Dissertations / Theses on the topic 'Time in motion pictures'
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Rassos, Effie School of Media Film & Theatre UNSW. "Everyday narratives - reconsidering filmic temporality and spectatorial affect through the quotidian." Awarded by:University of New South Wales. School of Media, Film & Theatre, 2005. http://handle.unsw.edu.au/1959.4/25717.
Full textLaw, Yuk-wa. "On time and festivity : a study of Chinese new year films /." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38301155.
Full textPigott, Michael. "Time and film style." Thesis, University of Warwick, 2009. http://wrap.warwick.ac.uk/3780/.
Full textBarotsi, Rosa. "Contemporary European cinema, time, and the everyday." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648429.
Full textRaffaele, Julie. "Tide weavers project." Thesis, Raffaele, Julie (2007) Tide weavers project. Masters by Research thesis, Murdoch University, 2007. https://researchrepository.murdoch.edu.au/id/eprint/271/.
Full textRaffaele, Julie. "Tide weavers project." Raffaele, Julie (2007) Tide weavers project. Masters by Research thesis, Murdoch University, 2007. http://researchrepository.murdoch.edu.au/271/.
Full textMartin-Jones, David. "Becoming-other in time : the Deleuzian subject in cinema." Thesis, University of Glasgow, 2002. http://theses.gla.ac.uk/2738/.
Full textLaw, Wing-mei, and 羅詠美. "The challenges to historical time in postmodernism." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B29813712.
Full textTotaro, Donato. "Time and the long take in The Magnificent Ambersons, Ugetsu and Stalker." Thesis, University of Warwick, 2001. http://wrap.warwick.ac.uk/2355/.
Full textTatlock, Melissa S. "From Titanic to Star Wars : a Derridean deconstructive analysis of the minimization of violence in the 25 top grossing films of all-time /." Halifax, N.S. : Saint Mary's University, 2009.
Find full textRamlochand, John. "Japanese cinema : time space nation." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102159.
Full textThe first part of the dissertation features an extended analysis of Japanese society using a variety of historical, philosophical and theoretical sources, both Japanese and foreign. They provide a theoretical base and a social history that ground the critical readings of the selected films; all of which are well-known and widely available. Part two is a close textual analysis of five 1950s productions---from a range of films and genres---that are contrasted with three films from the late 1980s/early 1990s. The final chapter examines notions about National Cinema in light of the preceding film analysis.
Walsh, John. "A space and time machine : actuality cinema in New York City, 1890s to c. 1905." Thesis, University of Nottingham, 2005. http://eprints.nottingham.ac.uk/10142/.
Full textLaw, Yuk-wa, and 羅玉華. "On time and festivity: a study of Chinese newyear films." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B38301155.
Full textGurski, Remi J. "Real-time motion picture restoration." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ38631.pdf.
Full textLord, Bruce Allan. "Time matching of separate cine camera views for three dimensional motion studies." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25144.
Full textEducation, Faculty of
Curriculum and Pedagogy (EDCP), Department of
Graduate
McSorley, Tom. "Modern times : time and the modern in the fiction films of William D. MacGillivray." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33477.
Full textVanmalderghem, Olivier. "L'unité du film: une systémique du récit cinématographique." Doctoral thesis, Universite Libre de Bruxelles, 1995. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212516.
Full textElkington, Trevor G. "Moments in space, spaces in time : phenomenology and the embodied depth of cinematic image /." Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/6621.
Full textRybin, Steven M. "The Historical Thought of Film: Terrence Malick and Philosophical Cinema." View abstract, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3375107.
Full textCork, Kevin James. "Twenty-four miles around Nelungaloo : the history and importance of cinema exhibition in pre-television times to a country area of central-western New South Wales /." View thesis, 1994. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030916.125146/index.html.
Full textParpoulova, Petia R. "Amalgamated spaces of modernity /." Thesis, Connect to this title online; UW restricted, 2008. http://hdl.handle.net/1773/6638.
Full textGotardo, Paulo Fabiano Urnau. "Modeling Smooth Time-Trajectories for Camera and Deformable Shape in Structure from Motion with Occlusion." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1280941484.
Full textTohline, Andrew M. "Towards a History and Aesthetics of Reverse Motion." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1438771690.
Full textSlaughter, Stephany Lynn. "Performing the Mexican revolution in neoliberal times reinventing iconographies, nation, and gender /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1164735049.
Full textPowell-Jones, Lindsay. "Deleuze and Tarkovsky : the time image and post-war Soviet cinema history." Thesis, Cardiff University, 2016. http://orca.cf.ac.uk/93276/.
Full textGuler, Mehmet Soner. "3d Animation For Hand Preshaping." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/2/12607117/index.pdf.
Full textFitch, Stephan J. (Stephan John). "Cinema Server = s/t (story over time) : an interface for interactive motion picture design." Thesis, Massachusetts Institute of Technology, 1993. http://hdl.handle.net/1721.1/66353.
Full textWhitehurst, Katherine F. "Adapting Snow White : tracing female maturation and ageing across film, television and the comic book." Thesis, University of Stirling, 2016. http://hdl.handle.net/1893/24054.
Full textTurner-Reed, Laura. "'Gimme That Ole Time Religion': Traditionalism, Progressivism and Popular Media." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3202/.
Full textHernon, Hiatt K. "INFINITE JEST 2." Ohio University Honors Tutorial College / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1526633419508737.
Full textWade, Tom H. "Circulation of the Light: Mandalas, Alchemy, and Non-Linear Cinema." Ohio University Honors Tutorial College / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors149441657291478.
Full textGallina, Dino. "RED TIDE: A FEATURE LENGTH MOTION PICTURE." Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2198.
Full textM.F.A.
School of Film and Digital Media
Arts and Humanities
Film and Digital Media MFA
Cazdyn, Eric M. "Problem cinema : culture, capital and form in Japan /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9908497.
Full textChan, Kim-mui Eileen. "Postmodernity and recent Hong Kong cinema /." Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18539191.
Full textCarbonaro, Joseph. "Enabling church members to evaluate the moral content of feature films." Theological Research Exchange Network (TREN), 1997. http://www.tren.com.
Full textBontrager, Nicholas A. "The Conflation of Image Making and Image Fixation in Six Acts." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1307722193.
Full textTam, Siu-yan Xavier. "Between penumbrae and shadow contextualizing transnational queer Chinese cinemas /." Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B44142663.
Full textVan, Liew Maria. "Democratic women : gender, national discourse and the cinema of post-Franco Spain /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1997. http://wwwlib.umi.com/cr/ucsd/fullcit?p9820983.
Full textWang, Qi. "Writing against oblivion personal filmmaking from the forsaken generation in post-socialist China /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1619151901&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Full textFranco, Carlos Fernando Martins. "Modulações do tempo no audiovisual: dos espaços densos aos tempos espessos." Universidade do Vale do Rio dos Sinos, 2010. http://www.repositorio.jesuita.org.br/handle/UNISINOS/4267.
Full textMade available in DSpace on 2015-07-06T23:21:44Z (GMT). No. of bitstreams: 1 CarlosFranco.pdf: 2349826 bytes, checksum: 04c86e29097d13a9ffab0780b0f37a32 (MD5) Previous issue date: 2010-06-16
UFT - Universidade Federal do Tocantins
A presente tese buscou entender a tensão perceptória no audiovisual quando num plano não há cortes, cortes esses através dos quais tradicionalmente se confere ritmo a um fluxo. Partiuse de Bergson em Matéria e memória e Deleuze em Diferença e repetição, que versam sobre o tempo e o espaço, bem como de pensadores do audiovisual como Eisenstein, Martin e Aumont. A desconstrução das três dimensões do tempo (diegético, enunciatório e perceptório), clássicas no cinema, se deu em paralelo à análise de planos-sequência de materiais expressivos diversos. Utilizou-se o método intuitivo de Bergson, que permitiu cogitar a existência de uma quarta dimensão, a do tempo dos objetos no quadro, que comporta seu dinamismo bem como sua duração. Chegou-se assim a definir, como alternativa ao conceito de ritmo, a modulação do tempo como uma articulação entre o tempo perceptual e o tempo dos objetos, que abarca tanto o intervalo (enquanto espaços ou instantes perceptíveis no quadro) quanto a duração (e outras virtualidades, no fluxo).
This research tried to understand framed temporality phenomena inside audiovisual expression. This has begun from Bergson and Deleuze, with these theories that studies time and space, as well as motion pictured expressions authors as Eisenstein, Martin and Aumont. The unconstructing the three classical time dimensions (story time, opera time and perceptual time) has happened simultaneously with the non-cut scene analyses of several expressive materials. This has used the intuitive method by Bergson, which permitted speculate the existence of the forth time dimension beyond the three classical, the object time on a frame, composed by its spiritual time and dynamic time. This has defined, as alternative from rithm concept, the time modulation as an articulation between perceptual and object time, that contains the dynamic interval and spiritual time (durée).
Restoule, Jean-Paul. "How "Indians" are read the representation of aboriginality in films by native and non-native directors /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ30998.pdf.
Full textCraddolph, Hayden V. "Developing a community of independent film/video producers to foster creation, marketing, and distribution of digital media." online access from Digital Dissertation Consortium, 2006. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?EP21256.
Full textYang, Jing. "The construction of the Chinese woman in 1990s American cinema." Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B43813185.
Full textLau, Tsz-wan Christal. "Ethics in the production of Hong Kong movies." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/HKUTO/record/B39559105.
Full textWilliams, Danielle E. Winn J. Emmett. "Local motion picture exhibition in Auburn, for 1894-1928 a cultural history from a communication perspective /." Auburn, Ala., 2004. http://repo.lib.auburn.edu/EtdRoot/2004/SUMMER/Communication_and_Journalism/Thesis/willide_31_Williams.pdf.
Full textTiburzi, Brian M. "The fifth generation Chinese cinema's "great leap forward" /." online access from Digital Dissertation Consortium, 2007. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?1445180.
Full textGalt, Rosalind. "Redrawing the map of Europe space, history and spectacle in new European cinema /." [S.l. : s.n.], 2002. http://books.google.com/books?id=kV9ZAAAAMAAJ.
Full textGulledge, Jim. "A search for myth and metanarrative in films popular among college students an alternative model for Christian evaluation /." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.
Full textSzaloky, Melinda Terezia. "Mutual images transcendental reflections on cinema and the aesthetic between Kant and Deleuze /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1906570811&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Full textZhu, Ying. "From art to commerce : Chinese cinema in the era of reforms /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.
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