-reflection, rather than forging enduring connections.

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10

Ochoa Jiménez, Sergio, Alma Rocío García García, Sacnicté Valdez del Río, and Carlos Armando Jacobo Hernández. "Entrepreneurship in Tourism Studies in the 21st Century: A Bibliometric Study of Wos and Scopus." SAGE Open 12, no. 2 (April 2022): 215824402211024. http://dx.doi.org/10.1177/21582440221102438.

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Entrepreneurship and tourism are linked as relevant aspects of study due to their influence on the society’s development. In attempt to identify the main theoretical contributions in the 21st century, a bibliometric study was carried out, based on publications of tourism entrepreneurship in the Web of Science (WoS) and Scopus databases. As a result, data from 268 documents were obtained and processed in VosViewer. The main findings place Haber, Altinay, and Hallak as the most cited authors; when analyzing co-authorship, co-citation, and bibliographic coupling by authors, the distribution changes in relation to the contribution. England, Australia, and United States are the main countries that originate publications on the subject and have an impact on their dissemination; and Tourism Management is the Journal with the highest number of citations. The topics were grouped into three clusters: (1) Sustainable Rural Tourism, (2) Small business and lifestyle, and (3) Social entrepreneurship, with a predominantly human and social focus over the economic vision. This study can be the basis for further studies about adjacent, related, or emerging topics to entrepreneurship in tourism, as well as to generate practical proposals for new or potential entrepreneurs.

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11

Maddocks, Hilary. "Picture frame studies in Australia." Museum Management and Curatorship 11, no. 2 (June 1992): 133–39. http://dx.doi.org/10.1080/09647779209515306.

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12

Hayward, Philip. "Temporality, Development and Decay in the Whitsundays (Queensland, Australia)." Narodna umjetnost 59, no. 2 (December 20, 2022): 85–102. http://dx.doi.org/10.15176/vol59no204.

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The Whitsundays comprises an archipelago of 74 islands and an adjacent coastal strip located in the north-east corner of the Australian state of Queensland. The region has been occupied for (at least) 9000 years, initially (for 98.5% of that duration) by Indigenous Australians. In the early 1900s European settlers arrived and rapidly depleted, dispossessed and displaced the local population and introduced tourism as a major local industry. These developments occurred in synchrony with (and contributed to the ascension of) the Anthropocene. Any overview of human inhabitation of the region, and of related senses of history and temporality, thereby has to acknowledge two distinct moments, one of a major duration and the other, the briefest contemporary flicker. This article attempts to explore patterns of contrast and similarity across these two very different time scales and the populations involved and to consider how the contemporary epoch reflects humans’ role in shaping the (rapidly changing) environment. Temporality is thereby a key concern, and the article explores various notions of time and of cyclicity, including those concerning patterns of climatic development and of human responses to these. The research informing the paper also has a temporal dimension, having occurred over a thirty-year period during which many changes have occurred in the region and its weather patterns. The speeds of development and decay observed in some areas and the relative stasis of others provide key motifs for the discussions that follow.

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13

Staiff, Russell, and Emma Waterton. "Tourism and Australian beach cultures: revealing bodies." Gender, Place & Culture 20, no. 5 (August 2013): 695–97. http://dx.doi.org/10.1080/0966369x.2013.816002.

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14

Woodhouse, Fionn. "A Passion for the Arts." Scenario: A Journal of Performative Teaching, Learning, Research XI, no. 2 (July 1, 2017): 92–93. http://dx.doi.org/10.33178/scenario.11.2.6.

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I first met Stefanie Preissner when she signed up as a volunteer leader with Lightbulb Youth Theatre in Mallow, Cork. Having recently begun a BA in Drama and Theatre Studies in University College Cork, Stefanie had the interest in the work that allowed her to quickly become integral to Lightbulb, facilitating workshops and directing performances. We established a good working relationship, devising, writing and directing within the youth theatre before forming our own theatre company, ‘With an F Productions’, allowing us to take on different projects. Stefanie’s move to Dublin, after graduating from Drama and Theatre Studies, allowed her to develop her playwriting skills leading to the writing of ‘Solpadine is My Boyfriend’. This play was subsequently produced by the company enjoying a sell-out run in Dublin before touring internationally to Bucharest, Edinburgh and Australia, and – as a radio play – becoming RTE’s most downloaded podcast. Stefanie has gone on to write for RTE, with the successful series ‘Can’t Cope, Won’t Cope’ now in its second season and is also writing for Channel 4 in the UK and First Look Media in the US. Last year, I hosted Stefanie in the renamed ‘Department of Theatre’ to talk with students ...

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15

Murti, Desideria C. W. "Gaze the Struggle of Others: The Representations of Rural Places and People of Indonesia in Tourism Media for Australian Tourists." Journal of Communication Inquiry 44, no. 3 (January 23, 2020): 231–55. http://dx.doi.org/10.1177/0196859920901326.

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This study contributes to understand the representations of Indonesian rural destinations in tourism media (online and offline) and the social reproduction of the on-site experiences from Australian tourists. The study analyses qualitative data from media produced between 2016 and 2018, online reviews about rural destinations, and full-day participant observations involving Australians. The findings highlight the contested representation of tranquil rice fields and the Indonesians as the exotic locals to be gaze upon for Australians. In conclusion, the framing of Indonesia for Australians expresses the unjust reproductions of tourism media to exercise the existing power relations.

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16

Mar, Phillip, and Kay Anderson. "Urban Curating." Space and Culture 15, no. 4 (November 2012): 330–43. http://dx.doi.org/10.1177/1206331212460623.

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This article examines the modes of emergence of “the local” in particular collaborative art projects in suburban Sydney (Australia) as outflows of singular interfaces between artists, institutions, audiences, and administrators. We begin analytically with the circulations that variously draw on and craft notions of locality and community in two projects staged in western Sydney, both involving nonlocal artists collaborating with business entities and arts institutions. In each case, specific circulations worked to produce a differently spatialized interplay of artists’ processes, aesthetic objects, events, performances and dialogues. The article develops a working conception of “interspatiality” that draws on actor network and assemblage concepts to elicit how creative labor entangles people, places, communities, and ways of working and thinking.

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17

Majeed, Salman, Zhimin Zhou, and Haywantee Ramkissoon. "Beauty and Elegance: Value Co-Creation in Cosmetic Surgery Tourism." SAGE Open 10, no. 2 (April 2020): 215824402093253. http://dx.doi.org/10.1177/2158244020932538.

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This study presents an emerging trend in medical tourism, cosmetic surgery tourism (CST). We explore tourists’ perceptions of CST for medical service quality as an antecedent to tourists’ emotional attachment, trust, and intentions to visit, which is underexplored in CST. This study examines the mediating role of value co-creation in influencing behaviors of CST-seeking tourists to experience a better quality of life. Using a sample drawn from 279 tourists, comprised of Australian, Japanese, and Chinese nationalities at two international airports in China, findings show that perceived medical service quality positively influences tourists’ emotional attachment, trust, and intentions to visit directly and through the mediating role of value co-creation across the three nationalities. CST-seeking tourists’ inputs in value co-creation may positively influence their behaviors, which are vital antecedents to promoting CST business. Implications for future research are discussed.

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18

McMahon, Elizabeth. "Australia, the Island Continent: How Contradictory Geography Shapes the National Imaginary." Space and Culture 13, no. 2 (March 22, 2010): 178–87. http://dx.doi.org/10.1177/1206331209358224.

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19

Pepper, Andrew. "The Gallery as a Location for Research-Informed Practice and Critical Reflection." Arts 8, no. 4 (September 27, 2019): 126. http://dx.doi.org/10.3390/arts8040126.

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Creative holography could still be considered a fringe medium or methodology, compared to mainstream art activities. Unsurprisingly, work using this technology continues to be shown together with other holographic works. This paper examines the merits of exhibiting such works alongside other media. It also explores how this can contribute to the development of a personal critical framework and a broader analytical discourse about creative holography. The perceived limitations of showing holograms in a “gallery ghetto” are explored using early critical art reviews about these group exhibitions. An international exhibition, which toured the United Kingdom (UK) and Australia, is used as a framework to expand the discussion. These exhibitions include examples of the author’s holographic work and those of artists working with other (non-holographic) media and approaches. The touring exhibition as a transient, research-informed process is investigated, as is its impact on the critical development of work using holography as a valid medium, approach, and methodology in the creative arts.

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20

Evans, Ted, Michelle Bellon, and Brian Matthews. "Leisure as a human right: an exploration of people with disabilities’ perceptions of leisure, arts and recreation participation through Australian Community Access Services." Annals of Leisure Research 20, no. 3 (April 2017): 331–48. http://dx.doi.org/10.1080/11745398.2017.1307120.

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21

W., G. "Australia: Tourism Strengthens." Cornell Hotel and Restaurant Administration Quarterly 35, no. 4 (August 1994): 10. http://dx.doi.org/10.1177/001088049403500407.

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22

Cousin, Geraldine. "From Travelling with Footsbarn to ‘Wandertheater’ with Ton und Kirschen." New Theatre Quarterly 14, no. 56 (November 1998): 299–310. http://dx.doi.org/10.1017/s0266464x00012380.

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The first issue of NTQ in February 1985 included a feature on the Footsbarn Travelling Theatre Company which traced the development of the group from its formation in Cornwall in 1971, through its development of a distinctive narrative-based performance style – strong in physicality, visual imagery, and knockabout humour – to its status as an internationally acclaimed company, based now in France but touring extensively in Europe. Geraldine Cousin, the compiler of that feature, provided an update in NTQ33 (February 1993), which focused on Footsbarn's work since 1985, culminating in the ‘Mir Caravan’ project, in which eight theatre groups toured to the Soviet Union and through Eastern and Western Europe. In May 1992, two members of the group, David Johnston and Margarete Biereye, left to establish a new theatre company in Germany – the Wandertheater Ton und Kirschen, now well established, with actors drawn from Germany, France, England, Morocco, Spain, Colombia, Poland, and Australia. Though based in a small German village, Ton und Kirschen has built up its reputation in a number of European countries, and in 1998 was awarded the prize for Performing Arts from the Akademie der Künste, Berlin. Ton und Kirschen is funded partly by the Ministerium für Wissenschaft, and partly by the local district and the town of Potsdam, with a further portion of its income deriving from ticket sales and foreign tours. In December 1997 Margarete and David talked to Geraldine Cousin about their reasons for leaving Footsbarn, and their work with the new company. Geraldine Cousin is Senior Lecturer in Theatre Studies at the University of Warwick, and is author of Churchill the Playwright (Methuen), King John in the ‘Shakespeare in Performance’ series (Manchester University Press), and Women in Dramatic Place and Time (Routledge). She has recently completed a book for Harwood which documents productions by Sphinx Theatre, Scarlet Theatre, and Foursight Theatre.

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23

Sumartojo, Shanti, and Sarah Pink. "Moving Through the Lit World: The Emergent Experience of Urban Paths." Space and Culture 21, no. 4 (November 12, 2017): 358–74. http://dx.doi.org/10.1177/1206331217741079.

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There is growing scholarship both on how light (and darkness) shapes our perception and experience of our surroundings and coalesces particular affective experiences. In this article, we build on this emerging field to address a fundamental but unexplored question for understanding urban experience: how is the experience of everyday movement through the city constituted in relation to automated urban lighting. We argue that the affective and sensory aspects of the “lit world” need to be accounted for, an aspect of quotidian urban experience that remains underexplored. In doing so, we discuss a mobile sensory ethnography of public urban “light routes” by drawing on the words and photographs of people moving through the city of Melbourne, Australia on their journeys home at the end of the day. Their stories about automated lighting reveal how particular affective intensities, responses to urban complexity and aesthetic experiences emerged on the move, and begin to account for the role of the “lit world” in everyday experience.

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24

Lehman, Kim, and Gemma Roach. "The strategic role of electronic marketing in the Australian museum sector." Museum Management and Curatorship 26, no. 3 (August 2011): 291–306. http://dx.doi.org/10.1080/09647775.2011.585806.

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R. Fulton, Graham. "Birdwatching Tourism in Australia." Pacific Conservation Biology 8, no. 2 (2002): 142. http://dx.doi.org/10.1071/pc02142a.

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DR DARRYL JONES graduated from the University of New England. He is a senior lecturer in ecology at Griffith Univesity. Prof. Ralf Buckley is Chair in Ecotourism and Director of the International Centre for Ecotourism Research at Griffith University.

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Bushell, Robyn, Gary M. Prosser, H. W. Faulkner, and Jafar Jafari. "Tourism Research in Australia." Journal of Travel Research 39, no. 3 (February 2001): 323–26. http://dx.doi.org/10.1177/004728750103900314.

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27

Zeppel, Heather. "Tourism and Aboriginal Australia." Tourism Management 19, no. 5 (October 1998): 485–88. http://dx.doi.org/10.1016/s0261-5177(98)00050-8.

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28

Faulkner, Bill. "Tourism demand patterns—Australia." International Journal of Hospitality Management 7, no. 4 (January 1988): 333–41. http://dx.doi.org/10.1016/0278-4319(88)90044-8.

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29

Salma, Umme. "Tourism Investment in Australia." Tourism Economics 12, no. 2 (June 2006): 207–23. http://dx.doi.org/10.5367/000000006777637494.

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30

Hall, C. Michael. "Tourism education in Australia." Annals of Tourism Research 19, no. 1 (January 1992): 138–39. http://dx.doi.org/10.1016/0160-7383(92)90116-7.

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31

Waterton, Emma, and Jason Dittmer. "The museum as assemblage: bringing forth affect at the Australian War Memorial." Museum Management and Curatorship 29, no. 2 (March 4, 2014): 122–39. http://dx.doi.org/10.1080/09647775.2014.888819.

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32

Gibson, Jason. "‘You’re my kwertengerl’: transforming models of care for central Australian aboriginal museum collections." Museum Management and Curatorship 34, no. 3 (November 22, 2018): 240–56. http://dx.doi.org/10.1080/09647775.2018.1549506.

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33

Bull, Adrian O. "Travel and Tourism in Australia." Annals of Tourism Research 24, no. 4 (October 1997): 1024. http://dx.doi.org/10.1016/s0160-7383(97)88446-0.

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34

Michael, Ewen. "Antiques and tourism in Australia." Tourism Management 23, no. 2 (April 2002): 117–25. http://dx.doi.org/10.1016/s0261-5177(01)00053-x.

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35

Crouch, Geoffrey I., Lance Schultz, and Peter Valerio. "Marketing international tourism to Australia." Tourism Management 13, no. 2 (June 1992): 196–208. http://dx.doi.org/10.1016/0261-5177(92)90061-b.

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36

Jenkins, John. "Introduction to tourism in Australia." Annals of Tourism Research 21, no. 4 (January 1994): 868–69. http://dx.doi.org/10.1016/0160-7383(94)90102-3.

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37

Taylor, Andrew, Dean B. Carson, Doris A. Carson, and Huw Brokensha. "‘Walkabout’ tourism: The Indigenous tourism market for Outback Australia." Journal of Hospitality and Tourism Management 24 (September 2015): 9–17. http://dx.doi.org/10.1016/j.jhtm.2015.04.002.

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38

Woods, Megan, and Morgan Parker Miles. "Collaborative development of enterprise policy." International Journal of Public Sector Management 27, no. 3 (April 8, 2014): 174–89. http://dx.doi.org/10.1108/ijpsm-09-2012-0121.

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Purpose – The aim of this paper is to integrate an augmented version of the Thompson et al. model of enterprise policy, delivery, practice and research with services marketing models including SERVQUAL and strategic conversations; and demonstrate a practical application of the analysed through the application of N-Vivo qualitative data classification software to create more satisfying enterprise policy recommendations that better reflect the voices of SMEs and other stakeholders. Design/methodology/approach – A five-stage iterative process model to integrate stakeholder input into enterprise policy recommendations is developed through integrating services marketing theory and the Thompson et al. model into a field study of community conversations hosted by the Tasmanian Department of Economic Development, Tourism and the Arts, Regional Development Australia's Tasmanian committee, and local governments. Findings – The five-stage iterative model leverages strategic conversations, analysis (through N-Vivo), comments and revisions, recommendation co-creation, and policy assessment using SERQUAL to craft more satisfying policy recommendations. Research limitations/implications – The first limitation was the time and costs associated with conducting the community consultation workshops and analysing the data. The second limitation was the inability to craft policy quickly in response to a changing environment due to the time taken to collect and transcribe the data, undertake the analysis, and develop and report policy recommendations. The third limitation was the complexity of coordinating three levels of government, which took time and effort because each level had different interests and time frames and were at times distracted by other priorities. Originality/value – This paper contributes to better enterprise policy by providing a process model developed using both theory and a field study to illustrate how policy makers can co-develop policy that is more satisfying to policy stakeholders.

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Чичкина, Светлана. "Tourism Australia выходит на российский рынок." Туризм: практика, проблемы, перспективы, no. 10 (2005): 71.

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WAITT, GORDON. "RESORTING TO KOREAN TOURISM IN AUSTRALIA." Tijdschrift voor economische en sociale geografie 87, no. 1 (February 1996): 3–18. http://dx.doi.org/10.1111/j.1467-9663.1998.tb01533.x.

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Brown, Ivor J. "Mining and Tourism in Southern Australia." Industrial Archaeology Review 12, no. 1 (November 1989): 55–66. http://dx.doi.org/10.1179/iar.1989.12.1.55.

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Dwyer, Larry, and Nina Mistilis. "Development of MICE Tourism in Australia." Journal of Convention & Exhibition Management 1, no. 4 (August 30, 1999): 85–100. http://dx.doi.org/10.1300/j143v01n04_07.

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Dowling, Ross K., and Jim Sharp. "Conservation—Tourism Partnerships in Western Australia." Tourism Recreation Research 22, no. 1 (January 1997): 55–60. http://dx.doi.org/10.1080/02508281.1997.11014786.

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Kourtzidis, Stavros A., Panayiotis Tzeremes, Nickolaos G. Tzeremes, and Tomáš Heryán. "Integration of tourism markets in Australia." Tourism Economics 24, no. 7 (May 11, 2018): 901–7. http://dx.doi.org/10.1177/1354816618776184.

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By applying the methodological framework of transition modeling and econometric convergence tests introduced by Phillips and Sul, we reveal the existence of convergence clubs and transition convergence paths of international visitor arrivals for Australia. Specifically, by using monthly data of international arrivals over the period of January 1991 to September 2017, we provide evidence that tourism markets can integrate. The analysis suggests the identification of five distinct convergence clubs. This in turn signifies an integration phenomenon of Australia’s tourism market, which is revealed through the different convergence patterns of international visitor arrivals. Finally, it is evident that the revealed integration behavior of Australia’s international tourism market will enable policy makers to target better tourism needs through customized policies.

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Carlsen, Jack, and Ross Dowling. "Wine Tourism Marketing Issues in Australia." International Journal of Wine Marketing 10, no. 3 (March 1998): 23–32. http://dx.doi.org/10.1108/eb008684.

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Van Hoa, Tran, Lindsay Turner, and Jo Vu. "Economic impact of Chinese tourism on Australia." Tourism Economics 24, no. 6 (April 23, 2018): 677–89. http://dx.doi.org/10.1177/1354816618769077.

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China’s trade, tourism and limited foreign direct investment (FDI) to Australia have been regarded as playing an important part in Australia’s growth and prosperity in recent years. In spite of the fact that these activities are the three principal growth determinants in modern economic integration theory, growth studies based on this theory’s structural framework, while highly appropriate, have hardly been undertaken. This article proposes to fill the gap by formally developing an endogenous causal model of simultaneous growth and tourism for policy analysis. In this model, trade, FDI and tourism are specified as the main contributing factors to growth. Simultaneously, gravity theory (including growth) and the Ironmonger–Lancaster new consumer demand theory determine tourism, while ‘economic conditionality’ potentially affecting both growth and tourism in the sense of Johansen is recognized and incorporated. The model is then applied to Australian and Chinese data for the important post-Japanese tourist boom period 1992–2015, to provide substantive findings on three questions: the impact of Chinese tourism to Australia, Chinese tourism determination and the effects of Chinese trade and key macroeconomic indicators on Australian economic growth. Significant policy implications are then developed for use by government tourism planners and policymakers.

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Pardomuan, Petrus Jerry, and Dias Satria. "UNDERSTANDING THE ASEAN-5 TOURISM SECTOR BASED ON AUSTRALIA OUTBOUND TOURISM." Media Trend 13, no. 1 (April 24, 2018): 126. http://dx.doi.org/10.21107/mediatrend.v13i1.3594.

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Taylor, Andrew, Dean Carson, and Doris Carson. "‘Walkabout Tourism’: Is there an Indigenous Tourism Market in Outback Australia?" Athens Journal of Tourism 1, no. 4 (November 30, 2014): 239–52. http://dx.doi.org/10.30958/ajt.1-4-1.

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Breen, James Robert, and Pamela Pensini. "Grounded by Mother Nature’s Revenge." Experimental Psychology 69, no. 5 (September 2022): 284–94. http://dx.doi.org/10.1027/1618-3169/a000566.

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Abstract. Leisure air travel is a popular form of tourism, but its emissions are a major contributor to anthropogenic climate change. Restrictions to leisure air travel have previously received little support; however, the same restrictions to mitigate the spread of COVID-19 have been popular. This support is unlikely to persist in a postpandemic world, highlighting the need for alternative ways to improve support for reducing leisure air travel. Anthropomorphism of nature has consistently predicted proenvironmental behavior, which has been mediated by guilt felt for harm to the environment. This research is the first empirical study to explore this relationship in the context of COVID-19, where it examined support for restricting leisure air travel to help mitigate (1) COVID-19 and (2) climate change. In an experimental online study, Australian residents ( N = 325, Mage = 54.48, SDage = 14.63, 62% women) were recruited through social media. Anthropomorphism of nature in the context of COVID-19 (AMP-19) was manipulated through exposure to a news article. Participants then completed measures of environmental guilt and support for restricting leisure air travel to mitigate COVID-19 (LAT-19) and to mitigate climate change (LAT-CC). A significant indirect effect was observed in both models, such that AMP-19 predicted environmental guilt which in turn predicted LAT-19 ( f2 = .26; BCI [0.66, 3.87]) and LAT-CC ( f2 = .45; BCI [0.84, 5.06]). The results imply that anthropomorphism of nature in the context of COVID-19 can improve attitudes toward this proenvironmental behavior, with greater support when this was to mitigate climate change. Implications are discussed.

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Lambert, Anthony. "(Re)Producing Country: Mapping Multiple Australian Spaces." Space and Culture 13, no. 3 (March 25, 2010): 304–14. http://dx.doi.org/10.1177/1206331210365290.

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