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Academic literature on the topic 'To 1886 (New France)'

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Published: 10 March 2023

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Journal articles on the topic "To 1886 (New France)"

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Molodiakov, V. E. "“LETTERS OF SEA CADET JEAN” AS A SOURCE ON TAIWAN HISTORY DURING SINO-FRENCH WAR OF 1884–1885." Journal of the Institute of Oriental Studies RAS, no. 3 (13) (2020): 181–89. http://dx.doi.org/10.31696/2618-7302-2020-3-181-189.

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Sino-French war of 1884–1885 on land and at sea was significant as the beginning of a new stage of active French colonial policy in the Far East. It was a continuation of the Second French-Vietnamese war of 1883–1886, more known as “Tonkin Campaign”. France wanted to occupy Tonkin (northern Vietnam) and entrench a protectorate there. Tonkin belonged to Chinese sphere of interest because of Hong (Red) river which connected China’s southern provinces with the sea as an important trade route. Armed Conflict between France and China became inevitable. Military operations of the Far East squadron under the command of Admiral Amédée Courbet (1827–1885) become an important part of the campaign: Defeat of Chinese fleet in the Battle of Fuzhou, capture of Keelung, blockade of Taiwan’s ports, occupation of the Pescadores. This article for the first time introduces in the Russian language the “letters of sea cadet Jean” — letters from a sea cadet of Courbet’s squadron who depicted different episodes of the campaign, including landing and stay at Taiwan, relations with local authorities and population, Chinese and aborigines. For the first time the letters were published in 1890/91 in French and re-published with some notes in 2005; there is no translation into any foreign language so far. Written by a young seaman under a culture shock from a completely new and surprising world these letters are valuable for the sincerity of the story, freshness of the impressions and certain literary merits.
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Stoev, Pavel, and Jean-Jacques Geoffroy. "An annotated catalogue of the scutigeromorph centipedes in the collection of the Mus um National d Histoire Naturelle, Paris (France) (Chilopoda: Scutigeromorpha)." Zootaxa 635, no. 1 (September 11, 2004): 1. http://dx.doi.org/10.11646/zootaxa.635.1.1.

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The collection of the Mus um National d Histoire Naturelle, Paris (France) houses 16 species of scutigeromorph centipedes belonging to 10 genera of all the three hitherto known families. Two new combinations and two new synonymies are proposed: Tachythereua hispanica (Meinert, 1886) = Tachythereua maroccana var. spinosa Ribaut, 1911 New Synonym; Thereuonema microstoma (Meinert, 1886) New Combination = Thereuonema syriaca Verhoeff, 1905 New Synonym; Pselliodes rugosus (Newport, 1844) New Combination.
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Gros, Edgard. "Nouvelles observations sur le comportement de quelques espèces de Sphéciformes paléarctiques (Hymenoptera, Ampulicidae, Sphecidae, Crabronidae)." Bulletin de la Société entomologique de France 125, no. 4 (December 10, 2020): 395–403. http://dx.doi.org/10.32475/bsef_2136.

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New observations on the behaviour of some species of Palaearctic Spheciformes (Hymenoptera, Ampulicidae, Sphecidae, Crabronidae). Original observations were made on the behaviour of twelve species of Spheciformes belonging to six different genera: Dolichurus corniculus (Spinola, 1808), D. bicolor Lepeletier, 1845, D. haemorrhous A. Costa, 1886 (Ampulicidae); Sceliphron caementarium (Drury, 1773), Prionyx kirbii (Vander Linden, 1827), P. subfuscatus (Dahlbom, 1825) (Sphecidae); Liris atratus (Spinola, 1805), L. niger (Fabricius, 1775), L. festinans praetermissus (Richards, 1929), Tachytes freygessneri Kohl, 1881, Tachysphex incertus (Radoszkowski, 1877), T. panzeri (Vander Linden, 1829), T. pompiliformis (Panzer, 1805) (Crabronidae). A list of preys is given for each species mentioned. The observations were made in the field between 1967 and 2019 in France, Spain, Portugal and Tunisia.
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Work, David M., Charles E. Mason, and Gilbert Klapper. "The Middle Devonian (Givetian) ammonoid Pharciceras from the New Albany Shale, Kentucky." Journal of Paleontology 81, no. 6 (November 2007): 1510–15. http://dx.doi.org/10.1666/06-063r.1.

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Pharciceras Hyatt, 1884 is the diagnostic ammonoid of the late middle Givetian Stage of the Middle Devonian Series. It occurs in the Rhenish Massif in Germany, the Montagne Noire in southern France, and in equivalent strata in the Anti-Atlas in southern Morocco. Verified North American occurrences of Pharciceras are confined to the New York succession, where the appearance of the ancestral species P. amplexum (Hall, 1886) in the Upper Tully Limestone represents an important and well-established biostratigraphic datum within the Taghanic onlap interval (see Aboussalam and Becker, 2001 for discussion). In this note we describe a second, distinctly younger, North American species, Pharciceras barnetti n. sp., from the New Albany Shale in eastcentral Kentucky that provides new evidence on the Taghanic onlap interval (Upper Tully/Geneseo Sequence of Baird and Brett, 2003) in the central Appalachian Basin. This occurrence is particularly significant because of its association with conodonts that provide a basis for refined correlations between the central Appalachian Basin and the Taghanic onlap succession in New York.
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Rivard, Étienne. "Devrim Karahasan, Métissage in New France and Canada 1508 to 1886, Peter Lang, New York, 2009, 313 p." Recherches amérindiennes au Québec 39, no. 3 (2009): 130. http://dx.doi.org/10.7202/045818ar.

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BOSMANS, ROBERT, OURIDA KHERBOUCHE-ABROUS, SOUÂD BENHALIMA, and CHRISTOPHE HERVÉ. "The genus Haplodrassus Chamberlin, 1922 in the Mediterranean and the Maghreb in particular (Araneae: Gnaphosidae)." Zootaxa 4451, no. 1 (July 30, 2018): 1. http://dx.doi.org/10.11646/zootaxa.4451.1.1.

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The Haplodrassus species of the the Maghreb are revised. Six new species are described: H. dentifer Bosmans & Abrous, sp. n. (♂♀, Algeria, Morocco, Tunisia, Spain), H. longivulva Bosmans & Hervé, sp. n. (♂♀, Algeria, Morocco), H. lyndae Abrous & Bosmans, sp. n. (♂♀, Algeria, Morocco, Spain), H. ovatus Bosmans & Hervé, sp. n. (Tunisia, Algeria), H. securifer Bosmans & Abrous, sp. n. (♂♀, Algeria, Morocco, Tunisia, Portugal, Spain, France, Italy, Belgium) and H. triangularis Bosmans, sp. n. (♂♀, Morocco, Tunisia). The following new synonyms are proposed. Drassus corticalis Lucas, 1846, syn. n. and Drassus similis C.L. Koch, 1866, syn. n. were found to be junior synonyms of Drassus rufipes Lucas, 1846. Drassus parvulus L. Koch 1882, Drassodes acrotirius Roewer, 1928, Drassodes seditiosus Caporiacco, 1928, Drassodes parvicorpus Roewer, 1951 and Haplodrassus maroccanus Denis, 1956 are junior synonyms of Drassus omissus O.P.-Cambridge, 1872 syn. n. and this species is transferred to Haplodrassus comb. n. (taken out of the synonymy with H. morosus (O.P.-Cambridge, 1872, contra Levy, 2004). Drassodes nigroscriptus deminutus Simon, 1909 and Drassodes nigroscriptus Simon, 1909 are synonyms and the species is transferred to Haplodrassus comb. n. Haplodrassus isaevi Ponomarev & Tsvetkov, 2006 is a junior synonym of Haplodrassus orientalis (L. Koch), 1866 syn. n. comb. n. H. macellinus hebes (O.P.- Cambridge, 1874) is a synonym of Haplodrassus macellinus (Thorell, 1871) syn. n. Haplodrassus vignai Di Franco, 1996 is a synonym of H. macellinus (Thorell, 1871) (taken out of the synonymy of H. invalidus O.P.-Cambridge, 1872, contra Levy, 2004). H. gridellii Caporiacco, 1949 is taken out of the synonymy with H. pugnans (Simon, 1880) and synonymized with H. rufipes (Lucas, 1846) syn. n. (contra Levy, 2004). The following new combinations are proposed. Drassodes rhodanicus Simon, 1914 = Haplodrassus rhodanicus (Simon, 1914), comb. n. Drassus crassipes Lucas, 1846 = Haplodrassus crassipes (Lucas, 1846) comb. n. The following new status is proposed: Haplodrassus typhon (Simon, 1878) is removed from the synonymy of H. macellinus Thorel, 1871, is declared a valid species, a female lectotype is designated and the unknown male is described. Drassodes severus L. Koch, 1839 and Drassodes spinicrus Caporiacco, 1928 are declared nomina dubia. The female of H. rhodanicus is described for the first time, and the male illustrated for the first time. All Haplodrassus species occurring in the Maghreb are redescribed as well as Haplodrassus macellinus (Thorell, 1871), only occurring in S.W. Europe and deleted from the North African list. New distribution data and photos of other European Haplodrassus species are presented.
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Charbonnier, Sylvain, Giorgio Teruzzi, Denis Audo, Maxime Lasseron, Carolin Haug, and Joachim T. Haug. "New thylacocephalans from the Cretaceous Lagerstätten of Lebanon." Bulletin de la Société géologique de France 188, no. 3 (2017): 19. http://dx.doi.org/10.1051/bsgf/2017176.

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Thylacocephalans (Euarthropoda, Thylacocephala) are characterized by their “bivalved” carapace and three anterior prehensile appendages. It is still not clear how they used to live, or what their evolutionary history is. This study focuses on new thylacocephalans from the Late Cretaceous Konservat-Lagerstätten of Lebanon, which yielded the youngest representatives of the group. Three new genera and species are described in the Cenomanian sublithographic limestones of Hakel and Hadjoula, and two new genera and one new species are described in the Santonian chalky limestones of Sahel Alma. Among the specimens from Hakel and Hadjoula, Paradollocaris vannieri, Thylacocaris schrami and Globulacaris garassinoi are the first reports of thylacocephalans in the Cenomanian of Lebanon. Paradollocaris and Thylacocaris are assigned to Dollocarididae based upon their large optic notches limited by rostral and antero-ventral processes, their hypertrophied eyes, and their posterior notches with dorsal and ventral spines. Moreover, Thylacocaris presents a very peculiar character: an optic notch with two strong optic spines protecting the eye. Globulocaris is assigned to Protozoeidae based upon its small carapace with a distinct dorsal notch anterior to a strong postero-dorsal spine. Among the specimens from Sahel Alma, Keelicaris deborae is a new form of thylacocephalans in the Santonian of Lebanon. It presents a very unusual keel-shaped carapace with terraces and punctuations, and is assigned to Microcarididae. The new genus Hamaticaris, presenting a very peculiar hooked rostrum, is also erected for Protozoea damesi Roger, 1946 (Roger J. 1946. Invertébrés des couches à poissons du Crétacé supérieur du Liban. Mémoires de la Société géologique de France (Nouvelle série) 51: 5–92). These two species add to the well-known thylacocephalans from Sahel Alma: Pseuderichtus cretaceus Dames, 1886 (Dames W. 1886. Ueber einige Crustaceen aus den Kreideablagerungen des Libanon. Zeitschrift der Deutschen Geologischen Gesellschaft 38: 551–575), Protozoea hilgendorfi Dames, 1886 and Thylacocephalus cymolopos Lange et al., 2001 (Lange S, Hof CHJ, Schram FR, Steeman FA. 2001. New genus and species from the Cretaceous of Lebanon links the Thylacocephala to the Crustacea. Palaeontology 44 (5): 905–912). The occurrence of such diverse fauna of thylacocephalans markedly increases the diversity of the group during the Late Cretaceous. The diversity and abundance of the Sahel Alma thylacocephalans pose also the problem of causes of their disappearance from the fossil record after the Santonian.
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Lewuillon, Serge. "Archaeological illustrations: a new development in 19th century science." Antiquity 76, no. 291 (March 2002): 223–34. http://dx.doi.org/10.1017/s0003598x00090025.

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A museum on paperA recent colloquium on French archaeology in the second half of the 19th century drew attention to the work of a talented illustrator, Victor Caucheiné, several of whose watercolours may be seen at the niuseuni in Compiègne. Additional research, intended to place this painterarchaeologist in historical context, showed that his situation was not unique and that, during the same period, in France well as elsewhere in Europe, there was a surge of interest in reproductions of objects and of archaeological sites. This is not to be confused with the fashion for romantic landscapes, of which Baron Taylor's Voyuges dons l'ancienne France serves as a good example (Adhémar 1997), nor with the passion for monuments, as shown by the imposing collection of Laborde (Laborde 1816-1836). Rather, this activity was the doing of an archaeological school which, for three-quarters of a century, set out to explore the meaning of archaeological excavation and their associated finds.
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Schlirf, Michael. "Taxonomic reassessment ofBolonia Meunier, 1886 (trace fossil) based on new material from the type area in Boulonnais, northern France." Paläontologische Zeitschrift 76, no. 2 (October 2002): 331–38. http://dx.doi.org/10.1007/bf02989868.

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Novikova, Elena G., Ekaterina M. Ponkratova, and Anna G. Kozhevnikova. "A geopolitical map of Fyodor Dostoevsky’s world: A systematic description." Tekst. Kniga. Knigoizdanie, no. 28 (2022): 5–21. http://dx.doi.org/10.17223/23062061/28/1.

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The relevance of the study lies in the facts that it explores the issues related to the global significance of Dostoevsky’s literary heritage and interdisciplinary approaches to analyzing Russian literature. The significance of the study is stipulated by the current state of scientific knowledge concerning a particular role of literary works in describing and interpreting global political and state processes. The aim of the study is to reconstruct and map Dostoevsky’s geopolitical worldview based on the analysis of his literary and journalistic works. To consider the writer’s works from the standpoint of his involvement into the political issues is the first attempt within Dostoevsky studies. The analysis of Dostoevsky’s literary heritage from a geopolitical perspective was carried out on the basis of Statisticheskiy slovar’ yazyka Dostoevskogo [Statistical Dictionary of Dostoevsky’s Language]. However, since this book does not contain draft notes and earlier versions, preliminary drafts and notebook materials, these texts were intentionally explored. This is the first literary study of its kind which is based on a variety of modern statistical methods. This fact makes it possible to state that the obtained results present new knowledge about Dostoevsky and are of undisputed novelty. The study is focused on big geopolitical subjects, i.e. countries, transnational and national unions, prominent regions; therefore, the present article is only the first stage of the study. In accordance with the conducted analysis and calculations, the following frequency of geopolitical subjects’ mentions is proposed: Russia (4420); France (848); Germany (735); Britain (397); Turkey (304); Siberia (223); Italy (173); Switzerland (172); Poland (145); Austria (141); America (119); Bulgaria (83); Serbia (83); China (49); Spain (40); Montenegro (38); Caucasus (38); Crimea (30); Egypt (26); Greece (23); Hungary (19); Balkans (18); Central Asia (18); Holland (15); Syria (14); Herzegovina (13); Novorossiya (10); Sweden (7); Japan (6); Altai (5); Arabia, Africa, Bosnia, Dagestan, India, Lithuania, Mexico, Sicily, Finland (each 4); Belgium, Iceland, Malta, Peru, Sandwich Islands (each 3); Brazil, Brittany, Denmark, Israel, Moldova, Romania, Sakhalin (each 2); and Galicia (1). The frequency of geopolitical subjects’ mentions by years is as follows: 1877 (2100), 1876 (1516), 1860 (567), 1880 (502), 1872 (388), 1873 (381), 1868 (366), 1862 (328), 1866 (265), 1875 (264), 1869 (170), 1863 (155), 1881 (135), 1867 (128), 1878 (122), 1864 (120), 1859 (102), 1874 (100), 1870 (96), 1856 (75), 1861 (61), 1871 (54), 1865 (52), 1846 (43), 1847 (41), 1849 (38), 1858 (25), 1854 (21), 1848 (15), 1857 (12), 1845 (5), 1843-1844 (3), 1838-1839 (2), 1879 (1); geopolitical subjects were not mentioned in 1841, 1842, 1850, 1851, 1852, 1853, and 1855. he authors express their deep gratitude to M.V. Podrezov for his assistance in preparing this article. Contribution of the authors: the authors contributed equally to this article. The authors declare no conflicts of interests.
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Dissertations / Theses on the topic "To 1886 (New France)"

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Karahasan, Devrim. "Métissage in New France and Canada 1508 to 1886." Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2009. http://d-nb.info/995097208/04.

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Legault, Réjean. "L'appareil de l'architecture moderne : new materials and architectural modernity in France, 1889-1934." Thesis, Massachusetts Institute of Technology, 1997. http://hdl.handle.net/1721.1/10774.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture and Planning, 1997.
Includes bibliographical references (v. 3, leaves 470-517).
This dissertation is an historical inquiry into the role played by new building materials in the formation of architectural modernism in France. It proceeds on the theoretical assumption that a "material" is not a technical given -- a securely defined entity in the physical and linguistic senses -- but an architectural construct whose "inherent properties" are a matter of interpretation. It suggests that within a specific architectural culture, the conceptions and uses of a material are defined by concerns that are not only constructional but involve architectural doctrines, building practices, aesthetic projects, and cultural strategies. Since the publication of Sigfried Giedion's Bauen in Frankreich. Bauen in Eisen. Bauen in Eisenbeton (1928), reinforced concrete has been commonly accepted as the common denominator of French modernism. The dissertation questions this interpretive assumption, focusing on the changing conceptions of the material as an index of transformations in French architecture and architectural culture. It covers a period that spans from the Universal Exhibition of 1889 to the early 1930s, a period which saw the development of reinforced concrete in French architecture, from its emergence within architectural discourses to its inscription within early modernist historiography. Through a close examination of contemporary books and periodicals, unpublished sources, and graphic documents, the dissertation explores the theories and works that framed the critical relationship of new material to French modernism. Inaugurated with the late nineteenth-century demise of metal as the leading material in architectural theory, the preeminence of reinforced concrete in French architecture was marked by the dispersion of rationalist tenets into competing architectural programs. The First World War was a pivotal event in this process. Of principal importance were the positions of Auguste Perret and Le Corbusier. While Perret insisted on continuity with prewar practices, emphasizing the role of craft production, Le Corbusier embraced the rupture brought about by the societe machinique, shifting towards the idea of industrialized construction. These positions were key to the technical and aesthetic definition of the modem house, from the function of the concrete frame to the nature of external revetments. They also led the way to the cultural and ideological debates that ensued on the nationality of the material and the sources of modem architecture. In the late 1920s the return of metal merely underscored the "rhetoric of materials" in the definition of French modernism.
by Réjean Legault.
Ph.D.
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Rainhorn, Judith. "Des rives, des continents : les migrants italiens à La Villette(Paris) et à East Harlem (New-York) de 1880 aux années 1930 : intégration, mobilités et territoires urbains." Tours, 2001. http://www.theses.fr/2001TOUR2043.

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Les quartiers de la Villette et d'East Harlem ont tous deux accueilli, à partir des années 1880, une vague migratoire importante en provenance d'Italie, dont l'ampleur, quoique variable au cours des six décennies que couvre la recherche, a fait des italiens le premier groupe étranger dans ces deux quartiers périphériques des métropoles parisienne et new-yorkaise. La comparaison des modes d'implantation des migrants et de leur mobilité résidentielle à l'échelle du quartier, des configurations relationnelles à l'oeuvre au sein des groupes, de l'évolution de leur inscription professionnelle dans le contexte industriel et commercial local, du maintien des pratiques démographiques, sociales et religieuses des Italiens et de leur participation à̧ la vie politique et syndicale des pays d'accueil permet d'éclairer les conditions de la constitution d'un quartier urbain à dominance ethique, de part et d'autre de l'Atlantique. L'étude des modalités de la dissolution progressive des territoires italiens, à la veille de la Seconde Guerre Mondiale, sous la coup de la transformation de l'espace urbain et de la noria migratoire, met en lumière la nature différente des deux espaces d'implantation des migrants, East harlem apparaissant comme un isolat ethique, tandis que La Villette fait figure de creuset migratoire.
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Guerpin, Martin. "Adieu New York, bonjour Paris ! : les enjeux esthétiques et culturels des appropriations du jazz dans le monde musical savant français (1900-1930)." Thèse, Paris 4, 2015. http://hdl.handle.net/1866/15948.

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Thèse réalisée en cotutelle avec l'Université Paris-Sorbonne et l'Université de Montréal. Composition du jury : M. Laurent Cugny (Université Paris-Sorbonne) ; M. Michel Duchesneau (Université de Montréal) ; M. Philippe Gumplowicz (Université d'Evry-Val d'Essonne) ; Mme Barbara Kelly (Keele University - Royal Northern College of Music) ; M. François de Médicis (Université de Montréal) ; M. Christopher Moore (Université d'Ottawa)
Cette version de la thèse a été tronquée de certains éléments protégés par le droit d’auteur (exemples musicaux et iconographie). Par conséquent, ces éléments n'apparaissent pas dans le document.
Ce travail envisage les appropriations musicales et discursives du jazz dans le monde musical savant français. Fondé sur la méthode des transferts culturels, il propose une histoire croisée de la musique savante française, de la diffusion des répertoires de jazz en Europe et de leur perception. La réflexion s’appuie sur un corpus systématique des œuvres savantes influencées le jazz et des textes que lui consacrent compositeurs et critiques. La réflexion se fonde sur l’établissement d’un corpus systématique des œuvres savantes influencées le jazz et des textes que lui consacrent compositeurs et critiques. Une analyse informée par des données issues de l’esthétique et de l’histoire culturelle montre que ces œuvres contribuèrent à différentes entreprises de redéfinition d’une identité française de la musique. Les appropriations du jazz remettent également en cause une conception de la musique populaire propre au XIXe siècle. Elles valorisent des sujets auparavant considérés comme triviaux et proposent un son nouveau, tantôt associé au modernisme mécaniste des États-Unis, tantôt à l’énergie débridée attribuée au primitivisme nègre. Enfin, elles participent à la remise au goût du jour d’un classicisme protéiforme. Ces différents aspects font l’objet d’une périodisation et d’une thématisation. Si les premiers cake-walks des années 1900 sont mis au service d’un exotisme « nègre », les emprunts au jazz à la fin des années 1910 relèvent d’un geste avant-gardiste au service d’un projet nationaliste de rétablissement de l’identité française de la musique. À partir du milieu des années 1920, suite aux efforts fructueux de Jean Wiéner pour légitimer le jazz aux yeux du monde musical savant, un discours spécialisé émerge. De nouveaux compositeurs s’y intéressent, dans la perspective d’un classicisme désormais plus cosmopolite. Tout en faisant émerger différents paradigmes de l’appropriation du jazz (cocteauiste, stravinskien, ravélien, entre autres), ce travail vise à jeter un éclairage nouveau sur la production musicale savante dans la France de l’entre-deux-guerres et sur les rencontres entre différentes traditions musicales.
This thesis deals with the musical and discursive appropriations of jazz in the French musical world. Inspired the approach of cultural transfers and crosses the history of French art music in France and the history of its diffusion and perception in Europe. To do so, it draws upon a corpus of art music pieces influenced by jazz and of texts written by composers and critics. This corpus contributes to different redefinitions of an alleged French musical identity. What is more, appropriations of jazz renew a conception of popular music that goes back to the beginning of the 19th century. They also valorize topics previously considered as trivial, and they display a new kind of sound, evoking Anglo-saxon modernism or « negro » primitivism. The different aspects mentionned above are presented in a chronological and thematic fashion. In the 1900s, the first cake-walks contribute to a tradition of « negro » exoticsm. Ten years after, borrowing to jazz has become an avant-gardist gesture, and a response to nationalist motivations. Thanks to Jean Wiéner’s efforts in order to legitimize jazz, a new group of composers and critics take an interest in it. Jazz then becomes a means to assert a more cosmopolitan classicism. This thesis identifies different paradigms of the appropriation of jazz in France. More broadly, it sheds new light on musical creation in the French art music world between 1900-1930, and on musical encounters between different musical traditions.
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Schenck, Cécile. "De la crise de l'homme moderne à la construction de l'homme nouveau dans les arts du spectacle (théâtre et danse) français et allemands des années 1880-1920." Paris 3, 2008. http://www.theses.fr/2008PA030152.

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Ma thèse porte sur l’utopie d’un Homme nouveau, censée remédier à la crise européenne de l’homme moderne apparue dès la fin du XIXe siècle, et sur les différentes conceptions du lien social rattachant l’individu à la collectivité dans deux domaines d’expression : le théâtre et la danse, dont les diverses manifestations dans le champ des arts du spectacle français et allemands reflètent un large spectre de significations esthétiques, morales, idéologiques et politiques, révélateur des profondes mutations culturelles des années 1880-1920. À un moment de grande effervescence politique et intellectuelle liée à l’Histoire européenne, artistes et intellectuels ne cessent d’invoquer la nécessité d’un changement radical de l’homme et du monde. C’est dans les arts du spectacle que cet espoir paraît certes le plus vif, mais aussi le plus ambivalent : dramaturges et chorégraphes tendent en effet à substituer à l’idée proprement révolutionnaire la thématique d’une conversion et d’une rédemption spirituelles, devant réconcilier l’individu avec lui-même et avec sa communauté, comme le montrent, des deux côtés du Rhin, les œuvres d’inspiration wagnérienne dans les années 1880-1920. Des dernières pièces de Villiers de l’Isle-Adam au théâtre mystique de Péladan et aux drames préchrétiens du jeune Claudel, des premières mises en scène chorales de Rudolf Laban aux représentations parisiennes des Ballets russes et suédois, du Théâtre du peuple à la scène futuriste et au Bauhaus, le rêve d’une œuvre d’art totale est indissociable d’une réflexion multiforme sur les possibilités d’un renouveau esthético-religieux de l’humanité décadente
My thesis bears on the utopia of the New Man, which is supposed to be a remedy to the crisis of the modern man at the end of the 19th century. It also bears on the different conceptions of the social ties by means of which the individual is attached to the community ; it explores these conceptions in two domains of expression : theater and dance, whose diverse manifestations in the field of the French and German arts of expression reflect a large spectrum of esthetic, moral, ideological and political significances. Those manifestations reveal the profound cultural mutations of the years 1880-1920. In a time of great political and intellectual effervescence related to the particular moment of European history, artists and intellectuals incessantly evoke the neccessity of a radical change of the man and the world. It is in the arts of spectacle that this hope appears in its most vivid, but also in its most ambivalent : dramatists and choreographs have the tendency to replace to a properly revolutionary idea by the thematics of a spiritual conversion and redemption, that should reconcile the individual with herself and her community, as we can see, on both sides of the Rhin river, the works inspired by Wagner in the years 1880-1920. From the last pieces of Villiers de l’Isle-Adam to the mystical theater of Péladan and the pre-christian pieces of young Claudel, from the first choral stagings of Rudolf Laban to the parisian representations of the Russian and Swedish ballets, from the People’s Theater to the futurist scene and to the Bauhaus, the dream of a total work of art is indissociable from a manifold reflexion on the possibilities of an esthetic and religious renewal of decadent humanity
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Boudin-Lestienne, Stéphane. "Paul Tissier (1886-1926) : les rôles de l'architecte." Paris 1, 2011. http://www.theses.fr/2011PA010595.

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Dplg des Beaux-Arts de Paris, Paul Tissier cultive de nombreuses relations parmi les artistes, les architectes (les frères Carlu) et les musiciens (Gabriel Fauré) de son temps. Réputé dans le domaine de l'aquarelle il fonde l'orchestre symphonique des Beaux-Arts, «Le Violon d'Ingres ». Investi dans la reconstruction de la Meuse et le mouvement régionaliste, Tissier prône, sous une forme traditionnelle, le progrès dans la conception et la construction et entame une réflexion originale sur la typologie et la modularité de l'habitat. Pour la Côte d'Azur, dès 1921, il propose sur catalogue des villas modernes inspirées de l'architecture provençale. Entre 1924 et 1926, Tissier transpose son expérience d'artiste et sa réflexion d'architecte dans la conception de grandes fêtes mondaines. Exigeantes et créatives, proposant des attractions de qualité, les « Fêtes d'Art» transforment intégralement les lieux dans lesquels elles se déroulent par des architectures éphémères ornées de fastueuse toiles peintes. Malgré la célébrité due à cette entreprise, Tissier disparaît trop tôt pour passer à la postérité. La découverte d'un considérable fonds d'archives (400 éléments de décors, un millier de documents) a permis de mesurer la cohérence de ce travail. Loin d'être en contradiction avec sa formation centrale, son parcours atypique prolonge autant qu'il renforce sa nature d'architecte. De même, selon qu'il agisse pour un client ou qu'i1 défende des conceptions personnelles, qu'i1 se présente en tant qu'expert ou urbaniste, Tissier joue des « rôles» variés qui interrogent la pratique de l'architecture.
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Ali, Omar Hamid. "Black populism in the New South, 1886-1898." Ann Arbor, Mich. : ProQuest Information and Learning, 2005. http://gateway.proquest.com/openurl?res_dat=xri:ssbe&url_ver=Z39.88-2004&rft_dat=xri:ssbe:ft:keyresource:Hunt_Diss_03.

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Gobbi, Gerald. "Biographie d'Alfred Frédéric : comte de Falloux 1811 - 1886." Paris 10, 2009. http://www.theses.fr/2009PA100018.

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La thèse de Doctorat intitulé « Alfred-Frédéric, comte de Falloux (1811-1886» soutenue par le doctorant Gérald GOBBI sous la direction de monsieur le professeur traite de la vie publique et privée du comte Alfred de falloux. Homme politique français du XIXe siècle de tendance légitimiste, il oeuvra à la restauration de la monarchie française à travers le fusionnisme. L’évolution socio-politique française, amorcée depuis la Révolution de 1789, conduisit à la défaite de sa famille politique : le dernier quart du siècle vit le triomphe de la République en France. En tant que catholique, Alfred de Falloux se rangeait dans la famille catholique libérale dont le programme était l’alliance de la religion et de la liberté pour le salut du catholicisme romain. Celui-ci malmené par le Risorgimento et l’industrialisation, luttait pour sa pérennisation au sein dune société européenne en mutation. La fin du pontifical de Pie IX, pape conservateur, marqua une évolution dans les rapports tumultueux et déséquilibrés entre les catholiques libéraux et les ultras catholiques: le pape Léon XIII, d'avantage en conformité avec les attentes du comte de Falloux, eut de bons rapports avec ce dernier. Alfred de Falloux mourut en janvier 1886 : il faisait partie des vaincus de la monarchie
The thesis of philosophies doctorate headed "Alfred-Frédéric, Comte de Falloux (1811 - 1886) " defended by Gérald GOBBI, under guidance of Professor Philippe LEVILLAIN, treats of the public and private life of the Earl Alfred de Falloux. 19th century French politician of legitimist leanings, he worked on the restoration of the French Monarchy through fusionism. The French sociopolitical evolvement initiated since the Revolution of 1789, led to the defeat of his political circle : the last quarter of the century saw the triumph of the Republic in France. Being a catholic, Alfred de Falloux sided with the liberal catholic circle which program was based on the alliance between religion and freedom for the salvation of the Roman Catholicism. Mishandled by the Risorgimento and the Industrialization, it fighted for its perpetuation in the bosom of an European society, then, in change. The end of Pie IX's pontificate, a conservative Pope, stated an evolution in the tumultuous and unbalanced relations between liberal catholics and ultracatholics : Pope Léon XIII, Gloser to Earl Alfred de Falloux's expectations, had with him, good relations. Alfred de Falloux died on January 1886 : he was part of the Monarchy's beaten ones
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Koch, Jean-Paul. "L'évolution des pratiques policières de la fin du Directoire à 1886." Toulouse 1, 1989. http://www.theses.fr/1989TOU10016.

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L'évolution des pratiques policières en France, de la fin du directoire à 1886, doit être située par rapport à l'évolution de l'ensemble du système pénal destiné à assurer la sécurité publique et la prévention du contentieux social, un certain nombre de changements affectent durant cette période les pratiques pénales et carcérales, comme une tendance à la correctionnalisation de certains crimes, la prise en compte des circonstances atténuantes, une plus forte répression de la récidive ou des tentatives pour organiser la réinsertion sociale des délinquants. Ces changements s'accompagnent de transformations du système policier, notamment dans son organisation territoriale et dans les effectifs et les moyens que celui-ci est amène à mettre en œuvre. Le bilan de cette évolution fait apparaitre une plus grande efficacité du systeme pénal, qui s'accompagne sur le plan policier de progrès qui annoncent et préparent ce que deviendront l'organisation et les pratiques policières sous la IIIe République
The evolution of the polices practicals from France, of the end of directoire to 1886, must be place in relation on the evolution of whole of the penal system destined to ensure the public security and the prepossession of the social contentious. Some numbers of changes affect during this period the carcerals and penals practited like a tenancy to the correct correctionnalisation of certain crimes, the taking on account of attenuants circumstances, a more great vigourous repression of the repetition or the attempts for organize the social delinquent's reinsertion. The changes is accompanied by the transformations of the police system, particulary in his territorial organization and in the effectives and the technicals means what is conducting to carry in execution. The result of this evolution make appear a most great efficacy of the penal system, which is brought on the police of progress what annonce and prepear that shall become the organization and the polices practicals under third Republic
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Langlais, Chloë. "Montmartre : protection patrimoniale et mémoire locale de 1886 à nos jours." Paris 5, 2005. http://www.theses.fr/2005PA05H026.

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Cette thèse de sociologie urbaine propose d'étudier les modalités de protection du patrimoine ainsi que la mise en place et la promotion de la mémoire locale montmartroise de 1886 à nos jours. La définition de l'espace montmartrois s'est appuyé sur une mobilisation locale récurrente, adaptée au contexte social et défendant l'idée d'une exception à protéger. Le patrimoine "pittoresque" de la butte a ainsi été reconnu et étendu jusqu'à devenir "esprit" caractéristique du lieu. Paradoxalement, la Ville a contribué à l'insertion spatiale de la mémoire montmartroise pour mieux l'utiliser à des fins politiques : l'évolution de la nomenclature des voies, l'usage des plaques commémoratives et des statues de la butte en attestent. Plus généralement, l'insertion de la mémoire de Montmartre dans des parcours touristiques a montré comment la promotion de cet espace avait doublement bénéficié aux habitants et aux visiteurs, qui en apprécient le cadre privilégié et valorisant.
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Books on the topic "To 1886 (New France)"

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Métissage in New France and Canada, 1508 to 1886. Frankfurt am Main: Peter Lang, internationaler Verlag der Wissenschaften, 2009.

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Walsh, Stephen. Stravinsky: A creative spring : Russia and France, 1882-1934. Berkeley: University of California Press, 2002.

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Fink, Carole. Marc Bloch: A life in history. Cambridge: Cambridge University Press, 1989.

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Fink, Carole. Marc Bloch: A life in history. Cambridge: Cambridge University Press, 1989.

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Stravinsky: The second exile : France and America, 1934-1971. New York: Alfred A. Knopf, 2006.

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Walsh, Stephen. Stravinsky: The second exile : France and America, 1934-1971. Berkeley: University of California Press, 2006.

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Walsh, Stephen. Stravinsky: The second exile : France and America, 1934-1971. Berkeley: University of California Press, 2006.

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The self between: From Freud to the new social psychology of France. Seattle: University of Washington Press, 1993.

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Interpreting American democracy in France: The career of Édouard Laboulaye, 1811-1883. Newark: University of Delaware Press, 1994.

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S, Moffett Charles, Fine Arts Museums of San Francisco., and National Gallery of Art (U.S.), eds. The New painting, Impressionism, 1874-1886: An exhibition organized by the Fine Arts Museums of San Francisco with the National Gallery of Art, Washington. Geneva, Switzerland: R. Burton, 1986.

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Book chapters on the topic "To 1886 (New France)"

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Sowerwine, Charles. "Cultural Explosion: New Theory, New Cinema, New Novel." In France since 1870, 314–27. London: Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-01385-9_23.

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Sowerwine, Charles. "Cultural Explosion: New Theory, New Cinema, New Novel." In France since 1870, 292–304. London: Macmillan Education UK, 2018. http://dx.doi.org/10.1057/978-1-137-40611-8_23.

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Rouban, Luc. "France." In New Public Managers in Europe, 151–68. London: Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-13947-7_7.

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Plihon, Dominique. "France." In Banking in the New Europe, 82–102. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230599994_4.

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Dimand, Robert W., and Richard A. Lobdell. "Kyrk, Hazel (1886–1957)." In The New Palgrave Dictionary of Economics, 7384–85. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_2760.

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Forster, R. "Bloch, Marc (1886–1944)." In The New Palgrave Dictionary of Economics, 984–85. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_448.

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Gandolfo, Giancarlo. "Amoroso, Luigi (1886–1965)." In The New Palgrave Dictionary of Economics, 305. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_60.

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Dehem, Roger. "Pirou, Gaetan (1886–1946)." In The New Palgrave Dictionary of Economics, 1–2. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1057/978-1-349-95121-5_1337-1.

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Dalton, George. "Polanyi, Karl (1886–1964)." In The New Palgrave Dictionary of Economics, 1–2. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1057/978-1-349-95121-5_1357-1.

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Dalton, George. "Polanyi, Karl (1886–1964)." In The New Palgrave Dictionary of Economics, 1–2. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/978-1-349-95121-5_1357-2.

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Conference papers on the topic "To 1886 (New France)"

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Hock, Hans Henrich. "Foreigners, Brahmins, Poets, or What? The Sociolinguistics of the Sanskrit “Renaissance”." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.2-3.

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A puzzle in the sociolinguistic history of Sanskrit is that texts with authenticated dates first appear in the 2nd century CE, after five centuries of exclusively Prakrit inscriptions. Various hypotheses have tried to account for this fact. Senart (1886) proposed that Sanskrit gained wider currency through Buddhists and Jains. Franke (1902) claimed that Sanskrit died out in India and was artificially reintroduced. Lévi (1902) argued for usurpation of Sanskrit by the Kshatrapas, foreign rulers who employed brahmins in administrative positions. Pisani (1955) instead viewed the “Sanskrit Renaissance” as the brahmins’ attempt to combat these foreign invaders. Ostler (2005) attributed the victory of Sanskrit to its ‘cultivated, self-conscious charm’; his acknowledgment of prior Sanskrit use by brahmins and kshatriyas suggests that he did not consider the victory a sudden event. The hypothesis that the early-CE public appearance of Sanskrit was a sudden event is revived by Pollock (1996, 2006). He argues that Sanskrit was originally confined to ‘sacerdotal’ contexts; that it never was a natural spoken language, as shown by its inability to communicate childhood experiences; and that ‘the epigraphic record (thin though admittedly it is) suggests … that [tribal chiefs] help[ed] create’ a new political civilization, the “Sanskrit Cosmopolis”, ‘by employing Sanskrit in a hitherto unprecedented way’. Crucial in his argument is the claim that kāvya literature was a foundational characteristic of this new civilization and that kāvya has no significant antecedents. I show that Pollock’s arguments are problematic. He ignores evidence for a continuous non-sacerdotal use of Sanskrit, as in the epics and fables. The employment of nursery words like tāta ‘daddy’/tata ‘sonny’ (also used as general terms of endearment), or ambā/ambikā ‘mommy; mother’ attest to Sanskrit’s ability to communicate childhood experiences. Kāvya, the foundation of Pollock’s “Sanskrit Cosmopolis”, has antecedents in earlier Sanskrit (and Pali). Most important, Pollock fails to show how his powerful political-poetic kāvya tradition could have arisen ex nihilo. To produce their poetry, the poets would have had to draw on a living, spoken language with all its different uses, and that language must have been current in a larger linguistic community beyond the poets, whether that community was restricted to brahmins (as commonly assumed) or also included kshatriyas (as suggested by Ostler). I conclude by considering implications for the “Sanskritization” of Southeast Asia and the possible parallel of modern “Indian English” literature.
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Kulifeev, V., V. Tarasov, O. Krivolapova, and V. Miklushevskiy. "New Trends in the Development of the Lithium Metallurgy." In 3rd France-Russia Seminar. Les Ulis, France: EDP Sciences, 2007. http://dx.doi.org/10.1051/names2007028.

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"New Tool for a Musician." In June 20-21, 2018 Paris (France). Universal Researchers, 2018. http://dx.doi.org/10.17758/uruae2.ae06184024.

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Kostritskii, S., Y. Korkishko, V. Fedorov, N. Korepanov, A. Dikevich, P. Bourson, and M. Aillerie. "Design of the New Type Integrated-Optical Elements for E-Field Sensor." In 3rd France-Russia Seminar. Les Ulis, France: EDP Sciences, 2007. http://dx.doi.org/10.1051/names2007016.

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Gauchet, Pascal E. P. "New large-format holographic laboratory in France." In Optics Quebec, edited by Tung H. Jeong. SPIE, 1994. http://dx.doi.org/10.1117/12.165594.

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"Real Estate Derivatives: New Perspectives in France." In 7th European Real Estate Society Conference: ERES Conference 2000. ERES, 2000. http://dx.doi.org/10.15396/eres2000_041.

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"Evaluation of New Antifoaming Agents on Egyptian Lubricating Oil." In June 20-21, 2018 Paris (France). Universal Researchers, 2018. http://dx.doi.org/10.17758/uruae2.ae06181022.

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Kostikova, Anna. "THE NEW CONCEPTS OF POLITICAL PHILOSOPHY IN FRANCE." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocialf2018/2.3/s07.009.

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Kostikova, Anna. "1968: THE TURN TO NEW PHILOSOPHY IN FRANCE." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/2.2/s09.054.

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Norton, Hana S. "Apaches and the mining menace: Indian-White conflicts in southwestern New Mexico, 1800-1886." In 49th Annual Fall Field Conference. New Mexico Geological Society, 1998. http://dx.doi.org/10.56577/ffc-49.55.

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Reports on the topic "To 1886 (New France)"

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Savignac, Frédérique, Erwan Gautier, Yuriy Gorodnichenko, and Olivier Coibion. Firms' Inflation Expectations: New Evidence from France. Cambridge, MA: National Bureau of Economic Research, October 2021. http://dx.doi.org/10.3386/w29376.

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Geisler, Corinna. A report on ongoing and planned non-pharmacological intervention studies for the treatment and prevention of malnutrition in elderly a MaNuEL report. Universitatsbibliothek Kiel, September 2018. http://dx.doi.org/10.21941/manuelworkpackage42.

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The "Malnutrition in the Elderly Knowledge Hub" (MaNuEL) is an action program as part of the Strategic Research Agenda of the Joint Programming Initiative "A Healthy Diet for a Healthy Life". In the MaNuEL project experts of 22 research groups from 7 countries (Austria, France, Germany, Ireland, Spain, the Netherlands and New Zealand) came together to bundle up all the knowledge on malnutrition.
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Tian, Nan, Siemon T. Wezeman, Pieter D. Wezeman, Aude Fleurant, and Alexandra Kuimova. Trends in International Arms Transfers, 2018. Stockholm International Peace Research Institute, March 2019. http://dx.doi.org/10.55163/sxak9616.

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The volume of international transfers of major arms in 2014–18 was 7.8 per cent higher than in 2009–13 and 23 per cent higher than in 2004–2008. The five largest exporters in 2014–18 were the United States, Russia, France, Germany and China. The five largest importers were Saudi Arabia, India, Egypt, Australia and Algeria. The flow of arms to the Middle East increased by 87 per cent between 2009–13 and 2014–18, while there was a decrease in flows to all other regions. From 11 March 2019 the freely accessible SIPRI Arms Transfers Database includes updated data on arms transfers for 1950–2018. Based on the new data, this Fact Sheet highlights global and regional trends and selected issues related to arms transfers.
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Béraud-Sudreau, Lucie, Paul Holtom, Mark Bromley, Pieter D. Wezeman, and Siemon T. Wezeman. Trends in International Arms Transfers, 2010. Stockholm International Peace Research Institute, March 2011. http://dx.doi.org/10.55163/pkdq7817.

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The SIPRI Arms Transfers Database now contains information on all international transfers of major conventional weapons from 1950 to the end of 2010. It is the only publicly available resource providing consistent data on international arms transfers for this length of time. This Fact Sheet describes the trends in international arms transfers that are revealed by the new data. It lists the main suppliers and recipients for the period 2006–10 and describes the changes in regional trends. The volume of international transfers of major conventional weapons for the period 2006–10 was 24 per cent higher than for the period 2001–2005. The five biggest suppliers in 2006–10 were the United States, Russia, Germany, France and the United Kingdom. The five biggest recipients were India, China, South Korea, Pakistan and Greece.
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Wezeman, Pieter, Aude Fleurant, Alexandra Kuimova, Diego Lopes da Silva, Nan Tian, and Siemon Wezeman. Trends in International Arms Transfers, 2019. Stockholm International Peace Research Institute, March 2022. http://dx.doi.org/10.55163/yjyw4676.

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The volume of international transfers of major arms in 2015–19 was 5.5 per cent higher than in 2010–14 and 20 per cent higher than in 2005–2009. The five largest exporters in 2015–19 were the United States, Russia, France, Germany and China. The five largest importers were Saudi Arabia, India, Egypt, Australia and China. Between 2010–14 and 2015–19, there were increases in arms transfers to the Middle East and to Europe, while there were decreases in the transfers to Africa, the Americas and Asia and Oceania. From 9 March 2020 the freely accessible SIPRI Arms Transfers Database includes updated data on arms transfers for 1950–2019. Based on the new data, this Fact Sheet presents global trends in arms exports and arms imports and highlights selected issues related to arms transfers.
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Wezeman, Pieter, Alexandra Kuimova, and Siemon Wezeman. Trends in International Arms Transfers, 2020. Stockholm International Peace Research Institute, March 2021. http://dx.doi.org/10.55163/mbxq1526.

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The volume of international transfers of major arms in 2016–20 was 0.5 per cent lower than in 2011–15 and 12 per cent higher than in 2006–10. The five largest arms exporters in 2016–20 were the United States, Russia, France, Germany and China. The five largest arms importers were Saudi Arabia, India, Egypt, Australia and China. Between 2011–15 and 2016–20 there were increases in arms transfers to the Middle East and to Europe, while there were decreases in the transfers to Africa, the Americas, and Asia and Oceania. From 15 March 2021 SIPRI’s open-access Arms Transfers Database includes updated data on transfers of major arms for 1950–2020, which replaces all previous data on arms transfers published by SIPRI. Based on the new data, this Fact Sheet presents global trends in arms exports and arms imports, and highlights selected issues related to transfers of major arms.
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Wezeman, Pieter D., Alexandra Kuimova, and Siemon T. Wezeman. Trends in International Arms Transfers, 2021. Stockholm International Peace Research Institute, March 2022. http://dx.doi.org/10.55163/cbzj9986.

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The volume of international transfers of major arms in 2017–21 was 4.6 per cent lower than in 2012–16, but was 3.9 per cent higher than in 2007–11. The five largest arms exporters in 2017–21 were the United States, Russia, France, China and Germany. The five largest arms importers were India, Saudi Arabia, Egypt, Australia and China. Between 2012–16 and 2017–21 there were increases in arms transfers to Europe (19 per cent) and to the Middle East (2.8 per cent), while there were decreases in the transfers to the Americas (–36 per cent), Africa (–34 per cent), and Asia and Oceania (–4.7 per cent). From 14 March 2022 SIPRI’s open-access Arms Transfers Database includes updated data on transfers of major arms for 1950–2021, which replaces all previous data on arms transfers published by SIPRI. Based on the new data, this Fact Sheet presents global trends in arms exports and arms imports, and highlights selected issues related to transfers of major arms.
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Achakulwisut, Ploy, and Peter Erickson. Trends in fossil fuel extraction. Stockholm Environment Institute, April 2021. http://dx.doi.org/10.51414/sei2021.001.

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At present, most global GHG emissions – over 75% – are from fossil fuels. By necessity, reaching net zero emissions therefore requires dramatic reductions in fossil fuel demand and supply. Though fossil fuels have not been explicitly addressed by the UN Framework on Climate Change, a conversation has emerged about possible “supply-side” agreements on fossil fuels and climate change. For example, a number of countries, including Denmark, France, and New Zealand, have started taking measures to phase out their oil and gas production. In the United States, President Joe Biden has put a pause on new oil and gas leasing on federal lands and waters, while Vice President Kamala Harris has previously proposed a “first-ever global negotiation of the cooperative managed decline of fossil fuel production”. This paper aims to contribute to this emerging discussion. The authors present a simple analysis on where fossil fuel extraction has happened historically, and where it will continue to occur and expand if current economic trends continue without new policy interventions. By employing some simple scenario analysis, the authors also demonstrate how the phase-out of fossil fuel production is likely to be inequitable among countries, if not actively and internationally managed.
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Martin, Kathi, Nick Jushchyshyn, and Claire King. Christian Lacroix Evening gown c.1990. Drexel Digital Museum, 2017. http://dx.doi.org/10.17918/wq7d-mc48.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening gown by French fashion designer Christian Lacroix with related text. This evening gown by Christian Lacroix is from his Fall 1990 collection. It is constructed from silk plain weave, printed with an abstract motif in the bright, deep colors of the local costumes of Lacroix's native Arles, France; and embellished with diamanté and insets of handkerchief edged silk chiffon. Ruffles of pleated silk organza in a neutral bird feather print and also finished with a handkerchief edge, accentuate the asymmetrical draping of the gown. Ruching, controlled by internal drawstrings and ties, creates volume and a slight pouf, a nod to 'le pouf' silhouette Lacroix popularized in his collection for Patou in 1986. Decorative boning on the front of the bodice reflects Lacroix's early education as a costume historian and his sartorial reinterpretation of historic corsets. It is from the private collection of Mari Shaw. The panorama is an HTML5 formatted version of an ultra-high resolution ObjectVR created from stitched tiles captured with GigaPan technology. It is representative the ongoing research of the DDM, an international, interdisciplinary group of researchers focused on production, conservation and dissemination of new media for exhibition of historic fashion.
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New France circa 1740. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2010. http://dx.doi.org/10.4095/300985.

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