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Academic literature on the topic 'Titus De rerum natura'

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Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Titus De rerum natura"

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Unver, Ayse Oguz, and Sertac Arabacioglu. "HELPING PRE-SERVICE SCIENCE TEACHERS TO UNDERSTAND ATOMISM THROUGH OBSERVATIONS AND EXPERIMENTS." Journal of Baltic Science Education 14, no. 1 (February 20, 2015): 64–84. http://dx.doi.org/10.33225/jbse/15.14.64.

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Current atom concept teachings haven’t reached required levels from the points of both teaching methods and learning attainments. With this purpose in this research atom concept is conveyed to the classroom milieu through observations and experiments related to the atom concept during historical development process starting with the masterpiece of, the carrier of the atom thoughts of Antiquity to our age, Roman philosopher Lucretius, namely De Rerum Natura. The study has conducted thoughts regarding the atom in ancient and subsequent history under six headings teaching modules that would span over 11 weeks. The participants in the study were 73 pre-service science teachers. The two-tier multiple-choice diagnostic test was developed. In the analysis of the results of the test, after test hypotheses were proved, the single-factor ANOVA was employed for related samples, while frequency analysis was used for the content of the views of the participants and percentages were calculated to observe the change in alternative conceptions. Key words: concept of the atom in antiquity, experiments and observations, Titus Lucretius Carus, Two-tier Multiple-Choice Diagnostic test.
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Lapini, Walter. "Titus Lucretius Carus. De rerum natura, edizione critica con introduzione e versione a cura di E. Flores, I (libri I-III)." Elenchos 26, no. 1 (March 1, 2005): 191–201. http://dx.doi.org/10.1515/elen-2005-260114.

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Deufert, Marcus. "Titus Lucretius Carus, De rerum natura. Edizione critica con Introduzione e Versione a cura di Enrico Flores. Volume primo (Libri I–III)." Gnomon 77, no. 3 (2005): 213–24. http://dx.doi.org/10.17104/0017-1417_2005_3_213.

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Butterfield, David. "Titus Lucretius Carus, De rerum natura. Edizione critica con Introduzione e Versione a cura di Enrico Flores. Volume terzo (Libri V e VI)." Gnomon 83, no. 7 (2011): 597–608. http://dx.doi.org/10.17104/0017-1417_2011_7_597.

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Domingues, Mario Henrique. "A Natureza das Coisas." Belas Infiéis 9, no. 2 (March 30, 2020): 115–17. http://dx.doi.org/10.26512/belasinfieis.v9.n2.2020.27043.

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O poema épico-didático A Natureza das Coisas (De rerum natura), de Lucrécio (Titus Lucretius Carus ”“ séc. I a.C) é uma das grandes obras literatura universal. Fundindo poesia e filosofia, trata-se da divulgação da doutrina do filósofo grego Epicuro (300 a.C), a um tempo formado nos ensinamentos de Sócrates e reformista do atomismo de filósofos pré-socráticos, principalmente de Demócrito. No âmbito da poesia, Lucrécio influenciou grandes poetas latinos que o sucederam, tais como Virgílio, Horácio e Ovídio. O poema trata principalmente da física epicurista, em que a natureza está reduzida a átomos e ao vazio. Esta física está centrada no átomo como elemento infinitesimal da matéria, Ã qual estão submetidas outras categorias filosóficas como a metafísica (na aceitação da hipótese da existência dos deuses, mas também na diatribe contra a superstição) e a moral (na crítica ao amor visto como desejo meramente carnal e no elogio da amizade como “contrato social”). Tendo sido solapados pelo avanço do cristianismo, Lucrécio e Epicuro sofreram pelo menos mil anos de ostracismo. As críticas de Kant aos atomistas da antiguidade e a canonização científica da mecânica dos sólidos de Newton também influenciaram nesta quarentena do epicurismo. A partir do séc. XIX o poema de Lucrécio passou a receber a atenção de filósofos, poetas e tradutores. Na filosofia, foi estudado por Henry Bergson, Michel Serres (para quem Lucrécio seria o precursor da mecânica dos fluidos), Giles Deleuze, Clément Rosset, Phillipe Sollers e André Compte-Sponville. Na poesia francesa do XX, Paul Valéry e, sobretudo, Francis Ponge ecoam o requintado imagismo de Lucrécio.
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Hartman, Edwin M. "De Rerum Natura." Ruffin Series of the Society for Business Ethics 4 (2004): 201–20. http://dx.doi.org/10.5840/ruffinx200442.

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Aristotelian naturalism is a good vantage point from which to consider the moral implications of evolution. Sociobiologists err in arguing that evolution is the basis for morality: not all or only moral features and institutions are selected for. Nor does the longevity of an institution argue for its moral status. On the other hand, facts about human capacities can have implications concerning human obligations, as Aristotle suggests. Aristotle’s eudaimonistic approach to ethics suggests that the notion of interests is far subtler than many have realized, and leaves open the possibility that cooperativeness may be adaptive, virtuous, and a good thing for the agent. Lawrence and Nohria argue along remarkably similar lines, and they provide evidence against those who would question the existence of character. But promising as the Aristotelian approach is, it seems to give an inadequate account of our moral responsibility to those who are not members of our community.
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ARCELLASCHI, A. "LucrèceDe Rerum Natura." Vita Latina 176 (April 30, 2007): 87–92. http://dx.doi.org/10.2143/vl.176.0.2020791.

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Bennett, Jane. "De Rerum Natura." Strategies: Journal of Theory, Culture & Politics 13, no. 1 (May 2000): 9–22. http://dx.doi.org/10.1080/10402130050007494.

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deAngeli, Edna S., Lucretius, and C. D. N. Costa. "Lucretius: De Rerum Natura V." Classical World 80, no. 6 (1987): 466. http://dx.doi.org/10.2307/4350123.

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Edwards, Don Raymond, and John Godwin. "Lucretius: De Rerum Natura IV." Classical World 82, no. 5 (1989): 401. http://dx.doi.org/10.2307/4350439.

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Dissertations / Theses on the topic "Titus De rerum natura"

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Roberts, Hugh. ""The boundless realm of unending change" : Shelley and the politics of poetry." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28525.

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This thesis argues that in the De Rerum Natura of Lucretius Shelley found an insight into the role of contingency in physical and historical process which allowed him to go beyond the limitations of an intellectual inheritance divided between post-Kantian Romanticism and the sceptical revolutionary Enlightenment. This insight entails radical implications for our understanding of the political role of the literary text. Shelley conceives society in evolutionary terms, making poetry a revolutionary clinamen (or mutation) in the iterative cycles of social reproduction. Models drawn from contemporary chaos theory help us to understand how this entropic tendency to disorder can work simultaneously as a negentropic motor of social innovation. Building on the work of Michel Serres, who demonstrates that Lucretius anticipates the recent scientific interest in "determinate indeterminacy," this thesis shows that Shelley's understanding of historical process and the role of the poet in social reproduction has anticipated some of the implications of contemporary "chaos science" in ways that suggest models for the general application of this new paradigm of contemporary scientific thought to literary and political issues.
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Montserrat, Sangrà Jesús Maria. "Explicació atomística de fenòmens físics relacionats amb el pes, la calor i l'aigua, a través de "De rerum natura" de Lucreci." Doctoral thesis, Universitat de Barcelona, 1996. http://hdl.handle.net/10803/1803.

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Aquesta tesi està dedicada a l'estudi de les explicacions dels fenòmens físics relacionats amb el pes, la calor i l'aigua, ofertes pel poema De rerum Natura de l'atomista epicuri llatí Lucreci (Titus Lucretius Carus, 99/93-55/50 a.C.)

En ella s'identifica el poema com un tractat complet i coherent de física epicúria. S'exposa un resum de l'atomisme grec, iniciat per Leucip i Demòcrit i desenvolupat per Epicur. I també es discuteixen alguns punts problemàtics de les doctrines d'aquest, com ara l'explicació de les propietats de les coses per les formes i grandàries relatives dels seus àtoms i partícules compostes, l'explicació de l'origen del món o la funció dels quatre elements.

Es debaten qüestions relatives al pes dels cossos observables. Es mostra que en De rerum Natura el pes d'un cos és caracteritzat bàsicament com una força, resident en el mateix cos, que l'empeny cap avall, i amb la qual ell al seu torn empeny allò que té a sota o estira allò al qual està lligat; però també apareix caracteritzat en termes de moviment, com una tendència a caure o com una oposició a ser mogut o desviat del seu camí. S'analitzen les escasses dades referents a l'acceleració de caiguda. S'expliciten els factors, considerats per Lucreci, que provoquen moviments ascendents: extrusió, falta d'aire al damunt d'un cos, flux ascendent de partícules, força del vent i força de l'ànima; els mateixos factors, o semblants, es troben en l'explicació del sosteniment de les coses, com ara el animals o la terra. El món en conjunt també es troba sostingut pels àtoms que l'envolten.

Es tracten els fenòmens relacionats amb la calor, que Lucreci considera constituïda per àtoms molt petits, llisos i rodons; i amb el fred, constituït per àtoms més grans i punxeguts. Es reconeixen els àtoms de calor i de foc com a constituents dominants en alguns cossos, com ara les flames. Altres vegades aquests àtoms es troben en un cos causant un augment de la separació entre les seves partícules i un afluixament dels lligams entre elles, cosa que provoca la dilatació, la fusió o l'evaporació del cos. Altres vegades estan latents a dins d'un cos, com ara una fusta, i poden provocar-ne l'escalfament, o fins i tot la ignició, si s'agrupen com cal a causa d'una percussió, una fricció, un moviment o una arribada de partícules de calor i de foc des de fora. Es reconeix un cicle de la calor en el món, amb diversos bucles; el principal està constituït per partícules de calor que conflueixen des de tot arreu cap a la regió astral, en especial cap al sol, i que tornen a ser emeses des d'aquí també cap a tot arreu.

S'explicita el cicle de l'aigua, amb diversos bucles, i les explicacions dels fenòmens que hi intervenen; l'aigua apareix constituïda per àtoms petits, rodons i llisos, en comparació amb els de la terra, però no tan petits com els de la calor ni els de l'aire. El cos de l'aigua es veu destruït pels raigs del sol i pels vents, que desfan el seu teixit corpuscular, i així les partícules d'aigua passen a l'aire. Tornen a agrupar-se i a constituir aigua líquida quan són capturades per un teixit adequat, com el dels núvols; aquests la deixen caure sobretot quan són comprimits. La major part dels bucles són comuns entre els autors grecs i romans; però un es troba només en Lucreci: el formen les partícules d'aigua que entren i surten del món.

S'inclou, com apèndix, un "Índex d'idees en De rerum natura" molt detallat, que permet la ràpida localització dels versos referents a cada idea.
Lucretius's poem is introduced in the thesis as a treatise on Epicurean atomistic physics, and a summary of Greek atomism is offered. Some problematic points of Epicurean doctrines are discussed, like the explanation of the world's origin or the role of the four traditional elements.

Various questions related to Epicurean ideas on weight of visible bodies, and on their fall, ascension and sustenance are debated. The weight of a body appears basically as a force which resides inside it and pushes it downwards. The scarce data related to fall acceleration are analyzed. The processes that cause the ascent of things are identified: extrusion, lack of air only above a body, ascending stream of particles, force of wind and force of the soul. The sustenance of the world by the surrounding atoms is made clear.

The subjects related to heat and cold, formed by specific atoms, are treated; among them, the effects of heat on things: increase of separation and loosening of bonds between their particles, which produces their expansion and softening, melting or evaporation. Heat atoms latent in a thing, like in wood, can constitute heat and provoke warming or ignition, if they adequately regroup by percussion, friction, movement or arrival of other particles. Heat makes a complex cycle with different loops; the main one is constituted by heat particles which flow from the whole world to the sun and astral zone, and are sent back out again.

The water cycle reflected in De rerum natura is reconstructed, and explanations of phenomena involved in it are analyzed. Water is formed by smooth, round, tiny atoms, as opposed to solid materials like earth, but not as small as those of heat or air. In the evaporation it suffers destruction by the sun rays and winds, which scatter its particles into the air; when these rejoin, mainly by being trapped in the clouds' tissue, they form liquid water again. These processes must not be interpreted as transformations of "elements" into one another, but as partial destructions and generations of the great members of the world.
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Shelton, Matthew James. "Madness in Lucretius' De rerum natura." Master's thesis, University of Cape Town, 2012. http://hdl.handle.net/11427/11946.

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In the following thesis I examine the experience and etiology of madness in Epicurean philosophy and focus on Lucretius’ accounts of epistemology, disease and emotion in De rerum natura. I situate my general argument within Lucretius’ accounts of the physical and cognitive aspects of emotional disorder.
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Gale, Monica Rachel. "Myth in the De Rerum Natura of Lucretius." Thesis, University of Cambridge, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239210.

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Woolerton, Emma Murdina. "Lucretius de Rerum Natura 2.333-729 : critical analysis." Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.615856.

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Butterfield, D. J. "The early textual history of Lucretius' De Rerum Natura." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.597190.

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The thesis concerns the manuscript history of Lucretius’ De Rerum Natura between the work’s composition in the mid-first century BC and its rediscovery by Poggio in 1417/18. The thesis develops the arguments proving the descent of the Poggianus from O (s.IX), thereby rendering the Italian manuscripts mere codices descripti, and therefore focuses upon three related ninth century mss O, Q and S (= GVU). The thesis bolsters knowledge about the direct and indirect transmission of Lucretius’ DRN with a view to establishing a more secure basis for the editing and textual criticism of the poem. The first chapter outlines the major details about OQS, attempting to reconstruct their origins and individual histories from being written until arriving in their current locations. Various loose ends regarding the citation of codices and lections in printed editions and (by hand) in the margins of a number of such books, are tidied up. The chapter then treats the relationship of the Italic mss to OQS. The second chapter summaries the utility of the indirect tradition for DRN. On the basis of a complete apparatus fontium for the work (published online), and a survey of all mentions and citations of Lucretius, from the mid-first century BC to the early fifteenth century AD, an evaluation of such witnesses is provided. The capitula interspersed throughout the poem and the indices of them preceding Books IV-VI repay close study. I argue that they originated as marginal jottings from two readers of Antiquity, seemingly intended only for their own benefit. On the basis of a full collation of all corrections in O (totalling over 2,000 items and published online), six later hands are distinguished. Of these, only one (that of the Irishman Dungal) is shown to have used another manuscript as he worked, albeit not always. The modus operandi of each of these various annotators is analysed thoroughly. Some 28 marginal jottings in a Carolingian hand can be found spread throughout Q. Chapter 5 briefly treats their role and surveys the few other notes that entered Q prior to the Renaissance (pre-Q2). A revised reconstruction of the archetype’s foliation is attempted, along with a succinct discussion of scripts of preceding phases of transmission.
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Godwin, John. "Aesthetic ethics in the De Rerum Natura of Lucretius." Thesis, Open University, 1998. http://oro.open.ac.uk/57862/.

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The avowed purpose of Lucretius' poem is the ethical conversion of the reader, but ethics comes a very poor second to the physics in apparent importance within the text. This thesis argues that for Lucretius ethics is closely linked to aesthetics in the following ways: 1) ethics for Lucretius is a matter of seeing the truth about the world and thus relies on our senses and a'{aeT7OlS 2) the wise man is advised to watch the world aesthetically with all its sufferings rather than become involved in politics and love himself, the aesthetic appreciation of the spectacle being recommended as the ethically correct way to live. This last is a theatrical stance and is well supported by Lucretius' debt to the theatre which underlies so much of the poem; the poem draws on the theatre as a metaphor and simile as well as using examples drawn from plays, both tragic and comic, in preference to taking ethical examples from Roman 'life'. The status of the ·wise man looking down is also close to that of the Homeric gods and gives the poet and the reader the divine life which the text promises both in the freedom from fear and pain and also in the serene appreciation of the world as an aesthetic phenomenon; it also explains the sense in which Epicurus is seen in the poem as divine.
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Buglass, Abigail Kate. "Repetition and internal allusion in Lucretius' 'De Rerum Natura'." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:b20951f7-d299-4c5f-8470-5e67be1340ff.

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This thesis aims to solve the apparent problem of the frequent repetitions in Lucretius' De Rerum Natura (DRN). Verbal repetitions of many different lengths pervade DRN, and are noted in the scholarship. Yet a consensus has not been reached as to their purpose and function, or even if they rightly belong in the text. Multi-linear repetitions are viewed as a temporary stop-gap which Lucretius would have removed or adjusted had he lived long enough to effect it; or as later interpolations; while shorter repetitions are underplayed or even ignored altogether. But repetitions and internal allusions in DRN are part of a purposeful, meaningful didactic and rhetorical strategy, and they form much of the intellectual structure of the poem. These internal connections combine in DRN to form a remarkably complex intratextual network. The thesis argues that repetition is a crucial way in which Lucretius conveys his arguments and persuades the reader to pursue a rational life. Chapter 1 analyses the ways in which Lucretius' epic predecessors used repetition and how Lucretius may have applied these models. Chapter 2 looks at the internal evidence for the alleged unfinished state of the poem and examines the function of long repetitions in DRN. Chapter 3 investigates the rhetorical background to and functions of different kinds of repetition in DRN. Chapter 4 explores the didactic and psychological effects of repetitions and internal allusions. Chapter 5 shows how repetition creates an image of the world Lucretius describes: just as Lucretius tells us that atoms and compounds make up different substances depending on their arrangement in combination, so repetitions perform different functions and produce different outcomes depending on their placement in the text. Throughout the poem, repetition serves again and again to reinforce Lucretius' message, creating argumentative unity, and bringing order from chaos.
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Holm, Seth. "Honeyed cups: latent didacticism in Lucretius' De Rerum Natura." Thesis, Boston University, 2013. https://hdl.handle.net/2144/12782.

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Thesis (Ph.D.)--Boston University. An updated version of this dissertation was published in TAPA 143.2: "The Specter of Tantalus: Didactic Latency in Dererum natura." https://classicalstudies.org/publications-and-research/TAPA/tapa-issue-1432
This dissertation approaches Lucretius' poem as an attempt to communicate persuasively across the border between science, Literature and religion. Acknowledging the challenge that Lucretius was issuing to his Roman audience, I offer a reading of De Rerum Natura as a piece ofphilosophical evangelism directed toward individuals in a society that was generally apathetic toward philosophy and particularly hostile toward Epicureanism. Many of Lucretius' contemporaries perceived the Epicurean doctrines of divine passivity as a threat to the sanctity of traditional morality and an attempt to dismantle the very framework on which their society was built. In this hostile intellectual climate, Lucretius employed literary convention and rhetorical innovation in order to make his rejection of the supernatural acceptable and appealing to an audience steeped in a culture of myths and gods. To this end, Lucretius presented his audience with a philosophical treatise that, in part, resembled an epic poem. Lucretius himself likened his poetry to the honey rimming the medicine cup to disguise the bitter taste of the philosophy within (1.925ff.). This dissertation identifies new "honeyed cups" beyond Lucretius' use of verse. I begin by defending the poem's disputed didactic intent as genuine (ch. 1), and outline the challenges that Lucretius faced in presenting his philosophy to his Roman audience (ch. 2). I then characterize the subtle didacticism that Lucretius employed to overcome those challenges (ch. 3), bringing together the contributions of previous Lucretian scholarship to form a complex picture that reveals Lucretius' use of wordplay , literary allusion, and progressive naturalization of myth as elements of a unified pedagogical strategy (ch. 4). I then proceed to describe the psychagogic quality of "latent myths," illuminating previously underappreciated passages in which Lucretius subtly references popular mythology within descriptions of natural phenomena, creating implicit mythological allegories that serve both to naturalize myth, and also to encourage subliminally the impulse to see nature's truth within supernatural fictions (ch. 5).
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Morenval, Alexandra. "Le Tout et l'infini dans le De rerum natura de Lucrèce." Thesis, Université Grenoble Alpes (ComUE), 2015. http://www.theses.fr/2015GREAL011/document.

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Cette étude a pour objectif de démontrer l'importance capitale de Lucrèce dans l'introduction de l'infini à Rome et au sein de l'histoire de la philosophie : bien qu'il se fonde sur les écrits de son maître grec, Épicure, le poète propose une réponse nouvelle, originale, moderne et féconde à la dialectique du Tout et de l'infini en réconciliant ces deux notions au moyen de son poème en langue latine. Sous son stylet, l'infini devient plus réel, plus tangible et évident, plus vaste et intense, plus enthousiasmant et grandiose. La poésie n'est pas seulement un agrément. Elle contribue à la maîtrise de l'infini épicurien et à la valorisation de cette notion. La démarche adoptée pour cette démonstration, bien que littéraire à la base, est transdisciplinaire : l'étude tente d'offrir une vision synthétique de l'infini de Lucrèce, poète, philosophe et scientifique
This study aims to demonstrate Lucretius'major role in the introduction of infinity in Rome and within the history of philosophy. Although he bases his argument on the writings of his Greek teacher, Epicurus, the poet offers a new, original, modern and fertile answer to the dialectic of the Whole and infinity when reconciling these two notions by means of his poem in Latin language. Under his stylus, infinity becomes more real, more tangible and obvious, vaster and more intense, more exciting and magnificent. The poetry is not only a charm. It contributes to the good command of the Epicurean infinity and to the promotion of this notion. The approach I adopted for this demonstration, although literary at the root, is interdisciplinary : the study tries to offer a synthetic view of the infinity of Lucretius, a poet, a philosopher and a scientist
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Books on the topic "Titus De rerum natura"

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Carus, Titus Lucretius. Selections from the De rerum natura. Bristol: Bristol Classical Press, 2000.

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Pascual, Pedro. Partículas e interacciones "De rerum natura" Titus Lucretius Carus. [València]: Universitat de València, 1987.

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Carus, Titus Lucretius. De rerum natura. 2nd ed. Cambridge, Mass: Harvard University Press, 1992.

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Carus, Titus Lucretius. De rerum natura. Napoli: Bibliopolis, 2002.

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Lucretius on death and anxiety: Poetry and philosophy in De Rerum Natura. Princeton, N.J: Princeton University Press, 1990.

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Lucretius and his sources: A study of Lucretius, "De rerum natura" I 635-920. Berlin: De Gruyter, 2012.

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Carus, Titus Lucretius. La natura delle cose =: De rerum natura. Milano: A. Mondadori, 1992.

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Carus, Titus Lucretius. On the nature of things =: De rerum natura. Baltimore: Johns Hopkins University Press, 1995.

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Carus, Titus Lucretius. John Evelyn's translation of Titus Lucretius Carus De rerum natura: An old-spelling critical edition. Frankfurt am Main: Peter Lang, 2000.

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The rhetoric of explanation in Lucretius' De rerum natura. Leiden: Brill, 2008.

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Book chapters on the topic "Titus De rerum natura"

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Mellein, Richard. "Lukrez: De rerum natura." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_15868-1.

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Horstmann, Henning. "Lukrez: De rerum natura." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2022. http://dx.doi.org/10.1007/978-3-476-05728-0_15868-2.

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Schuhmann, Karl. "Telesio, Bernardino: De rerum natura iuxta propria principia." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_20320-1.

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Ahern, Eoghan. "De natura rerum and the topography of the cosmos." In Bede and the Cosmos, 30–54. Abingdon, Oxon ; New York, NY : Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429430749-2.

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Egnatius, _. "De Rerum Natura." In The Fragmentary Latin Poets, edited by Edward Courtney. Oxford University Press, 1993. http://dx.doi.org/10.1093/oseo/instance.00076771.

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Godwin, John. "De Rerum Natura." In De Rerum Natura IV, 11–82. Liverpool University Press, 1987. http://dx.doi.org/10.3828/liverpool/9780856683084.003.0002.

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avia Pieridum peragro loca nullius ante trita solo. iuvat integros accedere fontis atque haurire, iuvatque novos decerpere flores insignemque mea capiti petere inde coronam unde prius nulli velarint tempora Musae: primum quod magnis doceo de rebus et artis religionum animum nodis exsolvere pergo, deinde quod obscura de re tarn lucida pango...
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7

"De rerum natura." In Encyclopedia of Renaissance Philosophy, 976. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-14169-5_300073.

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Zetzel, James E. G. "Rerum publicarum natura." In The Lost Republic, 241–64. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197626092.003.0013.

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The second half of Scipio’s narrative of Roman constitutional history is more difficult than the first, in part because it is much more fragmentary, in part because it considers less the narrative of events than the causes of change in government. There are several important issues. One is the nature of the natura that causes change. Another is the way in which reason can anticipate or avoid constitutional decay. A third is the proper balance of elements in a mixed constitution and how it can be maintained. And a fourth, perhaps most important, is the role of individual character in constitutional change. The fragmentary state of the text makes it harder to define the role of the individual described as tutor or rector—the group of potential leaders who can step forward in a crisis. The very fragmentary Book 4 will have explained the social and governmental institutions that produce such men, and are in turn kept alive by them.
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"Praefatio." In De rerum natura, VII—XXXIV. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110959512-001.

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"Index editionum et commentationum quae in apparatibus laudantur." In De rerum natura, XXXV—XLV. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110959512-002.

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