Journal articles on the topic 'Tour to Sweden'

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1

Gillespie, Andrew R., William K. Rawlins, Walter L. Mills, Pol R. Coppin, Mats Olsson, Kaj Rosén, Clas Fries, Per-Ove Bäckström, Eric Agestam, and Tord Magnusson. "Teaching across Cultures: A Model for International Education in the Natural Resources." Journal of Forestry 96, no. 2 (February 1, 1998): 20–24. http://dx.doi.org/10.1093/jof/96.2.20.

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Abstract To help meet the demand for graduates with international skills, Purdue University's Department of Forestry and Natural Resources has teamed with the Sveriges Lantbruks Universitet (Swedish University of Agricultural Sciences) to offer a jointly taught, four-week summer course that brings together Swedish and American faculty and students. Alternately taught in the United States and Sweden, the course includes lectures on international resources issues, an extended field tour, team projects, leadership training, and communications practice.
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2

Perrelli, Franco. "Grotowski's First Tour Abroad: The Constant Prince in Scandinavia." New Theatre Quarterly 26, no. 4 (November 2010): 307–18. http://dx.doi.org/10.1017/s0266464x10000618.

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Little attention has been paid to the fact that Grotowski's first tour abroad with the Laboratory Theatre was to the Scandinavian countries rather than to Paris, as is often imagined. In this article, Franco Perrelli focuses on the responses of critics, especially in Sweden, to performances of The Constant Prince and to the seminars and other discussions accompanying the tour. He thus provides a comprehensive account of the impact made by Grotowski and his actors in their first encounter with spectators outside Poland. A specialist in Scandinavian theatre, Franco Perrelli is Chair of Performing Arts and Head of the Doctoral School in the Department of Art, Music, Theatre and Cinema (DAMS) at the University of Turin. His books include Echi nordici di grandi attori italiani (2004), La seconda creazione. Fondamenti della regia teatrale (2005), I maestri della ricerca teatrale. Il Living, Grotowki, Barba e Brook (2007), and Strindberg: la scrittura e la scena (2009).
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3

Bolling, Hans, and Chris Bolsmann. "‘Here Come “Chelsea” of Sweden’: Djurgården Football Club on Tour in Apartheid South Africa." Sport in History 33, no. 3 (September 2013): 353–72. http://dx.doi.org/10.1080/17460263.2013.829118.

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4

Dickson, Graham, and Don Philippon. "Leading Patient—Centred Change in the Swedish Health System: Lessons from the 2009 Sweden Study Tour." Healthcare Management Forum 22, no. 4 (December 2009): 56–58. http://dx.doi.org/10.1016/s0840-4704(10)60144-5.

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5

Abbasian, Saeid. "Solo travellers to city destinations: an exploratory study in Sweden." International Journal of Tourism Cities 5, no. 1 (March 4, 2019): 35–50. http://dx.doi.org/10.1108/ijtc-01-2018-0001.

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PurposeThe purpose of this paper is to gain more insight into the phenomenon of solo travel to city destinations and attain more knowledge on the topic.Design/methodology/approachThe study employed a questionnaire consisting of qualitative and quantitative items. In all, 21 individuals (12 women, 9 men) responded.FindingsThe most important reason for solo travel was their own free choice and in some cases, difficulty finding companions. Their activities at the destinations were mostly visiting attractions followed by visiting friends, shopping, walking, eating at restaurants, learning the language, working, etc. They mostly mentioned advantages but also some disadvantages with solo travelling. Their experiences, especially with the people in the host destinations, have been positive and they show overall satisfaction with their visit. A predominant share of the interviewees showed a kind of loyalty to one or more specific city destinations and wished to revisit them again and again.Practical implicationsThe current study might have some implications for city tourism developers/destination developers, travel agencies, national or regional tourism boards and tour operators in major urban areas and cities. Especially, this study has a practical contribution to the city tourism practitioners and gives them more insight in what values, attitudes, perceptions, expectations and motivations the solo travellers might have before or while they visit their cities. The study also has implications for potential solo travellers seeking more knowledge and information on the issue.Originality/valueThe phenomenon of solo travel to city destinations is an unresearched topic in Sweden. This exploratory study is the first in Sweden to focus on solo travellers visiting city destinations.
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6

Guérin, P. J., K. Nygård, A. Siitonen, L. Vold, M. Kuusi, B. de Jong, J. A. Rottingen, et al. "Emerging Salmonella Enteritidis anaerogenic phage type 14b: Outbreak in Norwegian, Swedish and Finnish travellers returning from Greece." Eurosurveillance 11, no. 2 (February 1, 2006): 5–6. http://dx.doi.org/10.2807/esm.11.02.00599-en.

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In July 2001, the Norwegian Institute of Public Health (Folkehelseinstituttet, FHI) reported a cluster of Salmonella Enteritidis of phage type 14b infections in Norwegian travellers returning from Greece. An increase in the same uncommon phage type was also registered in Sweden and Finland at the same time. Cases of S. Enteritidis PT 14b in patients returning from Greece were reported in these three Nordic countries in 2001 (303 cases), 2002 (164 cases) and 2003 (199 cases). Case-control studies performed in 2001 in Norway and Sweden indicated that consumption of chicken was associated with illness. In 2002 and 2003, continuing case reports indicated that this uncommon phage type had probably become established in the Greek food chain. Tour operators were informed and contacts were made with Greek public health authorities. Because place of infection is not systematically included in most Salmonella notification systems, the S. Enteritidis phage type 14b outbreak reported here may represent only part of a larger outbreak among travellers visiting Greece. Infections are often reported only in the tourists’ home countries and public health authorities in the tourist destinations may not be aware of the problem. Further collaboration between national institutes of public health in Europe is needed to detect outbreaks occurring among tourists.
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7

Heffernan, Conor. "Irish Gymnasts on Tour: The Women’s League and Women’s Exercise in 1940s Ireland." Studies in Arts and Humanities 7, no. 1 (June 3, 2021): 131–52. http://dx.doi.org/10.18193/sah.v7i1.205.

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In 1949 the Irish branch of the Women’s League of Health and Beauty travelled to Stockholm, Sweden to take part in the second annual Lingiad Festival. Created the previous decade to celebrate the gymnastic system of Per Henrik Ling established in the early nineteenth-century, the Festival was a multisporting cultural event open to groups from around the world. One such group was the Women’s League of Health and Beauty. Founded in London in 1930 by the Irish-born Mary Bagot Stack, the League marked the decade’s most expansive form of exercise for women. Owing to the League’s Irish connection, the first League branch came to Belfast in 1930 and was followed by a Dublin branch some years later. Open to women across the life cycle, the League was targeted at both the working woman and the stay-at-home mother. Where previous studies have examined the creation of the League in Ireland, this piece focuses on the League’s appearance at the 1949 Lingiad. Despite numerous appeals for government funding, the League was forced to raise its own funds for the trip, a point which rankled many journalists both before and after the tournament. There was an inherent tension in the League’s involvement. On the one hand, it offered new opportunities for female exercise and provided a fillip for further engagement. That withstanding, the ongoing difficulties experienced by the League in actually making it to Lingiad highlighted the secondary, and often forgotten, nature of women’s exercise in Ireland at this time. Using memoirs, film and newspaper articles, the piece positions the League’s Lingiad trip as symbolic of both the advances and restrictions inherent in women’s exercise in mid twentieth-century Ireland.
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8

Sribnaya, Tatiana A., and Natalya А. Bodneva. "POTENTIAL OF THE ASTRAKHAN REGION IN THE CONTEXT OF DEVELOPMENT OF RGANIZED FISHING TOURISM." SCIENTIFIC REVIEW. SERIES 1. ECONOMICS AND LAW, no. 1-2 (2020): 224–34. http://dx.doi.org/10.26653/2076-4650-2020-1-2-18.

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Fishing tourism is one of the modern types of tourism that is aimed at meeting the needs of a certain segment of tourists in fishing. This type of tourism is organized by special enterprises to favorable places for fishing. Fishing tours in most cases include specialized services such as: fishing license, tackle rental, boat rental, instruction and joint fishing with a qualified fishing guide, as well as services aimed at preserving and preparing the fish caught. Such countries as Finland, Norway, Egypt, Namibia, South Africa, Iceland, Sweden, Slovakia, Thailand and Israel occupy high positions in the international market of fishing tourism and are famous for their fish resources. As for fishing tourism in Russia, the demand for fishing tourism is currently increasing. Tourist companies are engaged in expanding the geography of fishing tours and improving the quality of service, which affects the increase in demand for this type of tour. The analysis of the potential of the Astrakhan region, carried out in the article, allowed us to identify opportunities for the development of organizational fishing tourism.
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9

Marchant Rivera, Alicia Carmen, and Ana Barrena Gómez. "A Model of Time Representation in the Nineteenth Century: The Spaces for Written Culture in <em>Diary of a tour in Sweden, Norway and Russia, in 1827 with letters</em> by Lady Elizabeth Mary Grosvenor, Marchioness of Westminster." Arenal. Revista de historia de las mujeres 30, no. 1 (June 8, 2023): 157–81. http://dx.doi.org/10.30827/arenal.v30i1.11380.

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This article aims to rebuild, from a specific case such as the analysis of the Diary of a tour in Sweden, Norway and Russia, in 1827 with letters by Lady Elizabeth Mary Grosvenor, the way in which a social group belonging to the nineteenth century, the nobility, offered in written form, in our case the formula of the diary with interspersed letters, one of the basic dimensions of its exis- tence as a society: the time, its social organization and the different facets in which that time has been recorded in writing. Thus, by intervening the axis of time, and based on various documentary sources, we will review visits to educational institutions; entertainment and leisure linked to theatre and music; sending and receiving correspondence; the acquisition of books and writing supports and the synchronous time in relation to Genealogy and History reflected on the pages of this diary. All this from the methodological perspective of the studies of Social History of the Written Culture in connection with Gender studies.
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10

Sanchez-Diaz, Ivan, Laura Palacios-Argüello, Anders Levandi, Jimmy Mardberg, and Rafael Basso. "A Time-Efficiency Study of Medium-Duty Trucks Delivering in Urban Environments." Sustainability 12, no. 1 (January 6, 2020): 425. http://dx.doi.org/10.3390/su12010425.

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This paper uses data from a major logistics service provider in Gothenburg (Sweden) to (i) identify the different activities in a typical urban distribution tour, (ii) quantify the time required by drivers to perform each of these activities, and (iii) identify potential initiatives to improve time efficiency. To do so, the authors collected GPS data, conducted a time-study of the activities performed by the drivers for a week, conducted a focus group with the drivers, and a set of interviews with managers. The results show that driving represents only 30% of the time, another 15% is spent on breaks, and the remaining 55% is used to perform activities related to customer service, freight handling, and planning. The latter are subdivided into multiple activities, each taking a small amount of time. A focus group with the drivers and some interviews revealed several initiatives to improve time efficiency. Most initiatives can bring small gains, but when aggregating all potential time savings there is a big potential to improve overall time efficiency. Initiatives with highest potential and low cost are: providing better pre-advice on upcoming customers, improving route planning, having hand-free cell phone use, and enhancing handling equipment.
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11

Берлова, Мария. "Деятельность Жан-Батиста Ланде в Скандинавии." ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА 2 (2019): 86–104. http://dx.doi.org/10.35852/2588-0144-2019-2-86-104.

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Статья посвящена скандинавскому периоду деятельности основателя русского балета Жан-Батиста Ланде. С 1721 по 1728 годы Ланде работал в Стокгольме, в 1726 г. гастролировал в Копенгагене и с 1728 до начала 1730 х гг. работал там. Автор рассматривает достижения Ланде в Скандинавии — его педагогическую деятельность и формирование собственного хореографического стиля с уклоном на «серьезные» и «комические балеты» и приходит к выводу, что рождение русского балета нужно рассматривать не как отдельное явление, а как логичное завершение творческого пути французского педагога и хореографа, выработавшего своеобразие своего художественного языка в Швеции и Дании. The article focuses on the work of Jean- Baptiste Landé, known as a founding father of the Russian ballet in Scandinavia. From 1721 to 1728 Landé worked in Stockholm. In 1726 he went on tour to Copenhagen and lived and worked there from 1728 until around 1730. The author examines Landé’s achievements in Scandinavia, his work as a teacher, and the formation of his cho¬reographic style with an emphasis on the ballet sérieux and ballet comique and comes to the conclusion that the formation of the Russian ballet did not stand alone, but was the logical continuation of Landé’s ongoing development. Long before his stay in Russia, he had already formed his own dance language in Sweden and Denmark.
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12

Inga, Berit. "Reindeer (Rangifer tarandus tarandus) feeding on lichens and mushrooms: traditional ecological knowledge among reindeer-herding Sami in northern Sweden." Rangifer 27, no. 2 (January 28, 2009): 93. http://dx.doi.org/10.7557/2.27.2.163.

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The study was performed in four reindeer-herding districts (Sami villages) in northern Sweden. Reindeer herding Sami, born in 1950 or earlier, were interviewed about reindeer foraging behaviour on lichens and mushrooms, especially relating to non-summer grazing habits, and about characteristics of a good winter feeding ground. The informants claimed that lichens are preferably grazed in the wintertime, but that they also may be eaten in the summertime when the weather is cold and humid. Mushrooms were chosen in the autumn months August and September, but according to some informants mushrooms may also be eaten during late autumn (from Oct.) when frozen and under the snow. The reindeer herders had different names for lichens, which in general terms describe their appearance and habitat. For mushrooms they only used one Sami name. Ground lichens preferred by reindeer are Cladonia species, while the nitrogen-fixing lichen species such as Nephroma arcticum and Stereocaulon pascale were said not to be preferred by the reindeer. Snow conditions are very important, and the less snow (and the softer it is), the better. Habitats where reindeer herders know from experience that snow conditions tend to be problematic, e.g. in moist and open areas with small trees, are used early in the winter (Oct.–Jan.), before too much snow has accumulated. A good winter grazing area should have lichens. It is preferably a dry pine (Pinus sylvestris) forest heath with large, old and wide-crowned trees to shelter the ground from snow and thereby ease the cratering by reindeer. Abstract in Swedish / Sammanfattning: Renens (Rangifer tarandus tarandus) bete av lavar och svampar: Traditionell ekologisk kunskap bland renskötande samer i norra Sverige Studien genomfördes i fyra renskötseldistrikt (samebyar) i norra Sverige. Totalt 22 renskötande samer, födda 1950 eller tidigare, blev intervjuade om renens betande av lavar och svampar, renens vinterbete och om vad som karaktäriserar ett bra vinterbetesland. Informanterna hävdade att lavar företrädesvis betas under vintern, men även kan betas under sommaren då vädret är kallt och fuktigt. Svampar betas under höstmånaderna augusti och september, men enligt några informanter kan svamp även betas senare på hösten (från oktober) när den är frusen och under snön. Renskötarna har namn på lavar som i generella termer beskriver deras utseende och växtplats. För svampar använder de enbart ett samiskt namn, guoppar. Av de marklevande lavarna ansåg informanterna att renarna föredrar Cladonia-arter (renlavar), medan kväve-fixerade arter som Nephroma arcticum (norrlandslav) och Stereocaulon pascale (påskrislav) inte ansågs föredras av renarna. Snöförhållandena är mycket viktiga, och ju mindre snö (och ju lösare den är) desto bättre. Växtplatser där renskötarna vet av erfarenhet att snöförhållandena kan bli problematisk, t.ex. i fuktiga och öppna områden med små träd, används till bete tidigt under vintern (oktober-januari) innan för mycket snö har fallit. Ett bra vinterbetesområde ska ha gott om lavar. Det bästa är en torr tallhed (Pinus sylvestris) med stora och gamla träd med vida kronor som fångar upp snön som upplega och på det viset skyddar marken från snö, vilket gör det lättare för renarna att gräva.
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Jõeste, Kristi. "Põhjamaade kudumissümpoosion 2018 „Balti eri“ Viljandis / Nordic Knitting Symposium 2018: Baltic Special in Viljandi." Studia Vernacula 9 (November 6, 2018): 197–206. http://dx.doi.org/10.12697/sv.2018.9.197-206.

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The department of Estonian Native Crafts of the University of Tartu Viljandi Culture Academy hosted the 19th Nordic Knitting Symposium in Viljandi between the 24th of June and the 1st of July. This was the second time the symposium has taken place in Estonia. The gathering hosted a total of 104 participants from 12 different countries, as well as 19 knitting instructors and lecturers. The sub-title ‘Baltic Special’ means that the focus of the symposium was on the traditional knitting of the Baltics and neighbouring regions of Russia, and the instructors and lecturers all came from these countries. There was a tightly-packed programme of workshops, lectures, field trips, exhibitions, a crafts fair and other activities over the six days of the symposium, that had taken a year in planning. Knitting workshops were held on four of the days of the symposium. Two three-hour and two six-hour sessions were planned for each participant. These had to be chosen by participants during their pre-registration in January on the symposium’s website www.sisu.ut.ee/knitting2018. There was a range of workshops which chiefly featured topics directly or indirectly related to traditional Estonian knitting. There were also workshops on topics proposed by the two Latvian, one Lithuanian and two Russian knitting instructors. Four evenings also featured presentations on the history of traditional knitting, the knitted item collections of several museums, and the current revival of heritage knitting. Subjects related to Estonia were covered on two of the evenings. Anu Pink from Saara Publishing House presented a detailed account of archaeological Estonian knitted items from the perspective of a native crafts specialist. Siiri Reimann talked about the hundred-year history of the Haapsalu shawl and how the tradition of knitting Haapsalu shawls is still successfully kept alive. Riina Tomberg gave an overview of the historical knitted items of Estonian Swedes – Pakri, Noarootsi, Vormsi and Ruhnu Coastal Swedes – based on the collections of Estonian and some foreign museums. Kristi Jõeste analysed the factors that have breathed new life into traditional Estonian knitting. The Latvian lecture night on the 27th of June featured researcher Irita Žeiere from the Latvian National History Museum who talked about archaeological finds of knitted items from the 15th to 18th centuries. A total of 50 items have been found in Latvia, which is more than have been found in Estonia. Irita Heinola, curator of textile exhibitions at the same museum, provided participants with an in-depth photographic overview of ethnographic Latvian mittens, stockings and socks found in the museum’s collections. At the Russian lecture night on the 28th of June, Dr. Lyudmila Korolkova gave an overview of the Russian Ethnographical Museum’s collection of FinnoUgric knitting and Olga Konkova presented the ambitious project of the Villaväki Finno-Ugric society from the Leningrad Oblast seeking to revive the knitting of the traditional patterns of the region, drawing upon the collections of various museums. The photographer and knitting enthusiast Albina Lebedeva discussed the present situation of Western Russian knitting: the folk tradition is not in a good state at present, but it could be improved by well-planned promotional and pedagogical activities. On the one day with no workshops, the participants were taken to the Estonian National Museum, where they were able to visit four exhibitions: the permanent exhibition on Estonia, as well as ‘Echo of the Urals’, ‘Regarded as a Norm, Perennially Worn’, and ‘Landscapes of My Fatherland’. The latter exhibition featured the tapestries of Anu Raud. Several exhibitions of knitted items were also displayed in Viljandi in connection to the symposium. Friday’s programme gave the participants the opportunity to have some fun, as after the morning workshops, they were taken to the Heimtali Museum near Viljandi. Knitters from Tõstamaa and Kihnu demonstrated traditional knitted items and knitting, the participants paid a visit to Anu Raud at her farm and viewed unfinished tapestries in her workshop. Anu Raud also gave the participants an in-depth tour of the Heimtali Museum’s textiles collection. Later in the evening, the legendary open-air knitting competition ‘Walk and Knit’ took place for the seventh time. A total of 15 teams (each featuring 4 people) took part. First place went to the Finnish team, second to the joint Norwegian-Finnish team, and third to the joint team of Latvian and Lithuanian teachers. On the 30th of June, the last day of the symposium, tours of the Vilma lecture building of Viljandi Culture Academy and the small wool factory located inside the building took place. In the evening, the symposium concluded with a small exhibition and a gala dinner with thank-you announcements. The location of the next year’s symposium was also announced: the 20th anniversary of the event will be celebrated in Denmark, home of the Gavstrik federation, the founders of the symposium.
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14

Jõeste, Kristi. "Põhjamaade kudumissümpoosion 2018 „Balti eri“ Viljandis / Nordic Knitting Symposium 2018: Baltic Special in Viljandi." Studia Vernacula 9 (November 6, 2018): 197–206. http://dx.doi.org/10.12697/sv.2018.9.197-206.

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The department of Estonian Native Crafts of the University of Tartu Viljandi Culture Academy hosted the 19th Nordic Knitting Symposium in Viljandi between the 24th of June and the 1st of July. This was the second time the symposium has taken place in Estonia. The gathering hosted a total of 104 participants from 12 different countries, as well as 19 knitting instructors and lecturers. The sub-title ‘Baltic Special’ means that the focus of the symposium was on the traditional knitting of the Baltics and neighbouring regions of Russia, and the instructors and lecturers all came from these countries. There was a tightly-packed programme of workshops, lectures, field trips, exhibitions, a crafts fair and other activities over the six days of the symposium, that had taken a year in planning. Knitting workshops were held on four of the days of the symposium. Two three-hour and two six-hour sessions were planned for each participant. These had to be chosen by participants during their pre-registration in January on the symposium’s website www.sisu.ut.ee/knitting2018. There was a range of workshops which chiefly featured topics directly or indirectly related to traditional Estonian knitting. There were also workshops on topics proposed by the two Latvian, one Lithuanian and two Russian knitting instructors. Four evenings also featured presentations on the history of traditional knitting, the knitted item collections of several museums, and the current revival of heritage knitting. Subjects related to Estonia were covered on two of the evenings. Anu Pink from Saara Publishing House presented a detailed account of archaeological Estonian knitted items from the perspective of a native crafts specialist. Siiri Reimann talked about the hundred-year history of the Haapsalu shawl and how the tradition of knitting Haapsalu shawls is still successfully kept alive. Riina Tomberg gave an overview of the historical knitted items of Estonian Swedes – Pakri, Noarootsi, Vormsi and Ruhnu Coastal Swedes – based on the collections of Estonian and some foreign museums. Kristi Jõeste analysed the factors that have breathed new life into traditional Estonian knitting. The Latvian lecture night on the 27th of June featured researcher Irita Žeiere from the Latvian National History Museum who talked about archaeological finds of knitted items from the 15th to 18th centuries. A total of 50 items have been found in Latvia, which is more than have been found in Estonia. Irita Heinola, curator of textile exhibitions at the same museum, provided participants with an in-depth photographic overview of ethnographic Latvian mittens, stockings and socks found in the museum’s collections. At the Russian lecture night on the 28th of June, Dr. Lyudmila Korolkova gave an overview of the Russian Ethnographical Museum’s collection of FinnoUgric knitting and Olga Konkova presented the ambitious project of the Villaväki Finno-Ugric society from the Leningrad Oblast seeking to revive the knitting of the traditional patterns of the region, drawing upon the collections of various museums. The photographer and knitting enthusiast Albina Lebedeva discussed the present situation of Western Russian knitting: the folk tradition is not in a good state at present, but it could be improved by well-planned promotional and pedagogical activities. On the one day with no workshops, the participants were taken to the Estonian National Museum, where they were able to visit four exhibitions: the permanent exhibition on Estonia, as well as ‘Echo of the Urals’, ‘Regarded as a Norm, Perennially Worn’, and ‘Landscapes of My Fatherland’. The latter exhibition featured the tapestries of Anu Raud. Several exhibitions of knitted items were also displayed in Viljandi in connection to the symposium. Friday’s programme gave the participants the opportunity to have some fun, as after the morning workshops, they were taken to the Heimtali Museum near Viljandi. Knitters from Tõstamaa and Kihnu demonstrated traditional knitted items and knitting, the participants paid a visit to Anu Raud at her farm and viewed unfinished tapestries in her workshop. Anu Raud also gave the participants an in-depth tour of the Heimtali Museum’s textiles collection. Later in the evening, the legendary open-air knitting competition ‘Walk and Knit’ took place for the seventh time. A total of 15 teams (each featuring 4 people) took part. First place went to the Finnish team, second to the joint Norwegian-Finnish team, and third to the joint team of Latvian and Lithuanian teachers. On the 30th of June, the last day of the symposium, tours of the Vilma lecture building of Viljandi Culture Academy and the small wool factory located inside the building took place. In the evening, the symposium concluded with a small exhibition and a gala dinner with thank-you announcements. The location of the next year’s symposium was also announced: the 20th anniversary of the event will be celebrated in Denmark, home of the Gavstrik federation, the founders of the symposium.
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15

Serafini, Stefano, and Tatyana S. Turova. "“Searching for order at all levels”. Antonio Lima-de-Faria (July 4, 1921 – December 27, 2023)." Caryologia 76, no. 3 (February 29, 2024): 71–73. http://dx.doi.org/10.36253/caryologia-2465.

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Professor Antonio Lima-de-Faria was our friend and, in a sense, a teacher. Despite our different fields of study, this master of scientific thought has deeply influenced both of us. Dr. Stefano Serafini came to know the work of Antonio Lima-de-Faria when he was just a teenager thanks to a disseminative article by the late Italian geneticist, Giuseppe Sermonti. Lima-de-Faria’s elegant vision of a universal order at all levels of nature opened his eyes to the consistency of patterns, forms, and function throughout the mineral, vegetable, and animal realms – a concept that has influenced his work in urban studies. Prof. Tatyana Turova met Antonio Lima-de-Faria on a museum tour of the Royal Physiographic Society (Lund). He was 95. When Antonio came to know that she is a mathematician working in probability, the discussion went straight to a critical analysis of the concept of randomness. That conversation kept going over the years. Professor Emeritus of Molecular Cytogenetics at Lund University (Sweden), Antonio Lima-de-Faria was a scientist of rare character. He had the innate gift of courage and the ability to tackle big problems despite dominant opinions. He was rigorous and tenacious in his method, and he had an immense knowledge and a sharp rationality. Antonio Lima-de-Faria defined himself as “a surviving dinosaur” to both of us. He was a magnificent old man – but that “dinosaur” had been ahead of his time since the beginning of his career. This was a constant. In the early 1960s, a multinational company discreetly requested him to develop a futuristic agrifood bioengineering program. This is the current reality of the genetically modified organism. Known to the scientific world as a pioneer and one of the most relevant exponents of molecular cytogenetics (his 1969 Handbook of Molecular Cytology is a classic) – not to mention author of over 200 research articles and influencing monographs – Lima-de-Faria became a member of some of the world’s top scientific societies. He also taught in some of the most prestigious universities. He received awards and recognition for his extraordinary activity. These included the appointment as Knight of the Order of the North Star by the Swedish King and as Great Official of the Order of Santiago by the President of Portugal. He held scientific consultancy positions for governments and institutions, including the European Space Agency, the United Nations Educational, Scientific and Cultural Organization, and the World Bank Group. He never stopped working and studying. In fact, he focused on the molecular organization of the chromosome until the end of his long life. Despite all of this, his endeavor was not always understood. His famous book, Evolution without Selection: Form and Function by Autoevolution (Elsevier, 1988, translated into Russian, Japanese, and Italian) is not only fundamental and revolutionary but also a case of sociology of science. This book, which advanced the current trend in molecular biology, even branded him as anti-evolutionist. Such a tag limited the essence of his work to a mere attack against natural selection – “a parlor game to explain life,” as Giuseppe Sermonti would say. Rather, this treatise, based on his vast physical, chemical, crystallographic, botanical, and zoological expertise, proposed to overcome the concept of natural selection. It downsized the role of genes and chromosomes in the architecture of living things through a plethora of biological forms that came directly from physical constraints. His self-evolutionism united the biological and inorganic worlds. This echoed Aristotelian and Goethean intuitions of morphofunctional homologies, that is, a sort of “non-genic kinship” between the spin of the ultramicroscopic electron, the shell of a Limnaea, and the spirals of immense galaxies. Indeed, selectionism (identifying natural selection not as a contributing cause but as the main engine of biological development) is the major methodological obstacle to the recognition and explanation of Lima-de-Faria’s morphofunctional homology. This is the true protagonist of his book. An order crosses and defines the subatomic, chemical, and physical worlds on all of their scales through progressive and deterministic channels. The form of Chitoniscus feedjeanus, traditionally explained as a classic example of the mimetic imitation of leaves, has a precedent in the arrangement of the crystals of pure bismuth. The same structure appears in the patterns of chlorite crystals, several vegetal hooks, the shells of ancient ammonites, or goat horns. The bird’s-eye-view of an estuary, the branches of a tree, and the vascularization of a mammal follow a single dendritic development pattern – so much so that their images, once reduced to the same size, are difficult to distinguish. Constant chemical commonalities actually underlie these and countless, more apparent natural oddities. Now, selection is not only powerless to account for them but also logically incompatible with any attempt to explain them. Like all strong theoretical systems faced with a fact that is refractory to integration, selectionism ignores homology. And when it cannot help but deal with it, it defines it as mere analogy. This then relegates it to that metaphor of annihilation, which is accidentality. Therefore, demolishing selectionism in biology was the necessary premise for developing a theory of self-evolution, towards which Lima-de-Faria has led us with a firm, methodical hand. Indeed, he deploys a set of images and observations that are rarely rivalled in modern scientific literature. Beyond classic studies on the subject, from D’Arcy Thompson (On Growth and Form, 1917) onwards, there is no doubt that recent molecular biology has continued to confirm with ever greater evidence the importance of elements that are complementary to classical theoretical genetics in the formation of living organisms. Lima-de-Faria had already begun to indicate and systematize these elements 40 years ago in Molecular Evolution and Organization of the Chromosome (1983). In fact, as the author himself recalled, Evolution without Selection is the consequence of those premises once applied to evolutionism. The last writing of Antonio Lima-de-Faria, printed in this very issue of Caryologia, develops and complements his marvelous treatise Praise of Chromosome “Folly”: Confessions of an Untamed Molecular Structure (2008). This masterpiece continues the great tradition of scientific giants such as Schrödinger and Feynman (authors that Antonio Lima-de-Faria highly regarded) talking to the public about the most advanced theories in a clear way. It is written with such wit and humor and such an elegant reference to art that any reader with a natural sciences or mathematics background, having read the first sentence, will not stop until the last. The book summarizes results on chromosome research and offers directions and ideas for further studies. It clearly confirms that understanding evolution requires a deep knowledge in not only chemistry and physics, but also mathematics – especially when it comes to the atomic level. Long discussions with Antonio Lima-de-Faria of one the authors began soon after Molecular Origins of Brain and Body Geometry: Plato’s Concept of Reality is Reversed (2014) was published. In an intriguing manner, this work unveils and explains the emergence of body patterns in animals by tracing them to the origin of the brain. For Antonio Lima-de-Faria, “geometry” manifests an “utter simplicity coupled to rigorous order that underlines the phenomenon.” He does not use the language of mathematics, as he was not trained in it. However – even if this may sound paradoxical for a non-mathematician – his search for order, for “a common denominator”, for a unifying theory, make them akin to fundamental mathematics. Remarkably, already in his early nineties, Antonio Lima-de-Faria completed an extensive analysis of the structures and functions of living organisms on a molecular level. He then created a new book, Periodic Tables Unifying Living Organisms at the Molecular Level: The Predictive Power of the Law of Periodicity (2017). This truly fascinating work provides a new perspective on the relations between matter and energy. Its logical systematic approach links different levels, from atoms to macromolecules to organisms. As Lima-de-Faria stated, his books do not give ultimate answers and immediate solutions to the posed questions. On the other hand, readers are invited to use the tools, methods, and ideas that he generously expressed in his late works. “Order allows variation but imposes in the same time a canalization that is patent in what we call evolution, being that of galaxies or of living organisms.” Antonio Lima-de-Faria was almost 100 years old when he released his last book, Science and Art are Based on the Same Principles and Values (2020) – something he had thought about “for 30 years.” It was his scientific testament, encompassing his life-long love for art, beauty, and truth. There, as a “lonely wolf howling in the immensity of the night,” he launched a straightforward warning: “At present a wave of obscurantism is spreading over Western countries affecting both science and art in a deadly way. (…) Modern technology has been most successful in transforming our daily lives and in allowing us to conquer outer space. These impressive achievements have, to a large extent, made us dumb, making it difficult to perceive the danger that lies ahead. Hence, there is a pressing need to bring forward the original sources in which, leading scientists and renowned artists, explained the principles that they followed in their discovery of novel phenomena and in the creation of unique works of art. It turns out that both types of minds speak the same language. There is a basic denominator that unites the human endeavor.” Lima-de-Faria’s works are jewels for scientific and aesthetic minds. The beauty of Nature absorbed him completely, and he devoted himself passionately to it. He was an admirer and a true connoisseur of the arts, music, and ballet. He was a passionate gardener and loved roses and the fragrance of flowers. Antonio Lima-de-Faria was a man of enlightenment, dedication, will, and truth. With his gentle and generous attitude towards anyone around him, Antonio Lima-de-Faria radiated love. He knew what happiness is (“What is Happiness?”, Journal of Biourbanism, IX, 2021). Antonio Lima-de-Faria is an endless source of inspiration and admiration for us.
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Hanamura, Toru, Shigehisa Kitano, Hiroshi Kagamu, Makiko Yamashita, Mayako Terao, Takuho Okamura, Nobue Kumaki, et al. "Abstract P2-20-16: Hormone receptor expression is associated with specific immunological profiles in the breast cancer microenvironment." Cancer Research 83, no. 5_Supplement (March 1, 2023): P2–20–16—P2–20–16. http://dx.doi.org/10.1158/1538-7445.sabcs22-p2-20-16.

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Abstract Purpose: Elucidating the unique immunomodulatory mechanisms in breast cancer microenvironment should provide useful insights to aid the development of new therapeutic strategies for this disease. Some studies suggested the immune regulatory function of hormone receptor such as estrogen receptor-α (ER) and androgen receptor (AR), but their mechanism has not been fully understood because of the complexity of immune milieu in breast cancer microenvironment. In this study, we systematically analyzed the relationships between ER, progesterone receptor (PgR), and AR expression and the immunological profile in breast cancer tissue. Methods: Gene set enrichment analysis (GSEA) was used to screen the biological processes associated with the expression of human sex hormone receptor genes (ESR1, PGR, and AR), using a gene expression profile dataset of the Molecular Taxonomy of Breast Cancer International Consortium (METABRIC). Then, using METABRIC and a gene expression profile dataset of The Sweden Cancerome Analysis Network - Breast (SCAN-B), the correlation between the immune cell composition in breast cancer tissue (estimated with the CIBERSORTx) and hormone receptor expression was analyzed. In our previous study of 45 breast cancer tissues, we evaluated the level of human tumor infiltrating lymphocytes (hTILs), expression of human programmed death-ligand 1 (hPD-L1), and infiltration of 11 types of immune cells, using hematoxylin–eosin staining, immunohistochemistry (IHC), and multicolor flow cytometry, respectively. In this study, the levels of ER, PgR, and AR expression were further evaluated using IHC, and their relationship with the immunological profile of breast cancer tissues was analyzed. Results: GSEA showed that the expression levels of the ESR1, PGR, and AR genes were negatively correlated with multiple immunological processes, including “INFLAMMATORY RESPONSE.” Analysis of the correlations between the immune cell composition and hormone receptor gene expression showed that ESR1 expression was inversely correlated with Macrophage M1, CD4 memory activated T cells, Macrophage M0, CD8 T cells, and CD4 memory resting T cells; PGR expression was inversely correlated with Macrophage M1, CD4 memory activated T cells, and Macrophage M0; and AR expression was inversely correlated with Macrophage M0 and Macrophage M1. Immunohistochemical evaluation of ER and AR expression revealed both receptors to be inversely associated with hTIL, hPD-L1 expression, and leukocyte infiltration in breast cancer tissue. Analysis of the immune cell composition in these tissues revealed that ER expression was associated with the decreased infiltration of total T cells, CD4+ T cells, monocytes/macrophages, myeloid-derived suppressor cells, dendritic cells, and myeloid dendritic cells; PgR expression was associated with the decreased infiltration of dendritic cells; and AR expression was associated with the decreased infiltration of CD4+ T cells, monocytes/macrophages, nonclassical monocytes, myeloid-derived suppressor cells, dendritic cells, myeloid dendritic cells, and minor natural killer cells. Conclusion: The correlation of hormone receptor expression with specific immunological profiles in the breast cancer microenvironment both at the genetic and protein levels strongly suggests that hormonal signals may preferentially affect certain subsets of immune cells. Citation Format: Toru Hanamura, Shigehisa Kitano, Hiroshi Kagamu, Makiko Yamashita, Mayako Terao, Takuho Okamura, Nobue Kumaki, Katsuto Hozumi, Takayuki Iwamoto, Chikako Honda, Sasagu Kurozumi, Naoki Niikura. Hormone receptor expression is associated with specific immunological profiles in the breast cancer microenvironment [abstract]. In: Proceedings of the 2022 San Antonio Breast Cancer Symposium; 2022 Dec 6-10; San Antonio, TX. Philadelphia (PA): AACR; Cancer Res 2023;83(5 Suppl):Abstract nr P2-20-16.
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Hanamura, Toru, Kozue Yokoyama, Shigehisa Kitano, Hiroshi Kagamu, Makiko Yamashita, Mayako Terao, Takuho Okamura, et al. "Abstract PO1-24-12: Investigating the immunological function of alpha-2-glycoprotein 1, zinc-binding in regulating tumor response in the breast cancer microenvironment." Cancer Research 84, no. 9_Supplement (May 2, 2024): PO1–24–12—PO1–24–12. http://dx.doi.org/10.1158/1538-7445.sabcs23-po1-24-12.

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Abstract Purpose: Tumor immunology has attracted considerable attention as an innovative therapeutic strategy for various types of cancer. Elucidating the unique immunoregulatory mechanisms in the breast cancer microenvironment will assist in the development of novel treatment strategies. Recently, we and other researchers have found that androgen receptor (AR) expression is associated with the immunosuppressive phenotype in the breast cancer microenvironment, suggesting some immunoregulatory function in breast cancer; however, the mechanism remains unclear. Here, we focused on AR-dependent secreted protein, alpha-2-glycoprotein 1, zinc-binding (ZAG) encoded by the AZGP1 gene in breast cancer, which is structurally similar to HLA class I and is implicated in immune regulation. In this study, we investigated the immunological function of AZGP1/ZAG in the breast cancer microenvironment. Methods: We performed a gene set enrichment analysis (GSEA) to screen the biological processes associated with AZGP1 expression using a gene expression profile dataset of the Molecular Taxonomy of Breast Cancer International Consortium (METABRIC). Subsequently, we analyzed the correlation between AZGP1 expression and the immune cell composition in breast cancer tissues estimated with the CIBERSORTx using METABRIC and another dataset of The Sweden Cancerome Analysis Network-Breast. In our previous study of 45 breast cancer tissue samples, we evaluated the infiltration of 11 types of immune cells using flow cytometry (FCM). ZAG expression was further evaluated by immunohistochemistry, and the relationship between ZAG expression and the immune cell composition in breast cancer tissue was analyzed. Based on the results of this analysis (shown in the results section) we hypothesized that ZAG has some effect on the macrophage (Mφ). The action of ZAG in M1/M2 polarization models constructed using primary culture of human peripheral blood mononuclear cells (PBMC)-derived Mφ was assessed based on the expression of M1/M2 differentiation markers (CD86, CD80/CD163, MRC1) and HLA class I/II expression evaluated by FCM (n=15 each). Results: GSEA demonstrated that AZGP1 expression was negatively correlated with multiple gene sets representing immunological processes, including inflammatory response, allograft rejection, interferon gamma response, IL6/JAK/STAT3 signaling, complement, and IL2/STAT5 signaling. Analysis by CIBERSORTx showed that AZGP1 expression was negatively correlated with the absolute score (the absolute abundance of total immune cell infiltration), Mφ M1, NK cells activated, CD4+ T memory activated, and CD8+ T (r&lt;-3 and p&lt; 0.05). Analyses of our in-house dataset using breast cancer tissue showed that ZAG expression was associated with decreased infiltration of monocytes/macrophages, non-classical monocytes, and myeloid-derived suppressor cells in breast cancer tissues assessed by FCM. In the in vitro analyses, ZAG decreased the expression of CD80, CD163, MRC1, and HLA classes I and II in the M1 polarization model and the expression of CD163 and MRC1 in the M2 polarization model. Conclusion: AZGP1/ZAG was associated with an immunosuppressive phenotype and reduced infiltration of specific immune cell subsets, particularly Mφ, into breast cancer tissues. In the in vitro analysis, ZAG demonstrated some regulatory effects on the phenotypic change of Mφ. Our findings strongly suggest ZAG is a novel mediator of AR-dependent immunomodulation in the breast cancer microenvironment, laying the foundation for future studies to elucidate the immunological role of ZAG in breast cancer. Citation Format: Toru Hanamura, Kozue Yokoyama, Shigehisa Kitano, Hiroshi Kagamu, Makiko Yamashita, Mayako Terao, Takuho Okamura, Nobue Kumaki, Katsuto Hozumi, Takayuki Iwamoto, Chikako Honda, Sasagu Kurozumi, Jennifer Richer, Naoki Niikura. Investigating the immunological function of alpha-2-glycoprotein 1, zinc-binding in regulating tumor response in the breast cancer microenvironment [abstract]. In: Proceedings of the 2023 San Antonio Breast Cancer Symposium; 2023 Dec 5-9; San Antonio, TX. Philadelphia (PA): AACR; Cancer Res 2024;84(9 Suppl):Abstract nr PO1-24-12.
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Gylling, Sofia Joons. "Estlandssvenskar på Sverigeturné med körsång och ett bondbröllop på Skansen." Musikk og Tradisjon 36 (December 14, 2022). http://dx.doi.org/10.52145/mot.v36i.2133.

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This article discusses the formation of Estonia-Swedish musical self-images during the interwar period. The question that is raised is what influence the relation between a cultural minority, Estonia-Swedes, and its historical land of origin, Sweden, had on the minority’s image-creation. The case-study analyses the first Sweden tour ever with an Estonia-Swedish music group. The tour consisted of performances both in churches and in the open-air-museum Skansen in Stockholm among a couple of other places. At Skansen, the choir performed the play Ett bondbröllop från Wormsö (A Farmers’ Wedding from Ormsö) that was written specially for the tour. The research material consists of archive material with the musical expressions used on stage, articles in newspapers about the performances and other texts related to the persons and organisations behind the arranging of the tour. Seen as a whole, the tour expresses two cultural belongings: the pan-Swedish and the Estonia-Swedish. Pan-Swedishness focuses on bounds with an imagined pan-Swedish community expressed by spritual and patriotic songs in standard Swedish. Estonia-Swedishness, on the other hand, is based on a revived repertoire of wedding songs and dances from the mid-19th century that expresses uniqueness using a well-known cultural mould – the farmers’ wedding.
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"Professional study tour to Finland and Sweden." SecEd 2014, no. 3 (March 2014). http://dx.doi.org/10.12968/sece.2014.3.2073.

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"School Education in Finland and Sweden – A Professional and Cultural Study Tour." SecEd 2013, no. 12 (December 2013). http://dx.doi.org/10.12968/sece.2013.12.1963.

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Nasteska and V. Wee, A. "Discovering the Future Canadians Want: Insights from the We Canada Cross-Country Tour." Earth Common Journal 2, no. 1 (September 27, 2012). http://dx.doi.org/10.31542/j.ecj.59.

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In 1972, the first United Nations Conference on Human Environment (UNCED) was held in Stockholm, Sweden. At the conference, government officials from industrialized and developing nations met alongside civil society organizations to create the United Nations Environment Programme (UNEP). “This conference put environmental issues on the international agenda for the first time, and marked a turning point in the development of international environmental politics. It has also been recognized as the beginning of modern political and public awareness of global environmental issues” (Baylis & Smith, 2005, pp. 454-455). Twenty years later, the United Nations Conference on Environment and Development (UNCED), also known as the Rio Earth Summit, was held in Rio de Janeiro. One hundred and seventy two government officials participated, of which 108 were heads of state (United Nations, 1992, United Nations Conference on Environment and Development, para. 1). This conference was one of the largest gatherings of heads of state, civil society organizations, and individuals in human history to date. Stakeholders met with the purpose of charting a course for a more sustainable future. From the conference emerged agreements, most notably Agenda 21, which created a framework for developing global, national, and regional plans for sustainability. The Rio Earth Summit has since stood as an example of what is possible when governments and citizens work together. The outcomes of this conference still affect human lives today, mainly through the United Nations Framework Convention on Climate Change meetings, which led to the Kyoto Protocol, the only legally binding agreement to cut down carbon dioxide (CO₂) emissions. The United Nations Conference on Sustainable Development, also known as Earth Summit 2012 or Rio+20, is regarded as one of the most crucial events in United Nations history and has been referred to by the Secretary General of the United Nations (2011), Ban Ki-moon, as “the most important global meeting on sustainable development in our time" (The Future We Want, p 2).
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Negretti, Raffaella, and Miguel Garcia-Yeste. "“Lunch Keeps People Apart”: The Role of English for Social Interaction in a Multilingual Academic Workplace." Multilingua, January 25, 2014. http://dx.doi.org/10.1515/multi-2014-1038.

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AbstractResearch on the role of language in multilingual workplaces, where English is often adopted as a lingua franca (ELF), shows that language practices influence socialization and interpersonal communication, frequently creating issues such as asymmetrical sharing of information, language clusters, or thin communication. Similarly to other organizations, academic workplaces are undergoing a process of internationalization. However, academia as a workplace has been largely ignored, particularly in terms of language practices in social situations. We address this gap by investigating multilingualism in an academic workplace; departing from the concepts of language clustering and thin communication, we focus on how language practices affect social interaction and the establishment of rapport. We report the experiences of five academics with various backgrounds and status in a science university department in Sweden. In-depth interviews and grand/mini tour elicitation techniques reveal how language practices – English and other languages – are experienced from different points of view. We identify lunch as the primary activity associated with social interaction and exchange of information: people and places connected with this activity seem to determine language practices. In the final section we discuss the presence of language clustering and thin communication in this academic workplace.
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Palm, Jenny, and Aimee Ambrose. "Exploring energy citizenship in the urban heating system with the ‘Walking with Energy’ methodology." Energy, Sustainability and Society 13, no. 1 (May 15, 2023). http://dx.doi.org/10.1186/s13705-023-00393-5.

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Abstract Background Energy citizenship has emerged as a concept which attempts to capture the new role envisaged for urban citizens as engaged and active in the energy transition. However, exactly how to successfully engage energy citizens requires more research and this article aims to contribute to this knowledge gap. The article presents a new methodology, ‘Walking with Energy’, which seeks to (re)connect citizens with where their energy is coming from. By experimenting with the application of this method in the UK and Sweden, we consider how viewing and talking about heating provision, while in the energy landscape, can encourage participants to reflect upon their local, mundane energy experiences and foster a greater sense of energy citizenship and greater motivation to engage with debates around heating transition. Results The article presents four different events: (1) a physical walk to an energy recovery facility, (2) a walk to view a building’s heat exchanger, (3) a round-table discussion using pictures to communicate in a language café, and (4) a virtual tour around an Energy Recovery Facility. The way we conducted the events influenced who engaged, for example: the walk through a heat facility and the walk to visit a heat exchanger in the basement of a University building tended to attract white middle-class people, while the virtual tour attracted a more mixed audience in terms of age and background, but most had a strong environmental interest. The language café targeted immigrants. The different events resulted in many similar reflections, but there was also variation. For example, the walk through the heat facility generated the most focused and least diverse reflections, while the event focussed on the heat exchanger opened up a wide range of issues for discussion. Conclusions We find that the method encouraged the sharing of personal experiences, storytelling, and deepened the engagement of participants with debates about energy. The method can help promote energy democracy and boost a deliberative dialogue about present and future energy systems among citizens. We also learnt that promotion of energy citizenship requires not only active citizens but also active facilitation to create opportunities for citizens to engage and reflect.
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Ojamaa, Triinu. "Festivalide funktsioon kodu- ja eksiileesti kultuurisuhtluse kujunemisloos / Role of cultural festivals in the development of cultural relations between the Estonian homeland and diaspora." Methis. Studia humaniora Estonica 15, no. 19 (June 13, 2017). http://dx.doi.org/10.7592/methis.v15i19.13434.

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Seose säilitamine päritolumaa ja -kultuuriga on diasporaaühiskondadele üldomane tunnusjoon, kuid eri etnilise ja poliitilise taustaga diasporaad realiseerivad seda erinevalt. Võõrsil elavate eestlaste kokkukuuluvustunnet on aidanud süvendada kultuurifestivalid. Artikkel analüüsib festivaliformaati, mida nimetatakse eesti päevadeks. Fookuses on 1983. aastal Göteborgis Estivali nimemärgi all toimunud eesti päevade idee ja selle teostamisega seotud probleemid. Sündmus oli eriline, kuna esmakordselt pärast Teise maailmasõda püüti festivali raames kokku tuua kodu- ja eksiileestlasi. Uurimus põhineb Hain Rebase poolt Eesti Kultuuriloolisele Arhiivile annetatud dokumentidel ning ajakirjandusel. Maintaining of relations with the country of origin is generally characteristic to diaspora societies. However, diasporas of different ethnic and political backgrounds may carry these relations out in different ways.Estonians who live outside Estonia have a long-standing tradition of organising cultural festivals—this ensures the cultural continuity for different diaspora generations and unites new immigrants with the exiles from WWII. My article gives a short overview of such festivals, which are called Estonian Days, focussing on the idea and organisational problems of the Estonian Days held in Gothenburg in 1983 under the title of Estival. This was a special event as the organisers attempted, for the first time after WWII, to bring together the Estonians from the homeland and from the diaspora. My research is based on the collection of Hain Rebas’ materials held at the Estonian Cultural History Archive and on the materials published in the press.The Estonian Days have a long history. They were first held on the West Coast of the USA in 1953, then in Australia in 1954. In Canada, the tradition was launched in 1957 and in Sweden, in 1968. Modelled on the regional festivals, the global format was soon created in North America—the Worldwide Estonian Days were held in Toronto in 1972; later, the global festival was called Esto. The traditions of both the regional Estonian Days and the Estos are still alive and now, they draw together the diaspora and resident Estonians.Prior to Estonia’s regaining of independence, the Estonian Days were a cultural and political event of the Estonian diaspora society and both of these aspects were of equal importance. The program of Estonian Days contains micro song festivals, sports competitions, art exhibitions, literary events as well as discussion evenings and conferences on political themes. A manifestation was held in the public city space where well-known politicians gave speeches demanding the recognition of the Estonians’ right for self-determination and the withdrawal of Soviet troops from Estonia.At the Estonian Days in Sweden in 1968, the discussion about communicating on the institutional level with the Estonians in the homeland became heated, opinions fell to both pro and contra. Organisers of Estival ‘83 decided to take a step forward from the discussions and to invite the Mixed Choir of the Estonian Radio Broadcasting to participate in the festival. Estonian choral singing tradition was a highly appreciated component of national culture both at home and in exile. The organisers of Estival saw choral singing as a potential for uniting all the Estonians. At a meeting of exile Estonian organisations, the chairman of the Estival board Hain Rebas explained that the Estonians in Sweden should manifest national solidarity with the Estonians in the home country, who make up 90% of all the Estonians. Inviting of an Estonian choir to the Estival should have a positive effect on the identity of all Estonians.The organisers wished to have the former president of the USA, Jimmy Carter, as the keynote speaker at the political manifestation, and in case if he refused to come, there should be some other spokesman of democratic values (e.g., the member of the European Parliament Otto von Habsburg, the Chief Secretary of the Amnesty International Thomas Hammerberg or the Prime Minister of Sweden Olaf Palme).The organisers of the Estival planned to have at one and the same event a singing choir from Soviet Estonia and a top politician representing some democratic state. If this plan had been realised, it would have meant the public opposition of two different ideologies. In archival documents and print media, it emerged that this idea caused criticism and controversy in the exile society. Some exile politicians were sure that the festival would cause a scandal. Despite criticism, the organisers sent invitations to both the politicians and the mixed choir of Estonian Radio. None of the politicians was able to come to the Estival for different reasons. However, several of them recognised the cultural achievements and political aspirations of the exile Estonians and wished them success for the future. The mixed choir of Estonian Radio also did not arrive at the festival, but they did not clarify the reasons that had made them turn down the invitation.The Estonian State Academic Male Choir (RAM) was, in 1967, the first Estonian choir to visit Sweden after WWII. The exile society was not engaged in organising the RAM’s concerts but according to newspapers, they made up a large part of the audience. The concerts took place under the supervision of the Union for Developing Cultural Relations with Estonians Abroad (VEKSA, active from 1960–1991) in the framework of the Swedish and Soviet Union’s joint project. Cultural communication of the Soviet Estonia with the Estonians abroad was allowed only through this organisation. Performance of the mixed choir of Estonian Radio in the way as the organisers of the Estival ‘83 had planned would have created an entirely new situation in the cultural communication. It would have meant the establishing of direct contacts between the exile society and the Soviet Estonian choir (the organisers did not contact VEKSA). The real-life political situation actually ruled the plan out already at the very beginning. If we look at it from the side of Soviet Estonia, it was clear that no musician could tour abroad without the support of VEKSA. If we look at it from the viewpoint of the exile society, it was known that a number of influential exile figures did not favour the development of relations on the institutional level with the occupied homeland because it could indicate the political recognition of the occupation. The mixed choir of Estonian Radio, which belonged to the state broadcasting company and was financed by the state, could be treated as an institution. Thus, the plans of the organisers of the Estival faced all at once a number of problems which could not be solved in the political context of the early 1980s.A breakthrough in the direct cultural communication between the resident and exile Estonians occurred at the Worldwide Estonian Days in Melbourne in 1988 where 150 people from Estonia participated in the festival. The RAM Boys’ Choir was among the participants. The Australian Estonian newspapers wrote about the lessening of the gulf between the two halves and stressed the task of the Estonians of the Free World of supporting cultural communication and the striving for freedom of the Estonians in the homeland.The importance of the Estival ‘83 in the long process of uniting the Estonians of the diaspora and the homeland has been overshadowed by Esto ‘88. Despite the attempts at achieving a more global dimension through the political manifestation and at strengthening the Estonians’ feeling of unity through choir music, Estival still remained a regional event of the Estonians in Sweden. However, both of these festivals clearly demonstrate that, first, culture and politics are closely intertwined and second, the exile society purposefully applied the symbiosis of culture and politics in the restoration of such kind of Estonia with which the Estonians all over the world would be able to identify without any conflicts.
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Крючкова, В. А., М. В. Симахин, В. Р. Пашутин, and Ю. Н. Горбунов. "MORPHOLOGICAL FEATURES OF SPIRAEA BETULIFOLIA PALL. AND ITS VARIETIES 'TOR' AND 'TOR GOLD' IN THE CONDITIONS OF THE CITY OF MOSCOW." Естественные и технические науки, no. 12(175) (January 9, 2023). http://dx.doi.org/10.25633/etn.2022.12.09.

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Спирея березолистная – распространенный декоративный кустарник, используемый в групповых и одиночных посадках. Отличается достаточно высокой зимостойкостью, низкой засухоустойчивостью, устойчивостью к засолению. Сорт ‘Tor’ является отборной формой из сеянцев спиреи березолистной, получен в Швеции, сорт ‘Tor Gold’ – его естественная мутация, отобранная в Нидерландах. Анализ изменчивости морфологических признаков типовой формы и ее сортов, проведенный в одинаковых условиях выращивания, позволил выявить некоторые диагностические признаки. По большинству качественных признаков, за исключением плотности кроны для сортов ‘Tor’ и ‘Tor Gold’ и окраски листовой пластинки сорта ‘Tor Gold’ отличий от типовой формы не обнаружено. Сорта отличаются от типовой формы меньшей высотой, а сорт ‘Tor Gold’ – более мелкими листьями, диаметром соцветия и меньшим числом цветков в соцветии. Существенных отличий, кроме размеров растения и плотности кроны, для сорта ‘Tor’ не обнаружено, сорт ‘Tor Gold’ отличается от типовой формы и сорта ‘Tor’ модификациями количественных признаков, не отличаясь по комплексу качественных, кроме окраски листовой пластинки, что исключает возможность их происхождения в результате межвидовой гибридизации. Birch-leaved spirea is a common ornamental shrub used in group and single plantings. Differs in rather high winter hardiness, low drought resistance, resistance to salinity. Variety ‘Tor’ is a selective form from seedlings of birch leaf spirea, obtained in Sweden, variety ‘Tor Gold’ is its natural mutation, selected in the Netherlands. An analysis of the variability of morphological characters of the type form and its varieties, carried out under the same growing conditions, made it possible to identify some diagnostic characters. For most qualitative traits, with the exception of the density of the crown for the varieties ‘Tor’ and ‘Tor Gold’ and the color of the leaf blade of the ‘Tor Gold’ variety, no differences from the type form were found. The cultivars differ from the type form in their lower height, while ‘Tor Gold’ cultivar differs in smaller leaves, inflorescence diameter and fewer flowers per inflorescence. No significant differences, except for plant size and crown density, were found for 'Tor' cultivar, 'Tor Gold' cultivar differs from the type form and 'Tor' cultivar by modifications of quantitative traits, not differing in a complex of qualitative characteristics, except for the color of the leaf blade, which excludes the possibility their origin as a result of interspecific hybridization.
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Karacic, Almir, Anneli Adler, Martin Weih, and Lars Christersson. "An Analysis of Poplar Growth and Quality Traits to Facilitate Identification of Climate-Adapted Plant Material for Sweden." BioEnergy Research, November 12, 2020. http://dx.doi.org/10.1007/s12155-020-10210-y.

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AbstractPoplar plantations harbor large potential as a renewable source of biomass for bioenergy and other industrial applications. The overall aim of this study is to analyze growth, phenology, stem form, and branching characteristics of 32 poplar clones grown in a trial in southern Sweden for their suitability to be grown as industrial feedstock. In a linear mixed model, performed for diameter at breast height and stem volume, the precision was improved by the use of two competition indices. The significance of phenology and quality characteristics for growth performance and ranking of poplar clones was evaluated through genotypic correlations, and multivariate hierarchical cluster analysis used to group the material. All traits showed moderate to high broad sense heritability. In general, higher stem volume was positively correlated with later leaf senescence, and uncorrelated with spring phenology. Selection efficiency for stem diameter and height was greatly improved between age 3 and 6 years allowing a better precision in selecting a subset of clones to be further tested in production plots and pilot plantations. Two commercial Populus maximowiczii Henry × trichocarpa Torr. & Gray cultivars performed best, while some intraspecific hybrids of P. trichocarpa are considered useful to genetically diversify commercial plantations in Southern Sweden (Belgian clones) or establish plantations in north-central parts of Sweden (Swedish clones). The cluster analysis emphasized growth traits and the grouping of the clones corresponded to their origin (or parentage). The results will facilitate decisions on the use of studied material in breeding, further testing and commercial deployment of poplar plantations in Sweden.
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Bretag, Tracey. "Editorial Volume 9(2)." International Journal for Educational Integrity 9, no. 2 (November 30, 2013). http://dx.doi.org/10.21913/ijei.v9i2.887.

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Welcome to the last issue of the IJEI for 2013. It has been an exciting year with numerous conferences and research on academic integrity around the world. Auckland University of Technology kicked off the year with the Fraud, Fakery and Fabrication: Academic and research integrity conference, the International Center for Academic Integrity held their annual conference in San Antonio on 28 February, the National Roundtable and Australian National Speaking Tour for the Exemplary Academic Integrity Project was also held in late February and early March, the 3rd World Conference on Research Integrity was held in Montreal in May, the Plagiarism across Europe and Beyond Conference shared the results of the 'Impact of policies for plagiarism in higher education across Europe' project in Brno, Czech Republic in June, and the 6th Asia Pacific Conference on Educational Integrity showcased the work of Australian Office for Learning and Teaching commissioned projects on academic integrity in Sydney in October. With so much interest and research on this topic across a range of countries and contexts, it is perhaps not surprising that the current issue is an eclectic mix of reflective, conceptual, empirical and case study work from researchers spanning six countries, including the United Arab Emirates, Norway, Australia, Sweden, Indonesia and the UK. The issue covers diverse topics extending from the development of academic skills, to motivations and predictors of student plagiarism, systems to reduce plagiarism and the responsibility of universities to provide marketing information based on ethical principles of honesty and trustworthiness. Student groups represented include secondary school, undergraduate and postgraduate. Radhika Iyer-O'Sullivan, formerly of the British University in Dubai, analyses faculty feedback, samples of student writing and Turnitin Similarity Reports to determine if teaching critical reading as a threshold concept results in critical thinking and subsequently improved critical writing skills. While the sample was small and the results inconclusive, Iyer-O'Sullivan makes the case that teaching critical reading assists students to understand the importance of using supporting evidence to develop a convincing academic argument. Håvard Skaar and Hugo Hammer from Oslo and Akershus University College, Norway use a mixed-methods approach to explore secondary school students' plagiarism of internet sources in essay writing. The survey of 67 students indicated that 75% of students reported plagiarising from online sources and that plagiarism accounted for 25% of the total amount of text. Students with a higher grade in written Norwegian plagiarised less than those with a lower grade, and students more conversant with appropriate citation practices plagiarised less than those students less familiar with referencing conventions. Qualitative feedback from interviews with 29 students indicated that the students wanted to spend as little time and effort as possible on the assessment task and that plagiarism was chosen as a writing strategy, with little reflection on the moral aspects on this decision. In contrast, Rebecca Awdry, from the University of Canberra, and Rick Sarre, from the University of South Australia, found that the university students in their study expressed strong ethical positions in relation to plagiarism, arguing that it was cheating and dishonest. Awdry and Sarre explored students' motivations to plagiarise using a mixed methods approach, and analysed the data through the prism of criminological theory. The authors conclude that while rational choice theory provides some insight into student breaches of academic integrity, there is an apparent disconnect between the way that academics view students' behaviour and how students themselves express their motivations. In agreement with key writers in the field (Bertram Gallant, McCabe, Bretag et al.), Awdry and Sarre conclude that higher education providers should focus less on detection and punishment and more on developing a values-based culture of integrity. Based on a sample of 362 undergraduate psychology students, and in the context of the Indonesian government's position that any form of plagiarism "is a serious offense that may even be classified as an illegal action", Ide Bagus Siaputra, from Universitas Surabaya, explores the proposition that "regardless of the presence or absence of opportunities and the severity of the potential sanctions, some individuals seem to be prone to plagiarism". Siaputra builds on the work of Williams, Nathanson and Paulhus (2010), to propose five variables as predictors of plagiarism, including procrastination, performance, personality, perfectionism, and achievement motivation, and names the model 'the 4PA of plagiarism'. Findings from the author's study indicate that procrastination was the key predictor of plagiarism, followed by achievement motivation. Looking to provide a multi-pronged response to student plagiarism, Ken Larsson and Henrik Hansson from Stockholm University, Sweden share the results of an innovation at their university. The digital system called SciPro was developed to support independent student thesis work, decrease the burden on supervisors for feedback on basic skills, and reduce plagiarism. The system includes a number of modules which facilitate management, communication and learning. According to the authors, SciPro works to prevents plagiarism by providing: 1) clear instructions about rules and regulations for students and supervisors; 2) an online peer-review system; 3) transparent online communication and file storage of accumulated manuscripts; and 4) a final seminar module enabling automatic generation of originality reports from Turnitin when students upload their final thesis manuscripts. Larsson and Hansson report that the implementation of SciPro has resulted in substantial improvements in policy development, successful integration of anti-plagiarism software, and an increased awareness of plagiarism issues. The final paper in the issue reminds us that academic integrity is an issue which underpins every aspect of the educational enterprise and goes well beyond plagiarism in student assessment. Educational psychologist, John Bradley, from the UK, offers a typology of nine misleading data-based marketing claims based on his examination of UK university prospectuses. Bradley's analysis leads him to assert that marketing of higher education should aspire to higher ethical standards than marketing in general because of the high stakes involved for a potentially vulnerable group, and because the reputation of the university is founded on having high standards of scholarship. Rather than rely on external regulators to ensure the authenticity of marketing claims, the author advocates a system of voluntary peer review of university marketing prospectuses based on the principles of research and publication ethics. I trust you will enjoy this varied issue which will interest teachers, researchers, policymakers, administrators and marketers of education, in both secondary and tertiary contexts. Volume 10(1) of the IJEI, to be published in June 2014, will include the best reviewed papers from the Plagiarism Across Europe and Beyond Conference, Czech Republic 2013, along with appropriate papers submitted via the IJEI platform. Tracey Bretag, IJEI Editor Email: tracey.bretag@unisa.edu.au
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28

Lagerström, Cecilia. "(In)Justice in the City." Nordic Journal on Law and Society 3, no. 02 (January 28, 2021). http://dx.doi.org/10.36368/njolas.v3i02.155.

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This article deals with a city walk, (In)Justice in the city, which took place in the Haga neighborhood of Sweden’s second-largest city, Gothenburg, in 2016 and was conducted within the symposia Exploiting Justice. The walk started from Haga's peripheral areas and gradually approached its center, in order to provide space for narratives other than the dominant public image of Haga. Various conceptual and perceptive entrances were used for the participants' physical encounters with the five sites visited. At each location, complex layers of history, urban planning, and people's intersecting interests became visible. Although the walking tour generated responses from participants who spoke of abandonment, secrecy, order, and lack of encounters, it simultaneously opened the possibility for a variety of different interpretations of the sites. In this way, the walk can be seen as a critical performative practice that awakens many different voices and narratives, all of which can be included in a complex exercise of democratic society.
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Apuli, Rami-Petteri, Thomas Richards, Martha Rendón-Anaya, Almir Karacic, Ann-Christin Rönnberg-Wästljung, and Pär K. Ingvarsson. "The genetic basis of adaptation in phenology in an introduced population of Black Cottonwood (Populus trichocarpa, Torr. & Gray)." BMC Plant Biology 21, no. 1 (July 2, 2021). http://dx.doi.org/10.1186/s12870-021-03103-5.

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Abstract Background Entering and exiting winter dormancy present important trade-offs between growth and survival at northern latitudes. Many forest trees display local adaptation across latitude in traits associated with these phenology transitions. Transfers of a species outside its native range introduce the species to novel combinations of environmental conditions potentially requiring different combinations of alleles to optimize growth and survival. In this study, we performed genome wide association analyses and a selection scan in a P. trichocarpa mapping population derived from crossings between clones collected across the native range and introduced into Sweden. GWAS analyses were performed using phenotypic data collected across two field seasons and in a controlled phytotron experiment. Results We uncovered 584 putative candidate genes associated with spring and autumn phenology traits as well as with growth. Many regions harboring variation significantly associated with the initiation of leaf shed and leaf autumn coloring appeared to have been evolving under positive selection in the native environments of P. trichocarpa. A comparison between the candidate genes identified with results from earlier GWAS analyses performed in the native environment found a smaller overlap for spring phenology traits than for autumn phenology traits, aligning well with earlier observations that spring phenology transitions have a more complex genetic basis than autumn phenology transitions. Conclusions In a small and structured introduced population of P. trichocarpa, we find complex genetic architectures underlying all phenology and growth traits, and identify multiple putative candidate genes despite the limitations of the study population.
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Distad, Merrill. "Food Atlas: Discover All the Delicious Foods of the World by G. Malerba." Deakin Review of Children's Literature 7, no. 3 (February 5, 2018). http://dx.doi.org/10.20361/g2w102.

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Malerba, Giulia. Food Atlas: Discover All the Delicious Foods of the World, illustrated by Febe Sillani, translated by Sharon Morin. Firefly Books, 2017.This large and beautiful folio volume provides an agricultural and culinary tour of the world in the form of nearly fifty maps that cover six continents, Oceania, and fifty individual countries. The book ends with a two-page map of the world to illustrate the “food journeys” by which many familiar, staple foods were transplanted around the globe. Luca Mingolia’s maps, overlain with Febe Sillani’s hundreds of colourful illustrations, depict both the characteristic foods and ethnic dishes of each country and region. The coverage is extraordinarily comprehensive, ranging from Sweden’s repugnant-smelling Surströmming to the equally pungent Durians of southeast Asia, and from Egyptian Ful Medames to India’s Gulab Jamun.Although cast in the format of a book for older children, this fascinating volume is one from which older readers, including adults, may take pleasure and expand their culinary horizons.Highly Recommended: 4 out of 4 starsReviewer: Merrill DistadHistorian and author Merrill Distad enjoyed a four-decade career building libraries and library collections.
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"6 The advantages of defence medical engagement." BMJ Military Health 169, no. 3 (May 22, 2023): e2.6. http://dx.doi.org/10.1136/military-2023-maliabstracts.6.

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The Ground Manoeuvre Surgical Group was established to provide DCR/DCS support to Operation Newcombe, the UK contribution to MINUSMA, a UN stabilisation and support mission in Mali. Opportunities arose during my tour to forge closer relationships with other nations’ surgical teams to the benefit of all.The UK team delivered a trauma SIM session in the as-yet untested temporary French facility during the drawdown of OP Barkhane. Several human factors issues were identified, and procedures changed prior to the facility going live. Subsequently I was invited to attend when a UK soldier required emergency care in the French facility. I gained multinational working experience and the UK soldier was reassured by a UK presence in the surgical team.Informal weekly meetings with the Germans and Swedes enabled a thorough understanding of each teams’ experience and skills. The UK team were consequently invited to lead the damage control surgery of an Egyptian UN soldier with multiple limb injuries from an IED strike. This provided valuable experience for the UK orthopaedic and general surgeons and an ODP. The UK team was subsequently able to significantly contribute to the after-action review as well as providing significant expertise and training to the greater UN team for future MMI planning.Two of the five UK Defence Engagement Strategy’s aims are “Capability and capacity building, and Access and influence. By enthusiastically engaging with the medical teams of all nations, the UK GMSG team enhanced its capability and gained significant access and influence to the benefit of injured soldiers.
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Svystun, Tetiana, and Henrik Böhlenius. "Biomass Production of the Poplar Clone OP42 During the Second Rotation Plantation–The Effects of Four Thinning Treatments." BioEnergy Research, March 2, 2024. http://dx.doi.org/10.1007/s12155-024-10730-x.

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AbstractPoplar (Populus species and their hybrids) plantations can produce large amounts of biomass on agricultural land during the first rotation. However, there is limited knowledge regarding plantation re-establishment through re-sprouting (second rotation) after harvest, stand management options for such plantations, and biomass production during rotation length up to 20 years. In this study, we analysed biomass production responses to thinning treatments in an 18-year-old second rotation poplar plantation in Southern Sweden. The first rotation plantation was established with clone OP42 (Populus maximowiczii A. Henry × P. trichocarpa Torr. and Gray). The thinning experiment was conducted seven years after the first rotation harvest, comprising four treatments: unthinned – 6000 stems ha−1, light thinning – 3000 stems ha−1, medium thinning – 1100 stems ha−1, and heavy thinning – 550 stems ha−1. Eleven years after thinning, standing volume/biomass reached 484 m3 ha−1 (162 Mg DM ha−1) in the unthinned and medium thinning plots, 443 m3 ha−1 (148 Mg DM ha−1) in lightly and 338 m3 ha−1 (113 Mg DM ha−1) in heavily thinned plots. The mean annual increment was not different among the unthinned, light, and medium thinnings, 26 m3 ha−1 yr−1 (9 Mg DM ha−1 yr−1). The total production, including living, dead and removed trees, was highest following the medium thinning, 695 m3 ha−1 (233 Mg DM ha−1). Gradual self-thinning in the unthinned and lightly thinned plots was increased by a drought period. Overall, this study suggests that the second rotation of poplar plantations has high biomass production and provides an alternative to planting after harvest.
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33

Marshall, P. David, and Sue Morris. "Game." M/C Journal 3, no. 5 (October 1, 2000). http://dx.doi.org/10.5204/mcj.1869.

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What is game who got game Where's the game In life Behind the game Behind the game I got game She got game We got game They got game He got game -- He Got Game by Public Enemy(From the soundtrack to the 1998 Spike Lee film He Got Game) There is an interesting pattern that develops when a relatively new object of study is broached by cultural studies academics. A reflex response is to defend the reasons why you are giving time to studying these apparently innocuous pastimes. Defenses of television studies twenty-five years ago could have resembled the way that the new forms of games are now being investigated: a preamble of justification -- like an incredibly deep inhalation that has to precede a long-winded exhalation -- would be necessary before launching into the dance of critical analysis. Thankfully our authors have learned and progressed from their forebears at least in this issue (but probably not in every version of game material that you will see flowing outwards in the next few years) and our articles get to the heart of the game, conceptually, analytically and critically. What we're telling you is that this is a remarkable issue that, along with the online re-play conference of 1999, launches the study of games in the contemporary moment of new media game forms and their call and response to previous patterns of play and pastimes. The articles here represent cutting-edge thinking about games and we have, as your humble issue editors, collected those postures and positions in one place. The term pastime to describe playing games has become a bit antiquated, but we'd like to regenerate it here. Our various authors have obviously devoted an incredible number of hours to understanding the games that they describe: contemporary computer games, as much as learning the intricacies of a particular sport, often require an investment of time over weeks and months to achieve sometimes only limited mastery. A pastime has usually been relegated to rainy Saturday afternoons when children (or adults) couldn't work out what do with themselves and were trapped within the confines of the home. To pass the time the old standard board games would appear: from the Victorian Snakes and Ladders to the spirit of proprietorial capitalism of Monopoly; from the war dimensions of Risk and Chess to the mildly headache-producing Scrabble. Passing time could be seen as a description of what childhood has often been about: a transitional reality whose value is always questionable and debatable by others because it is seen as the foundation for the rest of life. Indeed, one element of the moral panic about contemporary computer games is a matter of adults trying to determine whether these games are valuable for their children's future employability in the information economy or a massive waste of time that can never be recovered (Marshall). The pastime, instead of being of peripheral importance has now moved centre-stage in contemporary life through the ubiquity of electronic games and the fact that these games no longer are clearly the province of adolescents but a major cultural reality for a very large population from the ages 5 to 50. The concept of game has similarly migrated, so that most of the authors who have written for this issue have dealt with video and computer games primarily and not with sport or board games or even television game shows, although we have our new and intriguing representative articles from some of these other domains. Several of our authors have been intrigued by how video and computer games have now become metaphors for contemporary life. Certainly recent films have used the game as the new way to deal with the fears and powers of general technological change. In "Flip Horizontal: Gaming as Redemption" José dos Santos Cabral Filho relies on Roger Callois's categories to debate the role of the game in the formation of identity in contemporary culture's continuous debate about the power of technology to determine, and the freedom that technology apparently endows to its users. "The Fortean Continuity of eXistenZ within a Virtual Environment" by Adam Dodd revisits the work of philosopher of the paranormal, Charles Fort, and explores the connections between his ontology of continuity and the movement of signs within a postmodern, virtual, networked environment, analysing Cronenberg's 'game' film eXistenZ and relationships between the body, media, truth and representation. In "Game" Rebecca Farley ponders the concepts of 'game' and 'play' and how these intersect with the values of the society in which games are produced and played, and argues for game theories that recognise the essential element central to all gaming experiences: the player. "The Knowledge Adventure: Game Aesthetics and Web Hieroglyphics" by Axel Bruns looks at the shifting aesthetic relationship between words and images in new media as exemplified by the Internet, as a focus for an examination of the influences computer gaming has brought to the Internet, and to computing in general. Our tapestry on the game weaves from this larger conceptual pattern into analytical reflection about the aesthetics and narratives in particular games. In "Odyssey Renewed: Towards a New Aesthetics of Video-Gaming", Jason Wilson identifies the limitations of critical approaches that focus mainly on the screen and on-screen events; he calls for an expanded aesthetics of gaming that recognises the possibilities for "hybrid, cyborg players to narrate performance, play and self" and then analyses how players access this in a variety of games. In "Towards an Aesthetics of Navigation -- Spatial Organisation in the Cosmology of the Adventure Game", Bernadette Flynn takes us on a guided tour through the virtual worlds of the exploration/adventure games Myst and The Crystal Key via the historic, visual structures of art, architecture and cinema, and examines how these past forms and influences are used to establish representational context, and position, and work to orient and narrate players through the ludic space. In "Computer Games and Narrative Progression", Mark Finn examines the varying degrees of success with which theories from existing media have been applied to computer games, and analyses a variety of console games, specifically using the concepts of narrative progression and subject positioning, showing how these are both enforced by the game and negotiated in the complex relationship between game and player. Computer games are highly diverse in terms of game genre, technology, interactivity and the positioning of the player -- physically, narratively, subjectively and ideologically. While certain analyses may be applied to games in general, some of the best work gets into the particularities of gameplay, success, pleasure and expertise. The two following articles each provide an in-depth analysis of a particular game -- how it is structured, how players interact with the game, and the ideological assumptions that are inherent in the game software. "The Fabric of Virtual Reality -- Courage, Rewards and Death in an Adventure MUD" by Daniel Pargman takes us inside the world of the online adventure MUD (Multi-User Domain) in his analysis of the text-based SvenskMUD, which has been running in Sweden for the last nine years. In "Settler Stories: Representational Ideologies in Computer Strategy Gaming" Nick Caldwell examines a real-time strategy (RTS) game, The Settlers, demonstrating how ideological assumptions about culture and production may be actualised in a virtual environment. Our final two articles deal with the fascinating intersection between games and media: how games are used to create media content, and how this repositioning as media spectacle influences and indeed dictates many aspects of the game. In "Technology and Sport" Greg Levine discusses the impact of media broadcast of sporting matches on televised sport through an analysis of Australian Rules football and looks at the broader effects of technological innovation on sport. Carol Morgan examines another meeting of game and media in "Capitalistic Ideology as an 'Interpersonal Game': The Case of Survivor", an analysis of this year's highly popular game show Survivor and the economic and social ideals that are implicit in, and perpetuated by that particular game. Oh, and then there is our final, final submission that you should not miss -- like an extra game level that you haven't discovered yet: this contribution comes from a person who actually failed in his attempt to capture what he wanted to say through an article for submission to the 'game' issue. Jesper Juul, along with 3D graphics by Mads Rydahl, has created a game instead that is designed for your pleasure and for those who have waded through the articles of game theory. It's called "Game Liberation" and its composed of four levels where you as game theorist have to blast away to destroy each theory that tries to colonise games and claim they have worked out their cultural significance. So cool down with a pleasant round of Space Invader-style shoot-em-up after a hard day of facing the faux-titans of media and cultural studies. Experience the zen-zone pleasure of games firsthand without leaving your comfort zone of intellectual gymnastics. We have tried to capture here some of the surface and depth of game culture -- if we can be so bold as to propose a new area of cultural study that is consolidating as a clear and interesting domain of popular culture and intellectual inquiry. As our articles demonstrate game culture does not fit comfortably into past forms of media analysis although there are insights about games that can be teased outwards from their relationship to visual/textual media forms. We invite your comments so that the analytical/critical process initiated by this issue can continue and encourage you to extrapolate outwards through your interventions and contribution on the Media-Culture list associated with M/C. Our authors are thirsty for discussion and debate. Although the issue is not quite like an adventure game, we invite you to point and click and investigate its various threads of game culture. P. David Marshall & Sue Morris -- 'Game' Issue Editors References Marshall, P. David. "Technophobia: Videogames, Computer Hacks and Cybernetics." Media International Australia 85 (1997): 70-8. Citation reference for this article MLA style: P. David Marshall, Sue Morris. "Editorial: 'Game'." M/C: A Journal of Media and Culture 3.5 (2000). [your date of access] <http://www.api-network.com/mc/0010/edit.php>. Chicago style: P. David Marshall, Sue Morris, "Editorial: 'Game'," M/C: A Journal of Media and Culture 3, no. 5 (2000), <http://www.api-network.com/mc/0010/edit.php> ([your date of access]). APA style: P. David Marshall, Sue Morris. (2000) Editorial: 'game'. M/C: A Journal of Media and Culture 3(5). <http://www.api-network.com/mc/0010/edit.php> ([your date of access]).
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"Buchbesprechungen." Zeitschrift für Historische Forschung 46, no. 1 (January 1, 2019): 83–218. http://dx.doi.org/10.3790/zhf.46.1.83.

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Edelmayer, Friedrich / Gerhard Pfeisinger (Hrsg.), Ozeane. Mythen, Interaktionen und Konflikte (Studien zur Geschichte und Kuktur der iberischen und iberoamerikanischen Länder, 16), Münster 2017, Aschendorff, 336 S. / Abb., € 49,00. (Ruth Schilling, Bremen / Bremerhaven) Jaynes, Jeffrey, Christianity beyond Christendom. The Global Christian Experience on Medieval Mappaemundi and Early Modern World Maps (Wolfenbütteler Forschungen, 149), Wiesbaden 2018, Harrassowitz in Kommission, 483 S. / Abb., € 128,00. (Gerda Brunnlechner, Hagen) Weltecke, Dorothea (Hrsg.), Essen und Fasten. Interreligiöse Abgrenzung, Konkurrenz und Austauschprozesse / Food and Fasting. Interreligious Differentiations, Competition and Exchange (Beihefte zum Archiv für Kulturgeschichte, 81), Köln / Weimar / Wien 2017, Böhlau, 130 S., € 30,00. (Helmut W. Klug, Graz) Dirmeier, Artur (Hrsg.), Essen und Trinken im Spital. Ernährungskultur zwischen Festtag und Fasttag (Studien zur Geschichte des Spital-‍, Wohlfahrts- und Gesundheitswesens, 13), Regensburg 2018, Pustet, 287 S. / Abb., € 34,95. (Josef Matzerath, Dresden) Widder, Ellen / Iris Holzwart-Schäfer / Christian Heinemeyer (Hrsg.), Geboren, um zu herrschen? Gefährdete Dynastien in historisch-interdisziplinärer Perspektive (Bedrohte Ordnungen, 10), Tübingen 2018, Mohr Siebeck, VIII u. 307 S. / Abb., € 59,00. (Lennart Pieper, Münster) Füssel, Marian / Philip Knäble / Nina Elsemann (Hrsg.), Wissen und Wirtschaft. Expertenkulturen und Märkte vom 13. bis 18. Jahrhundert, Göttingen / Bristol 2017, Vandenhoeck &amp; Ruprecht, 418 S. / Abb., € 70,00. (Justus Nipperdey, Saarbrücken) Whittle, Jane (Hrsg.), Servants in Rural Europe. 1400 – 1900, Woodbridge 2017, Boydell &amp; Brewer, XIII u. 271 S., £ 19,99. (Werner Troßbach, Witzenhausen) Rutz, Andreas, Die Beschreibung des Raums. 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35

Goggin, Gerard. "‘mobile text’." M/C Journal 7, no. 1 (January 1, 2004). http://dx.doi.org/10.5204/mcj.2312.

Full text
Abstract:
Mobile In many countries, more people have mobile phones than they do fixed-line phones. Mobile phones are one of the fastest growing technologies ever, outstripping even the internet in many respects. With the advent and widespread deployment of digital systems, mobile phones were used by an estimated 1, 158, 254, 300 people worldwide in 2002 (up from approximately 91 million in 1995), 51. 4% of total telephone subscribers (ITU). One of the reasons for this is mobility itself: the ability for people to talk on the phone wherever they are. The communicative possibilities opened up by mobile phones have produced new uses and new discourses (see Katz and Aakhus; Brown, Green, and Harper; and Plant). Contemporary soundscapes now feature not only voice calls in previously quiet public spaces such as buses or restaurants but also the aural irruptions of customised polyphonic ringtones identifying whose phone is ringing by the tune downloaded. The mobile phone plays an important role in contemporary visual and material culture as fashion item and status symbol. Most tragically one might point to the tableau of people in the twin towers of the World Trade Centre, or aboard a plane about to crash, calling their loved ones to say good-bye (Galvin). By contrast, one can look on at the bathos of Australian cricketer Shane Warne’s predilection for pressing his mobile phone into service to arrange wanted and unwanted assignations while on tour. In this article, I wish to consider another important and so far also under-theorised aspect of mobile phones: text. Of contemporary textual and semiotic systems, mobile text is only a recent addition. Yet it is already produces millions of inscriptions each day, and promises to be of far-reaching significance. Txt Txt msg ws an acidnt. no 1 expcted it. Whn the 1st txt msg ws sent, in 1993 by Nokia eng stdnt Riku Pihkonen, the telcom cpnies thought it ws nt important. SMS – Short Message Service – ws nt considrd a majr pt of GSM. Like mny teks, the *pwr* of txt — indeed, the *pwr* of the fon — wz discvrd by users. In the case of txt mssng, the usrs were the yng or poor in the W and E. (Agar 105) As Jon Agar suggests in Constant Touch, textual communication through mobile phone was an after-thought. Mobile phones use radio waves, operating on a cellular system. The first such mobile service went live in Chicago in December 1978, in Sweden in 1981, in January 1985 in the United Kingdom (Agar), and in the mid-1980s in Australia. Mobile cellular systems allowed efficient sharing of scarce spectrum, improvements in handsets and quality, drawing on advances in science and engineering. In the first instance, technology designers, manufacturers, and mobile phone companies had been preoccupied with transferring telephone capabilities and culture to the mobile phone platform. With the growth in data communications from the 1960s onwards, consideration had been given to data capabilities of mobile phone. One difficulty, however, had been the poor quality and slow transfer rates of data communications over mobile networks, especially with first-generation analogue and early second-generation digital mobile phones. As the internet was widely and wildly adopted in the early to mid-1990s, mobile phone proponents looked at mimicking internet and online data services possibilities on their hand-held devices. What could work on a computer screen, it was thought, could be reinvented in miniature for the mobile phone — and hence much money was invested into the wireless access protocol (or WAP), which spectacularly flopped. The future of mobiles as a material support for text culture was not to lie, at first at least, in aping the world-wide web for the phone. It came from an unexpected direction: cheap, simple letters, spelling out short messages with strange new ellipses. SMS was built into the European Global System for Mobile (GSM) standard as an insignificant, additional capability. A number of telecommunications manufacturers thought so little of the SMS as not to not design or even offer the equipment needed (the servers, for instance) for the distribution of the messages. The character sets were limited, the keyboards small, the typeface displays rudimentary, and there was no acknowledgement that messages were actually received by the recipient. Yet SMS was cheap, and it offered one-to-one, or one-to-many, text communications that could be read at leisure, or more often, immediately. SMS was avidly taken up by young people, forming a new culture of media use. Sending a text message offered a relatively cheap and affordable alternative to the still expensive timed calls of voice mobile. In its early beginnings, mobile text can be seen as a subcultural activity. The text culture featured compressed, cryptic messages, with users devising their own abbreviations and grammar. One of the reasons young people took to texting was a tactic of consolidating and shaping their own shared culture, in distinction from the general culture dominated by their parents and other adults. Mobile texting become involved in a wider reworking of youth culture, involving other new media forms and technologies, and cultural developments (Butcher and Thomas). Another subculture that also was in the vanguard of SMS was the Deaf ‘community’. Though the Alexander Graham Bell, celebrated as the inventor of the telephone, very much had his hearing-impaired wife in mind in devising a new form of communication, Deaf people have been systematically left off the telecommunications network since this time. Deaf people pioneered an earlier form of text communications based on the Baudot standard, used for telex communications. Known as teletypewriter (TTY), or telecommunications device for the Deaf (TDD) in the US, this technology allowed Deaf people to communicate with each other by connecting such devices to the phone network. The addition of a relay service (established in Australia in the mid-1990s after much government resistance) allows Deaf people to communicate with hearing people without TTYs (Goggin & Newell). Connecting TTYs to mobile phones have been a vexed issue, however, because the digital phone network in Australia does not allow compatibility. For this reason, and because of other features, Deaf people have become avid users of SMS (Harper). An especially favoured device in Europe has been the Nokia Communicator, with its hinged keyboard. The move from a ‘restricted’, ‘subcultural’ economy to a ‘general’ economy sees mobile texting become incorporated in the semiotic texture and prosaic practices of everyday life. Many users were already familiar with the new conventions already developed around electronic mail, with shorter, crisper messages sent and received — more conversation-like than other correspondence. Unlike phone calls, email is asynchronous. The sender can respond immediately, and the reply will be received with seconds. However, they can also choose to reply at their leisure. Similarly, for the adept user, SMS offers considerable advantages over voice communications, because it makes textual production mobile. Writing and reading can take place wherever a mobile phone can be turned on: in the street, on the train, in the club, in the lecture theatre, in bed. The body writes differently too. Writing with a pen takes a finger and thumb. Typing on a keyboard requires between two and ten fingers. The mobile phone uses the ‘fifth finger’ — the thumb. Always too early, and too late, to speculate on contemporary culture (Morris), it is worth analyzing the textuality of mobile text. Theorists of media, especially television, have insisted on understanding the specific textual modes of different cultural forms. We are familiar with this imperative, and other methods of making visible and decentring structures of text, and the institutions which animate and frame them (whether author or producer; reader or audience; the cultural expectations encoded in genre; the inscriptions in technology). In formal terms, mobile text can be described as involving elision, great compression, and open-endedness. Its channels of communication physically constrain the composition of a very long single text message. Imagine sending James Joyce’s Finnegan’s Wake in one text message. How long would it take to key in this exemplar of the disintegration of the cultural form of the novel? How long would it take to read? How would one navigate the text? Imagine sending the Courier-Mail or Financial Review newspaper over a series of text messages? The concept of the ‘news’, with all its cultural baggage, is being reconfigured by mobile text — more along the lines of the older technology of the telegraph, perhaps: a few words suffices to signify what is important. Mobile textuality, then, involves a radical fragmentation and unpredictable seriality of text lexia (Barthes). Sometimes a mobile text looks singular: saying ‘yes’ or ‘no’, or sending your name and ID number to obtain your high school or university results. Yet, like a telephone conversation, or any text perhaps, its structure is always predicated upon, and haunted by, the other. Its imagined reader always has a mobile phone too, little time, no fixed address (except that hailed by the network’s radio transmitter), and a finger poised to respond. Mobile text has structure and channels. Yet, like all text, our reading and writing of it reworks those fixities and makes destabilizes our ‘clear’ communication. After all, mobile textuality has a set of new pre-conditions and fragilities. It introduces new sorts of ‘noise’ to signal problems to annoy those theorists cleaving to the Shannon and Weaver linear model of communication; signals often drop out; there is a network confirmation (and message displayed) that text messages have been sent, but no system guarantee that they have been received. Our friend or service provider might text us back, but how do we know that they got our text message? Commodity We are familiar now with the pleasures of mobile text, the smile of alerting a friend to our arrival, celebrating good news, jilting a lover, making a threat, firing a worker, flirting and picking-up. Text culture has a new vector of mobility, invented by its users, but now coveted and commodified by businesses who did not see it coming in the first place. Nimble in its keystrokes, rich in expressivity and cultural invention, but relatively rudimentary in its technical characteristics, mobile text culture has finally registered in the boardrooms of communications companies. Not only is SMS the preferred medium of mobile phone users to keep in touch with each other, SMS has insinuated itself into previously separate communication industries arenas. In 2002-2003 SMS became firmly established in television broadcasting. Finally, interactive television had arrived after many years of prototyping and being heralded. The keenly awaited back-channel for television arrives courtesy not of cable or satellite television, nor an extra fixed-phone line. It’s the mobile phone, stupid! Big Brother was not only a watershed in reality television, but also in convergent media. Less obvious perhaps than supplementary viewing, or biographies, or chat on Big Brother websites around the world was the use of SMS for voting. SMS is now routinely used by mainstream television channels for viewer feedback, contest entry, and program information. As well as its widespread deployment in broadcasting, mobile text culture has been the language of prosaic, everyday transactions. Slipping into a café at Bronte Beach in Sydney, why not pay your parking meter via SMS? You’ll even receive a warning when your time is up. The mobile is becoming the ‘electronic purse’, with SMS providing its syntax and sentences. The belated ingenuity of those fascinated by the economics of mobile text has also coincided with a technological reworking of its possibilities, with new implications for its semiotic possibilities. Multimedia messaging (MMS) has now been deployed, on capable digital phones (an instance of what has been called 2.5 generation [G] digital phones) and third-generation networks. MMS allows images, video, and audio to be communicated. At one level, this sort of capability can be user-generated, as in the popularity of mobiles that take pictures and send these to other users. Television broadcasters are also interested in the capability to send video clips of favourite programs to viewers. Not content with the revenues raised from millions of standard-priced SMS, and now MMS transactions, commercial participants along the value chain are keenly awaiting the deployment of what is called ‘premium rate’ SMS and MMS services. These services will involve the delivery of desirable content via SMS and MMS, and be priced at a premium. Products and services are likely to include: one-to-one textchat; subscription services (content delivered on handset); multi-party text chat (such as chat rooms); adult entertainment services; multi-part messages (such as text communications plus downloads); download of video or ringtones. In August 2003, one text-chat service charged $4.40 for a pair of SMS. Pwr At the end of 2003, we have scarcely registered the textual practices and systems in mobile text, a culture that sprang up in the interstices of telecommunications. It may be urgent that we do think about the stakes here, as SMS is being extended and commodified. There are obvious and serious policy issues in premium rate SMS and MMS services, and questions concerning the political economy in which these are embedded. Yet there are cultural questions too, with intricate ramifications. How do we understand the effects of mobile textuality, rewriting the telephone book for this new cultural form (Ronell). What are the new genres emerging? And what are the implications for cultural practice and policy? Does it matter, for instance, that new MMS and 3rd generation mobile platforms are not being designed or offered with any-to-any capabilities in mind: allowing any user to upload and send multimedia communications to other any. True, as the example of SMS shows, the inventiveness of users is difficult to foresee and predict, and so new forms of mobile text may have all sorts of relationships with content and communication. However, there are worrying signs of these developing mobile circuits being programmed for narrow channels of retail purchase of cultural products rather than open-source, open-architecture, publicly usable nodes of connection. Works Cited Agar, Jon. Constant Touch: A Global History of the Mobile Phone. Cambridge: Icon, 2003. Barthes, Roland. S/Z. Trans. Richard Miller. New York: Hill & Wang, 1974. Brown, Barry, Green, Nicola, and Harper, Richard, eds. Wireless World: Social, Cultural, and Interactional Aspects of the Mobile Age. London: Springer Verlag, 2001. Butcher, Melissa, and Thomas, Mandy, eds. Ingenious: Emerging youth cultures in urban Australia. Melbourne: Pluto, 2003. Galvin, Michael. ‘September 11 and the Logistics of Communication.’ Continuum: Journal of Media and Cultural Studies 17.3 (2003): 303-13. Goggin, Gerard, and Newell, Christopher. Digital Disability: The Social Construction of Digital in New Media. Lanham, MA: Rowman & Littlefield, 2003. Harper, Phil. ‘Networking the Deaf Nation.’ Australian Journal of Communication 30. 3 (2003), in press. International Telecommunications Union (ITU). ‘Mobile Cellular, subscribers per 100 people.’ World Telecommunication Indicators <http://www.itu.int/ITU-D/ict/statistics/> accessed 13 October 2003. Katz, James E., and Aakhus, Mark, eds. Perpetual Contact: Mobile Communication, Private Talk, Public Performance. Cambridge: Cambridge U P, 2002. Morris, Meaghan. Too Soon, Too Late: History in Popular Culture. Bloomington and Indianapolis: U of Indiana P, 1998. Plant, Sadie. On the Mobile: The Effects of Mobile Telephones on Social and Individual Life. < http://www.motorola.com/mot/documents/0,1028,296,00.pdf> accessed 5 October 2003. Ronell, Avital. The Telephone Book: Technology—schizophrenia—electric speech. Lincoln: U of Nebraska P, 1989. Citation reference for this article MLA Style Goggin, Gerard. "‘mobile text’" M/C: A Journal of Media and Culture <http://www.media-culture.org.au/0401/03-goggin.php>. APA Style Goggin, G. (2004, Jan 12). ‘mobile text’. M/C: A Journal of Media and Culture, 7, <http://www.media-culture.org.au/0401/03-goggin.php>
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West, Patrick Leslie, and Cher Coad. "The CCTV Headquarters—Horizontal Skyscraper or Vertical Courtyard? Anomalies of Beijing Architecture, Urbanism, and Globalisation." M/C Journal 23, no. 5 (October 7, 2020). http://dx.doi.org/10.5204/mcj.1680.

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Abstract:
I have decided to launch a campaign against the skyscraper, that hideous, mediocre form of architecture…. Today we only have an empty version of it, only competing in height.— Rem Koolhaas, “Kool Enough for Beijing?”Figure 1: The CCTV Headquarters—A Courtyard in the Air. Cher Coad, 2020.Introduction: An Anomaly within an Anomaly Construction of Beijing’s China Central Television Headquarters (henceforth CCTV Headquarters) began in 2004 and the building was officially completed in 2012. It is a project by the Office for Metropolitan Architecture (OMA) headed by Rem Koolhaas (1944-), who has been called “the coolest, hippest, and most cutting-edge architect on the planet”(“Rem Koolhaas Biography”). The CCTV Headquarters is a distinctive feature of downtown Beijing and is heavily associated in the Western world with 21st-century China. It is often used as the backdrop for reports from the China correspondent for the Australian Broadcasting Corporation (ABC), Bill Birtles. The construction of the CCTV Headquarters, however, was very much an international enterprise. Koolhaas himself is Dutch, and the building was one of the first projects the OMA did outside of America after 9/11. As Koolhaas describes it: we had incredible emphasis on New York for five years, and America for five years, and what we decided to do after September 11 when we realized that, you know, things were going to be different in America: [was] to also orient ourselves eastwards [Koolhaas goes on to describe two projects: the Hermitage Museum, St. Petersburg, Russia and the CCTV Headquarters]. (Rem Koolhaas Interview) Problematically, Koolhaas claims that the building we created for CCTV could never have been conceived by the Chinese and could never have been built by Europeans. It is a hybrid by definition. It was also a partnership, not a foreign imposition…. There was a huge Chinese component from the very beginning. We tried to do a building that conveys that it has emerged from the local situation. (Fraioli 117) Our article reinterprets this reading. We suggest that the OMA’s “incredible emphasis” on America—home of the world’s first skyscraper: the Home Insurance Building built in 1885 in Chicago, Illinois—pivotally spills over into its engagement with China. The emergence of the CCTV Headquarters “from the local situation”, such as it is, is more in spite of Koolhaas’s stated “hybrid” approach than because of it, for what’s missing from his analysis of the CCTV Headquarters’ provenance is the siheyuan or classical Chinese courtyard house. We will argue that the CCTV Headquarters is an anomaly within an anomaly in contemporary Beijing’s urban landscape, to the extent that it turns the typologies of both the (vertical, American) skyscraper and the (horizontal, Chinese) siheyuan on a 90 degree angle. The important point to make here, however, is that these two anomalous elements of the building are not of the same order. While the anomalous re-configuration of the skyscraper typology is clearly part of Koolhaas’s architectural manifesto, it is against his architectural intentionality that the CCTV Headquarters sustains the typology of the siheyuan. This bespeaks the persistent and perhaps functional presence of traditional Chinese architecture and urbanism in the building. Koolhaas’s building contains both starkly evident and more secretive anomalies. Ironically then, there is a certain truth in Koolhaas’s words, beneath the critique we made of it above as an example of American-dominated, homogenising globalisation. And the significance of the CCTV Headquarters’ hybridity as both skyscraper and siheyuan can be elaborated through Daniel M. Abramson’s thesis that a consideration of unbuilt architecture has the potential to re-open architecture to its historical conditions. Roberto Schwarz argues that “forms are the abstract of specific social relationships” (53). Drawing on Schwarz’s work and Abramson’s, we conclude that the historical presence—as secretive anomaly—of the siheyuan in the CCTV Headquarters suggests that the building’s formal debt to the siheyuan (more so than to the American skyscraper) may continue to unsettle the “specific social relationship” of Chinese to Western society (Schwarz 53). The site of this unsettlement, we suggest, is data. The CCTV Headquarters might well be the most data-rich site in all of China—it is, after all, a monumental television station. Suggestively, this wealth of airborne data is literally enclosed within the aerial “courtyard”, with its classical Chinese form, of the CCTV Headquarters. This could hardly be irrelevant in the context of the geo-politics of globalised data. The “form of data”, to coin a phrase, radiates through all the social consequences of data flow and usage, and here the form of data is entwined with a form always already saturated with social consequence. The secretive architectural anomaly of Koolhaas’s building is thus a heterotopic space within the broader Western engagement with China, so much of which relates to flows and captures of data. The Ubiquitous Siheyuan or Classical Chinese Courtyard House According to Ying Liu and Adenrele Awotona, “the courtyard house, a residential compound with buildings surrounding a courtyard on four (or sometimes three) sides, has been representative of housing patterns for over one thousand years in China” (248). Liu and Awotona state that “courtyard house patterns could be found in many parts of China, but the most typical forms are those located in the Old City in Beijing, the capital of China for over eight hundred years” (252). In their reading, the siheyuan is a peculiarly elastic architectural typology, whose influence is present as much in the Forbidden City as in the humble family home (252). Prima facie then, it is not surprising that it has also secreted itself within the architectural form of Koolhaas’s creation. It is important to note, however, that while the “most typical forms” of the siheyuan are indeed still to be found in Beijing, the courtyard house is an increasingly uncommon sight in the Chinese capital. An article in the China Daily from 2004 refers to the “few remaining siheyuan” (“Kool Enough for Beijing?”). That said, all is not lost for the siheyuan. Liu and Awotona discuss how the classical form of the courtyard house has been modified to more effectively house current residents in the older parts of Beijing while protecting “the horizontal planning feature of traditional Beijing” (254). “Basic design principles” (255) of the siheyuan have supported “a transition from the traditional single-household courtyard housing form to a contemporary multi-household courtyard housing form” (254). In this process, approaches of “urban renewal [involving] demolition” and “preservation, renovation and rebuilding” have been taken (255). Donia Zhang extends the work of Liu and Awotona in the elaboration of her thesis that “Chinese-Americans interested in building Chinese-style courtyard houses in America are keen to learn about their architectural heritage” (47). Zhang’s article concludes with an illustration that shows how the siheyuan may be merged with the typical American suburban dwelling (66). The final thing to emphasise about the siheyuan is what Liu and Awotona describe as its “special introverted quality” (249). The form is saturated with social consequence by virtue of its philosophical undergirding. The coincidence of philosophies of Daoism (including feng-shui) and Confucianism in the architecture and spatiality of the classical Chinese courtyard house makes it an exceedingly odd anomaly of passivity and power (250-51). The courtyard itself has a highly charged role in the management of family, social and cultural life, which, we suggest, survives its transposition into novel architectural environments. Figure 2: The CCTV Headquarters—Looking Up at “The Overhang”. Cher Coad, 2020. The CCTV Headquarters: A New Type of Skyscraper? Rem Koolhaas is not the only architect to interrogate the standard skyscraper typology. In his essay from 1999, “The Architecture of the Future”, Norman Foster argues that “the world’s increasing ecological crisis” (278) is in part a function of “unchecked urban sprawl” (279). A new type of skyscraper, he suggests, might at least ameliorate the sprawl of our cities: the Millennium Tower that we have proposed in Tokyo takes a traditional horizontal city quarter—housing, shops, restaurants, cinemas, museums, sporting facilities, green spaces and public transport networks—and turns it on its side to create a super-tall building with a multiplicity of uses … . It would create a virtually self-sufficient, fully self-sustaining community in the sky. (279) Koolhaas follows suit, arguing that “the actual point of the skyscraper—to increase worker density—has been lost. Skyscrapers are now only momentary points of high density spaced so far apart that they don’t actually increase density at all” (“Kool Enough for Beijing?”). Foster’s solution to urban sprawl is to make the horizontal (an urban segment) vertical; Koolhaas’s is to make the vertical horizontal: “we’ve [OMA] come up with two types: a very low-rise series of buildings, or a single, condensed hyperbuilding. What we’re doing with CCTV is a prototype of the hyperbuilding” (“Kool Enough for Beijing?”). Interestingly, the “low-rise” type mentioned here brings to mind the siheyuan—textual evidence, perhaps, that the siheyuan is always already a silent fellow traveller of the CCTV Headquarters project. The CCTV Headquarters is, even at over 200 metres tall itself, an anomaly of horizontalism amidst Beijing’s pervasive skyscraper verticality. As Paul Goldberger reports, “some Beijingers have taken to calling it Big Shorts”, which again evokes horizontality. This is its most obvious anomaly, and a somewhat melancholy reminder of “the horizontal planning feature of traditional Beijing” now mutilated by skyscrapers (Liu and Awotona 254). In the same gesture, however, with which it lays the skyscraper on its side, Koolhaas’s creation raises into the air the shape of the courtyard of a classical Chinese house. To our knowledge, no one has noticed this before, let alone written about it. It is, to be sure, a genuine courtyard shape—not merely an archway or a bridge with unoccupied space between. Pure building entirely surrounds the vertical courtyard shape formed in the air. Most images of the building provide an orientation that maximises the size of its vertical courtyard. To this extent, the (secret) courtyard shape of the building is hidden in plain sight. It is possible, however, to make the courtyard narrow to a mere slit of space, and finally to nothing, by circumnavigating the building. Certain perspectives on the building can even make it look like a more-or-less ordinary skyscraper. But, as a quick google-image search reveals, such views are rare. What seems to make the building special to people is precisely that part of it that is not building. Furthermore, anyone approaching the CCTV Headquarters with the intention of locating a courtyard typology within its form will be disappointed unless they look to its vertical plane. There is no hint of a courtyard at the base of the building. Figure 3: The CCTV Headquarters—View from “The Overhang”. Cher Coad, 2020.Figure 4: The CCTV Headquarters—Looking through the Floor of “The Overhang”. Cher Coad, 2020.Visiting the CCTV Headquarters: A “Special Introverted Quality?” In January 2020, we visited the CCTV Headquarters, ostensibly as audience members for a recording of a science spectacular show. Towards the end of the recording, we were granted a quick tour of the building. It is rare for foreigners to gain access to the sections of the building we visited. Taking the lift about 40 floors up, we arrived at the cantilever level—known informally as “the overhang”. Glass discs in the floor allow one to walk out over nothingness, looking down on ant-like pedestrians. Looking down like this was also to peer into the vacant “courtyard” of the building—into a structure “turned or pushed inward on itself”, which is the anatomical definition of “introverted” (Oxford Languages Dictionary). Workers in the building evinced no great affection for it, and certainly nothing of our wide-eyed wonder. Somebody said, “it’s just a place to work”. One of this article’s authors, Patrick West, seemed to feel the overhang almost imperceptibly vibrating beneath him. (Still, he has also experienced this sensation in conventional skyscrapers.) We were told the rumour that the building has started to tilt over dangerously. Being high in the air, but also high on the air, with nothing but air beneath us, felt edgy—somehow special—our own little world. Koolhaas promotes the CCTV Headquarters as (in paraphrase) “its own city, its own community” (“Kool Enough for Beijing?”). This resonated with us on our visit. Conventional skyscrapers fracture any sense of community through their segregated floor-upon-floor verticality; there is never enough room for a little patch of horizontal urbanism to unroll. Within “the overhang”, the CCTV Headquarters felt unlike a standard skyscraper, as if we were in an urban space magically levitated from the streets below. Sure, we had been told by one of the building’s inhabitants that it was “just a place to work”—but compared to the bleak sterility of most skyscraper work places, it wasn’t that sterile. The phrase Liu and Awotona use of the siheyuan comes to mind here, as we recall our experience; somehow, we had been inside a different type of building, one with its own “special introverted quality” (249). Special, that is, in the sense of containing just so much of horizontal urbanism as allows the building to retain its introverted quality as “its own city” (“Kool Enough for Beijing?”). Figure 5: The CCTV Headquarters—View from “The Overhang”. Cher Coad, 2020.Figure 6: The CCTV Headquarters—Inside “The Overhang”. Cher Coad, 2020. Unbuilt Architecture: The Visionary and the Contingent Within the present that it constitutes, built architecture is surrounded by unbuilt architecture at two interfaces: where the past ends; where the future begins. The soupy mix of urbanism continually spawns myriad architectural possibilities, and any given skyscraper is haunted by all the skyscrapers it might have been. History and the past hang heavily from them. Meanwhile, architectural programme or ambition—such as it is—pulls in the other direction: towards an idealised (if not impossible to practically realise) future. Along these lines, Koolhaas and the OMA are plainly a future-directed, as well as self-aware, architectural unit: at OMA we try to build in the greatest possible tolerance and the least amount of rigidity in terms of embodying one particular moment. We want our buildings to evolve. A building has at least two lives—the one imagined by its maker and the life it lives afterward—and they are never the same. (Fraioli 115) Koolhaas makes the same point even more starkly with regard to the CCTV Headquarters project through his use of the word “prototype”: “what we’re doing with CCTV is a prototype of the hyperbuilding” (“Kool Enough for Beijing?”). At the same time, however, as the presence of the siheyuan within the architecture of the CCTV Headquarters shows, the work of the OMA cannot escape from the superabundance of history, within which, as Roberto Schwarz claims, “forms are the abstract of specific social relationships” (53). Supporting our contentions here, Daniel M. Abramson notes that unbuilt architecture implies two sub-categories … the visionary unbuilt, and the contingent … . Visionary schemes invite a forward glance, down one true, vanguard path to a reformed society and discipline. The contingent unbuilts, conversely, invite a backward glance, along multiple routes history might have gone, each with its own likelihood and validity; no privileged truths. (Abramson)Introducing Abramson’s theory to the example of the CCTV Headquarters, the “visionary unbuilt” lines up with Koolhaas’ thesis that the building is a future-directed “prototype”. while the clearest candidate for the “contingent unbuilt”, we suggest, is the siheyuan. Why? Firstly, the siheyuan is hidden in plain sight, within the framing architecture of the CCTV Headquarters; secondly, it is ubiquitous in Beijing urbanism—little wonder then that it turns up, unannounced, in this Beijing building; thirdly, and related to the second point, the two buildings share a “special introverted quality” (Liu and Awotona 249). “The contingent”, in this case, is the anomaly nestled within the much more blatant “visionary” (or futuristic) anomaly—the hyperbuilding to come—of the Beijing-embedded CCTV Headquarters. Koolhaas’s building’s most fascinating anomaly relates, not to any forecast of the future, but to the subtle persistence of the past—its muted quotation of the ancient siheyuan form. Our article is, in part, a response to Abramson’s invitation to “pursue … the consequences of the unbuilt … [and thus] to open architectural history more fully to history”. We have supplemented Abramson’s idea with Schwarz’s suggestion that “forms are the abstract of specific social relationships” (53). The anomaly of the siheyuan—alongside that of the hyperbuilding—within the CCTV headquarters, opens the building up (paraphrasing Abramson) to a fuller analysis of its historical positioning within Western and Eastern flows of globalisation (or better, as we are about to suggest, of glocalisation). In parallel, its form (paraphrasing Schwarz) abstracts and re-presents this history’s specific social relationships. Figure 7: The CCTV Headquarters—A Courtyard of Data. Cher Coad, 2020.Conclusion: A Courtyard of Data and Tensions of Glocalisation Koolhaas proposes that the CCTV Headquarters was “a partnership, not a foreign imposition” and that the building “emerged from the local situation” (Fraioli 117). To us, this smacks of Pollyanna globalisation. The CCTV Headquarters is, we suggest, more accurately read as an imposition of the American skyscraper typology, albeit in anomalous form. (One might even argue that the building’s horizontal deviation from the vertical norm reinforces that norm.) Still, amidst a thicket of conventionally vertical skyscrapers, the building’s horizontalism does have the anomalous effect of recalling “the horizontal planning feature of traditional Beijing” (Liu and Awotona 254). Buried within its horizontalism, however, lies a more secretive anomaly in the form of a vertical siheyuan. This anomaly, we contend, motivates a terminological shift from “globalisation” to “glocalisation”, for the latter term better captures the notion of a lack of reconciliation between the “global” and the “local” in the building. Koolhaas’s visionary architectural programme explicitly advances anomaly. The CCTV Headquarters radically reworks the skyscraper typology as the prototype of a hyperbuilding defined by horizontalism. Certainly, such horizontalism recalls the horizontal plane of pre-skyscraper Beijing and, if faintly, that plane’s ubiquitous feature: the classical courtyard house. Simultaneously, however, the siheyuan has a direct if secretive presence within the morphology of the CCTV Headquarters, even as any suggestion of a vertical courtyard is strikingly absent from Koolhaas’s vanguard manifesto. To this extent, the hyperbuilding fits within Abramson’s category of “the visionary unbuilt”, while the siheyuan aligns with Abramson’s “contingent unbuilt” descriptor. The latter is the “might have been” that, largely under the pressure of its ubiquity as Beijing vernacular architecture, “very nearly is”. Drawing on Schwarz’s idea that “forms are the abstract of specific social relationships”, we propose that the siheyuan, as anomalous form of the CCTV Headquarters, is a heterotopic space within the hybrid global harmony (to paraphrase Koolhaas) purportedly represented by the building (53). In this space thus formed collides the built-up historical and philosophical social intensity of the classical Chinese courtyard house and the intensities of data flows and captures that help constitute the predominantly capitalist and neo-liberalist “social relationship” of China and the Western world—the world of the skyscraper (Schwarz). Within the siheyuan of the CCTV Headquarters, globalised data is literally enveloped by Daoism and Confucianism; it is saturated with the social consequence of local place. The term “glocalisation” is, we suggest, to be preferred here to “globalisation”, because of how it better reflects such vernacular interruptions to the hegemony of globalised space. Forms delineate social relationships, and data, which both forms and is formed by social relationships, may be formed by architecture as much as anything else within social space. Attention to the unbuilt architectural forms (vanguard and contingent) contained within the CCTV Headquarters reveals layers of anomaly that might, ultimately, point to another form of architecture entirely, in which glocal tensions are not only recognised, but resolved. Here, Abramson’s historical project intersects, in the final analysis, with a worldwide politics. Figure 8: The CCTV Headquarters—A Sound Stage in Action. Cher Coad, 2020. References Abramson, Daniel M. “Stakes of the Unbuilt.” Aggregate Architectural History Collaborative. 20 July 2020. <http://we-aggregate.org/piece/stakes-of-the-unbuilt>.Foster, N. “The Architecture of the Future.” The Architecture Reader: Essential Writings from Vitruvius to the Present. Ed. A. Krista Sykes. New York: George Braziller, 2007: 276-79. Fraioli, Paul. “The Invention and Reinvention of the City: An Interview with Rem Koolhaas.” Journal of International Affairs 65.2 (Spring/Summer 2012): 113-19. Goldberger, Paul. “Forbidden Cities: Beijing’s Great New Architecture Is a Mixed Blessing for the City.” The New Yorker—The Sky Line. 23 June 2008. <https://www.newyorker.com/magazine/2008/06/30/forbidden-cities>.“Kool Enough for Beijing?” China Daily. 2 March 2004. <https://www.chinadaily.com.cn/english/doc/2004-03/02/content_310800.htm>. Liu, Ying, and Adenrele Awotona. “The Traditional Courtyard House in China: Its Formation and Transition.” Evolving Environmental Ideals—Changing Way of Life, Values and Design Practices: IAPS 14 Conference Proceedings. IAPS. Stockholm, Sweden: Royal Institute of Technology, 1996: 248-60. <https://iaps.architexturez.net/system/files/pdf/1202bm1029.content.pdf>.Oxford Languages Dictionary. “Rem Koolhaas Biography.” Encyclopedia of World Biography. 20 July 2020. <https://www.notablebiographies.com/news/Ge-La/Koolhaas-Rem.html>. “Rem Koolhaas Interview.” Manufacturing Intellect. Canadian Broadcasting Corporation. 2003. <https://www.youtube.com/watch?v=oW187PwSjY0>.Schwarz, Roberto. Misplaced Ideas: Essays on Brazilian Culture. New York: Verso, 1992. Zhang, Donia. “Classical Courtyard Houses of Beijing: Architecture as Cultural Artifact.” Space and Communication 1.1 (Dec. 2015): 47-68.
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