Relevant bibliographies by topics / Torrente Ballester, Gonzalo

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  2. Dissertations / Theses
  3. Books
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Academic literature on the topic 'Torrente Ballester, Gonzalo'

Author: Grafiati
Published: 10 March 2023

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Journal articles on the topic "Torrente Ballester, Gonzalo"

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Miller, Stephen, and Janet Perez. "Gonzalo Torrente Ballester." Hispania 68, no. 2 (May 1985): 305. http://dx.doi.org/10.2307/342177.

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Abbott, James H., and Janet Pérez. "Gonzalo Torrente Ballester." World Literature Today 59, no. 2 (1985): 249. http://dx.doi.org/10.2307/40141496.

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Bellver, Catherine G., Janet Pérez, and Stephen Miller. "Critical Studies on Gonzalo Torrente Ballester." World Literature Today 63, no. 4 (1989): 659. http://dx.doi.org/10.2307/40145582.

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Jones, Margaret E. W., Janet Pérez, Stephen Miller, and Janet Perez. "Critical Studies on Gonzalo Torrente Ballester." Hispania 74, no. 3 (September 1991): 673. http://dx.doi.org/10.2307/344204.

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Becerra Suárez, Carmen. "Miradas sobre Compostela en las obras de Gonzalo Torrente Ballester." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 2 (November 15, 2017): 193. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.201722221.

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Miller, Stephen. "G. K. Chesterton and Gonzalo Torrente Ballester." Chesterton Review 12, no. 4 (1986): 457–71. http://dx.doi.org/10.5840/chesterton198612447.

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HICKEY, LEO. "Janet Pérez, "Gonzalo Torrente Ballester" (Book Review)." Bulletin of Hispanic Studies 64, no. 3 (July 1987): 272. http://dx.doi.org/10.3828/bhs.64.3.272.

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Poláková, Dora. "El ingenioso hidalgo José Bastida. Ecos cervantinos en la obra de Gonzalo Torrente Ballester." BOLETÍN DE LA BIBLIOTECA DE MENÉNDEZ PELAYO 98, no. 1 (December 10, 2022): 145–60. http://dx.doi.org/10.55422/bbmp.790.

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Gonzalo Torrente Ballester (1910-1999) se ha declarado discípulo de Cervantes en su concepto de la creación novelística. El artículo rastrea esta herencia en textos teóricos torrentinos (sobre todo El Quijote como juego, 1975) y en su novela cumbre, La saga/fuga de J. B. (1974). Nos centramos en el aspeto lúdico del género de la novela, en el protagonista José Bastida (que presenta semejanzas con el personaje cervantino) y en la presencia del humor y del mito en las obras de Torrente Ballester.
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Zuloaga Jiménez, Manuel. "Santiago SEVILLA VALLEJO, "Cómo escribir ficciones según Gonzalo Torrente Ballester. Juego y Literatura, las voces narrativas y las esferas de realidad". Madrid, Editorial Académica Española, 2017, 416 pp." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 31 (February 17, 2019): 490–92. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2019313055.

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En el libro que se reseña a continuación, Santiago Sevilla Vallejo se propone analizar la voz narrativa en las novelas de Gonzalo Torrente Ballester y ver de qué manera podría servir a escritores de ficciones.
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SHAUGHNESSY, LORNA. "The Absence of Tragedy in Ifigenia (1950) by Gonzalo Torrente Ballester." Bulletin of Hispanic Studies: Volume 98, Issue 2 98, no. 2 (February 1, 2021): 123–41. http://dx.doi.org/10.3828/bhs.2021.8.

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Gonzalo Torrente Ballester’s novella, Ifigenia (1950) has been read consistently as a critique of the consolidating Francoist state of the 1940s and an early example of his ‘demythologizing’ technique. This article seeks to open discussion on aspects of the text that have not attracted critical attention to date. It traces the unacknowledged legacies of Euripides’ Iphigenia in Aulis in the text, most visible in both authors’ emphasis on the capacity of language for deceit. Drawing on Hannah Arendt’s The Origins of Totalitarianism, it argues that Torrente’s Ifigenia should be read not only in the context of post-Civil War Spain but also in the wider socio-political context of post-Second World War Europe. It argues that the consistent suppression of expression of emotion throughout the text produces an absence of tragedy in Torrente’s retelling of the myth, and outlines how this relates to the post-war contexts of Spain and Europe.
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Dissertations / Theses on the topic "Torrente Ballester, Gonzalo"

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Guyard-Cartier, Emilie. "Le fantastique dans l'oeuvre romanesque de Gonzalo Torrente Ballester (1972-1987)." Dijon, 2002. http://www.theses.fr/2002DIJOL017.

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Cette thèse poursuit un double objectif épistémologique : elle se veut simultanément étude littéraire d'un genre narratif abordé au travers de la création d'un auteur espagnol particulier et contribution versée à la théorie du discours littéraire. Les genres sont souvent perçus comme des formes qui traverseraient le temps sans altérations majeures. Or, la lecture des oeuvres prouve que, pour le fantastique tout au moins, la notion de genre recouvre des catégories en perpétuelle évolution. L'analyse des romans fantastiques de Torrente Ballester est une illustration parfaite de la multiplicité des actualisations du fantastique littéraire. L'étude de ses romans permet de mettre à jour les spécificités de cette oeuvre sur les plans thématique, narratif et référentiel, et de comprendre, surtout, que, loin de remettre en cause l'appartenance des romans de Torrente au genre fantastique, ces spécificités démontrent au contraire que l'histoire de la littérature est -et doit être- avant tout l'histoire de l'évolution de ses formes
This work seeks after two objectives : it pretends to be simultaneously a literary study of a narrative genre, through the works of a Spanish contemporary author, and a contribution to the theory of literature. Literary genres are often conceived as forms that travel down the ages without major distorsions. But, the reading of the texts themselves proves that, with regard to fantastic literature at least, the notion of genre covers some categories in perpetual evolution. The analysis of Torrente Ballester's fantastic novels is the perfect example of the multiplicity of fantastic actualizations. The study of his novels reveal characteristics, on the thematic, narrative and referential planes, that allow to understand that literary History is -and must be- the History of the evolution of its forms
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Marti, Laurent. "Le théâtre de Gonzalo Torrente Ballester : des avant-gardes à Aristore." Thesis, Dijon, 2010. http://www.theses.fr/2010DIJOL012.

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Gonzalo Torrente Ballester (1910-1999), une des figures de proue de la littérature espagnole du XXème siècle, est surtout connu pour ses narrations. Le théâtre constitue pourtant sa grande passion –la première aussi– car il y consacre les vingt premières années de sa carrière littéraire. L’activité théâtrale de l’auteur galicien au cours des décennies 1930 et 1940, intense et soutenue, nous livre un témoignage de choix sur la situation de la scène espagnole pendant la Seconde République : la coexistence d’un théâtre bourgeois et commercial qui jouit de la faveur du public depuis la fin du XXème siècle et d’un théâtre d’avant-garde, minoritaire, qui ambitionne de rénover la scène théâtrale à grand renfort d’innovations formelles. Les deux premières pièces de Torrente Ballester s’inscrivent dans cette dernière démarche mais un événement historique, la Guerre d’Espagne, entraîne un changement esthétique et thématique majeur. Torrente rejoint un groupe d’intellectuels Phalangistes, le Grupo de Escorial, où se mêlent littérature et politique, un amalgame qui conditionne les pièces –mais aussi les essais et les articles– de notre auteur au tout début des années 1940. Le rêve d’une société idéale éduquée par le théâtre tourne court en 1943 et don Gonzalo se détourne vite du dogmatisme qui caractérise la période 1937-1942. L’auteur galicien retrouve alors une liberté créatrice qui lui permet de composer ses meilleures pièces juste au moment où, faute de mise en scène, il décide d’abandonner l’écriture dramatique pour se consacrer exclusivement à la narration. L’aventure théâtrale de Torrente s’arrête à la fin des années 1940 mais l’expérience –littéraire, politique et humaine– accumulée au cours de cette étape se révèle essentielle pour la brillante carrière de romancier qu’il connaît ensuite
Gonzalo Torrente Ballester (1910-1999), one of the main figures of the Spanish literature of the 20th century, is best known for his narrative. However, theatre is his greatest passion – and also the very first one – since he devoted the first twenty years of his literary career to theatre. The theatrical activity of the Galician author during the 1930s and the 1940s, hectic and steady, gives us an outstanding account of the Spanish stage during the Second Republic: the coexistence of a commercial and bourgeois theatre appreciated by the public since the end of the 19th century, and a minor avant-garde theatre aspiring to reform the theatrical stage with extensive innovations in the form. The two first plays of Torrente Ballester are in the line of this latest approach but a historical event, the war of Spain, leads to a major thematic and aesthetic change. The playwright meets up with a group of intellectuals of the Spanish Phalanx, the Grupo de Escorial, where literature mingles with politics, a mixture which determines the plays – but also the essays and articles – of our author at the very beginning of the 1940s. The dream of an ideal society educated by theatre ends up in 1943 and Torrente turns away from the dogmatism characteristic of the 1937-1942 period. The Galician author recovers then a creative freedom which allows him to compose his best plays just when, in the absence of staging, he decides to give up dramatic writing to dedicate himself exclusively to narrative. The theatrical adventure of Torrente stops at the end of the 1940s but the literary, political and human experience collected during this stage turns out to be essential to his later brilliant career as a novelist
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Guasch, Tur Maria. "El conocimiento como metáfora, aproximación a la narrativa de Gonzalo Torrente Ballester." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1995. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ28141.pdf.

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Quaranta, Bruno. "Torrente Ballester, Los gozos y las sombras: tradizionalismo realistico e sperimentazione." Doctoral thesis, Universita degli studi di Salerno, 2011. http://hdl.handle.net/10556/230.

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VIII n.s.
L’esegesi dell’opera Los gozos y las sombras è stata preceduta da un capitolo che ha cercato di ripercorrere l’esperienza umana, letteraria e intellettuale di Gonzalo Torrente Ballester, intitolato Torrente Ballester par lui-même. L’uomo e lo scrittore, allora, sono diventati un pretesto per allargare lo sfondo e cercare di rendere più comprensibile un paese passato attraverso le grandi speranze e le grandi tragedie della politica; in più tale capitolo ci ha dato la possibilità di guardare più da vicino le modalità narrative che Torrente ha utilizzato nell’arco della sua lunghissima attività di scrittore. Successivamente si è passati all’analisi della trilogia Los gozos y las sombras, che ha fatto leva essenzialmente sul nesso inscindibile che legava il reale con l’immaginario descritto dalla trilogia, la Pueblanueva del Conde letteraria con la Galizia reale, la storia con la geografia, nella ipotesi, anzi, che la geografia, nei suoi aspetti più significativi, potesse potenziare le suggestioni della storia. Non abbiamo tralasciato di considerare che il congegno letterario in cui si dispiegavano le vicende di Carlos Deza e della galleria di personaggi che attorno si muovevano era collocato non in uno spazio qualsiasi, ma in uno spazio da sempre caratterizzato da una sua grammatica comportamentale: la provincia. La provincia ancora una volta descriveva e usava implacabilmente sulla vita dei suoi abitanti la clava dei suoi mali, mali che, ovviamente, risultavano essere sempre gli stessi: conformismo, immobilismo, noia, frustrazione, solitudine. [a cura dell'autore]
2008 - 2009
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Castro, Rivas Jessica. "Los gozos y las sombras de Gonzalo Torrente Ballester: el realismo trascendido y la configuración de lo humano." Tesis, Universidad de Chile, 2007. http://www.repositorio.uchile.cl/handle/2250/108976.

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[...] En este sentido, la idea fundamental de la presente investigación es dar cuenta de la importancia de Los gozos y las sombras en el contexto general de la narrativa torrentina, la cual se ve evidenciada en la determinación de la concepción realista presente en la obra. Dado que la trilogía ha sido considerada dentro de la tendencia realista, será necesario preguntarse en qué medida el texto responde a dicha filiación, ya que no existe un concepto unívoco de lo real y, por consiguiente, tampoco existe una única literatura realista, a pesar de la recurrencia con que ésta ha sido identificada con la tendencia narrativa decimonónica. De esta manera, se debe demostrar, a través de un estudio pormenorizado de las diferentes teorías literarias referentes al realismo, que la importancia de la trilogía radica en la proposición de una nueva manera de entender lo real, la que no se circunscribe ni a la potencialidad imitativa o reproductiva que tiene la obra de arte verbal con respecto a la realidad exterior (realismo genético), ni a la presentación de un mundo creado por el texto literario como una construcción independiente de lo real, como un mundo autónomo (realismo formal)
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Dubois, Christophe Alain. "Transgression linguistique et babélisme littéraire : Etude de romans de Guillermo Cabrera Infante, Carlos Fuentes et Gonzalo Torrente Ballester." Rouen, 1998. http://www.theses.fr/1998ROUEL296.

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L'objet de ce travail est l’étude de la notion de transgression (grammaticale et linguistique) à partir d'un corpus de romans espagnols et hispano-américains de la fin du XXème siècle. Ce concept, qui demande préalablement de définir celui de "norme", s'applique aux différentes parties constitutives de la langue. Il conduit à la notion de babélisme, à l'invention de langues imaginaires, et à l'introduction de codes non linguistiques dans le texte littéraire
The object of this work is a study on the notion of transgression (both grammatical and linguistic) based on a corpus of Spanish and Spanish American late twentieth century novels. Such a concept, which requires the previous definition of a "norm" ,is applied to the different constituent parts of the language. It leads to the notion of babelism, to the invention of imaginary languages and to the introduction of non-linguistic codes in the literary text
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Barreto, Lívia. "Torrente Ballester e a reinvenção da tradição." Master's thesis, 2010. http://hdl.handle.net/10451/3399.

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Tese de mestrado, Estudos Românicos, Universidade de Lisboa, Faculdade de Letras, 2010
Esta dissertação analisa a novela Don Juan, de Gonzalo Torrente Ballester. Nela são tratadas questões relativas à novela espanhola contemporânea. A investigação combina a análise da composição ficcional da novela e centralidade conferida à personagem, que ganha satus de herói. Vale ressaltar que a abordagem da personagem na ficção narrativa nasce da expectativa de compreender como a mesma se articula com a narratividade e, ainda, suas múltiplas faces de representação, abordando-a em sua ambiguidade entre ser humano e ser ficcional, bem como com a própria dimensão de realidade e de arte. O diálogo constante com a ficção foi aqui uma exigência do objeto de estudo.
El presente trabajo analiza la novela Don Juan, de Gonzalo Torrente Ballester. En ella tratamos de comprender las questiones relativas a la novela y además la centralidad conferida al personaje, que gana status de heroe. El abordaje del personaje como elemento central de la ficción narrativa nasce de la expectativa de comprender como la misma se articula con la narratividad y las múltiples fazes de representación, abordándola en su ambigüedad entre el ser humano y el ser ficcional, y asimismo, con la propia dimensión de realidad y arte
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Correia, Rita de Oliveira. "Don Juan: o próprio, o outro e a fronteira: um estudo sobre identidades problemáticas." Master's thesis, 2008. http://hdl.handle.net/10451/388.

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Tese de mestrado em apresentada à Faculdade de Letras da Universidade de Lisboa, 2009
Será objectivo desta dissertação analisar de que forma os textos D. João e Julieta, de Natália Correia, e Don Juan, de Gonzalo Torrente Ballester, duas versões do mito de Don Juan, procuram oferecer uma explicação para o comportamento da personagem que recriam. Procuraremos argumentar que em ambos os textos a personagem principal revela, na construção simbólica da sua identidade, uma tentativa de resolução de vários dualismos problemáticos, abdicando para isso, no percurso, da possibilidade de uma definição identitária capaz de englobar a noção de alteridade. Argumentaremos, pois, que os textos encenam, de forma distinta, uma mesma incapacidade fundamental de relacionamento com o outro, visto como ameaça à unidade da personalidade, incapacidade que se manifestará numa indisponibilidade para o amor, entendido enquanto dádiva e recepção do outro em si.
The purpose of this work will be to analyze the way in which the texts texts D. João e Julieta, by Natália Correia, and Don Juan, by Gonzalo Torrente Ballester, two recreations of the Don Juan myth, seek to offer an explanation for the behavior of their main character. We will argue that in both texts the main character shows, in the symbolic construction of his identity, an attempt to solve several dualisms that turn out to be problematic. For this accomplishment, the character abdicates the possibility of an identity definition capable to accommodate the notion of 'alterity'. We will sustain that the texts distinctively perform the same basic inability to maintain a relationship with the other, who is envisaged as a threat to the unity of the personality, and this inability is translated into an unavailability to love, as love means the gift of oneself and reception of the other.
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Books on the topic "Torrente Ballester, Gonzalo"

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Centro de las Letras Españolas (Spain), ed. Gonzalo Torrente Ballester. Barcelona: Anthropos, 1987.

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Provincial, La Coruña (Spain :. Province) Diputación. Gonzalo Torrente Ballester. A Coruña [Spain]: Excma. Deputación Provincial da Coruña, 1999.

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José, Paulino Ayuso, Becerra Carmen 1954-, and Concha, Víctor G. de la., eds. Gonzalo Torrente Ballester. Madrid: Editorial Complutense, 2001.

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Semana de Autor (1988 Instituto de Cooperación Iberoamericana de Buenos Aires). Gonzalo Torrente Ballester. Madrid: Instituto de Cooperación Iberoamericana, Ediciones de Cultura Hispánica, 1990.

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Ballester, Gonzalo Torrente. Gonzalo Torrente Ballester, evidentemente. Madrid: J. Noticias, 1996.

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Ballester, Gonzalo Torrente. Lo mejor de Gonzalo Torrente Ballester. Barcelona: Seix Barral, 1989.

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Janet, Pérez, Miller Stephen 1946-, and Society of Spanish and Spanish-American Studies., eds. Critical studies on Gonzalo Torrente Ballester. Boulder, Colo., U.S.A: Society of Spanish and Spanish-American Studies, 1989.

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Poética teatral de Gonzalo Torrente Ballester. [Vilagarcía de Arousa, Pontevedra]: Mirabel Editorial, 2006.

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Baños, Sagrario Ruiz. La novela intelectual de Gonzalo Torrente Ballester. Murcia: Secretariado de publicaciones e Intercambio Científico, 1992.

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Angel, Abuín González, Becerra Carmen 1954-, and Candelas Angel, eds. La creación literaria de Gonzalo Torrente Ballester. Vigo, Pontevedra [Spain]: Tambre, 1997.

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Book chapters on the topic "Torrente Ballester, Gonzalo"

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Wild, Gerhard. "Torrente Ballester, Gonzalo." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18137-1.

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Rodiek, Christoph. "Torrente Ballester, Gonzalo: Don Juan." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18138-1.

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Rössler, Andrea. "Torrente Ballester, Gonzalo: Fragmentos de apocalipsis." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18140-1.

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Tietz, Manfred. "Torrente Ballester, Gonzalo: Crónica del rey pasmado." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18141-1.

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Tietz, Manfred. "Torrente Ballester, Gonzalo: La saga. Fuga de J. B." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18139-1.

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"TORRENTE, RELOADED: NUEVOS MEDIOS Y NUEVAS PERSPECTIVAS SOBRE LA NARRATIVA DE GONZALO TORRENTE BALLESTER." In El realismo en Gonzalo Torrente Ballester, 405–26. Vervuert Verlagsgesellschaft, 2013. http://dx.doi.org/10.31819/9783954870912-027.

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"EL REALISMO EN GONZALO TORRENTE BALLESTER: PODER, RELIGIÓN Y MITO." In El realismo en Gonzalo Torrente Ballester, 7–10. Vervuert Verlagsgesellschaft, 2013. http://dx.doi.org/10.31819/9783954870912-001.

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"TEORÍA Y PRÁCTICA DE LOS SIGLOS DE ORO EN GONZALO TORRENTE BALLESTER: CRÓNICA DEL QUIJOTE Y JUEGOS DEL REY PASMADO." In El realismo en Gonzalo Torrente Ballester, 13–32. Vervuert Verlagsgesellschaft, 2013. http://dx.doi.org/10.31819/9783954870912-002.

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"“EN LA PARTE DEL MUNDO EN QUE ESTÁS, ESAS Y OTRAS MARAVILLAS SON LO CORRIENTE”: ALGUNAS IMPLICACIONES IDEOLÓGICAS DE LA DESMITIFICACIÓN DEL SIGLO DE ORO EN CRÓNICA DEL REY PASMADO (1989)." In El realismo en Gonzalo Torrente Ballester, 33–50. Vervuert Verlagsgesellschaft, 2013. http://dx.doi.org/10.31819/9783954870912-003.

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"DE LA EDAD MEDIA AL SIGLO DE ORO: EN TORNO A UNOS TEXTOS OLVIDADOS DE GONZALO TORRENTE BALLESTER." In El realismo en Gonzalo Torrente Ballester, 51–84. Vervuert Verlagsgesellschaft, 2013. http://dx.doi.org/10.31819/9783954870912-004.

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